Fujifilm X-E1 vs Pentax K-70

The Fujifilm X-E1 and the Pentax K-70 are two digital cameras that were announced, respectively, in September 2012 and June 2016. The X-E1 is a mirrorless interchangeable lens camera, while the K-70 is a DSLR. Both cameras are equipped with an APS-C sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Pentax provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm X-E1		Pentax K-70
Mirrorless system camera		Digital single lens reflex
Fujifilm X mount lenses		Pentax K mount lenses
16 MP – APS-C sensor		24 MP – APS-C sensor
1080/24p Video		1080/60i Video
ISO 200-6,400 (100 - 25,600)		ISO 100-102,400
Electronic viewfinder (2360k dots)		Optical viewfinder
2.8" LCD – 460k dots		3.0" LCD – 921k dots
Fixed screen (not touch-sensitive)		Swivel screen (not touch-sensitive)
6 shutter flaps per second		6 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
350 shots per battery charge		410 shots per battery charge
129 x 75 x 38 mm, 350 g		126 x 93 x 74 mm, 688 g

Check X-E1 offers at
ebay.com
Check K-70 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E1 and the Pentax K-70? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm X-E1 and the Pentax K-70 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

Both cameras are available in two different colors (black, silver).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-70 is notably larger (21 percent) than the Fujifilm X-E1. Moreover, the K-70 is substantially heavier (97 percent) than the X-E1. It is noteworthy in this context that the K-70 is splash and dust-proof, while the X-E1 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the X-E1 gets 350 shots out of its NP-W126 battery, while the K-70 can take 410 images on a single charge of its D-LI109 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm X-E1	129 mm	75 mm	38 mm	350 g	350	n	Sep 2012	999	ebay.com
2.		Pentax K-70	126 mm	93 mm	74 mm	688 g	410	Y	Jun 2016	649	amazon.com
3.		Fujifilm X-E3	121 mm	74 mm	43 mm	337 g	350	n	Sep 2017	899	ebay.com
4.		Fujifilm X-T20	118 mm	83 mm	41 mm	383 g	350	n	Jan 2017	899	ebay.com
5.		Fujifilm X-A10	117 mm	67 mm	40 mm	331 g	410	n	Dec 2016	399	ebay.com
6.		Fujifilm X-E2S	129 mm	75 mm	37 mm	350 g	350	n	Jan 2016	699	ebay.com
7.		Fujifilm X-A2	117 mm	67 mm	40 mm	350 g	410	n	Jan 2015	399	ebay.com
8.		Fujifilm X-T10	118 mm	83 mm	41 mm	381 g	350	n	May 2015	799	ebay.com
9.		Fujifilm X-A1	117 mm	67 mm	39 mm	330 g	350	n	Sep 2013	399	ebay.com
10.		Fujifilm X-E2	129 mm	75 mm	37 mm	350 g	350	n	Oct 2013	999	ebay.com
11.		Fujifilm X-M1	117 mm	67 mm	39 mm	330 g	350	n	Jun 2013	699	ebay.com
12.		Pentax KP	132 mm	101 mm	76 mm	703 g	390	Y	Jan 2017	1,099	ebay.com
13.		Pentax K-S2	123 mm	91 mm	73 mm	678 g	410	Y	Feb 2015	749	ebay.com
14.		Pentax K-3 II	131 mm	100 mm	77 mm	800 g	720	Y	Apr 2015	1,099	ebay.com
15.		Pentax K-50	130 mm	97 mm	71 mm	650 g	410	Y	Jun 2013	599	ebay.com
16.		Pentax K-3	131 mm	100 mm	77 mm	800 g	560	Y	Oct 2013	1,299	ebay.com
17.		Sony NEX-6	120 mm	67 mm	43 mm	345 g	360	n	Sep 2012	999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The K-70 was launched at a markedly lower price (by 35 percent) than the X-E1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Despite having a slightly smaller sensor, the K-70 offers a higher resolution of 24 megapixels, compared with 16 MP of the X-E1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 4.80μm for the X-E1). However, it should be noted that the K-70 is much more recent (by 3 years and 9 months) than the X-E1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Pentax K-70 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-70 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Fujifilm X-E1 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.

The K-70 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the X-E1, the K-70 has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm X-E1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Pentax K-70 are ISO 100 to ISO 102400 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. The X-E1 uses Fujifilm's X-Trans layout of photosites, while the K-70 employs the more common Bayer array.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm X-E1	APS-C	16.0	4896	3264	1080/24p	23.2	12.4	1298	75
2.		Pentax K-70	APS-C	24.0	6000	4000	1080/60i	23.8	13.1	1639	80
3.		Fujifilm X-E3	APS-C	24.0	6000	4000	4K/30p	23.9	13.3	1764	82
4.		Fujifilm X-T20	APS-C	24.0	6000	4000	4K/30p	23.9	13.2	1704	81
5.		Fujifilm X-A10	APS-C	16.0	4896	3264	1080/30p	23.9	13.2	1691	81
6.		Fujifilm X-E2S	APS-C	16.0	4896	3264	1080/60p	23.7	13.0	1608	80
7.		Fujifilm X-A2	APS-C	16.0	4896	3264	1080/30p	23.6	12.8	1515	79
8.		Fujifilm X-T10	APS-C	16.0	4896	3264	1080/60p	23.7	12.9	1546	79
9.		Fujifilm X-A1	APS-C	16.0	4896	3264	1080/30p	23.4	12.6	1390	76
10.		Fujifilm X-E2	APS-C	16.0	4896	3264	1080/60p	23.4	12.6	1400	77
11.		Fujifilm X-M1	APS-C	16.0	4896	3264	1080/30p	23.4	12.6	1371	76
12.		Pentax KP	APS-C	24.1	6016	4000	1080/60i	23.9	13.2	1699	81
13.		Pentax K-S2	APS-C	20.0	5472	3648	1080/30p	23.6	12.9	1514	79
14.		Pentax K-3 II	APS-C	24.1	6016	4000	1080/60i	23.6	13.6	1106	80
15.		Pentax K-50	APS-C	16.1	4928	3264	1080/30p	23.7	13.0	1120	79
16.		Pentax K-3	APS-C	24.1	6016	4000	1080/60i	23.7	13.4	1216	80
17.		Sony NEX-6	APS-C	16.0	4912	3264	1080/60i	23.7	13.1	1018	78
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the K-70 provides a faster frame rate than the X-E1. It can shoot movie footage at 1080/60i, while the Fujifilm is limited to 1080/24p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-E1 has an electronic viewfinder (2360k dots), while the K-70 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Fujifilm X-E1 and Pentax K-70 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm X-E1	2360	n	2.8 / 460	fixed	n	1/4000s	6.0/s	Y	n
2.		Pentax K-70	optical	n	3.0 / 921	swivel	n	1/6000s	6.0/s	Y	Y
3.		Fujifilm X-E3	2360	n	3.0 / 1040	fixed	Y	1/4000s	8.0/s	n	n
4.		Fujifilm X-T20	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
5.		Fujifilm X-A10	none	n	3.0 / 1040	tilting	n	1/4000s	6.0/s	Y	n
6.		Fujifilm X-E2S	2360	n	3.0 / 1040	fixed	n	1/4000s	7.0/s	Y	n
7.		Fujifilm X-A2	none	n	3.0 / 920	tilting	n	1/4000s	5.6/s	Y	n
8.		Fujifilm X-T10	2360	n	3.0 / 920	tilting	n	1/4000s	8.0/s	Y	n
9.		Fujifilm X-A1	none	n	3.0 / 920	tilting	n	1/4000s	5.6/s	Y	n
10.		Fujifilm X-E2	2360	n	3.0 / 1040	fixed	n	1/4000s	7.0/s	Y	n
11.		Fujifilm X-M1	none	n	3.0 / 920	tilting	n	1/4000s	5.6/s	Y	n
12.		Pentax KP	optical	n	3.0 / 921	tilting	n	1/6000s	7.0/s	Y	Y
13.		Pentax K-S2	optical	n	3.0 / 921	swivel	n	1/6000s	5.4/s	Y	Y
14.		Pentax K-3 II	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	n	Y
15.		Pentax K-50	optical	n	3.0 / 921	fixed	n	1/6000s	6.0/s	Y	Y
16.		Pentax K-3	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	Y	Y
17.		Sony NEX-6	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the K-70 and the X-E1 is in-body image stabilization (IBIS). The K-70 reduces the risk of handshake-induced blur with all attached lenses, while the X-E1 offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The Pentax K-70 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the X-E1 and the K-70 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E1 and Pentax K-70 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm X-E1	Y	stereo / mono	Y	-	mini	2.0	-	-	-
2.		Pentax K-70	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
3.		Fujifilm X-E3	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
4.		Fujifilm X-T20	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
5.		Fujifilm X-A10	-	stereo / mono	-	-	micro	2.0	Y	-	-
6.		Fujifilm X-E2S	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
7.		Fujifilm X-A2	Y	stereo / mono	-	-	mini	2.0	Y	-	-
8.		Fujifilm X-T10	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
9.		Fujifilm X-A1	Y	stereo / mono	-	-	mini	2.0	Y	-	-
10.		Fujifilm X-E2	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
11.		Fujifilm X-M1	Y	stereo / mono	-	-	mini	2.0	Y	-	-
12.		Pentax KP	Y	stereo / mono	Y	-	-	2.0	Y	-	-
13.		Pentax K-S2	Y	mono / mono	Y	-	micro	2.0	Y	Y	-
14.		Pentax K-3 II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
15.		Pentax K-50	Y	mono / mono	-	-	micro	2.0	-	-	-
16.		Pentax K-3	Y	mono / mono	Y	Y	mini	3.0	-	-	-
17.		Sony NEX-6	Y	stereo / mono	-	-	mini	2.0	Y	-	-

It is notable that the K-70 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the X-E1 does not provide wifi capability.

The K-70 is a recent model that features in the current product line-up of Pentax. In contrast, the X-E1 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the X-E1 was succeeded by the Fujifilm X-E2. Further information on the features and operation of the X-E1 and K-70 can be found, respectively, in the Fujifilm X-E1 Manual (free pdf) or the online Pentax K-70 Manual.

Review summary

So what conclusions can be drawn? Is the Fujifilm X-E1 better than the Pentax K-70 or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Fujifilm X-E1:

• More framing info: Has an electronic viewfinder that displays shooting data.
• More compact: Is smaller (129x75mm vs 126x93mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 338g or 49 percent) and hence easier to carry around.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• More heavily discounted: Has been available for much longer (launched in September 2012).

Reasons to prefer the Pentax K-70:

• More detail: Has more megapixels (24 vs 16MP), which boosts linear resolution by 23%.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better video: Provides higher movie framerates (1080/60i versus 1080/24p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger screen: Has a bigger rear LCD (3.0" vs 2.8") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (921k vs 460k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/4000s) to freeze action.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Gets more shots (410 versus 350) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• More affordable: Was introduced into a lower priced category (35 percent cheaper at launch).
• More modern: Reflects 3 years and 9 months of technical progress since the X-E1 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the K-70 is the clear winner of the contest (17 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm X-E1 and the Pentax K-70 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the X-E1 or the K-70 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm X-E1	4/5	+ +	..	79/100	4.5/5	4.5/5	Sep 2012	999	ebay.com
2.		Pentax K-70	4.5/5	..	4/5	79/100	4.5/5	4.5/5	Jun 2016	649	amazon.com
3.		Fujifilm X-E3	4.5/5	+	4.5/5	84/100	4.5/5	4.5/5	Sep 2017	899	ebay.com
4.		Fujifilm X-T20	5/5	+ +	5/5	82/100	5/5	4.5/5	Jan 2017	899	ebay.com
5.		Fujifilm X-A10	..	..	..	..	4/5	4/5	Dec 2016	399	ebay.com
6.		Fujifilm X-E2S	4.5/5	..	..	77/100	4.5/5	4.5/5	Jan 2016	699	ebay.com
7.		Fujifilm X-A2	4/5	..	..	..	4.5/5	4.5/5	Jan 2015	399	ebay.com
8.		Fujifilm X-T10	4.5/5	+ +	..	80/100	5/5	5/5	May 2015	799	ebay.com
9.		Fujifilm X-A1	..	..	..	..	4.5/5	4.5/5	Sep 2013	399	ebay.com
10.		Fujifilm X-E2	4/5	..	..	80/100	4.5/5	5/5	Oct 2013	999	ebay.com
11.		Fujifilm X-M1	3/5	+	..	77/100	4.5/5	4.5/5	Jun 2013	699	ebay.com
12.		Pentax KP	4/5	..	3/5	82/100	5/5	4.5/5	Jan 2017	1,099	ebay.com
13.		Pentax K-S2	4.5/5	..	..	..	5/5	4.5/5	Feb 2015	749	ebay.com
14.		Pentax K-3 II	4.5/5	..	..	..	5/5	5/5	Apr 2015	1,099	ebay.com
15.		Pentax K-50	5/5	..	..	..	5/5	4.5/5	Jun 2013	599	ebay.com
16.		Pentax K-3	4/5	..	..	83/100	5/5	5/5	Oct 2013	1,299	ebay.com
17.		Sony NEX-6	5/5	+ +	..	78/100	4.5/5	4.5/5	Sep 2012	999	ebay.com
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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