Fujifilm X-E3 vs Sony A68
The Fujifilm X-E3 and the Sony Alpha SLT-A68 are two digital cameras that were officially introduced, respectively, in September 2017 and November 2015. The X-E3 is a mirrorless interchangeable lens camera, while the A68 is a DSLR. Both cameras are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E3 and the Sony Alpha SLT-A68? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-E3 and the Sony A68. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The X-E3 can be obtained in two different colors (black, silver), while the A68 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A68 is considerably larger (66 percent) than the Fujifilm X-E3. Moreover, the A68 is substantially heavier (81 percent) than the X-E3. In this context, it is worth noting that neither the X-E3 nor the A68 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the X-E3 gets 350 shots out of its NP-W126S battery, while the A68 can take 540 images on a single charge of its NP-FM500H power pack. The power pack in the X-E3 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899|
|2.||Sony A68||143 mm||104 mm||81 mm||610 g||540||n||Nov 2015||699|
|3.||Fujifilm X-E4||121 mm||73 mm||33 mm||364 g||380||n||Jan 2021||849|
|4.||Fujifilm X-T30 II||118 mm||83 mm||47 mm||383 g||380||n||Sep 2021||899|
|5.||Fujifilm X-T30||118 mm||83 mm||47 mm||383 g||380||n||Feb 2019||899|
|6.||Fujifilm X-A5||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399|
|7.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|8.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399|
|9.||Fujifilm X-A10||117 mm||67 mm||40 mm||331 g||410||n||Dec 2016||399|
|10.||Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699|
|11.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|12.||Fujifilm X-E2||129 mm||75 mm||37 mm||350 g||350||n||Oct 2013||999|
|13.||Pentax K-S1||121 mm||93 mm||70 mm||558 g||410||n||Aug 2014||749|
|14.||Sony A77 II||143 mm||104 mm||81 mm||647 g||480||Y||May 2014||1,199|
|15.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|16.||Sony A58||129 mm||95 mm||78 mm||492 g||690||n||Feb 2013||599|
|17.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A68 was launched at a somewhat lower price (by 22 percent) than the X-E3, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the X-E3 has a slightly larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the X-E3 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.92μm versus 3.91μm for the A68), which gives it a potential advantage in terms of light gathering capacity. In addition, the X-E3 is a somewhat more recent model (by 1 year and 10 months) than the A68, and its sensor might have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that the X-E3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The X-E3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-E3 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha SLT-A68 are ISO 100 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|4.||Fujifilm X-T30 II||APS-C||26.0||6240||4160||4K/30p||24.2||13.8||2144||85|
|14.||Sony A77 II||APS-C||24.0||6000||4000||1080/60p||23.5||12.7||1442||77|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the X-E3 provides a higher video resolution than the A68. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-E3 offers a substantially higher resolution than the one in the A68 (2360k vs 1440k dots). The adjacent table lists some of the other core features of the Fujifilm X-E3 and Sony A68 along with similar information for a selection of comparators.
|1.||Fujifilm X-E3||2360||n||3.0 / 1040||fixed||Y||1/4000s||8.0/s||n||n|
|2.||Sony A68||1440||Y||2.7 / 460||tilting||n||1/4000s||8.0/s||Y||Y|
|3.||Fujifilm X-E4||2360||n||3.0 / 1620||tilting||Y||1/4000s||8.0/s||n||n|
|4.||Fujifilm X-T30 II||2360||n||3.0 / 1620||tilting||Y||1/4000s||8.0/s||Y||n|
|5.||Fujifilm X-T30||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|6.||Fujifilm X-A5||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|7.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|8.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|9.||Fujifilm X-A10||none||n||3.0 / 1040||tilting||n||1/4000s||6.0/s||Y||n|
|10.||Fujifilm X-E2S||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0/s||Y||n|
|11.||Fujifilm X-T10||2360||n||3.0 / 920||tilting||n||1/4000s||8.0/s||Y||n|
|12.||Fujifilm X-E2||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0/s||Y||n|
|13.||Pentax K-S1||optical||n||3.0 / 921||fixed||n||1/6000s||5.4/s||Y||Y|
|14.||Sony A77 II||2359||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||Y||Y|
|15.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|16.||Sony A58||1440||n||2.7 / 460||tilting||n||1/4000s||5.0/s||Y||Y|
|17.||Sony A77||2359||Y||3.0 / 921||full-flex||n||1/8000s||12.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The X-E3 has a touchscreen, while the A68 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-E3 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-E3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-E3 writes its imaging data to SDXC cards, while the A68 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E3 and Sony Alpha SLT-A68 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-E3||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|2.||Sony A68||Y||stereo / mono||Y||-||micro||2.0||-||-||-|
|3.||Fujifilm X-E4||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|4.||Fujifilm X-T30 II||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|5.||Fujifilm X-T30||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|6.||Fujifilm X-A5||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|7.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|8.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Fujifilm X-A10||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Fujifilm X-E2S||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|11.||Fujifilm X-T10||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|12.||Fujifilm X-E2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|13.||Pentax K-S1||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|14.||Sony A77 II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|15.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony A58||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Sony A77||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the X-E3 offers wifi support, while the A68 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The X-E3 is a recent model that features in the current product line-up of Fujifilm. In contrast, the A68 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the A68 from Sony. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.
So how do things add up? Which of the two cameras – the Fujifilm X-E3 or the Sony A68 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Fujifilm X-E3:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1440k dots).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (121x74mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 273g or 45 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Is somewhat more recent (announced 1 year and 10 months after the A68).
Advantages of the Sony Alpha SLT-A68:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.57x vs 0.41x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Longer lasting: Gets more shots (540 versus 350) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was released into a lower priced segment (22 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in November 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the X-E3 is the clear winner of the match-up (16 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-E3 and the Sony A68 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-E3 or the A68. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-E3||4.5/5||+||4.5/5||84/100||4.5/5||4.5/5||Sep 2017||899|
|2.||Sony A68||3/5||..||..||..||4/5||4/5||Nov 2015||699|
|3.||Fujifilm X-E4||4/5||..||4/5||..||4.5/5||4/5||Jan 2021||849|
|4.||Fujifilm X-T30 II||..||..||..||..||..||..||Sep 2021||899|
|5.||Fujifilm X-T30||5/5||+ +||5/5||84/100||4.5/5||4.5/5||Feb 2019||899|
|6.||Fujifilm X-A5||..||+||4.1/5||..||4/5||3.5/5||Jan 2018||399|
|7.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899|
|8.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399|
|9.||Fujifilm X-A10||..||..||..||..||4/5||4/5||Dec 2016||399|
|10.||Fujifilm X-E2S||4.5/5||..||..||77/100||4.5/5||4.5/5||Jan 2016||699|
|11.||Fujifilm X-T10||4.5/5||+ +||..||80/100||5/5||5/5||May 2015||799|
|12.||Fujifilm X-E2||4/5||..||..||80/100||4.5/5||5/5||Oct 2013||999|
|13.||Pentax K-S1||4/5||..||..||..||4.5/5||4/5||Aug 2014||749|
|14.||Sony A77 II||4/5||..||..||80/100||4.5/5||5/5||May 2014||1,199|
|15.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599|
|16.||Sony A58||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||599|
|17.||Sony A77||5/5||91/100||..||81/100||..||5/5||Aug 2011||1,399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
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Specifications: Fujifilm X-E3 vs Sony A68
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-E3||Sony A68|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm X mount lenses||Sony A mount lenses|
|Launch Date||September 2017||November 2015|
|Launch Price||USD 899||USD 699|
|Sensor Specs||Fujifilm X-E3||Sony A68|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.6 x 15.6 mm||23.5 x 15.6 mm|
|Sensor Area||368.16 mm2||366.6 mm2|
|Sensor Diagonal||28.3 mm||28.2 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.92 μm||3.91 μm|
|Pixel Density||6.52 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||200 - 12,800 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 51,200 ISO||no Enhancement|
|Image Processor||X-Processor Pro||BIONZ X|
|DXO Sensor Quality (score)||..||79|
|DXO Color Depth (bits)||..||24.1|
|DXO Dynamic Range (EV)||..||13.5|
|DXO Low Light (ISO)||..||701|
|Screen Specs||Fujifilm X-E3||Sony A68|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||1440k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||2.7inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm X-E3||Sony A68|
|Focus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||8 shutter flaps/s||8 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X-E3||Sony A68|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm X-E3||Sony A68|
|Battery Life (CIPA)||350 shots per charge||540 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
121 x 74 x 43 mm
(4.8 x 2.9 x 1.7 in)
143 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
|Camera Weight||337 g (11.9 oz)||610 g (21.5 oz)|
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