Fujifilm X-H1 vs Kodak S-1
The Fujifilm X-H1 and the Kodak PixPro S-1 are two digital cameras that were officially introduced, respectively, in February 2018 and January 2012. Both the X-H1 and the S-1 are mirrorless interchangeable lens cameras that are based on an APS-C (X-H1) and a Four Thirds (S-1) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Kodak provides 16.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-H1||Kodak S-1|
|Mirrorless system camera||Mirrorless system camera|
|Fujifilm X mount lenses||Micro Four Thirds lenses|
|24 MP, APS-C Sensor||16.1 MP, Four Thirds Sensor|
|4K/30p Video||1080/30p Video|
|ISO 200-12800 (100-51200)||ISO 200-12800|
|Electronic viewfinder (3690k dots)||No viewfinder, LCD framing|
|3.0" LCD, 1040k dots||3.0" LCD, 920k dots|
|Fully flexible touchscreen||Tilting screen (not touch-sensitive)|
|14 shutter flaps per second||4 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Weathersealed body||Not weather sealed|
|310 shots per battery charge||410 shots per battery charge|
|140 x 97 x 86 mm, 673 g||116 x 68 x 36 mm, 290 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-H1 and the Kodak PixPro S-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-H1 and the Kodak S-1. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The S-1 can be obtained in two different colors (black, white), while the X-H1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Kodak S-1 is considerably smaller (42 percent) than the Fujifilm X-H1. Moreover, the S-1 is substantially lighter (57 percent) than the X-H1. It is worth mentioning in this context that the X-H1 is splash and dust resistant, while the S-1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-H1) and the Micro Four Thirds Lens Catalog (S-1). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Fujifilm X-H1»||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Kodak S-1«||4.6 in||2.7 in||1.4 in||10.2 oz||410||n||Jan 2012||299||Kodak S-1|
|Fujifilm X-T4« »||5.3 in||3.7 in||2.5 in||21.4 oz||500||Y||Feb 2020||1,699||Fujifilm X-T4|
|Fujifilm X-Pro3« »||5.6 in||3.3 in||1.8 in||17.5 oz||440||Y||Oct 2019||1,799||Fujifilm X-Pro3|
|Fujifilm X-Pro2« »||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T2« »||5.2 in||3.6 in||1.9 in||17.9 oz||340||Y||Jul 2016||1,599||Fujifilm X-T2|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Olympus E-P5« »||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999||Olympus E-P5|
|Olympus E-PL6« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||May 2013||599||Olympus E-PL6|
|Olympus E-PL5« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||Sep 2012||599||Olympus E-PL5|
|Olympus E-PM2« »||4.3 in||2.5 in||1.3 in||9.5 oz||360||n||Sep 2012||499||Olympus E-PM2|
|Panasonic G9« »||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic GX7« »||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999||Panasonic GX7|
|Pentax KP« »||5.2 in||4.0 in||3.0 in||24.8 oz||390||Y||Jan 2017||1,099||Pentax KP|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A77« »||5.6 in||4.1 in||3.2 in||25.8 oz||470||Y||Aug 2011||1,399||Sony A77|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The S-1 was launched at a markedly lower price (by 84 percent) than the X-H1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm X-H1 features an APS-C sensor and the Kodak S-1 a Four Thirds sensor. The sensor area in the S-1 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-H1 has a native 3:2 aspect ratio, while the one in the S-1 offers a 4:3 aspect.
With 24MP, the X-H1 offers a higher resolution than the S-1 (16.1MP), but the X-H1 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.74μm for the S-1) due to its larger sensor. Moreover, the X-H1 is a much more recent model (by 6 years) than the S-1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-H1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-H1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-H1 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Kodak S-1 are 23.2 x 17.4 inch or 58.9 x 44.2 cm for good quality, 18.6 x 13.9 inch or 47.1 x 35.4 cm for very good quality, and 15.5 x 11.6 inch or 39.3 x 29.5 cm for excellent quality prints.
The X-H1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-H1 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Kodak PixPro S-1 are ISO 200 to ISO 12800 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Fujifilm X-H1||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-H1|
|Kodak S-1||Four Thirds||16.1||4640||3480||1080/30p||..||..||..||..||Kodak S-1|
|Fujifilm X-T4||APS-C||26.0||6240||4160||4K/60p||..||..||..||..||Fujifilm X-T4|
|Fujifilm X-Pro3||APS-C||26.0||6240||4160||4K/30p||..||..||..||..||Fujifilm X-Pro3|
|Fujifilm X-Pro2||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Fujifilm X-Pro2|
|Fujifilm X-T2||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-T2|
|Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..||Olympus E-PL6|
|Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72||Olympus E-PL5|
|Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72||Olympus E-PM2|
|Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..||Panasonic G9|
|Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Pentax KP||APS-C||24.1||6016||4000||1080/60i||..||..||..||..||Pentax KP|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A77||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-H1 provides a higher video resolution than the S-1. It can shoot video footage at 4K/30p, while the Kodak is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-H1 has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the S-1 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Fujifilm X-H1 and Kodak S-1 along with similar information for a selection of comparators.
|Fujifilm X-H1||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Kodak S-1||none||n||3.0||920||tilting||n||1/4000s||4.0||n||Y||Kodak S-1|
|Fujifilm X-T4||3690||n||3.0||1620||swivel||Y||1/8000s||15.0||n||Y||Fujifilm X-T4|
|Fujifilm X-Pro3||3690||n||3.0||1620||tilting||Y||1/8000s||8.0||n||n||Fujifilm X-Pro3|
|Fujifilm X-Pro2||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Fujifilm X-T2||2360||n||3.0||1040||tilting||n||1/8000s||14.0||n||n||Fujifilm X-T2|
|Nikon Z6||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Olympus E-P5||optional||n||3.0||1037||tilting||Y||1/8000s||9.0||Y||Y||Olympus E-P5|
|Olympus E-PL6||optional||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL6|
|Olympus E-PL5||optional||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL5|
|Olympus E-PM2||optional||n||3.0||460||fixed||Y||1/4000s||8.0||n||Y||Olympus E-PM2|
|Panasonic G9||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Panasonic GH5||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Panasonic GX7||2760||n||3.0||1040||tilting||Y||1/8000s||5.0||Y||Y||Panasonic GX7|
|Pentax KP||optical||n||3.0||921||tilting||n||1/6000s||7.0||Y||Y||Pentax KP|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A77||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
One feature that is present on the X-H1, but is missing on the S-1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The S-1 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-H1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-H1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-H1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-H1 and the S-1 write their files to SDXC cards. The X-H1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the S-1 only has one slot. The X-H1 supports UHS-II cards (on both slots), while the S-1 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-H1 and Kodak PixPro S-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-H1||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Kodak S-1||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Kodak S-1|
|Fujifilm X-T4||Y||stereo||mono||Y||-||micro||3.1||Y||-||Y||Fujifilm X-T4|
|Fujifilm X-Pro3||Y||stereo||mono||Y||-||none||3.1||Y||-||Y||Fujifilm X-Pro3|
|Fujifilm X-Pro2||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Fujifilm X-T2||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-T2|
|Nikon Z6||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Olympus E-P5||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Olympus E-PL6||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL6|
|Olympus E-PL5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL5|
|Olympus E-PM2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM2|
|Panasonic G9||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic GH5||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic GX7||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Pentax KP||Y||stereo||mono||Y||-||none||2.0||Y||-||-||Pentax KP|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A77||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
It is notable that the X-H1 has a microphone port, which is missing on the S-1. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Fujifilm X-H1 (unlike the S-1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-H1 and the S-1 are recent models that are part of the current product line-up. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Fujifilm and Kodak. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Kodak websites.
So how do things add up? Is there a clear favorite between the Fujifilm X-H1 and the Kodak S-1? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Fujifilm X-H1:
- More detail: Offers more megapixels (24 vs 16.1MP) with a 24% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 6 years of technical progress since the S-1 launch.
Arguments in favor of the Kodak PixPro S-1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (116x68mm vs 140x97mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 383g or 57 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (410 versus 310) out of a single battery charge.
- More affordable: Was introduced into a lower priced category (84 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in January 2012).
If the count of relative strengths (bullet points above) is taken as a measure, the X-H1 is the clear winner of the match-up (24 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-H1 and the Kodak S-1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the X-H1 and the S-1 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 100D vs Fujifilm X-H1
- Canon 1D C vs Fujifilm X-H1
- Canon 70D vs Kodak S-1
- Canon G7 X Mark II vs Fujifilm X-H1
- Canon T8i vs Fujifilm X-H1
- Fujifilm X-H1 vs Fujifilm X20
- Fujifilm X-H1 vs Nikon D610
- Fujifilm X-H1 vs Nikon Df
- Fujifilm X-H1 vs Sony A68
- Fujifilm X-H1 vs Sony RX10
- Kodak S-1 vs Olympus E-1
- Kodak S-1 vs Sony A7S II
Specifications: Fujifilm X-H1 vs Kodak S-1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-H1||Kodak S-1|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Micro Four Thirds lenses|
|Launch Date||February 2018||January 2012|
|Launch Price||USD 1899||USD 299|
|Sensor Specs||Fujifilm X-H1||Kodak S-1|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||16.1 Megapixels|
|Image Resolution||6000 x 4000 pixels||4640 x 3480 pixels|
|Pixel Pitch||3.92 μm||3.74 μm|
|Pixel Density||6.52 MP/cm2||7.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/30p Video|
|ISO Setting||200-12800 ISO||200-12800 ISO|
|ISO Boost||100-51200 ISO||no Enhancement|
|Screen Specs||Fujifilm X-H1||Kodak S-1|
|Viewfinder Type||Electronic viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Fully flexible screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm X-H1||Kodak S-1|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||14 shutter flaps/s||4 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Fujifilm X-H1||Kodak S-1|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Fujifilm X-H1||Kodak S-1|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||310 shots per charge||410 shots per charge|
|In-Camera Charging||USB charging||USB charging|
140 x 97 x 86 mm
(5.5 x 3.8 x 3.4 in)
116 x 68 x 36 mm
(4.6 x 2.7 x 1.4 in)
|Camera Weight||673 g (23.7 oz)||290 g (10.2 oz)|
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