Fujifilm X-A5 vs Olympus E-30
The Fujifilm X-A5 and the Olympus E-30 are two digital cameras that were officially introduced, respectively, in January 2018 and November 2008. The X-A5 is a mirrorless interchangeable lens camera, while the E-30 is a DSLR. The cameras are based on an APS-C (X-A5) and a Four Thirds (E-30) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Olympus provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-A5 and the Olympus E-30? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-A5 and the Olympus E-30 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The X-A5 can be obtained in three different colors (silver, brown, pink), while the E-30 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-30 is considerably larger (93 percent) than the Fujifilm X-A5. Moreover, the E-30 is substantially heavier (94 percent) than the X-A5. In this context, it is worth noting that neither the X-A5 nor the E-30 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-A5) and the Four Thirds Lens Catalog (E-30). Mirrorless cameras, such as the Fujifilm X-A5, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
Concerning battery life, the X-A5 gets 450 shots out of its NP-W126S battery, while the E-30 can take 750 images on a single charge of its BLM-1 power pack. The power pack in the X-A5 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Fujifilm X-A5||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399||ebay.com|
|2.||Olympus E-30||142 mm||108 mm||75 mm||701 g||750||n||Nov 2008||1,299||ebay.com|
|3.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399||ebay.com|
|4.||Fujifilm X-T30||118 mm||83 mm||47 mm||383 g||380||n||Feb 2019||899||ebay.com|
|5.||Fujifilm X-A7||119 mm||68 mm||41 mm||320 g||440||n||Sep 2019||499||amazon.com|
|6.||Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899||ebay.com|
|7.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899||ebay.com|
|8.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399||ebay.com|
|9.||Fujifilm X-A10||117 mm||67 mm||40 mm||331 g||410||n||Dec 2016||399||ebay.com|
|10.||Fujifilm X-A2||117 mm||67 mm||40 mm||350 g||410||n||Jan 2015||399||ebay.com|
|11.||Fujifilm X-A1||117 mm||67 mm||39 mm||330 g||350||n||Sep 2013||399||ebay.com|
|12.||Olympus E-600||130 mm||94 mm||60 mm||535 g||500||n||Aug 2009||449||ebay.com|
|13.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699||ebay.com|
|14.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699||ebay.com|
|15.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699||ebay.com|
|16.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799||ebay.com|
|17.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-A5 was launched at a markedly lower price (by 69 percent) than the E-30, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-A5 features an APS-C sensor and the Olympus E-30 a Four Thirds sensor. The sensor area in the E-30 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-A5 has a native 3:2 aspect ratio, while the one in the E-30 offers a 4:3 aspect.
With 24MP, the X-A5 offers a higher resolution than the E-30 (12.2MP), but the X-A5 has smaller individual pixels (pixel pitch of 3.92μm versus 4.29μm for the E-30). However, the X-A5 is a much more recent model (by 9 years and 2 months) than the E-30, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Fujifilm X-A5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-A5 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-30 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
The X-A5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-A5 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 200-51200. The corresponding ISO settings for the Olympus E-30 are ISO 100 to ISO 3200 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55|
|12.||Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55|
|13.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|14.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|15.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|16.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The X-A5 indeed provides movie recording capabilities, while the E-30 does not. The highest resolution format that the X-A5 can use is 4K/15p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-30 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the X-A5 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Fujifilm X-A5 and Olympus E-30 in connection with corresponding information for a sample of similar cameras.
|1.||Fujifilm X-A5||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|2.||Olympus E-30||optical||Y||2.7 / 230||swivel||n||1/8000s||5.0/s||Y||Y|
|3.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9/s||Y||Y|
|4.||Fujifilm X-T30||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|5.||Fujifilm X-A7||none||n||3.5 / 2760||swivel||Y||1/4000s||6.0/s||Y||n|
|6.||Fujifilm X-E3||2360||n||3.0 / 1040||fixed||Y||1/4000s||8.0/s||n||n|
|7.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|8.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|9.||Fujifilm X-A10||none||n||3.0 / 1040||tilting||n||1/4000s||6.0/s||Y||n|
|10.||Fujifilm X-A2||none||n||3.0 / 920||tilting||n||1/4000s||5.6/s||Y||n|
|11.||Fujifilm X-A1||none||n||3.0 / 920||tilting||n||1/4000s||5.6/s||Y||n|
|12.||Olympus E-600||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|13.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|14.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||Y|
|15.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||n|
|16.||Olympus E-510||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||Y|
|17.||Panasonic TZ90||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The X-A5 has a touchscreen, while the E-30 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-A5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-A5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-A5 writes its imaging data to SDXC cards, while the E-30 uses Compact Flash or xD Picture cards. The E-30 features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-A5 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-A5 and Olympus E-30 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-A5||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|2.||Olympus E-30||Y||- / -||-||-||-||2.0||-||-||-|
|3.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|4.||Fujifilm X-T30||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|5.||Fujifilm X-A7||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|6.||Fujifilm X-E3||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|7.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|8.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Fujifilm X-A10||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Fujifilm X-A2||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|11.||Fujifilm X-A1||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|12.||Olympus E-600||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Olympus E-510||Y||- / -||-||-||-||2.0||-||-||-|
|17.||Panasonic TZ90||-||stereo / mono||-||-||micro||2.0||Y||-||-|
It is notable that the X-A5 offers wifi support, while the E-30 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the X-A5 and the E-30 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Fujifilm and Olympus. Further information on the features and operation of the X-A5 and E-30 can be found, respectively, in the Fujifilm X-A5 Manual (free pdf) or the online Olympus E-30 Manual.
So what conclusions can be drawn? Which of the two cameras – the Fujifilm X-A5 or the Olympus E-30 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Fujifilm X-A5:
- More detail: Offers more megapixels (24 vs 12.2MP) with a 43% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can record not only still images but also 4K/15p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (6 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (117x68mm vs 142x108mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 340g or 49 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (69 percent cheaper at launch).
- More modern: Reflects 9 years and 2 months of technical progress since the E-30 launch.
Advantages of the Olympus E-30:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Gets more shots (750 versus 450) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in November 2008).
If the count of individual advantages (bullet points above) is taken as a guide, the X-A5 is the clear winner of the match-up (21 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-A5 and the Olympus E-30 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the X-A5 or the E-30 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-A5||..||+||4.1/5||..||4/5||3.5/5||Jan 2018||399||ebay.com|
|2.||Olympus E-30||..||..||..||71/100||4.5/5||4/5||Nov 2008||1,299||ebay.com|
|3.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399||ebay.com|
|4.||Fujifilm X-T30||5/5||+ +||5/5||84/100||4.5/5||4.5/5||Feb 2019||899||ebay.com|
|5.||Fujifilm X-A7||3/5||..||3.5/5||81/100||4/5||3.5/5||Sep 2019||499||amazon.com|
|6.||Fujifilm X-E3||4.5/5||+||4.5/5||84/100||4.5/5||4.5/5||Sep 2017||899||ebay.com|
|7.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899||ebay.com|
|8.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399||ebay.com|
|9.||Fujifilm X-A10||..||..||..||..||4/5||4/5||Dec 2016||399||ebay.com|
|10.||Fujifilm X-A2||4/5||..||..||..||4.5/5||4.5/5||Jan 2015||399||ebay.com|
|11.||Fujifilm X-A1||..||..||..||..||4.5/5||4.5/5||Sep 2013||399||ebay.com|
|12.||Olympus E-600||..||..||..||..||..||4.5/5||Aug 2009||449||ebay.com|
|13.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699||ebay.com|
|14.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699||ebay.com|
|15.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699||ebay.com|
|16.||Olympus E-510||..||89/100||..||+ +||3.5/5||4.5/5||Mar 2007||799||ebay.com|
|17.||Panasonic TZ90||..||+ +||..||4/5||4/5||4/5||Apr 2017||449||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Fujifilm GFX 50S vs Fujifilm X-A5
- Fujifilm X-A5 vs Nikon D300
- Fujifilm X-A5 vs Nikon D7200
- Fujifilm X-A5 vs Olympus E-PL3
- Fujifilm X-A5 vs Panasonic G90
- Fujifilm X-A5 vs Panasonic LX10
- Fujifilm X-T30 vs Olympus E-30
- Leica S3 vs Olympus E-30
- Olympus E-30 vs Panasonic FT7
- Olympus E-30 vs Panasonic G5
- Olympus E-30 vs Panasonic G7
- Olympus E-30 vs Sony RX100 II
Specifications: Fujifilm X-A5 vs Olympus E-30
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-A5||Olympus E-30|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm X mount lenses||Four Thirds lenses|
|Launch Date||January 2018||November 2008|
|Launch Price||USD 399||USD 1,299|
|Sensor Specs||Fujifilm X-A5||Olympus E-30|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.5 x 15.7 mm||17.3 x 13.0 mm|
|Sensor Area||368.95 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||12.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||4032 x 3024 pixels|
|Pixel Pitch||3.92 μm||4.29 μm|
|Pixel Density||6.50 MP/cm2||5.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/15p Video||no Video|
|ISO Setting||200 - 12,800 ISO||100 - 3,200 ISO|
|ISO Boost||200 - 51,200 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||55|
|DXO Color Depth (bits)||..||21.3|
|DXO Dynamic Range (EV)||..||10.4|
|DXO Low Light (ISO)||..||530|
|Screen Specs||Fujifilm X-A5||Olympus E-30|
|Viewfinder Type||no viewfinder||Optical viewfinder|
|Viewfinder Field of View||98%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||2.7inch|
|LCD Resolution||1040k dots||230k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm X-A5||Olympus E-30|
|Focus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||6 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||CF or XD cards|
|Single or Dual Card Slots||Single card slot||Dual card slots|
|Connectivity Specs||Fujifilm X-A5||Olympus E-30|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm X-A5||Olympus E-30|
|Battery Life (CIPA)||450 shots per charge||750 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
117 x 68 x 40 mm
(4.6 x 2.7 x 1.6 in)
142 x 108 x 75 mm
(5.6 x 4.3 x 3.0 in)
|Camera Weight||361 g (12.7 oz)||701 g (24.7 oz)|
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