Fujifilm X-E3 vs Kodak S-1
The Fujifilm X-E3 and the Kodak PixPro S-1 are two digital cameras that were officially introduced, respectively, in September 2017 and January 2012. Both the X-E3 and the S-1 are mirrorless interchangeable lens cameras that are based on an APS-C (X-E3) and a Four Thirds (S-1) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Kodak provides 16.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E3 and the Kodak PixPro S-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Fujifilm X-E3 and the Kodak S-1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The X-E3 can be obtained in two different colors (black, silver), while the S-1 is also available in two color-versions, but different ones (black, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Kodak S-1 is notably smaller (12 percent) than the Fujifilm X-E3. Moreover, the S-1 is markedly lighter (14 percent) than the X-E3. In this context, it is worth noting that neither the X-E3 nor the S-1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-E3) and the Micro Four Thirds Lens Catalog (S-1). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the X-E3 gets 350 shots out of its Fujifilm NP-W126S battery, while the S-1 can take 410 images on a single charge of its Kodak LB-070 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-E3 | 121 mm | 74 mm | 43 mm | 337 g | 350 | n | Sep 2017 | 899 | ebay.com | |
2. | Kodak S-1 | 116 mm | 68 mm | 36 mm | 290 g | 410 | n | Jan 2012 | 299 | ebay.com | |
3. | Fujifilm X-A3 | 117 mm | 67 mm | 40 mm | 339 g | 410 | n | Aug 2016 | 399 | ebay.com | |
4. | Fujifilm X-A5 | 117 mm | 68 mm | 40 mm | 361 g | 450 | n | Jan 2018 | 399 | ebay.com | |
5. | Fujifilm X-A10 | 117 mm | 67 mm | 40 mm | 331 g | 410 | n | Dec 2016 | 399 | ebay.com | |
6. | Fujifilm X-E2 | 129 mm | 75 mm | 37 mm | 350 g | 350 | n | Oct 2013 | 999 | ebay.com | |
7. | Fujifilm X-E2S | 129 mm | 75 mm | 37 mm | 350 g | 350 | n | Jan 2016 | 699 | ebay.com | |
8. | Fujifilm X-E4 | 121 mm | 73 mm | 33 mm | 364 g | 380 | n | Jan 2021 | 849 | amazon.com | |
9. | Fujifilm X-T10 | 118 mm | 83 mm | 41 mm | 381 g | 350 | n | May 2015 | 799 | ebay.com | |
10. | Fujifilm X-T20 | 118 mm | 83 mm | 41 mm | 383 g | 350 | n | Jan 2017 | 899 | ebay.com | |
11. | Fujifilm X-T30 | 118 mm | 83 mm | 47 mm | 383 g | 380 | n | Feb 2019 | 899 | ebay.com | |
12. | Fujifilm X-T30 II | 118 mm | 83 mm | 47 mm | 383 g | 380 | n | Sep 2021 | 899 | amazon.com | |
13. | Olympus E-P5 | 122 mm | 69 mm | 37 mm | 420 g | 330 | n | May 2013 | 999 | ebay.com | |
14. | Olympus E-PL5 | 111 mm | 64 mm | 38 mm | 325 g | 360 | n | Sep 2012 | 599 | ebay.com | |
15. | Olympus E-PL6 | 111 mm | 64 mm | 38 mm | 325 g | 360 | n | May 2013 | 599 | ebay.com | |
16. | Olympus E-PM2 | 110 mm | 64 mm | 34 mm | 269 g | 360 | n | Sep 2012 | 499 | ebay.com | |
17. | Panasonic GX7 | 123 mm | 71 mm | 55 mm | 402 g | 350 | n | Aug 2013 | 999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The S-1 was launched at a markedly lower price (by 67 percent) than the X-E3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-E3 features an APS-C sensor and the Kodak S-1 a Four Thirds sensor. The sensor area in the S-1 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-E3 has a native 3:2 aspect ratio, while the one in the S-1 offers a 4:3 aspect.
With 24MP, the X-E3 offers a higher resolution than the S-1 (16.1MP), but the X-E3 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.74μm for the S-1) due to its larger sensor. Moreover, the X-E3 is a much more recent model (by 5 years and 7 months) than the S-1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-E3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-E3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-E3 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Kodak S-1 are 23.2 x 17.4 inches or 58.9 x 44.2 cm for good quality, 18.6 x 13.9 inches or 47.1 x 35.4 cm for very good quality, and 15.5 x 11.6 inches or 39.3 x 29.5 cm for excellent quality prints.
The X-E3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-E3 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Kodak PixPro S-1 are ISO 200 to ISO 12800 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. The X-E3 uses Fujifilm's X-Trans layout of photosites, while the S-1 employs the more common Bayer array.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-E3 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.9 | 13.3 | 1764 | 82 | |
2. | Kodak S-1 | Four Thirds | 16.1 | 4640 | 3480 | 1080/30p | 22.2 | 11.8 | 598 | 65 | |
3. | Fujifilm X-A3 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 13.1 | 1664 | 81 | |
4. | Fujifilm X-A5 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.3 | 1800 | 82 | |
5. | Fujifilm X-A10 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | 23.9 | 13.2 | 1691 | 81 | |
6. | Fujifilm X-E2 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.4 | 12.6 | 1400 | 77 | |
7. | Fujifilm X-E2S | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
8. | Fujifilm X-E4 | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.2 | 13.7 | 2085 | 85 | |
9. | Fujifilm X-T10 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.7 | 12.9 | 1546 | 79 | |
10. | Fujifilm X-T20 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.9 | 13.2 | 1704 | 81 | |
11. | Fujifilm X-T30 | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.1 | 13.5 | 1895 | 83 | |
12. | Fujifilm X-T30 II | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.2 | 13.8 | 2144 | 85 | |
13. | Olympus E-P5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.4 | 895 | 72 | |
14. | Olympus E-PL5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.3 | 889 | 72 | |
15. | Olympus E-PL6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.5 | 12.0 | 717 | 68 | |
16. | Olympus E-PM2 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.7 | 12.2 | 932 | 72 | |
17. | Panasonic GX7 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.6 | 12.2 | 718 | 70 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-E3 provides a higher video resolution than the S-1. It can shoot video footage at 4K/30p, while the Kodak is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-E3 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the S-1 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Fujifilm X-E3 and Kodak S-1 in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-E3 | 2360 | n | 3.0 / 1040 | fixed | Y | 1/4000s | 8.0/s | n | n | |
2. | Kodak S-1 | none | n | 3.0 / 920 | tilting | n | 1/4000s | 4.0/s | n | Y | |
3. | Fujifilm X-A3 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
4. | Fujifilm X-A5 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
5. | Fujifilm X-A10 | none | n | 3.0 / 1040 | tilting | n | 1/4000s | 6.0/s | Y | n | |
6. | Fujifilm X-E2 | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 7.0/s | Y | n | |
7. | Fujifilm X-E2S | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 7.0/s | Y | n | |
8. | Fujifilm X-E4 | 2360 | n | 3.0 / 1620 | tilting | Y | 1/4000s | 8.0/s | n | n | |
9. | Fujifilm X-T10 | 2360 | n | 3.0 / 920 | tilting | n | 1/4000s | 8.0/s | Y | n | |
10. | Fujifilm X-T20 | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
11. | Fujifilm X-T30 | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
12. | Fujifilm X-T30 II | 2360 | n | 3.0 / 1620 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
13. | Olympus E-P5 | optional | n | 3.0 / 1037 | tilting | Y | 1/8000s | 9.0/s | Y | Y | |
14. | Olympus E-PL5 | optional | n | 3.0 / 460 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
15. | Olympus E-PL6 | optional | n | 3.0 / 460 | tilting | Y | 1/4000s | 8.0/s | n | Y | |
16. | Olympus E-PM2 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 8.0/s | n | Y | |
17. | Panasonic GX7 | 2760 | n | 3.0 / 1040 | tilting | Y | 1/8000s | 5.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The X-E3 has a touchscreen, while the S-1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The S-1 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-E3 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-E3 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-E3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-E3 and the S-1 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E3 and Kodak PixPro S-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-E3 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
2. | Kodak S-1 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
3. | Fujifilm X-A3 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
4. | Fujifilm X-A5 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
5. | Fujifilm X-A10 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
6. | Fujifilm X-E2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
7. | Fujifilm X-E2S | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
8. | Fujifilm X-E4 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
9. | Fujifilm X-T10 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
10. | Fujifilm X-T20 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
11. | Fujifilm X-T30 | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
12. | Fujifilm X-T30 II | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
13. | Olympus E-P5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
14. | Olympus E-PL5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
15. | Olympus E-PL6 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
16. | Olympus E-PM2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
17. | Panasonic GX7 | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - |
It is notable that the X-E3 has a microphone port, which is missing on the S-1. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the X-E3 and the S-1 have been discontinued, but can regularly be found used on ebay. The X-E3 was replaced by the Fujifilm X-E4, while the S-1 does not have a direct successor. Further information on the features and operation of the X-E3 and S-1 can be found, respectively, in the Fujifilm X-E3 Manual (free pdf) or the online Kodak S-1 Manual.
Review summary
So how do things add up? Is the Fujifilm X-E3 better than the Kodak S-1 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Fujifilm X-E3:
- More detail: Offers more megapixels (24 vs 16.1MP) with a 24% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (8 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 5 years and 7 months of technical progress since the S-1 launch.
Advantages of the Kodak PixPro S-1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (116x68mm vs 121x74mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 47g or 14 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (410 versus 350) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced into a lower priced category (67 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in January 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the X-E3 is the clear winner of the match-up (17 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-E3 and the Kodak S-1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-E3 or the S-1. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-E3 | 4.5/5 | + | 4.5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2017 | 899 | ebay.com | |
2. | Kodak S-1 | .. | .. | .. | .. | 4/5 | 4/5 | Jan 2012 | 299 | ebay.com | |
3. | Fujifilm X-A3 | .. | .. | .. | 74/100 | 4.5/5 | 4/5 | Aug 2016 | 399 | ebay.com | |
4. | Fujifilm X-A5 | .. | + | 4.1/5 | .. | 4/5 | 3.5/5 | Jan 2018 | 399 | ebay.com | |
5. | Fujifilm X-A10 | .. | .. | .. | .. | 4/5 | 4/5 | Dec 2016 | 399 | ebay.com | |
6. | Fujifilm X-E2 | 4/5 | .. | .. | 80/100 | 4.5/5 | 5/5 | Oct 2013 | 999 | ebay.com | |
7. | Fujifilm X-E2S | 4.5/5 | .. | .. | 77/100 | 4.5/5 | 4.5/5 | Jan 2016 | 699 | ebay.com | |
8. | Fujifilm X-E4 | 4/5 | .. | 4/5 | .. | 4.5/5 | 4/5 | Jan 2021 | 849 | amazon.com | |
9. | Fujifilm X-T10 | 4.5/5 | + + | .. | 80/100 | 5/5 | 5/5 | May 2015 | 799 | ebay.com | |
10. | Fujifilm X-T20 | 5/5 | + + | 5/5 | 82/100 | 5/5 | 4.5/5 | Jan 2017 | 899 | ebay.com | |
11. | Fujifilm X-T30 | 5/5 | + + | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Feb 2019 | 899 | ebay.com | |
12. | Fujifilm X-T30 II | 5/5 | .. | 4/5 | .. | 4.5/5 | 4.5/5 | Sep 2021 | 899 | amazon.com | |
13. | Olympus E-P5 | 5/5 | + + | .. | 78/100 | 4.5/5 | 5/5 | May 2013 | 999 | ebay.com | |
14. | Olympus E-PL5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Sep 2012 | 599 | ebay.com | |
15. | Olympus E-PL6 | .. | .. | .. | .. | .. | .. | May 2013 | 599 | ebay.com | |
16. | Olympus E-PM2 | 3/5 | .. | .. | 77/100 | 5/5 | 4.5/5 | Sep 2012 | 499 | ebay.com | |
17. | Panasonic GX7 | 4/5 | + | .. | 79/100 | 5/5 | 5/5 | Aug 2013 | 999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1000D vs Fujifilm X-E3
- Canon 1D X Mark II vs Kodak S-1
- Canon G5 X Mark II vs Kodak S-1
- Canon SX410 vs Fujifilm X-E3
- Canon T100 vs Fujifilm X-E3
- Canon T6s vs Fujifilm X-E3
- Fujifilm X-E2 vs Fujifilm X-E3
- Fujifilm X-E3 vs Sony A9 III
- Kodak S-1 vs Nikon D2Xs
- Kodak S-1 vs Olympus E-600
- Kodak S-1 vs Olympus E-PL6
- Kodak S-1 vs Sony A9
Specifications: Fujifilm X-E3 vs Kodak S-1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm X-E3 | Kodak S-1 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Fujifilm X mount lenses | Micro Four Thirds lenses |
Launch Date | September 2017 | January 2012 |
Launch Price | USD 899 | USD 299 |
Sensor Specs | Fujifilm X-E3 | Kodak S-1 |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Four Thirds Sensor |
Sensor Size | 23.6 x 15.6 mm | 17.3 x 13.0 mm |
Sensor Area | 368.16 mm2 | 224.9 mm2 |
Sensor Diagonal | 28.3 mm | 21.6 mm |
Crop Factor | 1.5x | 2.0x |
Sensor Resolution | 24 Megapixels | 16.1 Megapixels |
Image Resolution | 6000 x 4000 pixels | 4640 x 3480 pixels |
Pixel Pitch | 3.92 μm | 3.74 μm |
Pixel Density | 6.52 MP/cm2 | 7.18 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 1080/30p Video |
ISO Setting | 200 - 12,800 ISO | 200 - 12,800 ISO |
ISO Boost | 100 - 51,200 ISO | no Enhancement |
Screen Specs | Fujifilm X-E3 | Kodak S-1 |
Viewfinder Type | Electronic viewfinder | no viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.41x | |
Viewfinder Resolution | 2360k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 920k dots |
LCD Attachment | Fixed screen | Tilting screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Fujifilm X-E3 | Kodak S-1 |
Focus System | On-Sensor Phase-detect | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 8 shutter flaps/s | 4 shutter flaps/s |
Electronic Shutter | up to 1/32000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Fujifilm X-E3 | Kodak S-1 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | External MIC port | no MIC socket |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Fujifilm X-E3 | Kodak S-1 |
Battery Type | Fujifilm NP-W126S | Kodak LB-070 |
Battery Life (CIPA) | 350 shots per charge | 410 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
121 x 74 x 43 mm (4.8 x 2.9 x 1.7 in) |
116 x 68 x 36 mm (4.6 x 2.7 x 1.4 in) |
Camera Weight | 337 g (11.9 oz) | 290 g (10.2 oz) |
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