Fujifilm X-A10 versus Pentax KP
The Fujifilm X-A10 and the Pentax KP are two digital cameras that were revealed to the public, respectively, in December 2016 and January 2017. The X-A10 is a mirrorless interchangeable lens camera, while the KP is a DSLR. Both cameras are equipped with an APS-C sensor. The Fujifilm has a resolution of 16 megapixel, whereas the Pentax provides 24.1 MP.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-A10 and the Pentax KP. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the X-A10 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax KP is considerably larger (70 percent) than the Fujifilm X-A10. Moreover, the KP is substantially heavier (112 percent) than the X-A10. It is noteworthy in this context that the KP is splash and dust-proof, while the X-A10 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Fujifilm X-A10 (⇒ rgt)||117 mm||67 mm||40 mm||331 g||410||no||2016||399||latest||check|
|Pentax KP (⇒ lft)||132 mm||101 mm||76 mm||703 g||390||YES||2017||1,099||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||121 mm||74 mm||43 mm||337 g||350||no||2017||899||latest||check|
|Fujifilm X-T20 (⇒ lft | rgt)||118 mm||83 mm||41 mm||383 g||350||no||2017||899||latest||check|
|Fujifilm X70 (⇒ lft | rgt)||113 mm||64 mm||44 mm||340 g||330||no||2016||799||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||117 mm||67 mm||40 mm||339 g||410||no||2016||399||latest||check|
|Fujifilm X-E2S (⇒ lft | rgt)||129 mm||75 mm||37 mm||350 g||350||no||2016||699||discont.||check|
|Fujifilm X-T10 (⇒ lft | rgt)||118 mm||83 mm||41 mm||381 g||350||no||2015||799||discont.||check|
|Fujifilm X-A2 (⇒ lft | rgt)||117 mm||67 mm||40 mm||350 g||410||no||2015||399||discont.||check|
|Fujifilm X-M1 (⇒ lft | rgt)||117 mm||67 mm||39 mm||330 g||350||no||2013||699||latest||check|
|Fujifilm X-A1 (⇒ lft | rgt)||117 mm||67 mm||39 mm||330 g||350||no||2013||399||discont.||check|
|Fujifilm X-E1 (⇒ lft | rgt)||129 mm||75 mm||38 mm||350 g||350||no||2012||999||discont.||check|
|Nikon D7500 (⇒ lft | rgt)||136 mm||104 mm||73 mm||720 g||950||YES||2017||1,299||latest||check|
|Panasonic GH5 (⇒ lft | rgt)||139 mm||98 mm||87 mm||725 g||410||YES||2017||1,999||latest||check|
|Pentax K-70 (⇒ lft | rgt)||126 mm||93 mm||74 mm||688 g||410||YES||2016||649||latest||check|
|Pentax K-3 II (⇒ lft | rgt)||131 mm||100 mm||77 mm||800 g||720||YES||2015||1,099||latest||check|
|Pentax K-3 (⇒ lft | rgt)||131 mm||100 mm||77 mm||800 g||560||YES||2013||1,299||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-A10 was launched at a markedly lower price (by 64 percent) than the KP, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the KP offers a higher resolution of 24.1 megapixel, compared with 16 MP of the X-A10. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.90μm versus 4.80μm for the X-A10). It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the KP has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Unlike the X-A10, the KP has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Fujifilm X-A10 (⇒ rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Pentax KP (⇒ lft)||APS-C||24.1||6016||4000||1080/60i||-||-||-||-|
|Fujifilm X-E3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-T20 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X70 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-A3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-E2S (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-T10 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-A2 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-M1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-A1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-E1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/24p||-||-||-||-|
|Nikon D7500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.8||13.9||1192||86|
|Panasonic GH5 (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Pentax K-70 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60i||-||-||-||-|
|Pentax K-3 II (⇒ lft | rgt)||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
|Pentax K-3 (⇒ lft | rgt)||APS-C||24.1||6016||4000||1080/60i||23.7||13.4||1216||80|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the KP provides a faster frame rate than the X-A10. It can shoot movie footage at 1080/60i, while the Fujifilm is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the KP has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the X-A10 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm X-A10, the Pentax KP, and comparable cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Fujifilm X-A10 (⇒ rgt)||no||no||3.0||1040||tilting||no||4000||6.0||5||no|
|Pentax KP (⇒ lft)||optical||no||3.0||921||tilting||no||6000||7.0||YES||YES|
|Fujifilm X-E3 (⇒ lft | rgt)||2360||no||3.0||1040||fixed||YES||4000||8.0||no||no|
|Fujifilm X-T20 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5||no|
|Fujifilm X70 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||8.0||7.9||..|
|Fujifilm X-A3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.0||7||no|
|Fujifilm X-E2S (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||7.0||7||no|
|Fujifilm X-T10 (⇒ lft | rgt)||2360||no||3.0||920||tilting||no||4000||8.0||5||no|
|Fujifilm X-A2 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.6||7||no|
|Fujifilm X-M1 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.6||7||no|
|Fujifilm X-A1 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.6||7||no|
|Fujifilm X-E1 (⇒ lft | rgt)||2360||no||2.8||460||fixed||no||4000||6.0||YES||no|
|Nikon D7500 (⇒ lft | rgt)||optical||YES||3.2||922||tilting||YES||8000||8.0||12||no|
|Panasonic GH5 (⇒ lft | rgt)||3680||no||3.2||1620||swivel||YES||8000||12.0||no||YES|
|Pentax K-70 (⇒ lft | rgt)||optical||no||3.0||921||swivel||no||6000||6.0||YES||YES|
|Pentax K-3 II (⇒ lft | rgt)||optical||YES||3.2||1037||fixed||no||8000||8.3||no||YES|
|Pentax K-3 (⇒ lft | rgt)||optical||YES||3.2||1037||fixed||no||8000||8.3||13||YES|
Both the X-A10 and the KP are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X-A10 replaced the earlier Fujifilm X-A3, while the KP does not have a direct predecessor.
So what is the bottom line? Is there a clear favorite between the Fujifilm X-A10 and the Fujifilm X-A10? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Fujifilm X-A10:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More compact: Is smaller (117x67mm vs 132x101mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 372g or 53 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- More affordable: Was introduced into a lower priced category (64 percent cheaper at launch).
Reasons to prefer the Pentax KP:
- More detail: Has more megapixels (24.1 vs 16MP), which boosts linear resolution by 23%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher movie framerates (1080/60i vs 1080/30p).
- Easier framing: Has an optical viewfinder for image framing and settings control.
- Faster shutter: Has higher mechanical shutter speed (6000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 6 flaps/sec) to capture the decisive moment.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
If the count of individual advantages (bullet points above) is taken as a guide, the KP emerges as the winner of the match-up (9 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the X-A10 or the KP handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Fujifilm X-A10 (⇒ rgt)||-||-||4/5||-||4/5||2016||399||latest||check|
|Pentax KP (⇒ lft)||-||82/100 Silver||5/5||-||4.5/5||2017||1,099||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||Rec||84/100 Gold||4.5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X-T20 (⇒ lft | rgt)||HiRec||82/100 Silver||5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X70 (⇒ lft | rgt)||-||76/100||4.5/5||4/5||4.5/5||2016||799||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||-||74/100||4.5/5||-||4/5||2016||399||latest||check|
|Fujifilm X-E2S (⇒ lft | rgt)||-||77/100||4.5/5||-||4.5/5||2016||699||discont.||check|
|Fujifilm X-T10 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4/5||5/5||2015||799||discont.||check|
|Fujifilm X-A2 (⇒ lft | rgt)||-||-||4.5/5||4/5||4.5/5||2015||399||discont.||check|
|Fujifilm X-M1 (⇒ lft | rgt)||Rec||77/100 Gold||4.5/5||-||4.5/5||2013||699||latest||check|
|Fujifilm X-A1 (⇒ lft | rgt)||-||-||4.5/5||-||4.5/5||2013||399||discont.||check|
|Fujifilm X-E1 (⇒ lft | rgt)||HiRec||79/100 Gold||4.5/5||4.5/5||4.5/5||2012||999||discont.||check|
|Nikon D7500 (⇒ lft | rgt)||HiRec||86/100 Silver||5/5||4.5/5||4.5/5||2017||1,299||latest||check|
|Panasonic GH5 (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||5/5||2017||1,999||latest||check|
|Pentax K-70 (⇒ lft | rgt)||-||79/100 Silver||4.5/5||4/5||4.5/5||2016||649||latest||check|
|Pentax K-3 II (⇒ lft | rgt)||-||-||5/5||4.5/5||5/5||2015||1,099||latest||check|
|Pentax K-3 (⇒ lft | rgt)||-||83/100 Gold||5/5||4.5/5||5/5||2013||1,299||discont.||check|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you do not see the camera that you are looking for, please contact me, and I will try to update the database with the necessary infos.
- Canon 70D vs Fujifilm X-T2
- Canon 800D vs Canon 50D
- Canon G1 X vs Canon M5
- Canon G9 X Mark II vs Canon M3
- Canon SL2 vs Canon G1 X
- Canon T7i vs Canon 70D
- Fujifilm X100F vs Canon G1 X Mark III
- Olympus E-520 vs Olympus E-3
- Olympus E-M1 II vs Sony A6500
- Sony A6300 vs Panasonic G85
- Sony A7 II vs Hasselblad X1D
- Sony A7R III vs Sony A900