Fujifilm X-H1 vs Leica M9
The Fujifilm X-H1 and the Leica M9 are two enthusiast cameras that were officially introduced, respectively, in February 2018 and September 2009. The X-H1 is a mirrorless interchangeable lens camera, while the M9 is a rangefinder-style mirrorless. The cameras are based on an APS-C (X-H1) and a full frame (M9) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Leica provides 18.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-H1||Leica M9|
|Mirrorless system camera||Rangefinder camera|
|Fujifilm X mount lenses||Leica M mount lenses|
|24 MP, APS-C Sensor||18.1 MP, Full Frame Sensor|
|4K/30p Video||no Video|
|ISO 200-12800 (100-51200)||ISO 80-2500|
|Electronic viewfinder (3690k dots)||Optical viewfinder|
|3.0" LCD, 1040k dots||2.5" LCD, 230k dots|
|Fully flexible touchscreen||Fixed screen (not touch-sensitive)|
|14 shutter flaps per second||2 shutter flaps per second|
|In-body stabilization||No shake reduction|
|Weathersealed body||Not weather sealed|
|140 x 97 x 86 mm, 673 g||139 x 80 x 37 mm, 585 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-H1 and the Leica M9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-H1 and the Leica M9. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The M9 can be obtained in two different colors (black, silver), while the X-H1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica M9 is notably smaller (18 percent) than the Fujifilm X-H1. Moreover, the M9 is markedly lighter (13 percent) than the X-H1. It is worth mentioning in this context that the X-H1 is splash and dust resistant, while the M9 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-H1) and the Leica M Lens Catalog (M9).
The power pack in the X-H1 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Fujifilm X-H1»||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Leica M9«||5.5 in||3.1 in||1.5 in||20.6 oz||..||n||Sep 2009||7,999||-||Leica M9|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon T2i« »||5.1 in||3.9 in||2.4 in||18.7 oz||440||n||Feb 2010||699||-||Canon T2i|
|Fujifilm X-T3« »||5.2 in||3.7 in||2.3 in||19.0 oz||390||Y||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-Pro2« »||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T2« »||5.2 in||3.6 in||1.9 in||17.9 oz||340||Y||Jul 2016||1,599||-||Fujifilm X-T2|
|Leica M10« »||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Jan 2017||6,595||Leica M10|
|Leica X Vario« »||5.2 in||2.9 in||3.7 in||24.0 oz||450||n||Jun 2013||2,850||Leica X Vario|
|Leica M Typ 240« »||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Sep 2012||6,950||-||Leica M Typ 240|
|Leica M8« »||5.5 in||3.1 in||1.5 in||20.8 oz||..||n||Sep 2006||5,499||-||Leica M8|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Panasonic G9« »||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Pentax KP« »||5.2 in||4.0 in||3.0 in||24.8 oz||390||Y||Jan 2017||1,099||Pentax KP|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A77« »||5.6 in||4.1 in||3.2 in||25.8 oz||470||Y||Aug 2011||1,399||-||Sony A77|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-H1 was launched at a markedly lower price (by 76 percent) than the M9, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-H1 features an APS-C sensor and the Leica M9 a full frame sensor. The sensor area in the M9 is 135 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Fujifilm X-H1 offers a higher resolution of 24 megapixels, compared with 18.1 MP of the Leica M9. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.92μm versus 6.91μm for the M9). However, it should be noted that the X-H1 is much more recent (by 8 years and 5 months) than the M9, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm X-H1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-H1 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Leica M9 are 26.1 x 17.4 inch or 66.2 x 44.1 cm for good quality, 20.8 x 13.9 inch or 53 x 35.3 cm for very good quality, and 17.4 x 11.6 inch or 44.1 x 29.4 cm for excellent quality prints.
The X-H1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-H1 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Leica M9 are ISO 80 to ISO 2500 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Fujifilm X-H1»||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-H1|
|Leica M9«||Full Frame||18.1||5212||3472||-||22.5||11.7||884||69||Leica M9|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon T2i« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||784||66||Canon T2i|
|Fujifilm X-T3« »||APS-C||26.0||6240||4160||4K/60p||-||-||-||-||Fujifilm X-T3|
|Fujifilm X-Pro2« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Fujifilm X-T2« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T2|
|Leica M10« »||Full Frame||23.8||5952||3992||-||24.4||13.2||2133||86||Leica M10|
|Leica X Vario« »||APS-C||16.1||4928||3272||1080/30p||23.4||12.7||1320||78||Leica X Vario|
|Leica M Typ 240« »||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84||Leica M Typ 240|
|Leica M8« »||APS-H||10.4||3936||2630||-||21.1||11.3||663||59||Leica M8|
|Nikon Z6« »||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Panasonic G9« »||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Pentax KP« »||APS-C||24.1||6016||4000||1080/60i||-||-||-||-||Pentax KP|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A77« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
Many modern cameras are not only capable of taking still images, but can also record movies. The X-H1 indeed provides movie recording capabilities, while the M9 does not. The highest resolution format that the X-H1 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-H1 has an electronic viewfinder (3690k dots), while the M9 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the X-H1 has a higher magnification than the one of the M9 (0.75x vs 0.68x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Fujifilm X-H1 and Leica M9 along with similar information for a selection of comparators.
|Fujifilm X-H1»||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Leica M9«||optical||n||2.5||230||fixed||n||1/4000s||2.0||n||n||Leica M9|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon T2i« »||optical||n||3.0||1040||fixed||n||1/4000s||3.7||Y||n||Canon T2i|
|Fujifilm X-T3« »||3690||n||3.2||1040||tilting||Y||1/8000s||11.0||n||n||Fujifilm X-T3|
|Fujifilm X-Pro2« »||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Fujifilm X-T2« »||2360||n||3.0||1040||tilting||n||1/8000s||14.0||n||n||Fujifilm X-T2|
|Leica M10« »||optical||n||3.0||1037||fixed||n||1/4000s||5.0||n||n||Leica M10|
|Leica X Vario« »||-||n||3.0||920||fixed||n||1/2000s||5.0||Y||n||Leica X Vario|
|Leica M Typ 240« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n||Leica M Typ 240|
|Leica M8« »||optical||n||2.5||230||fixed||n||1/8000s||2.0||n||n||Leica M8|
|Nikon Z6« »||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Panasonic G9« »||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Pentax KP« »||optical||n||3.0||921||tilting||n||1/6000s||7.0||Y||Y||Pentax KP|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A77« »||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
One feature that is present on the X-H1, but is missing on the M9 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-H1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-H1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-H1 and the M9 write their files to SDXC cards. The X-H1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the M9 only has one slot. The X-H1 supports UHS-II cards (on both slots), while the M9 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-H1 and Leica M9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-H1»||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Leica M9«||Y||-||-||-||-||-||2.0||-||-||-||Leica M9|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon T2i« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon T2i|
|Fujifilm X-T3« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm X-T3|
|Fujifilm X-Pro2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Fujifilm X-T2« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-T2|
|Leica M10« »||Y||-||-||-||-||-||-||Y||-||-||Leica M10|
|Leica X Vario« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica X Vario|
|Leica M Typ 240« »||Y||stereo||mono||-||-||-||2.0||-||-||-||Leica M Typ 240|
|Leica M8« »||Y||-||-||-||-||-||2.0||-||-||-||Leica M8|
|Nikon Z6« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Panasonic G9« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Pentax KP« »||Y||stereo||mono||Y||-||-||2.0||Y||-||-||Pentax KP|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A77« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
It is notable that the X-H1 offers wifi support, while the M9 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Fujifilm X-H1 (unlike the M9) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The X-H1 is a recent model that features in the current product line-up of Fujifilm. In contrast, the M9 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the M9 was succeeded by the Leica M Typ 240. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Leica websites.
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm X-H1 and the Leica M9? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Fujifilm X-H1:
- More detail: Offers more megapixels (24 vs 18.1MP) with a 15% higher linear resolution.
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.75x vs 0.68x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 2 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More affordable: Was introduced into a lower priced category (76 percent cheaper at launch).
- More modern: Reflects 8 years and 5 months of technical progress since the M9 launch.
Arguments in favor of the Leica M9:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More compact: Is smaller (139x80mm vs 140x97mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 88g or 13 percent) and is thus easier to take along.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More heavily discounted: Has been around for much longer (launched in September 2009).
If the number of relative strengths (bullet points above) is taken as a guide, the X-H1 is the clear winner of the match-up (23 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-H1 or the M9. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm X-H1»||+||86/100||4.5/5||-||4.5/5||Feb 2018||1,899||Fujifilm X-H1|
|Leica M9«||-||-||4.5/5||4.5/5||-||Sep 2009||7,999||-||Leica M9|
|Canon 6D Mark II« »||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon T2i« »||+ +||77/100||4/5||5/5||4.5/5||Feb 2010||699||-||Canon T2i|
|Fujifilm X-T3« »||+ +||88/100||5/5||5/5||5/5||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-Pro2« »||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T2« »||+ +||86/100||4.5/5||5/5||5/5||Jul 2016||1,599||-||Fujifilm X-T2|
|Leica M10« »||-||-||4/5||-||4.5/5||Jan 2017||6,595||Leica M10|
|Leica X Vario« »||-||-||4/5||4/5||4/5||Jun 2013||2,850||Leica X Vario|
|Leica M Typ 240« »||-||-||4/5||-||-||Sep 2012||6,950||-||Leica M Typ 240|
|Leica M8« »||-||+ +||-||-||-||Sep 2006||5,499||-||Leica M8|
|Nikon Z6« »||-||-||4.5/5||4.5/5||5/5||Aug 2018||1,999||Nikon Z6|
|Panasonic G9« »||+ +||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Pentax KP« »||-||82/100||5/5||-||4.5/5||Jan 2017||1,099||Pentax KP|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A77« »||91/100||81/100||-||4.5/5||5/5||Aug 2011||1,399||-||Sony A77|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark IV vs Leica M9
- Canon 700D vs Fujifilm X-H1
- Canon D30 vs Fujifilm X-H1
- Canon D30 vs Leica M9
- Canon G7 X vs Fujifilm X-H1
- Canon SX520 vs Fujifilm X-H1
- Canon SX60 vs Fujifilm X-H1
- Canon SX710 vs Fujifilm X-H1
- Fujifilm X-H1 vs Sony RX1
- Leica M9 vs Nikon D5200
- Leica M9 vs Olympus E-5
- Leica M9 vs Panasonic G85
Specifications: Fujifilm X-H1 vs Leica M9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-H1||Leica M9|
|Camera Type||Mirrorless system camera||Rangefinder camera|
|Camera Lens||Fujifilm X mount lenses||Leica M mount lenses|
|Launch Date||February 2018||September 2009|
|Launch Price||USD 1899||USD 7999|
|Sensor Specs||Fujifilm X-H1||Leica M9|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.6 x 15.6 mm||36.0 x 24.0 mm|
|Sensor Area||368.16 mm2||864 mm2|
|Sensor Diagonal||28.3 mm||43.3 mm|
|Sensor Resolution||24 Megapixels||18.1 Megapixels|
|Image Resolution||6000 x 4000 pixels||5212 x 3472 pixels|
|Pixel Pitch||3.92 μm||6.91 μm|
|Pixel Density||6.52 MP/cm2||2.09 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||no Video|
|ISO Setting||200-12800 ISO||80-2500 ISO|
|ISO Boost||100-51200 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||69|
|DXO Color Depth (bits)||..||22.5|
|DXO Dynamic Range (EV)||..||11.7|
|DXO Low Light (ISO)||..||884|
|Screen Specs||Fujifilm X-H1||Leica M9|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||3.0 inch||2.5 inch|
|LCD Resolution||1040k dots||230k dots|
|LCD Attachment||Fully flexible screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm X-H1||Leica M9|
|Autofocus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||14 shutter flaps/s||2 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||No handshake reduction|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||no|
|Connectivity Specs||Fujifilm X-H1||Leica M9|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm X-H1||Leica M9|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|In-Camera Charging||USB charging||no USB charging|
140 x 97 x 86 mm
(5.5 x 3.8 x 3.4 in)
139 x 80 x 37 mm
(5.5 x 3.1 x 1.5 in)
|Camera Weight||673 g (23.7 oz)||585 g (20.6 oz)|
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