Fujifilm X-E1 vs Leica D-LUX 5

The Fujifilm X-E1 and the Leica D-LUX 5 are two digital cameras that were revealed to the public, respectively, in September 2012 and September 2010. The X-E1 is a mirrorless interchangeable lens camera, while the D-LUX 5 is a fixed lens compact. The cameras are based on an APS-C (X-E1) and a 1/1.7-inch (D-LUX 5) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Leica provides 10 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm X-E1		Leica D-LUX 5
Mirrorless system camera		Fixed lens compact camera
Fujifilm X mount lenses		24-90mm f/2.0-3.3
16 MP – APS-C sensor		10 MP – 1/1.7" sensor
1080/24p Video		720/60p Video
ISO 200-6,400 (100 - 25,600)		ISO 80-3,200 (80 - 12,800)
Electronic viewfinder (2360k dots)		Viewfinder optional
2.8" LCD – 460k dots		3.0" LCD – 460k dots
Fixed screen (not touch-sensitive)		Fixed screen (not touch-sensitive)
6 shutter flaps per second		2.5 shutter flaps per second
350 shots per battery charge		400 shots per battery charge
129 x 75 x 38 mm, 350 g		110 x 65 x 43 mm, 271 g

Check X-E1 offers at
ebay.com
Check D-LUX 5 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E1 and the Leica D-LUX 5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm X-E1 and the Leica D-LUX 5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

The X-E1 can be obtained in two different colors (black, silver), while the D-LUX 5 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica D-LUX 5 is notably smaller (26 percent) than the Fujifilm X-E1. In this context, it is worth noting that neither the X-E1 nor the D-LUX 5 are weather-sealed.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 5 has a lens built in, whereas the X-E1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-E1 and their specifications in the Fujinon X Lens Catalog.

Concerning battery life, the X-E1 gets 350 shots out of its Fujifilm NP-W126 battery, while the D-LUX 5 can take 400 images on a single charge of its Leica BP-DC10 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm X-E1	129 mm	75 mm	38 mm	350 g	350	n	Sep 2012	999	ebay.com
2.		Leica D-LUX 5	110 mm	65 mm	43 mm	271 g	400	n	Sep 2010	699	ebay.com
3.		Fujifilm X-A1	117 mm	67 mm	39 mm	330 g	350	n	Sep 2013	399	ebay.com
4.		Fujifilm X-A2	117 mm	67 mm	40 mm	350 g	410	n	Jan 2015	399	ebay.com
5.		Fujifilm X-A10	117 mm	67 mm	40 mm	331 g	410	n	Dec 2016	399	ebay.com
6.		Fujifilm X-E2	129 mm	75 mm	37 mm	350 g	350	n	Oct 2013	999	ebay.com
7.		Fujifilm X-E3	121 mm	74 mm	43 mm	337 g	350	n	Sep 2017	899	ebay.com
8.		Fujifilm X-M1	117 mm	67 mm	39 mm	330 g	350	n	Jun 2013	699	ebay.com
9.		Fujifilm X-Pro1	140 mm	82 mm	43 mm	450 g	300	n	Jan 2012	1,699	ebay.com
10.		Fujifilm X-T10	118 mm	83 mm	41 mm	381 g	350	n	May 2015	799	ebay.com
11.		Fujifilm X-T20	118 mm	83 mm	41 mm	383 g	350	n	Jan 2017	899	ebay.com
12.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270	n	Sep 2011	599	ebay.com
13.		Leica D-LUX 6	111 mm	68 mm	46 mm	298 g	330	n	Sep 2012	699	ebay.com
14.		Leica V-LUX 3	124 mm	81 mm	95 mm	540 g	410	n	Dec 2011	949	ebay.com
15.		Leica X1	124 mm	60 mm	32 mm	306 g	260	n	Sep 2009	1,995	ebay.com
16.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	499	ebay.com
17.		Sony NEX-6	120 mm	67 mm	43 mm	345 g	360	n	Sep 2012	999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D-LUX 5 was launched at a lower price than the X-E1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm X-E1 features an APS-C sensor and the Leica D-LUX 5 a 1/1.7-inch sensor. The sensor area in the D-LUX 5 is 87 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 4.4. The sensor in the X-E1 has a native 3:2 aspect ratio, while the one in the D-LUX 5 offers a 4:3 aspect. The D-LUX 5 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 16MP, the X-E1 offers a higher resolution than the D-LUX 5 (10MP), but the X-E1 nevertheless has larger individual pixels (pixel pitch of 4.80μm versus 2.14μm for the D-LUX 5) due to its larger sensor. Moreover, the X-E1 is a somewhat more recent model (by 1 year and 11 months) than the D-LUX 5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-E1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm X-E1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-E1 for good quality output (200 dots per inch) amounts to 24.5 x 16.3 inches or 62.2 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.7 x 33.2 cm, and for excellent quality (300 dpi) 16.3 x 10.9 inches or 41.5 x 27.6 cm. The corresponding values for the Leica D-LUX 5 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The Fujifilm X-E1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Leica D-LUX 5 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.

In terms of underlying technology, the X-E1 is build around a CMOS sensor, while the D-LUX 5 uses a CCD imager. The X-E1 uses Fujifilm's X-Trans layout of photosites, while the D-LUX 5 employs the more common Bayer array.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm X-E1	APS-C	16.0	4896	3264	1080/24p	23.2	12.4	1298	75
2.		Leica D-LUX 5	1/1.7	10.0	3648	2736	720/60p	19.5	10.4	-583	39
3.		Fujifilm X-A1	APS-C	16.0	4896	3264	1080/30p	23.4	12.6	1390	76
4.		Fujifilm X-A2	APS-C	16.0	4896	3264	1080/30p	23.6	12.8	1515	79
5.		Fujifilm X-A10	APS-C	16.0	4896	3264	1080/30p	23.9	13.2	1691	81
6.		Fujifilm X-E2	APS-C	16.0	4896	3264	1080/60p	23.4	12.6	1400	77
7.		Fujifilm X-E3	APS-C	24.0	6000	4000	4K/30p	23.9	13.3	1764	82
8.		Fujifilm X-M1	APS-C	16.0	4896	3264	1080/30p	23.4	12.6	1371	76
9.		Fujifilm X-Pro1	APS-C	16.0	4896	3264	1080/24p	23.1	12.3	1238	74
10.		Fujifilm X-T10	APS-C	16.0	4896	3264	1080/60p	23.7	12.9	1546	79
11.		Fujifilm X-T20	APS-C	24.0	6000	4000	4K/30p	23.9	13.2	1704	81
12.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
13.		Leica D-LUX 6	1/1.7	10.0	3648	2736	1080/60p	19.8	10.8	-303	43
14.		Leica V-LUX 3	1/2.3	12.0	4000	3000	1080/60p	19.7	11.0	430	42
15.		Leica X1	APS-C	12.2	4272	2856	none	22.6	11.8	1037	69
16.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
17.		Sony NEX-6	APS-C	16.0	4912	3264	1080/60i	23.7	13.1	1018	78
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-E1 provides a higher video resolution than the D-LUX 5. It can shoot video footage at 1080/24p, while the Leica is limited to 720/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-E1 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the D-LUX 5 relies on live view and the rear LCD for framing. That said, the D-LUX 5 can be equipped with an optional viewfinder – the EVF1. The following table reports on some other key feature differences and similarities of the Fujifilm X-E1, the Leica D-LUX 5, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm X-E1	2360	n	2.8 / 460	fixed	n	1/4000s	6.0/s	Y	n
2.		Leica D-LUX 5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
3.		Fujifilm X-A1	none	n	3.0 / 920	tilting	n	1/4000s	5.6/s	Y	n
4.		Fujifilm X-A2	none	n	3.0 / 920	tilting	n	1/4000s	5.6/s	Y	n
5.		Fujifilm X-A10	none	n	3.0 / 1040	tilting	n	1/4000s	6.0/s	Y	n
6.		Fujifilm X-E2	2360	n	3.0 / 1040	fixed	n	1/4000s	7.0/s	Y	n
7.		Fujifilm X-E3	2360	n	3.0 / 1040	fixed	Y	1/4000s	8.0/s	n	n
8.		Fujifilm X-M1	none	n	3.0 / 920	tilting	n	1/4000s	5.6/s	Y	n
9.		Fujifilm X-Pro1	1440	n	3.0 / 1230	fixed	n	1/4000s	6.0/s	n	n
10.		Fujifilm X-T10	2360	n	3.0 / 920	tilting	n	1/4000s	8.0/s	Y	n
11.		Fujifilm X-T20	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
12.		Fujifilm X10	optical	n	2.8 / 460	fixed	n	1/4000s	10.0/s	Y	Y
13.		Leica D-LUX 6	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
14.		Leica V-LUX 3	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
15.		Leica X1	none	n	2.7 / 230	fixed	n	1/2000s	3.0/s	Y	n
16.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
17.		Sony NEX-6	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

Concerning the storage of imaging data, both the X-E1 and the D-LUX 5 write their files to SDXC cards. The X-E1 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the D-LUX 5 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E1 and Leica D-LUX 5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm X-E1	Y	stereo / mono	Y	-	mini	2.0	-	-	-
2.		Leica D-LUX 5	Y	mono / mono	-	-	mini	2.0	-	-	-
3.		Fujifilm X-A1	Y	stereo / mono	-	-	mini	2.0	Y	-	-
4.		Fujifilm X-A2	Y	stereo / mono	-	-	mini	2.0	Y	-	-
5.		Fujifilm X-A10	-	stereo / mono	-	-	micro	2.0	Y	-	-
6.		Fujifilm X-E2	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
7.		Fujifilm X-E3	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
8.		Fujifilm X-M1	Y	stereo / mono	-	-	mini	2.0	Y	-	-
9.		Fujifilm X-Pro1	Y	stereo / mono	-	-	mini	2.0	-	-	-
10.		Fujifilm X-T10	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
11.		Fujifilm X-T20	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
12.		Fujifilm X10	Y	stereo / mono	-	-	mini	2.0	-	-	-
13.		Leica D-LUX 6	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Leica V-LUX 3	Y	stereo / -	-	-	mini	2.0	-	-	-
15.		Leica X1	Y	- / -	-	-	mini	2.0	-	-	-
16.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-
17.		Sony NEX-6	Y	stereo / mono	-	-	mini	2.0	Y	-	-

It is notable that the X-E1 has a microphone port, which is missing on the D-LUX 5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Both the X-E1 and the D-LUX 5 have been discontinued, but can regularly be found used on ebay. The D-LUX 5 was replaced by the Leica D-LUX 6, while the X-E1 was followed by the Fujifilm X-E2. Further information on the features and operation of the X-E1 and D-LUX 5 can be found, respectively, in the Fujifilm X-E1 Manual (free pdf) or the online Leica D-LUX 5 Manual.

Review summary

So how do things add up? Is the Fujifilm X-E1 better than the Leica D-LUX 5 or vice versa? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Fujifilm X-E1:

• More detail: Offers more megapixels (16 vs 10MP) with a 29% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (1080/24p vs 720/60p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• Faster burst: Shoots at higher frequency (6 vs 2.5 flaps/sec) to capture the decisive moment.
• More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More modern: Is somewhat more recent (announced 1 year and 11 months after the D-LUX 5).

Arguments in favor of the Leica D-LUX 5:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Larger screen: Has a bigger rear LCD (3.0" vs 2.8") for image review and settings control.
• Ready to shoot: Has an integrated lens, whereas the X-E1 necessitates an extra lens.
• More compact: Is smaller (110x65mm vs 129x75mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the X-E1).
• Longer lasting: Gets more shots (400 versus 350) out of a single battery charge.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More heavily discounted: Has been on the market for longer (launched in September 2010).

If the count of relative strengths (bullet points above) is taken as a measure, the X-E1 emerges as the winner of the contest (13 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm X-E1 and the Leica D-LUX 5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the X-E1 or the D-LUX 5 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm X-E1	4/5	+ +	..	79/100	4.5/5	4.5/5	Sep 2012	999	ebay.com
2.		Leica D-LUX 5	..	..	..	..	4.5/5	4/5	Sep 2010	699	ebay.com
3.		Fujifilm X-A1	..	..	..	..	4.5/5	4.5/5	Sep 2013	399	ebay.com
4.		Fujifilm X-A2	4/5	..	..	..	4.5/5	4.5/5	Jan 2015	399	ebay.com
5.		Fujifilm X-A10	..	..	..	..	4/5	4/5	Dec 2016	399	ebay.com
6.		Fujifilm X-E2	4/5	..	..	80/100	4.5/5	5/5	Oct 2013	999	ebay.com
7.		Fujifilm X-E3	4.5/5	+	4.5/5	84/100	4.5/5	4.5/5	Sep 2017	899	ebay.com
8.		Fujifilm X-M1	3/5	+	..	77/100	4.5/5	4.5/5	Jun 2013	699	ebay.com
9.		Fujifilm X-Pro1	5/5	+ +	..	79/100	4.5/5	4.5/5	Jan 2012	1,699	ebay.com
10.		Fujifilm X-T10	4.5/5	+ +	..	80/100	5/5	5/5	May 2015	799	ebay.com
11.		Fujifilm X-T20	5/5	+ +	5/5	82/100	5/5	4.5/5	Jan 2017	899	ebay.com
12.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	599	ebay.com
13.		Leica D-LUX 6	..	..	..	..	4/5	4/5	Sep 2012	699	ebay.com
14.		Leica V-LUX 3	..	..	..	..	..	..	Dec 2011	949	ebay.com
15.		Leica X1	3/5	..	..	+	..	4/5	Sep 2009	1,995	ebay.com
16.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	499	ebay.com
17.		Sony NEX-6	5/5	+ +	..	78/100	4.5/5	4.5/5	Sep 2012	999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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