Fujifilm X-E4 vs Sony RX100 VI
The Fujifilm X-E4 and the Sony Cyber-shot DSC-RX100 VI are two digital cameras that were revealed to the public, respectively, in January 2021 and June 2018. The X-E4 is a mirrorless interchangeable lens camera, while the RX100 VI is a fixed lens compact. The cameras are based on an APS-C (X-E4) and an one-inch (RX100 VI) sensor. The Fujifilm has a resolution of 26 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E4 and the Sony Cyber-shot DSC-RX100 VI? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm X-E4 and the Sony RX100 VI are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The X-E4 can be obtained in two different colors (black, silver), while the RX100 VI is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 VI is considerably smaller (33 percent) than the Fujifilm X-E4. In this context, it is worth noting that neither the X-E4 nor the RX100 VI are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 VI has a lens built in, whereas the X-E4 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-E4 and their specifications in the Fujinon X Lens Catalog.
Concerning battery life, the X-E4 gets 380 shots out of its NP-W126S battery, while the RX100 VI can take 240 images on a single charge of its NP-BX1 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm X-E4||121 mm||73 mm||33 mm||364 g||380||n||Jan 2021||849||amazon.com|
|2.||Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199||ebay.com|
|3.||Fujifilm X-T30 II||118 mm||83 mm||47 mm||383 g||380||n||Sep 2021||899||amazon.com|
|4.||Fujifilm X-T200||121 mm||84 mm||55 mm||370 g||270||n||Jan 2020||699||amazon.com|
|5.||Fujifilm X-T30||118 mm||83 mm||47 mm||383 g||380||n||Feb 2019||899||ebay.com|
|6.||Fujifilm X-A7||119 mm||68 mm||41 mm||320 g||440||n||Sep 2019||499||amazon.com|
|7.||Fujifilm X-A5||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399||ebay.com|
|8.||Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899||ebay.com|
|9.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899||ebay.com|
|10.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399||ebay.com|
|11.||Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699||ebay.com|
|12.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799||ebay.com|
|13.||Sony RX100 VII||102 mm||58 mm||43 mm||302 g||260||n||Jul 2019||1,199||amazon.com|
|14.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999||ebay.com|
|15.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||ebay.com|
|16.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799||ebay.com|
|17.||Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-E4 features an APS-C sensor and the Sony RX100 VI an one-inch sensor. The sensor area in the RX100 VI is 68 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 26MP, the X-E4 offers a higher resolution than the RX100 VI (20MP), but the X-E4 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 2.41μm for the RX100 VI) due to its larger sensor. Moreover, the X-E4 is a much more recent model (by 2 years and 7 months) than the RX100 VI, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-E4 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-E4 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-E4 for good quality output (200 dots per inch) amounts to 31.2 x 20.8 inches or 79.2 x 52.8 cm, for very good quality (250 dpi) 25 x 16.6 inches or 63.4 x 42.3 cm, and for excellent quality (300 dpi) 20.8 x 13.9 inches or 52.8 x 35.2 cm. The corresponding values for the Sony RX100 VI are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The Fujifilm X-E4 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 80-51200. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 VI are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. The X-E4 uses Fujifilm's X-Trans layout of photosites, while the RX100 VI employs the more common Bayer array.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||22.1||12.3||478||64|
|3.||Fujifilm X-T30 II||APS-C||26.0||6240||4160||4K/30p||24.2||13.8||2144||85|
|13.||Sony RX100 VII||1-inch||20.0||5472||3648||4K/30p||21.8||12.4||418||63|
|14.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|15.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|16.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|17.||Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-E4 offers a slightly higher resolution than the one in the RX100 VI (2360k vs 2359k dots). The table below summarizes some of the other core capabilities of the Fujifilm X-E4 and Sony RX100 VI in connection with corresponding information for a sample of similar cameras.
|1.||Fujifilm X-E4||2360||n||3.0 / 1620||tilting||Y||1/4000s||8.0/s||n||n|
|2.||Sony RX100 VI||2359||n||3.0 / 1229||tilting||Y||1/2000s||24.0/s||Y||Y|
|3.||Fujifilm X-T30 II||2360||n||3.0 / 1620||tilting||Y||1/4000s||8.0/s||Y||n|
|4.||Fujifilm X-T200||2360||n||3.5 / 2780||swivel||Y||1/4000s||8.0/s||Y||n|
|5.||Fujifilm X-T30||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|6.||Fujifilm X-A7||none||n||3.5 / 2760||swivel||Y||1/4000s||6.0/s||Y||n|
|7.||Fujifilm X-A5||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|8.||Fujifilm X-E3||2360||n||3.0 / 1040||fixed||Y||1/4000s||8.0/s||n||n|
|9.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|10.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|11.||Fujifilm X-E2S||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0/s||Y||n|
|12.||Fujifilm X-T10||2360||n||3.0 / 920||tilting||n||1/4000s||8.0/s||Y||n|
|13.||Sony RX100 VII||2359||n||3.0 / 921||tilting||Y||1/2000s||90.0/s||Y||Y|
|14.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0/s||Y||Y|
|15.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0/s||Y||Y|
|16.||Sony RX100 III||1440||n||3.0 / 1229||tilting||n||1/2000s||10.0/s||Y||Y|
|17.||Sony RX100 II||optional||n||3.0 / 1229||tilting||n||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The RX100 VI has one, while the X-E4 does not. While the built-in flash of the RX100 VI is not very powerful, it can at times be useful as a fill-in light.The RX100 VI has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-E4 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-E4 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-E4 writes its imaging data to SDXC cards, while the RX100 VI uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E4 and Sony Cyber-shot DSC-RX100 VI and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-E4||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|2.||Sony RX100 VI||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|3.||Fujifilm X-T30 II||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|4.||Fujifilm X-T200||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|5.||Fujifilm X-T30||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|6.||Fujifilm X-A7||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|7.||Fujifilm X-A5||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|8.||Fujifilm X-E3||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|9.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|10.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Fujifilm X-E2S||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|12.||Fujifilm X-T10||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|13.||Sony RX100 VII||-||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|14.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX100 III||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX100 II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the X-E4 has a hotshoe, while the RX100 VI does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The X-E4 is a recent model that features in the current product line-up of Fujifilm. In contrast, the RX100 VI has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the RX100 VI was succeeded by the Sony RX100 VII. Further information on the features and operation of the X-E4 and RX100 VI can be found, respectively, in the Fujifilm X-E4 Manual (free pdf) or the online Sony RX100 VI Manual.
So how do things add up? Is the Fujifilm X-E4 better than the Sony RX100 VI or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Fujifilm X-E4:
- More detail: Offers more megapixels (26 vs 20MP) with a 14% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.62x vs 0.59x).
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1229k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (380 versus 240) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- More modern: Reflects 2 years and 7 months of technical progress since the RX100 VI launch.
Arguments in favor of the Sony Cyber-shot DSC-RX100 VI:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (24 vs 8 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the X-E4 necessitates an extra lens.
- More compact: Is smaller (102x58mm vs 121x73mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the X-E4).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in June 2018).
If the count of individual advantages (bullet points above) is taken as a guide, the X-E4 is the clear winner of the match-up (16 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-E4 and the Sony RX100 VI place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the X-E4 or the RX100 VI perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-E4||4/5||..||4/5||..||4.5/5||4/5||Jan 2021||849||amazon.com|
|2.||Sony RX100 VI||4.5/5||+ +||..||83/100||4/5||4.5/5||Jun 2018||1,199||ebay.com|
|3.||Fujifilm X-T30 II||5/5||..||4/5||..||4.5/5||4.5/5||Sep 2021||899||amazon.com|
|4.||Fujifilm X-T200||3.5/5||..||4/5||82/100||4/5||4.5/5||Jan 2020||699||amazon.com|
|5.||Fujifilm X-T30||5/5||+ +||5/5||84/100||4.5/5||4.5/5||Feb 2019||899||ebay.com|
|6.||Fujifilm X-A7||3/5||..||3.5/5||81/100||4/5||3.5/5||Sep 2019||499||amazon.com|
|7.||Fujifilm X-A5||..||+||4.1/5||..||4/5||3.5/5||Jan 2018||399||ebay.com|
|8.||Fujifilm X-E3||4.5/5||+||4.5/5||84/100||4.5/5||4.5/5||Sep 2017||899||ebay.com|
|9.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899||ebay.com|
|10.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399||ebay.com|
|11.||Fujifilm X-E2S||4.5/5||..||..||77/100||4.5/5||4.5/5||Jan 2016||699||ebay.com|
|12.||Fujifilm X-T10||4.5/5||+ +||..||80/100||5/5||5/5||May 2015||799||ebay.com|
|13.||Sony RX100 VII||4.5/5||..||4/5||..||4/5||5/5||Jul 2019||1,199||amazon.com|
|14.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999||ebay.com|
|15.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999||ebay.com|
|16.||Sony RX100 III||5/5||+ +||..||82/100||4.5/5||5/5||May 2014||799||ebay.com|
|17.||Sony RX100 II||5/5||+ +||..||79/100||4.5/5||4.5/5||Jun 2013||749||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 2000D vs Sony RX100 VI
- Fujifilm X-A3 vs Fujifilm X-E4
- Fujifilm X-E4 vs Leica M9
- Fujifilm X-E4 vs Leica T
- Fujifilm X-E4 vs Nikon W150
- Fujifilm X-E4 vs Olympus E-M10
- Fujifilm X-E4 vs Sony A1
- Nikon D3100 vs Sony RX100 VI
- Nikon D6 vs Sony RX100 VI
- Olympus E-520 vs Sony RX100 VI
- Olympus E-P7 vs Sony RX100 VI
- Pentax K-S2 vs Sony RX100 VI
Specifications: Fujifilm X-E4 vs Sony RX100 VI
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-E4||Sony RX100 VI|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Fujifilm X mount lenses||24-200mm f/2.8-4.5|
|Launch Date||January 2021||June 2018|
|Launch Price||USD 849||USD 1,199|
|Sensor Specs||Fujifilm X-E4||Sony RX100 VI|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||23.5 x 15.6 mm||13.2 x 8.8 mm|
|Sensor Area||366.6 mm2||116.16 mm2|
|Sensor Diagonal||28.2 mm||15.9 mm|
|Sensor Resolution||26 Megapixels||20 Megapixels|
|Image Resolution||6240 x 4160 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.76 μm||2.41 μm|
|Pixel Density||7.08 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||160 - 12,800 ISO||125 - 12,800 ISO|
|ISO Boost||80 - 51,200 ISO||80 - 25,600 ISO|
|Image Processor||X-Processor 4||BIONZ X|
|Screen Specs||Fujifilm X-E4||Sony RX100 VI|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1620k dots||1229k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Fujifilm X-E4||Sony RX100 VI|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||8 shutter flaps/s||24 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X-E4||Sony RX100 VI|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 3.2||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Fujifilm X-E4||Sony RX100 VI|
|Battery Life (CIPA)||380 shots per charge||240 shots per charge|
|In-Camera Charging||USB charging||USB charging|
121 x 73 x 33 mm
(4.8 x 2.9 x 1.3 in)
102 x 58 x 43 mm
(4.0 x 2.3 x 1.7 in)
|Camera Weight||364 g (12.8 oz)||301 g (10.6 oz)|
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