Fujifilm X-E3 vs Pentax Q
The Fujifilm X-E3 and the Pentax Q are two digital cameras that were announced, respectively, in September 2017 and June 2011. Both the X-E3 and the Pentax Q are mirrorless interchangeable lens cameras that are based on an APS-C (X-E3) and a 1/2.3-inch (Pentax Q) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Pentax provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-E3||Pentax Q|
|Mirrorless system camera||Mirrorless system camera|
|Fujifilm X mount lenses||Pentax Q mount lenses|
|24 MP, APS-C Sensor||12 MP, 1/2.3" Sensor|
|4K/30p Video||1080/30p Video|
|ISO 200-12800 (100-51200)||ISO 125-6400|
|Electronic viewfinder (2360k dots)||Viewfinder optional|
|3.0" LCD, 1040k dots||3.0" LCD, 460k dots|
|Fixed touchscreen||Fixed screen (not touch-sensitive)|
|8 shutter flaps per second||1.5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|350 shots per battery charge||230 shots per battery charge|
|121 x 74 x 43 mm, 337 g||98 x 57 x 31 mm, 180 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E3 and the Pentax Q? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-E3 and the Pentax Q is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-E3 can be obtained in two different colors (black, silver), while the Pentax Q is also available in two color-versions, but different ones (black, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax Q is considerably smaller (38 percent) than the Fujifilm X-E3. Moreover, the Pentax Q is substantially lighter (47 percent) than the X-E3. In this context, it is worth noting that neither the X-E3 nor the Pentax Q are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the X-E3 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Fujifilm X-E3»||4.8 in||2.9 in||1.7 in||11.9 oz||350||n||Sep 2017||899||Fujifilm X-E3|
|Pentax Q«||3.9 in||2.2 in||1.2 in||6.3 oz||230||n||Jun 2011||649||Pentax Q|
|Fujifilm X-T30« »||4.6 in||3.3 in||1.9 in||13.5 oz||380||n||Feb 2019||899||Fujifilm X-T30|
|Fujifilm X-A5« »||4.6 in||2.7 in||1.6 in||12.7 oz||450||n||Jan 2018||399||Fujifilm X-A5|
|Fujifilm X-T100« »||4.8 in||3.3 in||1.9 in||15.8 oz||430||n||May 2018||599||Fujifilm X-T100|
|Fujifilm X-T20« »||4.6 in||3.3 in||1.6 in||13.5 oz||350||n||Jan 2017||899||Fujifilm X-T20|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399||Fujifilm X-A3|
|Fujifilm X-A10« »||4.6 in||2.6 in||1.6 in||11.7 oz||410||n||Dec 2016||399||Fujifilm X-A10|
|Fujifilm X-E2S« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Jan 2016||699||Fujifilm X-E2S|
|Fujifilm X-T10« »||4.6 in||3.3 in||1.6 in||13.4 oz||350||n||May 2015||799||Fujifilm X-T10|
|Fujifilm X-E2« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Oct 2013||999||Fujifilm X-E2|
|Fujifilm X-E1« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Sep 2012||999||Fujifilm X-E1|
|Olympus XZ-2« »||4.4 in||2.6 in||1.9 in||12.2 oz||340||n||Sep 2012||599||Olympus XZ-2|
|Olympus E-PL2« »||4.5 in||2.8 in||1.7 in||12.8 oz||280||n||Jan 2011||599||Olympus E-PL2|
|Olympus E-PL3« »||4.3 in||2.5 in||1.5 in||11.0 oz||300||n||Jun 2011||599||Olympus E-PL3|
|Olympus E-PL1« »||4.5 in||2.8 in||1.7 in||11.8 oz||290||n||Feb 2010||599||Olympus E-PL1|
|Olympus E-620« »||5.1 in||3.7 in||2.4 in||18.4 oz||500||n||Feb 2009||699||Olympus E-620|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The Pentax Q was launched at a markedly lower price (by 28 percent) than the X-E3, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-E3 features an APS-C sensor and the Pentax Q a 1/2.3-inch sensor. The sensor area in the Pentax Q is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 5.6. The sensor in the X-E3 has a native 3:2 aspect ratio, while the one in the Pentax Q offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24MP, the X-E3 offers a higher resolution than the Pentax Q (12MP), but the X-E3 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 1.53μm for the Pentax Q) due to its larger sensor. Moreover, the X-E3 is a much more recent model (by 6 years and 2 months) than the Pentax Q, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-E3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-E3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-E3 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Pentax Q are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The X-E3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-E3 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Pentax Q are ISO 125 to ISO 6400 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Fujifilm X-E3||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-E3|
|Pentax Q||1/2.3||12.0||4000||3000||1080/30p||20.2||11.1||189||47||Pentax Q|
|Fujifilm X-T30||APS-C||26.0||6240||4160||4K/30p||..||..||..||..||Fujifilm X-T30|
|Fujifilm X-A5||APS-C||24.0||6000||4000||4K/15p||..||..||..||..||Fujifilm X-A5|
|Fujifilm X-T100||APS-C||24.0||6000||4000||4K/15p||..||..||..||..||Fujifilm X-T100|
|Fujifilm X-T20||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-T20|
|Fujifilm X-A3||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Fujifilm X-A3|
|Fujifilm X-A10||APS-C||16.0||4896||3264||1080/30p||..||..||..||..||Fujifilm X-A10|
|Fujifilm X-E2S||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-E2S|
|Fujifilm X-T10||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-T10|
|Fujifilm X-E2||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-E2|
|Fujifilm X-E1||APS-C||16.0||4896||3264||1080/24p||..||..||..||..||Fujifilm X-E1|
|Olympus XZ-2||1/1.7||11.8||3968||2976||1080/30p||20.4||11.3||216||49||Olympus XZ-2|
|Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55||Olympus E-PL2|
|Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52||Olympus E-PL3|
|Olympus E-PL1||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54||Olympus E-PL1|
|Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55||Olympus E-620|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-E3 provides a higher video resolution than the Pentax Q. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-E3 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the Pentax Q relies on live view and the rear LCD for framing. That said, the Pentax Q can be equipped with an optional viewfinder – the O-VF1. The following table reports on some other key feature differences and similarities of the Fujifilm X-E3, the Pentax Q, and comparable cameras.
|Fujifilm X-E3||2360||n||3.0||1040||fixed||Y||1/4000s||8.0||n||n||Fujifilm X-E3|
|Pentax Q||optional||n||3.0||460||fixed||n||1/2000s||1.5||Y||Y||Pentax Q|
|Fujifilm X-T30||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X-T30|
|Fujifilm X-A5||none||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A5|
|Fujifilm X-T100||2360||n||3.0||1040||full-flex||Y||1/4000s||6.0||Y||n||Fujifilm X-T100|
|Fujifilm X-T20||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X-T20|
|Fujifilm X-A3||none||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A3|
|Fujifilm X-A10||none||n||3.0||1040||tilting||n||1/4000s||6.0||Y||n||Fujifilm X-A10|
|Fujifilm X-E2S||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2S|
|Fujifilm X-T10||2360||n||3.0||920||tilting||n||1/4000s||8.0||Y||n||Fujifilm X-T10|
|Fujifilm X-E2||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2|
|Fujifilm X-E1||2360||n||2.8||460||fixed||n||1/4000s||6.0||Y||n||Fujifilm X-E1|
|Olympus XZ-2||optional||n||3.0||920||tilting||Y||1/2000s||5.0||Y||Y||Olympus XZ-2|
|Olympus E-PL2||optional||n||3.0||460||fixed||n||1/4000s||3.0||Y||Y||Olympus E-PL2|
|Olympus E-PL3||optional||n||3.0||460||tilting||n||1/4000s||5.5||n||Y||Olympus E-PL3|
|Olympus E-PL1||optional||n||2.7||230||fixed||n||1/2000s||3.0||Y||Y||Olympus E-PL1|
|Olympus E-620||optical||n||2.7||230||swivel||n||1/4000s||4.0||Y||Y||Olympus E-620|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The X-E3 has a touchscreen, while the Pentax Q has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-E3 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-E3 and the Pentax Q both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-E3 and the Pentax Q write their files to SDXC cards. The X-E3 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the Pentax Q cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E3 and Pentax Q and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-E3||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-E3|
|Pentax Q||Y||mono||mono||-||-||mini||2.0||-||-||-||Pentax Q|
|Fujifilm X-T30||Y||stereo||mono||Y||-||micro||3.1||Y||-||Y||Fujifilm X-T30|
|Fujifilm X-A5||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Fujifilm X-A5|
|Fujifilm X-T100||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-T100|
|Fujifilm X-T20||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T20|
|Fujifilm X-A3||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X-A3|
|Fujifilm X-A10||-||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A10|
|Fujifilm X-E2S||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2S|
|Fujifilm X-T10||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T10|
|Fujifilm X-E2||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2|
|Fujifilm X-E1||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Fujifilm X-E1|
|Olympus XZ-2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus XZ-2|
|Olympus E-PL2||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-PL2|
|Olympus E-PL3||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-PL3|
|Olympus E-PL1||Y||stereo||none||-||-||mini||2.0||-||-||-||Olympus E-PL1|
|Olympus E-620||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-620|
It is notable that the X-E3 has a microphone port, which is missing on the Pentax Q. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The X-E3 is a recent model that features in the current product line-up of Fujifilm. In contrast, the Pentax Q has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the Pentax Q was succeeded by the Pentax Q10. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Pentax websites.
So how do things add up? Is the Fujifilm X-E3 better than the Pentax Q or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Fujifilm X-E3:
- More detail: Offers more megapixels (24 vs 12MP) with a 44% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 1.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Longer lasting: Can take more shots (350 versus 230) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 6 years and 2 months of technical progress since the Pentax Q launch.
Arguments in favor of the Pentax Q:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (98x57mm vs 121x74mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 157g or 47 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (28 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in June 2011).
If the number of relative strengths (bullet points above) is taken as a guide, the X-E3 is the clear winner of the match-up (20 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-E3 and the Pentax Q place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the X-E3 and the Pentax Q in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Fujifilm X-E3 vs Pentax Q
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-E3||Pentax Q|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Pentax Q mount lenses|
|Launch Date||September 2017||June 2011|
|Launch Price||USD 899||USD 649|
|Sensor Specs||Fujifilm X-E3||Pentax Q|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||23.6 x 15.6 mm||6.17 x 4.55 mm|
|Sensor Area||368.16 mm2||28.0735 mm2|
|Sensor Diagonal||28.3 mm||7.7 mm|
|Sensor Resolution||24 Megapixels||12 Megapixels|
|Image Resolution||6000 x 4000 pixels||4000 x 3000 pixels|
|Pixel Pitch||3.92 μm||1.53 μm|
|Pixel Density||6.52 MP/cm2||42.74 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/30p Video|
|ISO Setting||200-12800 ISO||125-6400 ISO|
|ISO Boost||100-51200 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||47|
|DXO Color Depth (bits)||..||20.2|
|DXO Dynamic Range (EV)||..||11.1|
|DXO Low Light (ISO)||..||189|
|Screen Specs||Fujifilm X-E3||Pentax Q|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm X-E3||Pentax Q|
|Autofocus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||8 shutter flaps/s||1.5 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Fujifilm X-E3||Pentax Q|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm X-E3||Pentax Q|
|Battery Life (CIPA)||350 shots per charge||230 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
121 x 74 x 43 mm
(4.8 x 2.9 x 1.7 in)
98 x 57 x 31 mm
(3.9 x 2.2 x 1.2 in)
|Camera Weight||337 g (11.9 oz)||180 g (6.3 oz)|
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