Fujifilm X-E3 vs Panasonic ZS100

The Fujifilm X-E3 and the Panasonic Lumix DMC-ZS100 (labelled Panasonic TZ100 in some countries) are two digital cameras that were officially introduced, respectively, in September 2017 and January 2016. The X-E3 is a mirrorless interchangeable lens camera, while the ZS100 is a fixed lens compact. The cameras are based on an APS-C (X-E3) and an one-inch (ZS100) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Panasonic provides 20 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm X-E3		Panasonic ZS100
Mirrorless system camera		Fixed lens compact camera
Fujifilm X mount lenses		25-250mm f/2.8-5.9
24 MP – APS-C sensor		20 MP – 1" sensor
4K/30p Video		4K/30p Video
ISO 200-12,800 (100 - 51,200)		ISO 125-12,800 (80 - 25,600)
Electronic viewfinder (2360k dots)		Electronic viewfinder (1166k dots)
3.0" LCD – 1040k dots		3.0" LCD – 1040k dots
Fixed touchscreen		Fixed touchscreen
8 shutter flaps per second		10 shutter flaps per second
Lens stabilization only		In-body stabilization
350 shots per battery charge		300 shots per battery charge
121 x 74 x 43 mm, 337 g		111 x 65 x 44 mm, 312 g

Check X-E3 offers at
ebay.com
Check ZS100 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E3 and the Panasonic Lumix DMC-ZS100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm X-E3 and the Panasonic ZS100 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

Both cameras are available in two different colors (black, silver).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic ZS100 is notably smaller (19 percent) than the Fujifilm X-E3. In this context, it is worth noting that neither the X-E3 nor the ZS100 are weather-sealed.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZS100 has a lens built in, whereas the X-E3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-E3 and their specifications in the Fujinon X Lens Catalog.

Concerning battery life, the X-E3 gets 350 shots out of its Fujifilm NP-W126S battery, while the ZS100 can take 300 images on a single charge of its Panasonic DMW-BLG10 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm X-E3	121 mm	74 mm	43 mm	337 g	350	n	Sep 2017	899	ebay.com
2.		Panasonic ZS100	111 mm	65 mm	44 mm	312 g	300	n	Jan 2016	699	ebay.com
3.		Canon M6	112 mm	68 mm	45 mm	390 g	295	n	Feb 2017	779	ebay.com
4.		Canon G7 X Mark II	106 mm	61 mm	42 mm	319 g	265	n	Feb 2016	699	ebay.com
5.		Canon G5 X	112 mm	76 mm	44 mm	353 g	210	n	Oct 2015	799	ebay.com
6.		Canon G7 X	103 mm	60 mm	40 mm	304 g	210	n	Sep 2014	699	ebay.com
7.		Fujifilm X-E4	121 mm	73 mm	33 mm	364 g	380	n	Jan 2021	849	amazon.com
8.		Fujifilm X-T30 II	118 mm	83 mm	47 mm	383 g	380	n	Sep 2021	899	amazon.com
9.		Fujifilm X-T30	118 mm	83 mm	47 mm	383 g	380	n	Feb 2019	899	ebay.com
10.		Fujifilm X-A5	117 mm	68 mm	40 mm	361 g	450	n	Jan 2018	399	ebay.com
11.		Fujifilm X-T20	118 mm	83 mm	41 mm	383 g	350	n	Jan 2017	899	ebay.com
12.		Fujifilm X70	113 mm	64 mm	44 mm	340 g	330	n	Jan 2016	799	ebay.com
13.		Fujifilm X-A3	117 mm	67 mm	40 mm	339 g	410	n	Aug 2016	399	ebay.com
14.		Fujifilm X-E2S	129 mm	75 mm	37 mm	350 g	350	n	Jan 2016	699	ebay.com
15.		Panasonic ZS200	111 mm	65 mm	45 mm	340 g	370	n	Feb 2018	799	amazon.com
16.		Panasonic LX10	106 mm	60 mm	42 mm	310 g	260	n	Sep 2016	699	amazon.com
17.		Sony RX100 V	102 mm	58 mm	41 mm	299 g	220	n	Oct 2016	999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The ZS100 was launched at a lower price than the X-E3, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm X-E3 features an APS-C sensor and the Panasonic ZS100 an one-inch sensor. The sensor area in the ZS100 is 68 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 24MP, the X-E3 offers a higher resolution than the ZS100 (20MP), but the X-E3 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 2.41μm for the ZS100) due to its larger sensor. Moreover, the X-E3 is a somewhat more recent model (by 1 year and 8 months) than the ZS100, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-E3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm X-E3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-E3 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic ZS100 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.

The X-E3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Fujifilm X-E3 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-ZS100 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. The X-E3 uses Fujifilm's X-Trans layout of photosites, while the ZS100 employs the more common Bayer array.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm X-E3	APS-C	24.0	6000	4000	4K/30p	23.9	13.3	1764	82
2.		Panasonic ZS100	1-inch	20.0	5472	3648	4K/30p	22.8	12.5	559	70
3.		Canon M6	APS-C	24.0	6000	4000	1080/60p	23.4	12.6	1317	78
4.		Canon G7 X Mark II	1-inch	20.0	5472	3648	1080/60p	21.8	11.9	260	62
5.		Canon G5 X	1-inch	20.0	5472	3648	1080/60p	21.4	12.3	471	62
6.		Canon G7 X	1-inch	20.0	5472	3648	1080/60p	23.0	12.7	556	71
7.		Fujifilm X-E4	APS-C	26.0	6240	4160	4K/30p	24.2	13.7	2085	85
8.		Fujifilm X-T30 II	APS-C	26.0	6240	4160	4K/30p	24.2	13.8	2144	85
9.		Fujifilm X-T30	APS-C	26.0	6240	4160	4K/30p	24.1	13.5	1895	83
10.		Fujifilm X-A5	APS-C	24.0	6000	4000	4K/15p	24.0	13.3	1800	82
11.		Fujifilm X-T20	APS-C	24.0	6000	4000	4K/30p	23.9	13.2	1704	81
12.		Fujifilm X70	APS-C	16.0	4896	3264	1080/60p	23.7	13.0	1608	80
13.		Fujifilm X-A3	APS-C	24.0	6000	4000	1080/60p	23.8	13.1	1664	81
14.		Fujifilm X-E2S	APS-C	16.0	4896	3264	1080/60p	23.7	13.0	1608	80
15.		Panasonic ZS200	1-inch	20.0	5472	3648	4K/30p	22.0	12.2	449	64
16.		Panasonic LX10	1-inch	20.0	5472	3648	4K/30p	22.8	12.5	581	70
17.		Sony RX100 V	1-inch	20.0	5472	3648	4K/30p	22.8	12.4	586	70
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-E3 offers a substantially higher resolution than the one in the ZS100 (2360k vs 1166k dots). The adjacent table lists some of the other core features of the Fujifilm X-E3 and Panasonic ZS100 along with similar information for a selection of comparators.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm X-E3	2360	n	3.0 / 1040	fixed	Y	1/4000s	8.0/s	n	n
2.		Panasonic ZS100	1166	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	Y	Y
3.		Canon M6	optional	n	3.0 / 1040	tilting	Y	1/4000s	9.0/s	Y	n
4.		Canon G7 X Mark II	none	n	3.0 / 1040	tilting	Y	1/2000s	8.0/s	Y	Y
5.		Canon G5 X	2360	n	3.0 / 1040	swivel	Y	1/2000s	5.9/s	Y	Y
6.		Canon G7 X	none	n	3.0 / 1040	tilting	Y	1/2000s	6.5/s	Y	Y
7.		Fujifilm X-E4	2360	n	3.0 / 1620	tilting	Y	1/4000s	8.0/s	n	n
8.		Fujifilm X-T30 II	2360	n	3.0 / 1620	tilting	Y	1/4000s	8.0/s	Y	n
9.		Fujifilm X-T30	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
10.		Fujifilm X-A5	none	n	3.0 / 1040	tilting	Y	1/4000s	6.0/s	Y	n
11.		Fujifilm X-T20	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
12.		Fujifilm X70	optional	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
13.		Fujifilm X-A3	none	n	3.0 / 1040	tilting	Y	1/4000s	6.0/s	Y	n
14.		Fujifilm X-E2S	2360	n	3.0 / 1040	fixed	n	1/4000s	7.0/s	Y	n
15.		Panasonic ZS200	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
16.		Panasonic LX10	none	n	3.0 / 1040	tilting	Y	1/4000s	10.0/s	Y	Y
17.		Sony RX100 V	2359	n	3.0 / 1229	tilting	n	1/2000s	24.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The ZS100 has one, while the X-E3 does not. While the built-in flash of the ZS100 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm X-E3 and the Panasonic ZS100 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the X-E3 and the ZS100 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E3 and Panasonic Lumix DMC-ZS100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm X-E3	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
2.		Panasonic ZS100	-	stereo / mono	-	-	micro	2.0	Y	-	-
3.		Canon M6	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Canon G7 X Mark II	-	stereo / mono	-	-	micro	2.0	Y	Y	-
5.		Canon G5 X	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
6.		Canon G7 X	-	stereo / mono	-	-	micro	2.0	Y	Y	-
7.		Fujifilm X-E4	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
8.		Fujifilm X-T30 II	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
9.		Fujifilm X-T30	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
10.		Fujifilm X-A5	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
11.		Fujifilm X-T20	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
12.		Fujifilm X70	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
13.		Fujifilm X-A3	Y	stereo / mono	-	-	micro	2.0	Y	-	-
14.		Fujifilm X-E2S	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
15.		Panasonic ZS200	-	stereo / mono	-	-	micro	2.0	Y	-	Y
16.		Panasonic LX10	-	stereo / mono	-	-	micro	2.0	Y	-	-
17.		Sony RX100 V	-	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the X-E3 has a hotshoe, while the ZS100 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Both the X-E3 and the ZS100 have been discontinued, but can regularly be found used on ebay. The ZS100 was replaced by the Panasonic ZS200, while the X-E3 was followed by the Fujifilm X-E4. Further information on the features and operation of the X-E3 and ZS100 can be found, respectively, in the Fujifilm X-E3 Manual (free pdf) or the online Panasonic ZS100 Manual.

Review summary

So what is the bottom line? Is the Fujifilm X-E3 better than the Panasonic ZS100 or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Fujifilm X-E3:

• More detail: Offers more megapixels (24 vs 20MP) with a 10% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1166k dots).
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• Longer lasting: Can take more shots (350 versus 300) on a single battery charge.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More modern: Is somewhat more recent (announced 1 year and 8 months after the ZS100).

Arguments in favor of the Panasonic Lumix DMC-ZS100:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.46x vs 0.41x).
• Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
• Ready to shoot: Has an integrated lens, whereas the X-E3 necessitates an extra lens.
• More compact: Is smaller (111x65mm vs 121x74mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the X-E3).
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been on the market for longer (launched in January 2016).

If the count of relative strengths (bullet points above) is taken as a measure, the X-E3 is the clear winner of the match-up (15 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm X-E3 and the Panasonic ZS100 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-E3 or the ZS100. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm X-E3	4.5/5	+	4.5/5	84/100	4.5/5	4.5/5	Sep 2017	899	ebay.com
2.		Panasonic ZS100	4.5/5	+ +	..	82/100	4.5/5	4.5/5	Jan 2016	699	ebay.com
3.		Canon M6	..	..	..	80/100	4/5	4/5	Feb 2017	779	ebay.com
4.		Canon G7 X Mark II	4.5/5	+ +	..	81/100	4.5/5	4.5/5	Feb 2016	699	ebay.com
5.		Canon G5 X	5/5	+ +	..	78/100	4.5/5	4.5/5	Oct 2015	799	ebay.com
6.		Canon G7 X	4/5	+ +	..	77/100	4.5/5	4.5/5	Sep 2014	699	ebay.com
7.		Fujifilm X-E4	4/5	..	4/5	..	4.5/5	4/5	Jan 2021	849	amazon.com
8.		Fujifilm X-T30 II	5/5	..	4/5	..	4.5/5	4.5/5	Sep 2021	899	amazon.com
9.		Fujifilm X-T30	5/5	+ +	5/5	84/100	4.5/5	4.5/5	Feb 2019	899	ebay.com
10.		Fujifilm X-A5	..	+	4.1/5	..	4/5	3.5/5	Jan 2018	399	ebay.com
11.		Fujifilm X-T20	5/5	+ +	5/5	82/100	5/5	4.5/5	Jan 2017	899	ebay.com
12.		Fujifilm X70	4.5/5	..	..	76/100	4.5/5	4.5/5	Jan 2016	799	ebay.com
13.		Fujifilm X-A3	..	..	..	74/100	4.5/5	4/5	Aug 2016	399	ebay.com
14.		Fujifilm X-E2S	4.5/5	..	..	77/100	4.5/5	4.5/5	Jan 2016	699	ebay.com
15.		Panasonic ZS200	..	+ +	4.5/5	81/100	4.5/5	4.5/5	Feb 2018	799	amazon.com
16.		Panasonic LX10	..	+ +	4/5	81/100	4/5	4.5/5	Sep 2016	699	amazon.com
17.		Sony RX100 V	4.5/5	+ +	..	83/100	4/5	4.5/5	Oct 2016	999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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