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Fujifilm GFX 50S vs Panasonic ZS80

The Fujifilm GFX 50S and the Panasonic Lumix DC-ZS80 (labelled Panasonic TZ95 in some countries) are two digital cameras that were revealed to the public, respectively, in September 2016 and February 2019. The GFX 50S is a mirrorless interchangeable lens camera, while the ZS80 is a fixed lens compact. The cameras are based on a medium format (GFX 50S) and a 1/2.3-inch (ZS80) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Panasonic provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 50S versus Panasonic ZS80
Fujifilm GFX 50S Panasonic ZS80
Mirrorless system camera Fixed lens compact camera
Fujifilm G mount lenses 24-720mm f/3.3-6.4
51.1 MP, Medium Format Sensor 20.2 MP, 1/2.3" Sensor
1080/30p Video 4K/30p Video
ISO 100-12,800 (50 - 102,400) ISO 80-3,200 (80 - 6,400)
Viewfinder optional Electronic viewfinder (2330k dots)
3.2 LCD, 2360k dots 3.0 LCD, 1040k dots
Fully flexible touchscreen Tilting touchscreen
3 shutter flaps per second 10 shutter flaps per second
Weathersealed bodynot weather sealed
400 shots per battery charge380 shots per battery charge
148 x 94 x 91 mm, 740 g 112 x 69 x 42 mm, 327 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Panasonic Lumix DC-ZS80? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm GFX 50S and the Panasonic ZS80 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The ZS80 can be obtained in two different colors (black, silver), while the GFX 50S is only available in black.

Size Fujifilm GFX 50S vs Panasonic ZS80
Compare GFX 50S versus ZS80 top
Comparison GFX 50S or ZS80 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic ZS80 is considerably smaller (44 percent) than the Fujifilm GFX 50S. It is worth mentioning in this context that the GFX 50S is splash and dust resistant, while the ZS80 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZS80 has a lens built in, whereas the GFX 50S is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the GFX 50S gets 400 shots out of its NP-T125 battery, while the ZS80 can take 380 images on a single charge of its DMW-BLG10 power pack. The power pack in the ZS80 can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

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Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
Weather
Sealing
Camera
Launch
Launch
Price (USD)
Street
Price
 
Fujifilm GFX 50S 5.8 in 3.7 in 3.6 in 26.1 oz 400 Y Sep 2016 6,499 i
 
Panasonic ZS80 4.4 in 2.7 in 1.7 in 11.5 oz 380 n Feb 2019 449 i
 
Canon SX740 4.3 in 2.5 in 1.6 in 10.5 oz 265 n Jul 2018 399 i
 
Canon 6D Mark II 5.7 in 4.4 in 3.0 in 27.0 oz 1200 Y Jun 2017 1,999 i
 
Canon SX730 4.3 in 2.5 in 1.6 in 10.6 oz 250 n Apr 2017 399i
 
Canon 1D X Mark II 6.2 in 6.6 in 3.3 in 54.0 oz 1210 Y Feb 2016 5,999i
 
Canon 5D Mark IV 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 i
 
Canon 80D 5.5 in 4.1 in 3.1 in 25.8 oz 960 Y Feb 2016 1,199i
 
Fujifilm XF10 4.4 in 2.5 in 1.6 in 9.8 oz 330 n Jul 2018 499 i
 
Fujifilm GFX 50R 6.3 in 3.8 in 2.6 in 27.3 oz 400 Y Sep 2018 4,499 i
 
Hasselblad X1D II 5.8 in 3.8 in 2.8 in 27.0 oz .. Y Jun 2019 5,750 i
 
Hasselblad X1D 5.9 in 3.9 in 2.8 in 25.6 oz .. Y Jun 2016 8,995i
 
Leica M10 5.5 in 3.1 in 1.5 in 23.3 oz 210 Y Jan 2017 6,595 i
 
Leica SL 5.8 in 4.1 in 1.5 in 29.9 oz 400 Y Oct 2015 7,450i
 
Nikon D7500 5.4 in 4.1 in 2.9 in 25.4 oz 950 Y Apr 2017 1,299 i
 
Panasonic TS7 4.6 in 3.0 in 1.5 in 11.3 oz 300 Y May 2018 449 i
 
Panasonic ZS70 4.4 in 2.6 in 1.6 in 11.4 oz 380 n Apr 2017 449i
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The ZS80 was launched at a lower price than the GFX 50S, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

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Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Panasonic ZS80 a 1/2.3-inch sensor. The sensor area in the ZS80 is 98 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

Fujifilm GFX 50S and Panasonic ZS80 sensor measures

With 51.1MP, the GFX 50S offers a higher resolution than the ZS80 (20.2MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 1.18μm for the ZS80) due to its larger sensor. However, the ZS80 is a much more recent model (by 2 years and 4 months) than the GFX 50S, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Panasonic ZS80 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DC-ZS80 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.

GFX 50S versus ZS80 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

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Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
 
Fujifilm GFX 50S Medium Format 51.1 8256 61921080/30p........
 
Panasonic ZS80 1/2.3 20.2 5184 38884K/30p........
 
Canon SX740 1/2.3 20.2 5184 38884K/30p........
 
Canon 6D Mark II Full Frame 26.0 6240 41601080/60p24.411.9286285
 
Canon SX730 1/2.3 20.2 5184 38881080/60p........
 
Canon 1D X Mark II Full Frame 20.0 5472 36484K/60p24.113.5320788
 
Canon 5D Mark IV Full Frame 30.1 6720 44804K/30p24.813.6299591
 
Canon 80D APS-C 24.0 6000 40001080/60p23.613.2113579
 
Fujifilm XF10 APS-C 24.0 6000 40004K/15p........
 
Fujifilm GFX 50R Medium Format 51.1 8256 61921080/30p........
 
Hasselblad X1D II Medium Format 51.3 8272 6200none........
 
Hasselblad X1D Medium Format 51.3 8272 62001080/25p26.214.84489102
 
Leica M10 Full Frame 23.8 5952 3992none24.413.2213386
 
Leica SL Full Frame 24.0 6000 40004K/30p25.013.4182188
 
Nikon D7500 APS-C 20.7 5568 37124K/30p24.314.0148386
 
Panasonic TS7 1/2.3 20.2 5184 38884K/30p........
 
Panasonic ZS70 1/2.3 20.2 5184 38884K/30p19.110.610636

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the ZS80 provides a better video resolution than the GFX 50S. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/30p.

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Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the ZS80 has an electronic viewfinder (2330k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50S, the Panasonic ZS80, and comparable cameras.

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Core Features
  Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
(000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
 
Fujifilm GFX 50Soptional Y 3.2 2360 full-flex Y 1/4000s 3.0 n n
 
Panasonic ZS802330 n 3.0 1040 tilting Y 1/2000s 10.0 Y Y
 
Canon SX740none n 3.0 922 tilting n 1/3200s 10.0 Y Y
 
Canon 6D Mark IIoptical Y 3.0 1040 swivel Y 1/4000s 6.5 n n
 
Canon SX730none n 3.0 922 tilting n 1/3200s 5.9 Y Y
 
Canon 1D X Mark IIoptical Y 3.2 1620 fixed Y 1/8000s 16.0 n n
 
Canon 5D Mark IVoptical Y 3.2 1620 fixed Y 1/8000s 7.0 n n
 
Canon 80Doptical Y 3.0 1040 swivel Y 1/8000s 7.0 Y n
 
Fujifilm XF10none n 3.0 1040 fixed Y 1/4000s 6.0 Y n
 
Fujifilm GFX 50R3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n
 
Hasselblad X1D II3690 n 3.6 2360 fixed Y 1/2000s 2.7 n n
 
Hasselblad X1D2360 n 3.0 920 fixed Y 1/2000s 2.3 n n
 
Leica M10optical n 3.0 1037 fixed n 1/4000s 5.0 n n
 
Leica SL4400 Y 3.0 1040 fixed Y 1/8000s 11.0 n n
 
Nikon D7500optical Y 3.2 922 tilting Y 1/8000s 8.0 Y n
 
Panasonic TS71170 n 3.0 1040 fixed n 1/1300s 10.0 Y Y
 
Panasonic ZS701166 n 3.0 1040 tilting Y 1/2000s 10.0 Y Y

One feature that is present on the GFX 50S, but is missing on the ZS80 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The ZS80 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 50S does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 50S and the ZS80 write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the ZS80 only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the ZS80 can use UHS-I cards.

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Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Panasonic Lumix DC-ZS80 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
 
Fujifilm GFX 50SYstereomonoYYmicro3.0Y--
 
Panasonic ZS80-stereomono--micro2.0Y-Y
 
Canon SX740-stereomono--micro2.0Y-Y
 
Canon 6D Mark IIYstereomonoY-mini2.0YYY
 
Canon SX730-stereomono--micro2.0YYY
 
Canon 1D X Mark IIYmonomonoYYmini3.0---
 
Canon 5D Mark IVYmonomonoYYmini3.0YY-
 
Canon 80DYstereomonoYYmini2.0YY-
 
Fujifilm XF10-stereomonoY-micro2.0Y-Y
 
Fujifilm GFX 50RYstereomonoYYmicro3.0Y-Y
 
Hasselblad X1D IIYstereomonoYY-3.0Y--
 
Hasselblad X1DYstereomonoYYmini3.0Y--
 
Leica M10Y------Y--
 
Leica SLYstereomonoYYfull3.0Y--
 
Nikon D7500YstereomonoYYmini2.0Y-Y
 
Panasonic TS7-stereomono--micro2.0Y--
 
Panasonic ZS70-stereomono--micro2.0Y--

It is notable that the GFX 50S has a hotshoe, while the ZS80 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the ZS80) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GFX 50S and the ZS80 are recent models that are part of the current product line-up. The ZS80 replaced the earlier Panasonic ZS70, while the GFX 50S does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.

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Review summary

So how do things add up? Which of the two cameras – the Fujifilm GFX 50S or the Panasonic ZS80 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

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Arguments in favor of the Fujifilm GFX 50S:

  • More detail: Offers more megapixels (51.1 vs 20.2MP) with a 59% higher linear resolution.
  • Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
  • Richer colors: The pixel size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
  • More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
  • Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More heavily discounted: Has been available for much longer (launched in September 2016).

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Reasons to prefer the Panasonic Lumix DC-ZS80:

  • Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
  • Easier framing: Has an electronic viewfinder for image composition and settings control.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
  • Ready to shoot: Has an integrated lens, whereas the GFX 50S necessitates an extra lens.
  • More compact: Is smaller (112x69mm vs 148x94mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight even though it has a lens built in (unlike the GFX 50S).
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • More affordable: Was introduced at a lower price, despite coming with a built-in lens.
  • More modern: Reflects 2 years and 4 months of technical progress since the GFX 50S launch.

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the match-up (21 : 13 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 50S 21:13 ZS80

How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Panasonic ZS80 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 50S or the ZS80. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Review Scores
  Camera
Model
camera
  labs  
dp
review  
ephoto
  zine  
imaging
resource
photography
  blog  
Camera
Launch
Launch
Price (USD)
Street
Price
 
Fujifilm GFX 50S..85/1005/55/54.5/5 Sep 2016 6,499 i
 
Panasonic ZS80+ +..4.5/5.... Feb 2019 449 i
 
Canon SX740+..4/5..4/5 Jul 2018 399 i
 
Canon 6D Mark II+80/1004.5/54/54/5 Jun 2017 1,999 i
 
Canon SX730+..4/5..4/5 Apr 2017 399i
 
Canon 1D X Mark II..89/1004.5/55/54.5/5 Feb 2016 5,999i
 
Canon 5D Mark IV+ +87/1004.5/55/54.5/5 Aug 2016 3,499 i
 
Canon 80D+ +84/1004.5/54.5/54.5/5 Feb 2016 1,199i
 
Fujifilm XF10..75/1004/5..4.5/5 Jul 2018 499 i
 
Fujifilm GFX 50R..84/1004.5/54.5/54.5/5 Sep 2018 4,499 i
 
Hasselblad X1D II....4/5..4/5 Jun 2019 5,750 i
 
Hasselblad X1Do81/100....4/5 Jun 2016 8,995i
 
Leica M10....4/5..4.5/5 Jan 2017 6,595 i
 
Leica SL..84/1004.5/54/54/5 Oct 2015 7,450i
 
Nikon D7500+ +86/1005/54.5/54.5/5 Apr 2017 1,299 i
 
Panasonic TS7+......3.5/5 May 2018 449 i
 
Panasonic ZS70+ +..4/5..4/5 Apr 2017 449i
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Fujifilm GFX 50S:
Check Amazon price
Panasonic ZS80:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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    Specifications: Fujifilm GFX 50S vs Panasonic ZS80

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 50S Panasonic ZS80
    Camera Type Mirrorless system camera Fixed lens compact camera
    Camera Lens Fujifilm G mount lenses 24-720mm f/3.3-6.4
    Launch Date September 2016 February 2019
    Launch Price USD 6,499 USD 449
    Sensor Specs Fujifilm GFX 50S Panasonic ZS80
    Sensor Technology CMOS BSI-CMOS
    Sensor Format Medium Format Sensor 1/2.3" Sensor
    Sensor Size 44.0 x 33.0 mm 6.17 x 4.55 mm
    Sensor Area 1452 mm2 28.0735 mm2
    Sensor Diagonal 55 mm 7.7 mm
    Crop Factor 0.79x 5.6x
    Sensor Resolution 51.1 Megapixels 20.2 Megapixels
    Image Resolution 8256 x 6192 pixels 5184 x 3888 pixels
    Pixel Pitch 5.33 μm 1.18 μm
    Pixel Density 3.52 MP/cm2 71.80 MP/cm2
    Moiré control no AA filter no AA filter
    Movie Capability 1080/30p Video 4K/30p Video
    ISO Setting 100 - 12,800 ISO 80 - 3,200 ISO
    ISO Boost 50 - 102,400 ISO 80 - 6,400 ISO
    Image Processor X Processor Pro Venus
    Screen Specs Fujifilm GFX 50S Panasonic ZS80
    Viewfinder Type Viewfinder optional Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.53x
    Viewfinder Resolution 2330k dots
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.2inch 3.0inch
    LCD Resolution 2360k dots 1040k dots
    LCD Attachment Fully flexible screen Tilting screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Fujifilm GFX 50S Panasonic ZS80
    Focus System Contrast-detect AF Contrast-detect AF
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000s 1/2000s
    Continuous Shooting 3 shutter flaps/s 10 shutter flaps/s
    Electronic Shutterup to 1/16000sup to 1/16000s
    Time-Lapse PhotographyIntervalometer built-inno Intervalometer
    Fill Flash no On-Board Flash Build-in Flash
    Storage Medium SDXC cards SDXC cards
    Second Storage Option Dual card slots Single card slot
    UHS card support Dual UHS-II UHS-I
    Connectivity Specs Fujifilm GFX 50S Panasonic ZS80
    External Flash Hotshoe no Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 3.0 USB 2.0
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port no MIC socket
    Headphone Socket Headphone port no Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Bluetooth Support no Bluetooth Bluetooth built-in
    Body Specs Fujifilm GFX 50S Panasonic ZS80
    Environmental SealingWeathersealed bodynot weather sealed
    Battery Type NP-T125 DMW-BLG10
    Battery Life (CIPA)400 shots per charge380 shots per charge
    In-Camera Charging no USB charging USB charging
    Body Dimensions 148 x 94 x 91 mm
    (5.8 x 3.7 x 3.6 in)
    112 x 69 x 42 mm
    (4.4 x 2.7 x 1.7 in)
    Camera Weight 740 g (26.1 oz) 327 g (11.5 oz)

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