Fujifilm X-E4 vs Nikon Z7 II
The Fujifilm X-E4 and the Nikon Z7 II are two digital cameras that were announced, respectively, in January 2021 and October 2020. Both the X-E4 and the Z7 II are mirrorless interchangeable lens cameras that are based on an APS-C (X-E4) and a full frame (Z7 II) sensor. The Fujifilm has a resolution of 26 megapixels, whereas the Nikon provides 45.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E4 and the Nikon Z7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm X-E4 and the Nikon Z7 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The X-E4 can be obtained in two different colors (black, silver), while the Z7 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z7 II is considerably larger (53 percent) than the Fujifilm X-E4. Moreover, the Z7 II is substantially heavier (94 percent) than the X-E4. It is noteworthy in this context that the Z7 II is splash and dust-proof, while the X-E4 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the X-E4 gets 380 shots out of its NP-W126S battery, while the Z7 II can take 420 images on a single charge of its EN-EL15c power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Fujifilm X-E4||121 mm||73 mm||33 mm||364 g||380||n||Jan 2021||849|
|2.||Nikon Z7 II||134 mm||101 mm||70 mm||705 g||420||Y||Oct 2020||2,999|
|3.||Fujifilm X-T200||121 mm||84 mm||55 mm||370 g||270||n||Jan 2020||699|
|4.||Fujifilm X-S10||126 mm||85 mm||65 mm||465 g||325||n||Oct 2020||999|
|5.||Fujifilm X-T30||118 mm||83 mm||47 mm||383 g||380||n||Feb 2019||899|
|6.||Fujifilm X-A7||119 mm||68 mm||41 mm||320 g||440||n||Sep 2019||499|
|7.||Fujifilm X-A5||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399|
|8.||Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899|
|9.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|10.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399|
|11.||Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699|
|12.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|13.||Nikon Z5||134 mm||101 mm||67 mm||675 g||470||Y||Jul 2020||1,399|
|14.||Nikon Z6 II||134 mm||101 mm||70 mm||705 g||410||Y||Oct 2020||1,999|
|15.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399|
|16.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|17.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-E4 was launched at a markedly lower price (by 72 percent) than the Z7 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-E4 features an APS-C sensor and the Nikon Z7 II a full frame sensor. The sensor area in the Z7 II is 134 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors.
With 45.4MP, the Z7 II offers a higher resolution than the X-E4 (26MP), but the Z7 II nevertheless has larger individual pixels (pixel pitch of 4.35μm versus 3.76μm for the X-E4) due to its larger sensor. However, the X-E4 is a somewhat more recent model (by 3 months) than the Z7 II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Nikon Z7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z7 II for good quality output (200 dots per inch) amounts to 41.3 x 27.5 inches or 104.9 x 69.9 cm, for very good quality (250 dpi) 33 x 22 inches or 83.9 x 55.9 cm, and for excellent quality (300 dpi) 27.5 x 18.3 inches or 69.9 x 46.6 cm. The corresponding values for the Fujifilm X-E4 are 31.2 x 20.8 inches or 79.2 x 52.8 cm for good quality, 25 x 16.6 inches or 63.4 x 42.3 cm for very good quality, and 20.8 x 13.9 inches or 52.8 x 35.2 cm for excellent quality prints.
The Fujifilm X-E4 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 80-51200. The corresponding ISO settings for the Nikon Z7 II are ISO 64 to ISO 25600, with the possibility to increase the ISO range to 32-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|2.||Nikon Z7 II||Full Frame||45.4||8256||5504||4K/60p||26.3||14.7||2841||100|
|13.||Nikon Z5||Full Frame||24.2||6016||4016||4K/30p||..||..||..||..|
|14.||Nikon Z6 II||Full Frame||24.3||6048||4024||4K/60p||..||..||..||..|
|15.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|16.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|17.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the Z7 II provides a faster frame rate than the X-E4. It can shoot movie footage at 4K/60p, while the Fujifilm is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the Z7 II offers a substantially higher resolution than the one in the X-E4 (3690k vs 2360k dots). The table below summarizes some of the other core capabilities of the Fujifilm X-E4 and Nikon Z7 II in connection with corresponding information for a sample of similar cameras.
|2.||Nikon Z7 II||3690||Y||3.2||2100||tilting||Y||1/8000s||10.0||n||Y|
|14.||Nikon Z6 II||3690||Y||3.2||2100||tilting||Y||1/8000s||14.0||n||Y|
|16.||Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|17.||Sony A99 II||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y|
One feature that differentiates the Z7 II and the X-E4 is in-body image stabilization (IBIS). The Z7 II reduces the risk of handshake-induced blur with all attached lenses, while the X-E4 offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-E4 and the Nikon Z7 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-E4 writes its imaging data to SDXC cards, while the Z7 II uses CFexpress or SDXC cards. The Z7 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-E4 only has one slot. The Z7 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the X-E4 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E4 and Nikon Z7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|2.||Nikon Z7 II||Y||stereo||mono||Y||Y||micro||3.2||Y||-||Y|
|14.||Nikon Z6 II||Y||stereo||mono||Y||Y||micro||3.2||Y||-||Y|
|16.||Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|17.||Sony A99 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y|
It is notable that the Z7 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-E4 lacks such a headphone port.
Both the X-E4 and the Z7 II are recent models that are part of the current product line-up. The Z7 II replaced the earlier Nikon Z7, while the X-E4 followed on from the Fujifilm X-E3. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.
So what is the bottom line? Which of the two cameras – the Fujifilm X-E4 or the Nikon Z7 II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Fujifilm X-E4:
- More compact: Is smaller (121x73mm vs 134x101mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 341g or 48 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (72 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 3 months after the Z7 II).
Advantages of the Nikon Z7 II:
- More detail: Has more megapixels (45.4 vs 26MP), which boosts linear resolution by 32%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.62x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1620k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (420 versus 380) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been on the market for longer (launched in October 2020).
If the count of relative strengths (bullet points above) is taken as a measure, the Z7 II is the clear winner of the contest (20 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-E4 and the Nikon Z7 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the X-E4 or the Z7 II perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-E4||4/5||..||..||..||..||Jan 2021||849|
|2.||Nikon Z7 II||4.5/5||..||..||4.5/5||4.5/5||Oct 2020||2,999|
|3.||Fujifilm X-T200||3.5/5||..||82/100||4/5||4.5/5||Jan 2020||699|
|4.||Fujifilm X-S10||5/5||..||86/100||4.5/5||4.5/5||Oct 2020||999|
|5.||Fujifilm X-T30||5/5||+ +||84/100||4.5/5||4.5/5||Feb 2019||899|
|6.||Fujifilm X-A7||3/5||..||81/100||4/5||3.5/5||Sep 2019||499|
|7.||Fujifilm X-A5||..||+||..||4/5||3.5/5||Jan 2018||399|
|8.||Fujifilm X-E3||4.5/5||+||84/100||4.5/5||4.5/5||Sep 2017||899|
|9.||Fujifilm X-T20||5/5||+ +||82/100||5/5||4.5/5||Jan 2017||899|
|10.||Fujifilm X-A3||..||..||74/100||4.5/5||4/5||Aug 2016||399|
|11.||Fujifilm X-E2S||4.5/5||..||77/100||4.5/5||4.5/5||Jan 2016||699|
|12.||Fujifilm X-T10||4.5/5||+ +||80/100||5/5||5/5||May 2015||799|
|13.||Nikon Z5||4/5||..||89/100||4.5/5||4/5||Jul 2020||1,399|
|14.||Nikon Z6 II||4.5/5||..||89/100||4.5/5||4.5/5||Oct 2020||1,999|
|15.||Nikon Z7||5/5||+||89/100||4.5/5||5/5||Aug 2018||3,399|
|16.||Sony A7R III||..||+ +||90/100||4.5/5||5/5||Oct 2017||3,199|
|17.||Sony A99 II||..||..||85/100||4.5/5||4.5/5||Sep 2016||3,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Fujifilm X-E4 vs Nikon Z7 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-E4||Nikon Z7 II|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Nikon Z mount lenses|
|Launch Date||January 2021||October 2020|
|Launch Price||USD 849||USD 2,999|
|Sensor Specs||Fujifilm X-E4||Nikon Z7 II|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.5 x 15.6 mm||35.9 x 23.9 mm|
|Sensor Area||366.6 mm2||858.01 mm2|
|Sensor Diagonal||28.2 mm||43.1 mm|
|Sensor Resolution||26 Megapixels||45.4 Megapixels|
|Image Resolution||6240 x 4160 pixels||8256 x 5504 pixels|
|Pixel Pitch||3.76 μm||4.35 μm|
|Pixel Density||7.08 MP/cm2||5.30 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||4K/60p Video|
|ISO Setting||160 - 12,800 ISO||64 - 25,600 ISO|
|ISO Boost||80 - 51,200 ISO||32 - 102,400 ISO|
|Image Processor||X-Processor 4||DUAL EXPEED 6|
|DXO Sensor Quality (score)||..||100|
|DXO Color Depth (bits)||..||26.3|
|DXO Dynamic Range (EV)||..||14.7|
|DXO Low Light (ISO)||..||2841|
|Screen Specs||Fujifilm X-E4||Nikon Z7 II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||3690k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1620k dots||2100k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Fujifilm X-E4||Nikon Z7 II|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||8 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CFexpress or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Fujifilm X-E4||Nikon Z7 II|
|USB Connector||USB 3.2||USB 3.2|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Fujifilm X-E4||Nikon Z7 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||380 shots per charge||420 shots per charge|
|In-Camera Charging||USB charging||USB charging|
121 x 73 x 33 mm
(4.8 x 2.9 x 1.3 in)
134 x 101 x 70 mm
(5.3 x 4.0 x 2.8 in)
|Camera Weight||364 g (12.8 oz)||705 g (24.9 oz)|
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