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Fujifilm GFX 50S vs Ricoh GR II

The Fujifilm GFX 50S and the Ricoh GR II are two digital cameras that were announced, respectively, in September 2016 and June 2015. The GFX 50S is a mirrorless interchangeable lens camera, while the GR II is a fixed lens compact. The cameras are based on a medium format (GFX 50S) and an APS-C (GR II) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Ricoh provides 16.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 50S   Ricoh GR II
Fujifilm GFX 50S Ricoh GR II
Mirrorless system camera Fixed lens compact camera
Fujifilm G mount lenses 28mm f/2.8
51.1 MP, Medium Format Sensor 16.1 MP, APS-C Sensor
1080/30p Video 1080/30p Video
ISO 100-12800 (50-102400) ISO 100-25600
Viewfinder optional Viewfinder optional
3.2" LCD, 2360k dots 3.0" LCD, 1230k dots
Fully flexible touchscreen Fixed screen (not touch-sensitive)
3 shutter flaps per second 4 shutter flaps per second
Weathersealed bodyNot weather sealed
400 shots per battery charge320 shots per battery charge
148 x 94 x 91 mm, 740 g 117 x 63 x 35 mm, 251 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Ricoh GR II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm GFX 50S and the Ricoh GR II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

Size Fujifilm GFX 50S vs Ricoh GR II
Compare GFX 50S versus GR II top
Comparison GFX 50S or GR II rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Ricoh GR II is considerably smaller (47 percent) than the Fujifilm GFX 50S. It is worth mentioning in this context that the GFX 50S is splash and dust resistant, while the GR II does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the GR II has a lens built in, whereas the GFX 50S is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the GFX 50S gets 400 shots out of its NP-T125 battery, while the GR II can take 320 images on a single charge of its DB65 power pack. The power pack in the GR II can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Fujifilm GFX 50S» 5.8 in 3.7 in 3.6 in 26.1 oz 400 Y Sep 2016 6,499 i i Fujifilm GFX 50S
 
Ricoh GR II« 4.6 in 2.5 in 1.4 in 8.9 oz 320 n Jun 2015 699 i i Ricoh GR II
 
Canon 6D Mark II« » 5.7 in 4.4 in 3.0 in 27.0 oz 1200 Y Jun 2017 1,999 i i Canon 6D Mark II
 
Canon 1D X Mark II« » 6.2 in 6.6 in 3.3 in 54.0 oz 1210 Y Feb 2016 5,999 i i Canon 1D X Mark II
 
Canon 5D Mark IV« » 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
 
Canon 80D« » 5.5 in 4.1 in 3.1 in 25.8 oz 960 Y Feb 2016 1,199- i Canon 80D
 
Canon G7 X« » 4.1 in 2.4 in 1.6 in 10.7 oz 210 n Sep 2014 699- i Canon G7 X
 
Fujifilm GFX 50R« » 6.3 in 3.8 in 2.6 in 27.3 oz 400 Y Sep 2018 4,499 i i Fujifilm GFX 50R
 
Fujifilm X70« » 4.4 in 2.5 in 1.7 in 12.0 oz 330 n Jan 2016 799- i Fujifilm X70
 
Hasselblad X1D II« » 5.8 in 3.8 in 2.8 in 27.0 oz .. Y Jun 2019 5,750 i i Hasselblad X1D II
 
Hasselblad X1D« » 5.9 in 3.9 in 2.8 in 25.6 oz .. Y Jun 2016 8,995- i Hasselblad X1D
 
Leica M10« » 5.5 in 3.1 in 1.5 in 23.3 oz 210 Y Jan 2017 6,595 i i Leica M10
 
Leica SL« » 5.8 in 4.1 in 1.5 in 29.9 oz 400 Y Oct 2015 7,450 i i Leica SL
 
Nikon D7500« » 5.4 in 4.1 in 2.9 in 25.4 oz 950 Y Apr 2017 1,299 i i Nikon D7500
 
Panasonic GM5« » 3.9 in 2.4 in 1.4 in 7.4 oz 220 n Sep 2014 749- i Panasonic GM5
 
Ricoh GR« » 4.6 in 2.4 in 1.4 in 8.6 oz 290 n Apr 2013 799- i Ricoh GR
 
Sony RX100 III« » 4.0 in 2.3 in 1.6 in 10.2 oz 320 n May 2014 799- i Sony RX100 III
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GR II was launched at a lower price than the GFX 50S, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Ricoh GR II an APS-C sensor. The sensor area in the GR II is 75 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the GR II offers a 3:2 aspect.

In terms of underlying technology, both cameras are build around CMOS sensors.

Fujifilm GFX 50S and Ricoh GR II sensor measures

With 51.1MP, the GFX 50S offers a higher resolution than the GR II (16.1MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.79μm for the GR II) due to its larger sensor. Moreover, the GFX 50S is a somewhat more recent model (by 1 year and 3 months) than the GR II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inch or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inch or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inch or 69.9 x 52.4 cm. The corresponding values for the Ricoh GR II are 24.6 x 16.3 inch or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inch or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inch or 41.7 x 27.6 cm for excellent quality prints.

The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Ricoh GR II are ISO 100 to ISO 25600 (no boost).

GFX 50S versus GR II MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Fujifilm GFX 50S» Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50S
 
Ricoh GR II« APS-C 16.1 4928 32641080/30p23.613.7107880Ricoh GR II
 
Canon 6D Mark II« » Full Frame 26.0 6240 41601080/60p24.411.9286285Canon 6D Mark II
 
Canon 1D X Mark II« » Full Frame 20.0 5472 36484K/60p24.113.5320788Canon 1D X Mark II
 
Canon 5D Mark IV« » Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
 
Canon 80D« » APS-C 24.0 6000 40001080/60p23.613.2113579Canon 80D
 
Canon G7 X« » 1-inch 20.0 5472 36481080/60p23.012.755671Canon G7 X
 
Fujifilm GFX 50R« » Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50R
 
Fujifilm X70« » APS-C 16.0 4896 32641080/60p----Fujifilm X70
 
Hasselblad X1D II« » Medium Format 51.3 8272 6200-----Hasselblad X1D II
 
Hasselblad X1D« » Medium Format 51.3 8272 62001080/25p26.214.84489102Hasselblad X1D
 
Leica M10« » Full Frame 23.8 5952 3992-24.413.2213386Leica M10
 
Leica SL« » Full Frame 24.0 6000 40004K/30p25.013.4182188Leica SL
 
Nikon D7500« » APS-C 20.7 5568 37124K/30p24.314.0148386Nikon D7500
 
Panasonic GM5« » Four Thirds 15.8 4592 34481080/60p22.111.772166Panasonic GM5
 
Ricoh GR« » APS-C 16.1 4928 32641080/30p23.613.597278Ricoh GR
 
Sony RX100 III« » 1-inch 20.0 5472 36481080/60p22.412.349567Sony RX100 III

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/30p).

 

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The GFX 50S and the GR II are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the EVF-TL1 for the GFX 50S and the GV-1 for the GR II – are available as accessories. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50S, the Ricoh GR II, and comparable cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Fujifilm GFX 50S»- Y 3.2 2360 full-flex Y 1/4000s 3.0 n n Fujifilm GFX 50S
 
Ricoh GR II«- n 3.0 1230 fixed n 1/4000s 4.0 Y n Ricoh GR II
 
Canon 6D Mark II« »optical Y 3.0 1040 swivel Y 1/4000s 6.5 n n Canon 6D Mark II
 
Canon 1D X Mark II« »optical Y 3.2 1620 fixed Y 1/8000s 16.0 n n Canon 1D X Mark II
 
Canon 5D Mark IV« »optical Y 3.2 1620 fixed Y 1/8000s 7.0 n n Canon 5D Mark IV
 
Canon 80D« »optical Y 3.0 1040 swivel Y 1/8000s 7.0 Y n Canon 80D
 
Canon G7 X« »- n 3.0 1040 tilting Y 1/2000s 6.5 Y Y Canon G7 X
 
Fujifilm GFX 50R« »3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n Fujifilm GFX 50R
 
Fujifilm X70« »- n 3.0 1040 tilting Y 1/4000s 8.0 Y n Fujifilm X70
 
Hasselblad X1D II« »3690 n 3.6 2360 fixed Y 1/2000s 2.7 n n Hasselblad X1D II
 
Hasselblad X1D« »2360 n 3.0 920 fixed Y 1/2000s 2.3 n n Hasselblad X1D
 
Leica M10« »optical n 3.0 1037 fixed n 1/4000s 5.0 n n Leica M10
 
Leica SL« »4400 Y 3.0 1040 fixed Y 1/8000s 11.0 n n Leica SL
 
Nikon D7500« »optical Y 3.2 922 tilting Y 1/8000s 8.0 Y n Nikon D7500
 
Panasonic GM5« »1166 n 3.0 921 fixed Y 1/500s 5.8 n n Panasonic GM5
 
Ricoh GR« »- n 3.0 1230 fixed n 1/4000s 4.0 Y n Ricoh GR
 
Sony RX100 III« »1440 n 3.0 1229 tilting n 1/2000s 10.0 Y Y Sony RX100 III

One feature that is present on the GFX 50S, but is missing on the GR II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S and the Ricoh GR II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 50S and the GR II write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the GR II only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the GR II can use UHS-I cards.

 

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Ricoh GR II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Fujifilm GFX 50S»YstereomonoYYmicro3.0Y--Fujifilm GFX 50S
 
Ricoh GR II«Ystereomono--micro2.0YY-Ricoh GR II
 
Canon 6D Mark II« »YstereomonoY-mini2.0YYYCanon 6D Mark II
 
Canon 1D X Mark II« »YmonomonoYYmini3.0---Canon 1D X Mark II
 
Canon 5D Mark IV« »YmonomonoYYmini3.0YY-Canon 5D Mark IV
 
Canon 80D« »YstereomonoYYmini2.0YY-Canon 80D
 
Canon G7 X« »-stereomono--micro2.0YY-Canon G7 X
 
Fujifilm GFX 50R« »YstereomonoYYmicro3.0Y-YFujifilm GFX 50R
 
Fujifilm X70« »YstereomonoY-micro2.0Y--Fujifilm X70
 
Hasselblad X1D II« »YstereomonoYY-3.0Y--Hasselblad X1D II
 
Hasselblad X1D« »YstereomonoYYmini3.0Y--Hasselblad X1D
 
Leica M10« »Y------Y--Leica M10
 
Leica SL« »YstereomonoYYfull3.0Y--Leica SL
 
Nikon D7500« »YstereomonoYYmini2.0Y-YNikon D7500
 
Panasonic GM5« »Ystereomono--micro2.0Y--Panasonic GM5
 
Ricoh GR« »Ymonomono--micro2.0---Ricoh GR
 
Sony RX100 III« »-stereomono--micro2.0YY-Sony RX100 III

It is notable that the GFX 50S has a microphone port, which is missing on the GR II. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the GR II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GFX 50S and the GR II are recent models that are part of the current product line-up. The GR II replaced the earlier Ricoh GR, while the GFX 50S does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Ricoh websites.


Review summary

So what is the bottom line? Is the Fujifilm GFX 50S better than the Ricoh GR II or vice versa? The listing below highlights the relative strengths of the two models.

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Arguments in favor of the Fujifilm GFX 50S:

  • More detail: Offers more megapixels (51.1 vs 16.1MP) with a 75% higher linear resolution.
  • Better image quality: Features a larger and more technologically advanced imaging sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1230k dots).
  • More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
  • Longer lasting: Can take more shots (400 versus 320) on a single battery charge.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More modern: Is somewhat more recent (announced 1 year and 3 months after the GR II).

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Advantages of the Ricoh GR II:

  • Faster burst: Shoots at higher frequency (4 vs 3 flaps/sec) to capture the decisive moment.
  • Ready to shoot: Has an integrated lens, whereas the GFX 50S necessitates an extra lens.
  • More compact: Is smaller (117x63mm vs 148x94mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight even though it has a lens built in (unlike the GFX 50S).
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • More affordable: Was introduced at a lower price, despite coming with a built-in lens.
  • More heavily discounted: Has been on the market for longer (launched in June 2015).

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S is the clear winner of the match-up (21 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 50S 21:08 GR II

How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Ricoh GR II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 50S or the GR II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Fujifilm GFX 50S»-85/1005/55/54.5/5 Sep 2016 6,499 i i Fujifilm GFX 50S
 
Ricoh GR II«--4.5/54.5/54.5/5 Jun 2015 699 i i Ricoh GR II
 
Canon 6D Mark II« »+80/1004.5/54/54/5 Jun 2017 1,999 i i Canon 6D Mark II
 
Canon 1D X Mark II« »-89/1004.5/55/54.5/5 Feb 2016 5,999 i i Canon 1D X Mark II
 
Canon 5D Mark IV« »+ +87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
 
Canon 80D« »+ +84/1004.5/54.5/54.5/5 Feb 2016 1,199- i Canon 80D
 
Canon G7 X« »+ +77/1004.5/53.5/54.5/5 Sep 2014 699- i Canon G7 X
 
Fujifilm GFX 50R« »-84/1004.5/54.5/54.5/5 Sep 2018 4,499 i i Fujifilm GFX 50R
 
Fujifilm X70« »-76/1004.5/54/54.5/5 Jan 2016 799- i Fujifilm X70
 
Hasselblad X1D II« »----- Jun 2019 5,750 i i Hasselblad X1D II
 
Hasselblad X1D« »o81/100--4/5 Jun 2016 8,995- i Hasselblad X1D
 
Leica M10« »--4/5-4.5/5 Jan 2017 6,595 i i Leica M10
 
Leica SL« »-84/1004.5/54/54/5 Oct 2015 7,450 i i Leica SL
 
Nikon D7500« »+ +86/1005/54.5/54.5/5 Apr 2017 1,299 i i Nikon D7500
 
Panasonic GM5« »+77/1005/55/54.5/5 Sep 2014 749- i Panasonic GM5
 
Ricoh GR« »-79/1004.5/54.5/54.5/5 Apr 2013 799- i Ricoh GR
 
Sony RX100 III« »+ +82/1004.5/54.5/55/5 May 2014 799- i Sony RX100 III
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Fujifilm GFX 50S:
Check Amazon price
Ricoh GR II:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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    Specifications: Fujifilm GFX 50S vs Ricoh GR II

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 50S Ricoh GR II
    Camera Type Mirrorless system camera Fixed lens compact camera
    Camera Lens Fujifilm G mount lenses 28mm f/2.8
    Launch Date September 2016 June 2015
    Launch Price USD 6499 USD 699
    Sensor Specs Fujifilm GFX 50S Ricoh GR II
    Sensor Technology CMOS CMOS
    Sensor Format Medium Format Sensor APS-C Sensor
    Sensor Size 44.0 x 33.0 mm 23.7 x 15.6 mm
    Sensor Area 1452 mm2 369.72 mm2
    Sensor Diagonal 55 mm 28.4 mm
    Crop Factor 0.79x 1.5x
    Sensor Resolution 51.1 Megapixels 16.1 Megapixels
    Image Resolution 8256 x 6192 pixels 4928 x 3264 pixels
    Pixel Pitch 5.33 μm 4.79 μm
    Pixel Density 3.52 MP/cm2 4.35 MP/cm2
    Moiré control no AA filter no AA filter
    Movie Capability 1080/30p Video 1080/30p Video
    ISO Setting 100-12800 ISO 100-25600 ISO
    ISO Boost 50-102400 ISO no Enhancement
    Image Processor X Processor Pro GR Engine V
    DXO Sensor Quality (score) .. 80
    DXO Color Depth (bits) .. 23.6
    DXO Dynamic Range (EV) .. 13.7
    DXO Low Light (ISO) .. 1078
    Screen Specs Fujifilm GFX 50S Ricoh GR II
    Viewfinder Type Viewfinder optional Viewfinder optional
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.2 inch 3.0 inch
    LCD Resolution 2360k dots 1230k dots
    LCD Attachment Fully flexible screen Fixed screen
    Touch Input Touchscreen no Touchscreen
    Shooting Specs Fujifilm GFX 50S Ricoh GR II
    Autofocus System Contrast-detect AF Contrast-detect AF
    Manual Focusing AidFocus PeakingNo Peaking Feature
    Continuous Shooting 3 shutter flaps/s 4 shutter flaps/s
    Electronic Shutterup to 1/16000sno E-Shutter
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Fill Flash no On-Board Flash Build-in Flash
    Storage Medium SDXC cards SDXC cards
    Second Storage Option Dual card slots Single card slot
    UHS card support Dual UHS-II UHS-I
    Connectivity Specs Fujifilm GFX 50S Ricoh GR II
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 3.0 USB 2.0
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port no MIC socket
    Headphone Socket Headphone port no Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Near-Field Communication no NFC NFC built-in
    Body Specs Fujifilm GFX 50S Ricoh GR II
    Environmental SealingWeathersealed bodyNot weather sealed
    Battery Type NP-T125 DB65
    Battery Life (CIPA)400 shots per charge320 shots per charge
    In-Camera Charging no USB charging USB charging
    Body Dimensions 148 x 94 x 91 mm
    (5.8 x 3.7 x 3.6 in)
    117 x 63 x 35 mm
    (4.6 x 2.5 x 1.4 in)
    Camera Weight 740 g (26.1 oz) 251 g (8.9 oz)

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