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Fujifilm GFX 50S vs Sony A5000

The Fujifilm GFX 50S and the Sony Alpha A5000 are two digital cameras that were announced, respectively, in September 2016 and January 2014. Both the GFX 50S and the A5000 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 50S) and an APS-C (A5000) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Sony provides 19.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 50S
versus
Sony A5000
Fujifilm GFX 50S   Sony A5000
Mirrorless system camera Mirrorless system camera
Fujifilm G mount lenses Sony E mount lenses
51.1 MP, Medium Format Sensor 19.8 MP, APS-C Sensor
1080/30p Video 1080/60i Video
ISO 100-12,800 (50 - 102,400) ISO 100-16,000
Viewfinder optional No viewfinder, LCD framing
3.2 LCD, 2360k dots 3.0 LCD, 461k dots
Fully flexible touchscreen Tilting screen (not touch-sensitive)
3 shutter flaps per second 3.5 shutter flaps per second
Weathersealed bodynot weather sealed
400 shots per battery charge420 shots per battery charge
148 x 94 x 91 mm, 740 g 110 x 63 x 36 mm, 269 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Sony Alpha A5000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm GFX 50S and the Sony A5000 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The A5000 can be obtained in three different colors (black, silver, white), while the GFX 50S is only available in black.

Size Fujifilm GFX 50S vs Sony A5000
Compare GFX 50S versus A5000 top
Comparison GFX 50S or A5000 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A5000 is considerably smaller (50 percent) than the Fujifilm GFX 50S. Moreover, the A5000 is substantially lighter (64 percent) than the GFX 50S. It is worth mentioning in this context that the GFX 50S is splash and dust resistant, while the A5000 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 50S gets 400 shots out of its NP-T125 battery, while the A5000 can take 420 images on a single charge of its NP-FW50 power pack. The power pack in the A5000 can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

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Body Specifications
    Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
Weather
Sealing
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 50S 148 mm 94 mm 91 mm 740 g 400 Y Sep 2016 6,499 i
2.
 
Sony A5000 110 mm 63 mm 36 mm 269 g 420 n Jan 2014 449i
3.
 
Canon 6D Mark II 144 mm 111 mm 75 mm 765 g 1200 Y Jun 2017 1,999 i
4.
 
Canon 5D Mark IV 151 mm 116 mm 76 mm 890 g 900 Y Aug 2016 3,499 i
5.
 
Canon 80D 139 mm 105 mm 79 mm 730 g 960 Y Feb 2016 1,199i
6.
 
Canon M10 108 mm 67 mm 35 mm 301 g 255 n Oct 2015 499i
7.
 
Fujifilm GFX 100S 150 mm 104 mm 87 mm 900 g 460 Y Jan 2021 5,999 i
8.
 
Fujifilm GFX 50R 161 mm 97 mm 66 mm 775 g 400 Y Sep 2018 4,499 i
9.
 
Hasselblad X1D II 148 mm 97 mm 70 mm 766 g .. Y Jun 2019 5,750 i
10.
 
Hasselblad X1D 150 mm 98 mm 71 mm 725 g .. Y Jun 2016 8,995i
11.
 
Leica M10 139 mm 80 mm 39 mm 660 g 210 Y Jan 2017 6,595 i
12.
 
Leica SL 147 mm 104 mm 39 mm 847 g 400 Y Oct 2015 7,450i
13.
 
Nikon D7500 136 mm 104 mm 73 mm 720 g 950 Y Apr 2017 1,299 i
14.
 
Nikon D3300 124 mm 98 mm 76 mm 430 g 700 n Jan 2014 499i
15.
 
Sony RX100 IV 102 mm 58 mm 41 mm 298 g 280 n Jun 2015 999i
16.
 
Sony A5100 110 mm 63 mm 36 mm 283 g 400 n Aug 2014 549 i
17.
 
Sony NEX-3N 110 mm 62 mm 35 mm 269 g 480 n Feb 2013 499i
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A5000 was launched at a markedly lower price (by 93 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Sony A5000 an APS-C sensor. The sensor area in the A5000 is 75 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the A5000 offers a 3:2 aspect.

In terms of underlying technology, both cameras are build around CMOS sensors.

Fujifilm GFX 50S and Sony A5000 sensor measures

With 51.1MP, the GFX 50S offers a higher resolution than the A5000 (19.8MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.25μm for the A5000) due to its larger sensor. Moreover, the GFX 50S is a much more recent model (by 2 years and 8 months) than the A5000, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Sony A5000 are 27.3 x 18.2 inches or 69.3 x 46.1 cm for good quality, 21.8 x 14.5 inches or 55.4 x 36.9 cm for very good quality, and 18.2 x 12.1 inches or 46.2 x 30.8 cm for excellent quality prints.

The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Alpha A5000 are ISO 100 to ISO 16000 (no boost).

GFX 50S versus A5000 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

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Sensor Characteristics
    Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
1.
 
Fujifilm GFX 50S Medium Format 51.1 8256 61921080/30p........
2.
 
Sony A5000 APS-C 19.8 5456 36321080/60i23.813.0108979
3.
 
Canon 6D Mark II Full Frame 26.0 6240 41601080/60p24.411.9286285
4.
 
Canon 5D Mark IV Full Frame 30.1 6720 44804K/30p24.813.6299591
5.
 
Canon 80D APS-C 24.0 6000 40001080/60p23.613.2113579
6.
 
Canon M10 APS-C 17.9 5184 34561080/30p22.211.475365
7.
 
Fujifilm GFX 100S Medium Format 101.8 11648 87364K/30p........
8.
 
Fujifilm GFX 50R Medium Format 51.1 8256 61921080/30p........
9.
 
Hasselblad X1D II Medium Format 51.3 8272 6200none........
10.
 
Hasselblad X1D Medium Format 51.3 8272 62001080/25p26.214.84489102
11.
 
Leica M10 Full Frame 23.8 5952 3992none24.413.2213386
12.
 
Leica SL Full Frame 24.0 6000 40004K/30p25.013.4182188
13.
 
Nikon D7500 APS-C 20.7 5568 37124K/30p24.314.0148386
14.
 
Nikon D3300 APS-C 24.0 6000 40001080/60p24.312.8138582
15.
 
Sony RX100 IV 1-inch 20.0 5472 36484K/30p22.812.659170
16.
 
Sony A5100 APS-C 24.0 6000 40001080/60p23.812.7134780
17.
 
Sony NEX-3N APS-C 16.0 4912 32641080/60i22.812.5106774

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A5000 provides a faster frame rate than the GFX 50S. It can shoot movie footage at 1080/60i, while the Fujifilm is limited to 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The GFX 50S and the A5000 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50S, the Sony A5000, and comparable cameras.

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Core Features
    Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Specifications
(inch/000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
1.
 
Fujifilm GFX 50Soptional Y3.2 / 2360 full-flex Y 1/4000s 3.0 n n
2.
 
Sony A5000none n3.0 / 461 tilting n 1/4000s 3.5 Y n
3.
 
Canon 6D Mark IIoptical Y3.0 / 1040 swivel Y 1/4000s 6.5 n n
4.
 
Canon 5D Mark IVoptical Y3.2 / 1620 fixed Y 1/8000s 7.0 n n
5.
 
Canon 80Doptical Y3.0 / 1040 swivel Y 1/8000s 7.0 Y n
6.
 
Canon M10none n3.0 / 1040 tilting Y 1/4000s 4.6 Y n
7.
 
Fujifilm GFX 100S3690 Y3.2 / 2360 full-flex Y 1/4000s 5.0 n Y
8.
 
Fujifilm GFX 50R3690 n3.2 / 2360 tilting Y 1/4000s 3.0 n n
9.
 
Hasselblad X1D II3690 n3.6 / 2360 fixed Y 1/2000s 2.7 n n
10.
 
Hasselblad X1D2360 n3.0 / 920 fixed Y 1/2000s 2.3 n n
11.
 
Leica M10optical n3.0 / 1037 fixed n 1/4000s 5.0 n n
12.
 
Leica SL4400 Y3.0 / 1040 fixed Y 1/8000s 11.0 n n
13.
 
Nikon D7500optical Y3.2 / 922 tilting Y 1/8000s 8.0 Y n
14.
 
Nikon D3300optical n3.0 / 921 fixed n 1/4000s 5.0 Y n
15.
 
Sony RX100 IV2359 n3.0 / 1228 tilting n 1/2000s 16.0 Y Y
16.
 
Sony A5100none n3.0 / 922 tilting Y 1/4000s 6.0 Y n
17.
 
Sony NEX-3Noptional n3.0 / 460 tilting n 1/4000s 4.0 Y n

One feature that is present on the GFX 50S, but is missing on the A5000 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The A5000 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 50S does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 50S writes its imaging data to SDXC cards, while the A5000 uses SDXC or Memory Stick PRO Duo cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the A5000 only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the A5000 can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Sony Alpha A5000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
    Camera
Model
Hotshoe
Port
Internal
Mic / Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
1.
 
Fujifilm GFX 50SYstereo / monoYYmicro3.0Y--
2.
 
Sony A5000-stereo / mono--micro2.0YY-
3.
 
Canon 6D Mark IIYstereo / monoY-mini2.0YYY
4.
 
Canon 5D Mark IVYmono / monoYYmini3.0YY-
5.
 
Canon 80DYstereo / monoYYmini2.0YY-
6.
 
Canon M10-stereo / mono--mini2.0YY-
7.
 
Fujifilm GFX 100SYstereo / monoYYmicro3.2Y-Y
8.
 
Fujifilm GFX 50RYstereo / monoYYmicro3.0Y-Y
9.
 
Hasselblad X1D IIYstereo / monoYY-3.0Y--
10.
 
Hasselblad X1DYstereo / monoYYmini3.0Y--
11.
 
Leica M10Y- / -----Y--
12.
 
Leica SLYstereo / monoYYfull3.0Y--
13.
 
Nikon D7500Ystereo / monoYYmini2.0Y-Y
14.
 
Nikon D3300Ymono / monoY-mini2.0---
15.
 
Sony RX100 IV-stereo / mono--micro2.0YY-
16.
 
Sony A5100-stereo / mono--micro2.0YY-
17.
 
Sony NEX-3N-stereo / mono--micro2.0---

It is notable that the GFX 50S has a hotshoe, while the A5000 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the A5000) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GFX 50S is a recent model that features in the current product line-up of Fujifilm. In contrast, the A5000 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the A5000 was succeeded by the Sony A5100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.

Review summary

So how do things add up? Is the Fujifilm GFX 50S better than the Sony A5000 or vice versa? The listing below highlights the relative strengths of the two models.

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Reasons to prefer the Fujifilm GFX 50S:

  • More detail: Offers more megapixels (51.1 vs 19.8MP) with a 57% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Features a larger and more technologically advanced imaging sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 461k dots).
  • More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More modern: Reflects 2 years and 8 months of technical progress since the A5000 launch.

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Arguments in favor of the Sony Alpha A5000:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster burst: Shoots at higher frequency (3.5 vs 3 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (110x63mm vs 148x94mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 471g or 64 percent) and is thus easier to take along.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • More affordable: Was introduced into a lower priced category (93 percent cheaper at launch).
  • More heavily discounted: Has been around for much longer (launched in January 2014).

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S is the clear winner of the match-up (23 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 50S 23:11 A5000

How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Sony A5000 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the GFX 50S or the A5000 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Expert Camera Reviews
     Camera 
 Model 
 AP 
 score 
 CL 
 score 
 DCW 
 score 
 DPR 
 score 
 EPZ 
 score 
 PB 
 score 
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 50S....4.5/585/1005/54.5/5 Sep 2016 6,499 i
2.
 
Sony A50003/5+....4.5/54.5/5 Jan 2014 449i
3.
 
Canon 6D Mark II4/5+4/580/1004.5/54/5 Jun 2017 1,999 i
4.
 
Canon 5D Mark IV4.5/5+ +4/587/1004.5/54.5/5 Aug 2016 3,499 i
5.
 
Canon 80D4/5+ +4.5/584/1004.5/54.5/5 Feb 2016 1,199i
6.
 
Canon M10..........4/5 Oct 2015 499i
7.
 
Fujifilm GFX 100S5/5+ +5/590/1005/55/5 Jan 2021 5,999 i
8.
 
Fujifilm GFX 50R5/5..5/584/1004.5/54.5/5 Sep 2018 4,499 i
9.
 
Hasselblad X1D II....4/5..4/54/5 Jun 2019 5,750 i
10.
 
Hasselblad X1D..o..81/100..4/5 Jun 2016 8,995i
11.
 
Leica M104.5/5......4/54.5/5 Jan 2017 6,595 i
12.
 
Leica SL4/5..4/584/1004.5/54/5 Oct 2015 7,450i
13.
 
Nikon D75004.5/5+ +4.5/586/1005/54.5/5 Apr 2017 1,299 i
14.
 
Nikon D33003/5+..77/1004.5/54.5/5 Jan 2014 499i
15.
 
Sony RX100 IV4.5/5+ +..85/1004/54.5/5 Jun 2015 999i
16.
 
Sony A51004.5/5+....4.5/55/5 Aug 2014 549 i
17.
 
Sony NEX-3N3/5......4.5/54.5/5 Feb 2013 499i
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Fujifilm GFX 50S:
Check Amazon price
Sony A5000:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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    Specifications: Fujifilm GFX 50S vs Sony A5000

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 50S Sony A5000
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Fujifilm G mount lenses Sony E mount lenses
    Launch Date September 2016 January 2014
    Launch Price USD 6,499 USD 449
    Sensor Specs Fujifilm GFX 50S Sony A5000
    Sensor Technology CMOS CMOS
    Sensor Format Medium Format Sensor APS-C Sensor
    Sensor Size 44.0 x 33.0 mm 23.2 x 15.4 mm
    Sensor Area 1452 mm2 357.28 mm2
    Sensor Diagonal 55 mm 27.8 mm
    Crop Factor 0.79x 1.5x
    Sensor Resolution 51.1 Megapixels 19.8 Megapixels
    Image Resolution 8256 x 6192 pixels 5456 x 3632 pixels
    Pixel Pitch 5.33 μm 4.25 μm
    Pixel Density 3.52 MP/cm2 5.55 MP/cm2
    Moiré control no AA filter Anti-Alias filter
    Movie Capability 1080/30p Video 1080/60i Video
    ISO Setting 100 - 12,800 ISO 100 - 16,000 ISO
    ISO Boost 50 - 102,400 ISO no Enhancement
    Image Processor X Processor Pro BIONZ X
    DXO Sensor Quality (score) .. 79
    DXO Color Depth (bits) .. 23.8
    DXO Dynamic Range (EV) .. 13.0
    DXO Low Light (ISO) .. 1089
    Screen Specs Fujifilm GFX 50S Sony A5000
    Viewfinder Type Viewfinder optional no viewfinder
    Viewfinder Magnification
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.2inch 3.0inch
    LCD Resolution 2360k dots 461k dots
    LCD Attachment Fully flexible screen Tilting screen
    Touch Input Touchscreen no Touchscreen
    Shooting Specs Fujifilm GFX 50S Sony A5000
    Focus System Contrast-detect AF Contrast-detect AF
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000s 1/4000s
    Continuous Shooting 3 shutter flaps/s 3.5 shutter flaps/s
    Electronic Shutterup to 1/16000sno E-Shutter
    Time-Lapse PhotographyIntervalometer built-inno Intervalometer
    Fill Flash no On-Board Flash Built-in Flash
    Storage Medium SDXC cards MS or SDXC cards
    Second Storage Option Dual card slots Single card slot
    UHS card support Dual UHS-II UHS-I
    Connectivity Specs Fujifilm GFX 50S Sony A5000
    External Flash Hotshoe no Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 3.0 USB 2.0
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port no MIC socket
    Headphone Socket Headphone port no Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Near-Field Communication no NFC NFC built-in
    Body Specs Fujifilm GFX 50S Sony A5000
    Environmental SealingWeathersealed bodynot weather sealed
    Battery Type NP-T125 NP-FW50
    Battery Life (CIPA)400 shots per charge420 shots per charge
    In-Camera Charging no USB charging USB charging
    Body Dimensions 148 x 94 x 91 mm
    (5.8 x 3.7 x 3.6 in)
    110 x 63 x 36 mm
    (4.3 x 2.5 x 1.4 in)
    Camera Weight 740 g (26.1 oz) 269 g (9.5 oz)

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    You are here Home  »  CAM-parator  »  Fujifilm GFX 50S vs Sony A5000

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