Fujifilm X-A7 vs Nikon Z5
The Fujifilm X-A7 and the Nikon Z5 are two digital cameras that were officially introduced, respectively, in September 2019 and July 2020. Both the X-A7 and the Z5 are mirrorless interchangeable lens cameras that are based on an APS-C (X-A7) and a full frame (Z5) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Nikon provides 24.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-A7 and the Nikon Z5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Fujifilm X-A7 and the Nikon Z5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-A7 can be obtained in four different colors (silver, graphite, brown, green), while the Z5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z5 is considerably larger (67 percent) than the Fujifilm X-A7. Moreover, the Z5 is substantially heavier (111 percent) than the X-A7. It is noteworthy in this context that the Z5 is splash and dust-proof, while the X-A7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the X-A7 gets 440 shots out of its Fujifilm NP-W126S battery, while the Z5 can take 470 images on a single charge of its Nikon EN-EL15c power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-A7 | 119 mm | 68 mm | 41 mm | 320 g | 440 | n | Sep 2019 | 499 | ebay.com | |
2. | Nikon Z5 | 134 mm | 101 mm | 67 mm | 675 g | 470 | Y | Jul 2020 | 1,399 | amazon.com | |
3. | Fujifilm X-E4 | 121 mm | 73 mm | 33 mm | 364 g | 380 | n | Jan 2021 | 849 | amazon.com | |
4. | Fujifilm X-T200 | 121 mm | 84 mm | 55 mm | 370 g | 270 | n | Jan 2020 | 699 | ebay.com | |
5. | Fujifilm X-T30 | 118 mm | 83 mm | 47 mm | 383 g | 380 | n | Feb 2019 | 899 | ebay.com | |
6. | Fujifilm X-A5 | 117 mm | 68 mm | 40 mm | 361 g | 450 | n | Jan 2018 | 399 | ebay.com | |
7. | Fujifilm XF10 | 113 mm | 64 mm | 41 mm | 279 g | 330 | n | Jul 2018 | 499 | ebay.com | |
8. | Fujifilm X-T100 | 121 mm | 83 mm | 47 mm | 448 g | 430 | n | May 2018 | 599 | ebay.com | |
9. | Fujifilm X-E3 | 121 mm | 74 mm | 43 mm | 337 g | 350 | n | Sep 2017 | 899 | ebay.com | |
10. | Fujifilm X-T20 | 118 mm | 83 mm | 41 mm | 383 g | 350 | n | Jan 2017 | 899 | ebay.com | |
11. | Fujifilm X-A3 | 117 mm | 67 mm | 40 mm | 339 g | 410 | n | Aug 2016 | 399 | ebay.com | |
12. | Nikon Zf | 144 mm | 103 mm | 49 mm | 710 g | 380 | Y | Sep 2023 | 1,999 | amazon.com | |
13. | Nikon Z7 II | 134 mm | 101 mm | 70 mm | 705 g | 420 | Y | Oct 2020 | 2,999 | amazon.com | |
14. | Nikon Z6 II | 134 mm | 101 mm | 70 mm | 705 g | 410 | Y | Oct 2020 | 1,999 | amazon.com | |
15. | Nikon Z6 | 134 mm | 101 mm | 67 mm | 675 g | 310 | Y | Aug 2018 | 1,999 | ebay.com | |
16. | Nikon Z7 | 134 mm | 101 mm | 67 mm | 675 g | 330 | Y | Aug 2018 | 3,399 | ebay.com | |
17. | Nikon D3500 | 124 mm | 97 mm | 70 mm | 415 g | 1550 | n | Aug 2018 | 429 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X-A7 was launched at a markedly lower price (by 64 percent) than the Z5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-A7 features an APS-C sensor and the Nikon Z5 a full frame sensor. The sensor area in the Z5 is 133 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24.2MP, the Z5 offers a higher resolution than the X-A7 (24MP), but the Z5 nevertheless has larger individual pixels (pixel pitch of 5.95μm versus 3.92μm for the X-A7) due to its larger sensor. Moreover, the Z5 is a somewhat more recent model (by 10 months) than the X-A7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The Fujifilm X-A7 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 200-51200. The corresponding ISO settings for the Nikon Z5 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-A7 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.1 | 13.6 | 1955 | 84 | |
2. | Nikon Z5 | Full Frame | 24.2 | 6016 | 4016 | 4K/30p | 25.3 | 14.3 | 2929 | 95 | |
3. | Fujifilm X-E4 | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.2 | 13.7 | 2085 | 85 | |
4. | Fujifilm X-T200 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.1 | 13.6 | 1991 | 84 | |
5. | Fujifilm X-T30 | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.1 | 13.5 | 1895 | 83 | |
6. | Fujifilm X-A5 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.3 | 1800 | 82 | |
7. | Fujifilm XF10 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.4 | 1844 | 83 | |
8. | Fujifilm X-T100 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.4 | 1829 | 83 | |
9. | Fujifilm X-E3 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.9 | 13.3 | 1764 | 82 | |
10. | Fujifilm X-T20 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.9 | 13.2 | 1704 | 81 | |
11. | Fujifilm X-A3 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.8 | 13.1 | 1664 | 81 | |
12. | Nikon Zf | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.4 | 14.7 | 3243 | 96 | |
13. | Nikon Z7 II | Full Frame | 45.4 | 8256 | 5504 | 4K/60p | 26.3 | 14.7 | 2841 | 100 | |
14. | Nikon Z6 II | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.0 | 14.4 | 3303 | 94 | |
15. | Nikon Z6 | Full Frame | 24.3 | 6048 | 4024 | 4K/30p | 25.3 | 14.3 | 3299 | 95 | |
16. | Nikon Z7 | Full Frame | 45.4 | 8256 | 5504 | 4K/30p | 26.3 | 14.6 | 2668 | 99 | |
17. | Nikon D3500 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.4 | 1851 | 83 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the Z5 has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the X-A7 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm X-A7, the Nikon Z5, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-A7 | none | n | 3.5 / 2760 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
2. | Nikon Z5 | 3690 | n | 3.2 / 1040 | tilting | Y | 1/8000s | 4.5/s | n | Y | |
3. | Fujifilm X-E4 | 2360 | n | 3.0 / 1620 | tilting | Y | 1/4000s | 8.0/s | n | n | |
4. | Fujifilm X-T200 | 2360 | n | 3.5 / 2780 | swivel | Y | 1/4000s | 8.0/s | Y | n | |
5. | Fujifilm X-T30 | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
6. | Fujifilm X-A5 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
7. | Fujifilm XF10 | none | n | 3.0 / 1040 | fixed | Y | 1/4000s | 6.0/s | Y | n | |
8. | Fujifilm X-T100 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
9. | Fujifilm X-E3 | 2360 | n | 3.0 / 1040 | fixed | Y | 1/4000s | 8.0/s | n | n | |
10. | Fujifilm X-T20 | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
11. | Fujifilm X-A3 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
12. | Nikon Zf | 3690 | n | 3.2 / 2100 | swivel | Y | 1/8000s | 14.0/s | n | Y | |
13. | Nikon Z7 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
14. | Nikon Z6 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 14.0/s | n | Y | |
15. | Nikon Z6 | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 12.0/s | n | Y | |
16. | Nikon Z7 | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 9.0/s | n | Y | |
17. | Nikon D3500 | optical | n | 3.0 / 921 | fixed | n | 1/4000s | 5.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The X-A7 has one, while the Z5 does not. While the built-in flash of the X-A7 is not very powerful, it can at times be useful as a fill-in light.
The X-A7 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the Z5 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-A7 and the Nikon Z5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-A7 and the Z5 write their files to SDXC cards. The Z5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-A7 only has one slot. The Z5 supports UHS-II cards (on both slots), while the X-A7 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-A7 and Nikon Z5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-A7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
2. | Nikon Z5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
3. | Fujifilm X-E4 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
4. | Fujifilm X-T200 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
5. | Fujifilm X-T30 | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
6. | Fujifilm X-A5 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
7. | Fujifilm XF10 | - | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
8. | Fujifilm X-T100 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
9. | Fujifilm X-E3 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
10. | Fujifilm X-T20 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
11. | Fujifilm X-A3 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
12. | Nikon Zf | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
13. | Nikon Z7 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
14. | Nikon Z6 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
15. | Nikon Z6 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
16. | Nikon Z7 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
17. | Nikon D3500 | Y | mono / mono | - | - | mini | 2.0 | - | - | Y |
It is notable that the Z5 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-A7 lacks such a headphone port.
The Z5 is a recent model that features in the current product line-up of Nikon. In contrast, the X-A7 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the X-A7 from Fujifilm. Further information on the features and operation of the X-A7 and Z5 can be found, respectively, in the Fujifilm X-A7 Manual (free pdf) or the online Nikon Z5 Manual.
Review summary
So what is the bottom line? Is the Fujifilm X-A7 better than the Nikon Z5 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Fujifilm X-A7:
- Larger screen: Has a bigger rear LCD (3.5" vs 3.2") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2760k vs 1040k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6 vs 4.5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (119x68mm vs 134x101mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 355g or 53 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (64 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in September 2019).
Reasons to prefer the Nikon Z5:
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Was introduced somewhat (10 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the Z5 emerges as the winner of the match-up (13 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-A7 and the Nikon Z5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the X-A7 and the Z5 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-A7 | 3/5 | .. | 3.5/5 | 81/100 | 4/5 | 3.5/5 | Sep 2019 | 499 | ebay.com | |
2. | Nikon Z5 | 4/5 | .. | 4/5 | 89/100 | 4.5/5 | 4/5 | Jul 2020 | 1,399 | amazon.com | |
3. | Fujifilm X-E4 | 4/5 | .. | 4/5 | .. | 4.5/5 | 4/5 | Jan 2021 | 849 | amazon.com | |
4. | Fujifilm X-T200 | 3.5/5 | .. | 4/5 | 82/100 | 4/5 | 4.5/5 | Jan 2020 | 699 | ebay.com | |
5. | Fujifilm X-T30 | 5/5 | + + | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Feb 2019 | 899 | ebay.com | |
6. | Fujifilm X-A5 | .. | + | 4.1/5 | .. | 4/5 | 3.5/5 | Jan 2018 | 399 | ebay.com | |
7. | Fujifilm XF10 | .. | .. | 4/5 | 75/100 | 4/5 | 4.5/5 | Jul 2018 | 499 | ebay.com | |
8. | Fujifilm X-T100 | 4/5 | + | 4.5/5 | 79/100 | 4/5 | 4.5/5 | May 2018 | 599 | ebay.com | |
9. | Fujifilm X-E3 | 4.5/5 | + | 4.5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2017 | 899 | ebay.com | |
10. | Fujifilm X-T20 | 5/5 | + + | 5/5 | 82/100 | 5/5 | 4.5/5 | Jan 2017 | 899 | ebay.com | |
11. | Fujifilm X-A3 | .. | .. | .. | 74/100 | 4.5/5 | 4/5 | Aug 2016 | 399 | ebay.com | |
12. | Nikon Zf | 4.5/5 | .. | 4.5/5 | 90/100 | 4.5/5 | 5/5 | Sep 2023 | 1,999 | amazon.com | |
13. | Nikon Z7 II | 4.5/5 | .. | 4.5/5 | .. | 4.5/5 | 4.5/5 | Oct 2020 | 2,999 | amazon.com | |
14. | Nikon Z6 II | 4.5/5 | .. | 4/5 | 89/100 | 4.5/5 | 4.5/5 | Oct 2020 | 1,999 | amazon.com | |
15. | Nikon Z6 | 5/5 | .. | 5/5 | 89/100 | 4.5/5 | 5/5 | Aug 2018 | 1,999 | ebay.com | |
16. | Nikon Z7 | 5/5 | + | 4.8/5 | 89/100 | 4.5/5 | 5/5 | Aug 2018 | 3,399 | ebay.com | |
17. | Nikon D3500 | 4/5 | .. | 4/5 | 75/100 | 4/5 | 4.5/5 | Aug 2018 | 429 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Fujifilm X-A7 vs Nikon Z5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm X-A7 | Nikon Z5 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Fujifilm X mount lenses | Nikon Z mount lenses |
Launch Date | September 2019 | July 2020 |
Launch Price | USD 499 | USD 1,399 |
Sensor Specs | Fujifilm X-A7 | Nikon Z5 |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Full Frame Sensor |
Sensor Size | 23.5 x 15.7 mm | 35.9 x 23.9 mm |
Sensor Area | 368.95 mm2 | 858.01 mm2 |
Sensor Diagonal | 28.3 mm | 43.1 mm |
Crop Factor | 1.5x | 1.0x |
Sensor Resolution | 24 Megapixels | 24.2 Megapixels |
Image Resolution | 6000 x 4000 pixels | 6016 x 4016 pixels |
Pixel Pitch | 3.92 μm | 5.95 μm |
Pixel Density | 6.50 MP/cm2 | 2.82 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 4K/30p Video |
ISO Setting | 200 - 12,800 ISO | 100 - 51,200 ISO |
ISO Boost | 200 - 51,200 ISO | 50 - 102,400 ISO |
Screen Specs | Fujifilm X-A7 | Nikon Z5 |
Viewfinder Type | no viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.80x | |
Viewfinder Resolution | 3690k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.5inch | 3.2inch |
LCD Resolution | 2760k dots | 1040k dots |
LCD Attachment | Swivel screen | Tilting screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Fujifilm X-A7 | Nikon Z5 |
Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 6 shutter flaps/s | 4.5 shutter flaps/s |
Electronic Shutter | up to 1/32000s | up to 1/8000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-I | Dual UHS-II |
Connectivity Specs | Fujifilm X-A7 | Nikon Z5 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 3.2 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Fujifilm X-A7 | Nikon Z5 |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Fujifilm NP-W126S | Nikon EN-EL15c |
Battery Life (CIPA) | 440 shots per charge | 470 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
119 x 68 x 41 mm (4.7 x 2.7 x 1.6 in) |
134 x 101 x 67 mm (5.3 x 4.0 x 2.6 in) |
Camera Weight | 320 g (11.3 oz) | 675 g (23.8 oz) |
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