Fujifilm X-E3 vs Olympus E-M1X
The Fujifilm X-E3 and the Olympus OM-D E-M1X are two digital cameras that were officially introduced, respectively, in September 2017 and January 2019. Both the X-E3 and the E-M1X are mirrorless interchangeable lens cameras that are based on an APS-C (X-E3) and a Four Thirds (E-M1X) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Olympus provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-E3||Olympus E-M1X|
|Mirrorless system camera||Mirrorless system camera|
|Fujifilm X mount lenses||Micro Four Thirds lenses|
|24 MP, APS-C Sensor||20.2 MP, Four Thirds Sensor|
|4K/30p Video||4K/30p Video|
|ISO 200-12800 (100-51200)||ISO 200-25600|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (2360k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1037k dots|
|Fixed touchscreen||Swivel touchscreen|
|8 shutter flaps per second||18 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|350 shots per battery charge||870 shots per battery charge|
|121 x 74 x 43 mm, 337 g||144 x 147 x 75 mm, 997 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E3 and the Olympus OM-D E-M1X? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-E3 and the Olympus E-M1X is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1X is considerably larger (136 percent) than the Fujifilm X-E3. Moreover, the E-M1X is substantially heavier (196 percent) than the X-E3. It is noteworthy in this context that the E-M1X is splash and dust-proof, while the X-E3 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-E3) and the Micro Four Thirds Lens Catalog (E-M1X). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the X-E3 gets 350 shots out of its NP-W126S battery, while the E-M1X can take 870 images on a single charge of its BLH-1 power pack. As can be seen in the images above, the E-M1X has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Fujifilm X-E3»||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899||Fujifilm X-E3|
|Olympus E-M1X«||144 mm||147 mm||75 mm||997 g||870||Y||Jan 2019||2,999||Olympus E-M1X|
|Canon M50« »||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779||Canon M50|
|Canon M6« »||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779||-||Canon M6|
|Fujifilm X-T30« »||118 mm||83 mm||47 mm||383 g||380||n||Feb 2019||899||Fujifilm X-T30|
|Fujifilm X-A5« »||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399||-||Fujifilm X-A5|
|Fujifilm X-T100« »||121 mm||83 mm||47 mm||448 g||430||n||May 2018||599||Fujifilm X-T100|
|Fujifilm X-T20« »||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899||Fujifilm X-T20|
|Fujifilm X70« »||113 mm||64 mm||44 mm||340 g||330||n||Jan 2016||799||-||Fujifilm X70|
|Fujifilm X-A3« »||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399||-||Fujifilm X-A3|
|Fujifilm X-E2S« »||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699||-||Fujifilm X-E2S|
|Olympus E-M1 II« »||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic S1« »||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499||Panasonic S1|
|Panasonic S1R« »||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699||Panasonic S1R|
|Panasonic G90« »||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999||Panasonic G90|
|Sony RX100 V« »||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999||Sony RX100 V|
|Sony A900« »||156 mm||117 mm||82 mm||895 g||880||Y||Sep 2008||2,999||-||Sony A900|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-E3 was launched at a markedly lower price (by 70 percent) than the E-M1X, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-E3 features an APS-C sensor and the Olympus E-M1X a Four Thirds sensor. The sensor area in the E-M1X is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-E3 has a native 3:2 aspect ratio, while the one in the E-M1X offers a 4:3 aspect.
With 24MP, the X-E3 offers a higher resolution than the E-M1X (20.2MP), but the X-E3 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.34μm for the E-M1X) due to its larger sensor. However, the E-M1X is a somewhat more recent model (by 1 year and 4 months) than the X-E3, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm X-E3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-E3 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Olympus E-M1X are 25.9 x 19.4 inch or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inch or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inch or 43.9 x 32.9 cm for excellent quality prints.
Unlike the X-E3, the E-M1X has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm X-E3 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Olympus OM-D E-M1X are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Fujifilm X-E3»||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-E3|
|Olympus E-M1X«||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Olympus E-M1X|
|Canon M50« »||APS-C||24.0||6000||4000||4K/24p||-||-||-||-||Canon M50|
|Canon M6« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon M6|
|Fujifilm X-T30« »||APS-C||26.0||6240||4160||4K/30p||-||-||-||-||Fujifilm X-T30|
|Fujifilm X-A5« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm X-A5|
|Fujifilm X-T100« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm X-T100|
|Fujifilm X-T20« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T20|
|Fujifilm X70« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X70|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-A3|
|Fujifilm X-E2S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-E2S|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Panasonic S1« »||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95||Panasonic S1|
|Panasonic S1R« »||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100||Panasonic S1R|
|Panasonic G90« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic G90|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Sony A900« »||Full Frame||24.4||6048||4032||-||23.7||12.3||1431||79||Sony A900|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. The X-E3 and the E-M1X are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The adjacent table lists some of the other core features of the Fujifilm X-E3 and Olympus E-M1X along with similar information for a selection of comparators.
|Fujifilm X-E3»||2360||n||3.0||1040||fixed||Y||1/4000s||8.0||n||n||Fujifilm X-E3|
|Olympus E-M1X«||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1X|
|Canon M50« »||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n||Canon M50|
|Canon M6« »||-||n||3.0||1040||tilting||Y||1/4000s||9.0||Y||n||Canon M6|
|Fujifilm X-T30« »||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X-T30|
|Fujifilm X-A5« »||-||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A5|
|Fujifilm X-T100« »||2360||n||3.0||1040||full-flex||Y||1/4000s||6.0||Y||n||Fujifilm X-T100|
|Fujifilm X-T20« »||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X-T20|
|Fujifilm X70« »||-||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X70|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A3|
|Fujifilm X-E2S« »||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2S|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Panasonic S1« »||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1|
|Panasonic S1R« »||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1R|
|Panasonic G90« »||2360||n||3.0||1240||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G90|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y||Sony RX100 V|
|Sony A900« »||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||Y||Sony A900|
One feature that differentiates the E-M1X and the X-E3 is in-body image stabilization (IBIS). The E-M1X reduces the risk of handshake-induced blur with all attached lenses, while the X-E3 has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.The E-M1X has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-E3 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-E3 and the Olympus E-M1X both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-E3 and the E-M1X write their files to SDXC cards. The E-M1X features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-E3 only has one slot. The E-M1X supports UHS-II cards (on both slots), while the X-E3 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E3 and Olympus OM-D E-M1X and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-E3»||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-E3|
|Olympus E-M1X«||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y||Olympus E-M1X|
|Canon M50« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Canon M6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M6|
|Fujifilm X-T30« »||Y||stereo||mono||Y||-||micro||3.1||Y||-||Y||Fujifilm X-T30|
|Fujifilm X-A5« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Fujifilm X-A5|
|Fujifilm X-T100« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-T100|
|Fujifilm X-T20« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T20|
|Fujifilm X70« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X70|
|Fujifilm X-A3« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X-A3|
|Fujifilm X-E2S« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2S|
|Olympus E-M1 II« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Panasonic S1« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1|
|Panasonic S1R« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1R|
|Panasonic G90« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||Y||Panasonic G90|
|Sony RX100 V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Sony A900« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A900|
It is notable that the E-M1X has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-E3 lacks such a headphone port.
Studio photographers will appreciate that the Olympus E-M1X (unlike the X-E3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the E-M1X has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the X-E3 and the E-M1X are recent models that are part of the current product line-up. The X-E3 replaced the earlier Fujifilm X-E2S, while the E-M1X does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Olympus websites.
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm X-E3 and the Olympus E-M1X? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Fujifilm X-E3:
- More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More compact: Is smaller (121x74mm vs 144x147mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 660g or 66 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in September 2017).
Arguments in favor of the Olympus OM-D E-M1X:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.83x vs 0.41x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (18 vs 8 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (870 versus 350) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Was introduced somewhat (1 year and 4 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the E-M1X is the clear winner of the contest (17 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-E3 and the Olympus E-M1X place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the X-E3 or the E-M1X perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm X-E3»||+||84/100||4.5/5||4.5/5||4.5/5||Sep 2017||899||Fujifilm X-E3|
|Olympus E-M1X«||o||-||4.5/5||5/5||-||Jan 2019||2,999||Olympus E-M1X|
|Canon M50« »||+||79/100||-||4/5||3.5/5||Feb 2018||779||Canon M50|
|Canon M6« »||-||80/100||4/5||4.5/5||4/5||Feb 2017||779||-||Canon M6|
|Fujifilm X-T30« »||+ +||84/100||4.5/5||-||4.5/5||Feb 2019||899||Fujifilm X-T30|
|Fujifilm X-A5« »||+||-||4/5||4/5||3.5/5||Jan 2018||399||-||Fujifilm X-A5|
|Fujifilm X-T100« »||+||79/100||4/5||-||4.5/5||May 2018||599||Fujifilm X-T100|
|Fujifilm X-T20« »||+ +||82/100||5/5||-||4.5/5||Jan 2017||899||Fujifilm X-T20|
|Fujifilm X70« »||-||76/100||4.5/5||4/5||4.5/5||Jan 2016||799||-||Fujifilm X70|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399||-||Fujifilm X-A3|
|Fujifilm X-E2S« »||-||77/100||4.5/5||-||4.5/5||Jan 2016||699||-||Fujifilm X-E2S|
|Olympus E-M1 II« »||+ +||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic S1« »||+ +||88/100||4.5/5||-||4/5||Feb 2019||2,499||Panasonic S1|
|Panasonic S1R« »||-||89/100||4.5/5||-||4.5/5||Feb 2019||3,699||Panasonic S1R|
|Panasonic G90« »||+||83/100||4.5/5||-||4.5/5||Apr 2019||999||Panasonic G90|
|Sony RX100 V« »||+ +||83/100||4/5||5/5||4.5/5||Oct 2016||999||Sony RX100 V|
|Sony A900« »||+ +||+ +||4.5/5||4/5||5/5||Sep 2008||2,999||-||Sony A900|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds vs Fujifilm X-E3
- Fujifilm X-A5 vs Olympus E-M1X
- Fujifilm X-E3 vs Leica C-LUX
- Fujifilm X-E3 vs Nikon D80
- Fujifilm X-E3 vs Panasonic TZ90
- Fujifilm X-E3 vs Panasonic ZS200
- Fujifilm X-E3 vs Sony A850
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Specifications: Fujifilm X-E3 vs Olympus E-M1X
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-E3||Olympus E-M1X|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Micro Four Thirds lenses|
|Launch Date||September 2017||January 2019|
|Launch Price||USD 899||USD 2999|
|Sensor Specs||Fujifilm X-E3||Olympus E-M1X|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||20.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.92 μm||3.34 μm|
|Pixel Density||6.52 MP/cm2||8.96 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||200-12800 ISO||200-25600 ISO|
|ISO Boost||100-51200 ISO||64-25600 ISO|
|Image Processor||X-Processor Pro||Dual TruePic VIII|
|Screen Specs||Fujifilm X-E3||Olympus E-M1X|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Fujifilm X-E3||Olympus E-M1X|
|Autofocus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||8 shutter flaps/s||18 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Fujifilm X-E3||Olympus E-M1X|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Fujifilm X-E3||Olympus E-M1X|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||870 shots per charge|
|In-Camera Charging||USB charging||USB charging|
121 x 74 x 43 mm
(4.8 x 2.9 x 1.7 in)
144 x 147 x 75 mm
(5.7 x 5.8 x 3.0 in)
|Camera Weight||337 g (11.9 oz)||997 g (35.2 oz)|
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