Fujifilm X-A7 vs Pentax Q

The Fujifilm X-A7 and the Pentax Q are two digital cameras that were revealed to the public, respectively, in September 2019 and June 2011. Both the X-A7 and the Pentax Q are mirrorless interchangeable lens cameras that are based on an APS-C (X-A7) and a 1/2.3-inch (Pentax Q) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Pentax provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm X-A7		Pentax Q
Mirrorless system camera		Mirrorless system camera
Fujifilm X mount lenses		Pentax Q mount lenses
24 MP – APS-C sensor		12 MP – 1/2.3" sensor
4K/30p Video		1080/30p Video
ISO 200-12,800 (200 - 51,200)		ISO 125-6,400
No viewfinder, LCD framing		Viewfinder optional
3.5" LCD – 2760k dots		3.0" LCD – 460k dots
Swivel touchscreen		Fixed screen (not touch-sensitive)
6 shutter flaps per second		1.5 shutter flaps per second
Lens stabilization only		In-body stabilization
440 shots per battery charge		230 shots per battery charge
119 x 68 x 41 mm, 320 g		98 x 57 x 31 mm, 180 g

Check X-A7 offers at
ebay.com
Check Pentax Q offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-A7 and the Pentax Q? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm X-A7 and the Pentax Q are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The X-A7 can be obtained in four different colors (silver, graphite, brown, green), while the Pentax Q is available in two color-versions (black, white).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax Q is considerably smaller (31 percent) than the Fujifilm X-A7. Moreover, the Pentax Q is substantially lighter (44 percent) than the X-A7. In this context, it is worth noting that neither the X-A7 nor the Pentax Q are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The power pack in the X-A7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm X-A7	119 mm	68 mm	41 mm	320 g	440	n	Sep 2019	499	ebay.com
2.		Pentax Q	98 mm	57 mm	31 mm	180 g	230	n	Jun 2011	649	ebay.com
3.		Fujifilm X-A3	117 mm	67 mm	40 mm	339 g	410	n	Aug 2016	399	ebay.com
4.		Fujifilm X-A5	117 mm	68 mm	40 mm	361 g	450	n	Jan 2018	399	ebay.com
5.		Fujifilm X-E3	121 mm	74 mm	43 mm	337 g	350	n	Sep 2017	899	ebay.com
6.		Fujifilm X-E4	121 mm	73 mm	33 mm	364 g	380	n	Jan 2021	849	amazon.com
7.		Fujifilm X-T20	118 mm	83 mm	41 mm	383 g	350	n	Jan 2017	899	ebay.com
8.		Fujifilm X-T30	118 mm	83 mm	47 mm	383 g	380	n	Feb 2019	899	ebay.com
9.		Fujifilm X-T100	121 mm	83 mm	47 mm	448 g	430	n	May 2018	599	ebay.com
10.		Fujifilm X-T200	121 mm	84 mm	55 mm	370 g	270	n	Jan 2020	699	ebay.com
11.		Fujifilm XF10	113 mm	64 mm	41 mm	279 g	330	n	Jul 2018	499	ebay.com
12.		Nikon D3500	124 mm	97 mm	70 mm	415 g	1550	n	Aug 2018	429	ebay.com
13.		Olympus E-620	130 mm	94 mm	60 mm	521 g	500	n	Feb 2009	699	ebay.com
14.		Olympus E-PL1	115 mm	72 mm	42 mm	334 g	290	n	Feb 2010	599	ebay.com
15.		Olympus E-PL2	114 mm	72 mm	42 mm	362 g	280	n	Jan 2011	599	ebay.com
16.		Olympus E-PL3	110 mm	64 mm	37 mm	313 g	300	n	Jun 2011	599	ebay.com
17.		Olympus XZ-2	113 mm	65 mm	48 mm	346 g	340	n	Sep 2012	599	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X-A7 was launched at a somewhat lower price (by 23 percent) than the Pentax Q, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm X-A7 features an APS-C sensor and the Pentax Q a 1/2.3-inch sensor. The sensor area in the Pentax Q is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 5.6. The sensor in the X-A7 has a native 3:2 aspect ratio, while the one in the Pentax Q offers a 4:3 aspect.

With 24MP, the X-A7 offers a higher resolution than the Pentax Q (12MP), but the X-A7 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 1.53μm for the Pentax Q) due to its larger sensor. Moreover, the X-A7 is a much more recent model (by 8 years and 2 months) than the Pentax Q, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Fujifilm X-A7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-A7 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Pentax Q are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The X-A7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Fujifilm X-A7 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 200-51200. The corresponding ISO settings for the Pentax Q are ISO 125 to ISO 6400 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm X-A7	APS-C	24.0	6000	4000	4K/30p	24.1	13.6	1955	84
2.		Pentax Q	1/2.3	12.0	4000	3000	1080/30p	20.2	11.1	189	47
3.		Fujifilm X-A3	APS-C	24.0	6000	4000	1080/60p	23.8	13.1	1664	81
4.		Fujifilm X-A5	APS-C	24.0	6000	4000	4K/15p	24.0	13.3	1800	82
5.		Fujifilm X-E3	APS-C	24.0	6000	4000	4K/30p	23.9	13.3	1764	82
6.		Fujifilm X-E4	APS-C	26.0	6240	4160	4K/30p	24.2	13.7	2085	85
7.		Fujifilm X-T20	APS-C	24.0	6000	4000	4K/30p	23.9	13.2	1704	81
8.		Fujifilm X-T30	APS-C	26.0	6240	4160	4K/30p	24.1	13.5	1895	83
9.		Fujifilm X-T100	APS-C	24.0	6000	4000	4K/15p	24.0	13.4	1829	83
10.		Fujifilm X-T200	APS-C	24.0	6000	4000	4K/30p	24.1	13.6	1991	84
11.		Fujifilm XF10	APS-C	24.0	6000	4000	4K/15p	24.0	13.4	1844	83
12.		Nikon D3500	APS-C	24.0	6000	4000	1080/60p	24.0	13.4	1851	83
13.		Olympus E-620	Four Thirds	12.2	4032	3024	none	21.3	10.3	536	55
14.		Olympus E-PL1	Four Thirds	12.2	4032	3024	720/30p	21.5	10.1	487	54
15.		Olympus E-PL2	Four Thirds	12.2	4032	3024	720/30p	21.4	10.2	573	55
16.		Olympus E-PL3	Four Thirds	12.2	4032	3024	1080/60i	20.9	10.3	499	52
17.		Olympus XZ-2	1/1.7	11.8	3968	2976	1080/30p	20.4	11.3	216	49
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-A7 provides a higher video resolution than the Pentax Q. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The X-A7 and the Pentax Q are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the Pentax Q can be equipped with an optional viewfinder – the O-VF1. The following table reports on some other key feature differences and similarities of the Fujifilm X-A7, the Pentax Q, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm X-A7	none	n	3.5 / 2760	swivel	Y	1/4000s	6.0/s	Y	n
2.		Pentax Q	optional	n	3.0 / 460	fixed	n	1/2000s	1.5/s	Y	Y
3.		Fujifilm X-A3	none	n	3.0 / 1040	tilting	Y	1/4000s	6.0/s	Y	n
4.		Fujifilm X-A5	none	n	3.0 / 1040	tilting	Y	1/4000s	6.0/s	Y	n
5.		Fujifilm X-E3	2360	n	3.0 / 1040	fixed	Y	1/4000s	8.0/s	n	n
6.		Fujifilm X-E4	2360	n	3.0 / 1620	tilting	Y	1/4000s	8.0/s	n	n
7.		Fujifilm X-T20	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
8.		Fujifilm X-T30	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
9.		Fujifilm X-T100	2360	n	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
10.		Fujifilm X-T200	2360	n	3.5 / 2780	swivel	Y	1/4000s	8.0/s	Y	n
11.		Fujifilm XF10	none	n	3.0 / 1040	fixed	Y	1/4000s	6.0/s	Y	n
12.		Nikon D3500	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
13.		Olympus E-620	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
14.		Olympus E-PL1	optional	n	2.7 / 230	fixed	n	1/2000s	3.0/s	Y	Y
15.		Olympus E-PL2	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	Y
16.		Olympus E-PL3	optional	n	3.0 / 460	tilting	n	1/4000s	5.5/s	n	Y
17.		Olympus XZ-2	optional	n	3.0 / 920	tilting	Y	1/2000s	5.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The X-A7 has a touchscreen, while the Pentax Q has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-A7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm X-A7 and the Pentax Q both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the X-A7 and the Pentax Q write their files to SDXC cards. The X-A7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the Pentax Q cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-A7 and Pentax Q and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm X-A7	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
2.		Pentax Q	Y	mono / mono	-	-	mini	2.0	-	-	-
3.		Fujifilm X-A3	Y	stereo / mono	-	-	micro	2.0	Y	-	-
4.		Fujifilm X-A5	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
5.		Fujifilm X-E3	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
6.		Fujifilm X-E4	Y	stereo / mono	Y	-	micro	3.2	Y	-	Y
7.		Fujifilm X-T20	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
8.		Fujifilm X-T30	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
9.		Fujifilm X-T100	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
10.		Fujifilm X-T200	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
11.		Fujifilm XF10	-	stereo / mono	Y	-	micro	2.0	Y	-	Y
12.		Nikon D3500	Y	mono / mono	-	-	mini	2.0	-	-	Y
13.		Olympus E-620	Y	- / -	-	-	-	2.0	-	-	-
14.		Olympus E-PL1	Y	stereo / -	-	-	mini	2.0	-	-	-
15.		Olympus E-PL2	Y	stereo / -	-	-	mini	2.0	-	-	-
16.		Olympus E-PL3	Y	stereo / -	-	-	mini	2.0	-	-	-
17.		Olympus XZ-2	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the X-A7 has a microphone port, which is missing on the Pentax Q. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Both the X-A7 and the Pentax Q have been discontinued, but can regularly be found used on ebay. The Pentax Q was replaced by the Pentax Q10, while the X-A7 does not have a direct successor. Further information on the features and operation of the X-A7 and Pentax Q can be found, respectively, in the Fujifilm X-A7 Manual (free pdf) or the online Pentax Q Manual.

Review summary

So how do things add up? Which of the two cameras – the Fujifilm X-A7 or the Pentax Q – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Fujifilm X-A7:

• More detail: Offers more megapixels (24 vs 12MP) with a 44% higher linear resolution.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Larger screen: Has a bigger rear LCD (3.5" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2760k vs 460k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
• Faster burst: Shoots at higher frequency (6 vs 1.5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Longer lasting: Can take more shots (440 versus 230) on a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More affordable: Was introduced into a lower priced segment (23 percent cheaper at launch).
• More modern: Reflects 8 years and 2 months of technical progress since the Pentax Q launch.

Arguments in favor of the Pentax Q:

• More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
• More compact: Is smaller (98x57mm vs 119x68mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 140g or 44 percent) and is thus easier to take along.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More heavily discounted: Has been around for much longer (launched in June 2011).

If the number of relative strengths (bullet points above) is taken as a guide, the X-A7 is the clear winner of the match-up (23 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm X-A7 and the Pentax Q place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the X-A7 and the Pentax Q in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm X-A7	3/5	..	3.5/5	81/100	4/5	3.5/5	Sep 2019	499	ebay.com
2.		Pentax Q	3/5	..	..	..	4/5	3.5/5	Jun 2011	649	ebay.com
3.		Fujifilm X-A3	..	..	..	74/100	4.5/5	4/5	Aug 2016	399	ebay.com
4.		Fujifilm X-A5	..	+	4.1/5	..	4/5	3.5/5	Jan 2018	399	ebay.com
5.		Fujifilm X-E3	4.5/5	+	4.5/5	84/100	4.5/5	4.5/5	Sep 2017	899	ebay.com
6.		Fujifilm X-E4	4/5	..	4/5	..	4.5/5	4/5	Jan 2021	849	amazon.com
7.		Fujifilm X-T20	5/5	+ +	5/5	82/100	5/5	4.5/5	Jan 2017	899	ebay.com
8.		Fujifilm X-T30	5/5	+ +	5/5	84/100	4.5/5	4.5/5	Feb 2019	899	ebay.com
9.		Fujifilm X-T100	4/5	+	4.5/5	79/100	4/5	4.5/5	May 2018	599	ebay.com
10.		Fujifilm X-T200	3.5/5	..	4/5	82/100	4/5	4.5/5	Jan 2020	699	ebay.com
11.		Fujifilm XF10	..	..	4/5	75/100	4/5	4.5/5	Jul 2018	499	ebay.com
12.		Nikon D3500	4/5	..	4/5	75/100	4/5	4.5/5	Aug 2018	429	ebay.com
13.		Olympus E-620	3/5	88/100	..	72/100	4.5/5	5/5	Feb 2009	699	ebay.com
14.		Olympus E-PL1	..	86/100	..	69/100	4/5	4.5/5	Feb 2010	599	ebay.com
15.		Olympus E-PL2	3/5	83/100	..	71/100	4.5/5	4.5/5	Jan 2011	599	ebay.com
16.		Olympus E-PL3	3/5	+ +	..	72/100	4.5/5	4/5	Jun 2011	599	ebay.com
17.		Olympus XZ-2	4/5	+	..	..	4.5/5	4.5/5	Sep 2012	599	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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