Fujifilm GFX 50S vs Panasonic S1R
The Fujifilm GFX 50S and the Panasonic Lumix DC-S1R are two digital cameras that were announced, respectively, in September 2016 and February 2019. Both the GFX 50S and the S1R are mirrorless interchangeable lens cameras that are based on a medium format (GFX 50S) and a full frame (S1R) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Panasonic provides 46.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Panasonic Lumix DC-S1R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm GFX 50S and the Panasonic S1R are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1R is notably larger (18 percent) than the Fujifilm GFX 50S. Moreover, the S1R is substantially heavier (37 percent) than the GFX 50S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the GFX 50S gets 400 shots out of its NP-T125 battery, while the S1R can take 380 images on a single charge of its DMW-BLJ31 power pack. The power pack in the S1R can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499||ebay.com|
|2.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699||amazon.com|
|3.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899||amazon.com|
|4.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499||amazon.com|
|5.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||ebay.com|
|6.||Fujifilm GFX 100S||150 mm||104 mm||87 mm||900 g||460||Y||Jan 2021||5,999||amazon.com|
|7.||Fujifilm GFX 50S II||150 mm||104 mm||87 mm||900 g||440||Y||Sep 2021||3,999||amazon.com|
|8.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499||amazon.com|
|9.||Hasselblad X1D II||148 mm||97 mm||70 mm||766 g||..||Y||Jun 2019||5,750||amazon.com|
|10.||Hasselblad X1D||150 mm||98 mm||71 mm||725 g||..||Y||Jun 2016||8,995||ebay.com|
|11.||Leica SL2||146 mm||107 mm||42 mm||953 g||370||Y||Nov 2019||5,999||amazon.com|
|12.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595||ebay.com|
|13.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450||ebay.com|
|14.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399||ebay.com|
|15.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299||amazon.com|
|16.||Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499||amazon.com|
|17.||Panasonic S1H||151 mm||114 mm||110 mm||1052 g||400||Y||May 2019||3,999||amazon.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The S1R was launched at a markedly lower price (by 43 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Panasonic S1R a full frame sensor. The sensor area in the S1R is 40 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the S1R offers a 3:2 aspect.
With 51.1MP, the GFX 50S offers a slightly higher resolution than the S1R (46.7MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.30μm for the S1R) due to its larger sensor. However, the S1R is a much more recent model (by 2 years and 4 months) than the GFX 50S, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Unlike the GFX 50S, the S1R has the capacity to capture high quality composite images (187MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DC-S1R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||25.4||14.1||2977||96|
|2.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|3.||Canon R5||Full Frame||44.8||8192||5464||8K/30p||25.3||14.6||3042||95|
|4.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|6.||Fujifilm GFX 100S||Medium Format||101.8||11648||8736||4K/30p||25.8||14.7||3391||100|
|7.||Fujifilm GFX 50S II||Medium Format||51.1||8256||6192||1080/30p||25.9||14.8||3456||100|
|8.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||25.7||14.4||3169||98|
|9.||Hasselblad X1D II||Medium Format||51.3||8272||6200||1080/25p||25.7||14.5||3234||99|
|10.||Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102|
|11.||Leica SL2||Full Frame||46.7||8368||5584||4K/60p||25.3||14.3||2866||95|
|12.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|13.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|14.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|16.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|17.||Panasonic S1H||Full Frame||24.0||6000||4000||6K/30p||25.2||14.2||2805||94|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the S1R provides a better video resolution than the GFX 50S. It can shoot movie footage at 4K/60p, while the Fujifilm is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the S1R has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50S, the Panasonic S1R, and comparable cameras.
|1.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||n|
|2.||Panasonic S1R||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|3.||Canon R5||5760||Y||3.2 / 2100||swivel||Y||1/8000s||12.0/s||n||Y|
|4.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0/s||n||n|
|5.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|6.||Fujifilm GFX 100S||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0/s||n||Y|
|7.||Fujifilm GFX 50S II||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||Y|
|8.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0/s||n||n|
|9.||Hasselblad X1D II||3690||n||3.6 / 2360||fixed||Y||1/2000s||2.7/s||n||n|
|10.||Hasselblad X1D||2360||n||3.0 / 920||fixed||Y||1/2000s||2.3/s||n||n|
|11.||Leica SL2||5760||Y||3.2 / 2100||fixed||Y||1/8000s||10.0/s||n||Y|
|12.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0/s||n||n|
|13.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0/s||n||n|
|14.||Nikon Z7||3690||Y||3.2 / 2100||tilting||Y||1/8000s||9.0/s||n||Y|
|15.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0/s||Y||n|
|16.||Panasonic S1||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|17.||Panasonic S1H||5760||Y||3.2 / 2330||swivel||Y||1/8000s||9.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that differentiates the S1R and the GFX 50S is in-body image stabilization (IBIS). The S1R reduces the risk of handshake-induced blur with all attached lenses, while the GFX 50S offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S and the Panasonic S1R both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GFX 50S writes its imaging data to SDXC cards, while the S1R uses SDXC or XQD cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both the GFX 50S and the S1R support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s, on both slots.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Panasonic Lumix DC-S1R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|2.||Panasonic S1R||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|3.||Canon R5||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|5.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|6.||Fujifilm GFX 100S||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|7.||Fujifilm GFX 50S II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||-|
|8.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|9.||Hasselblad X1D II||Y||stereo / mono||Y||Y||-||3.0||Y||-||-|
|10.||Hasselblad X1D||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|11.||Leica SL2||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|12.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|13.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|14.||Nikon Z7||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|15.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|16.||Panasonic S1||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|17.||Panasonic S1H||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The S1R is a recent model that features in the current product line-up of Panasonic. In contrast, the GFX 50S has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the GFX 50S was succeeded by the Fujifilm GFX 50S II. Further information on the features and operation of the GFX 50S and S1R can be found, respectively, in the Fujifilm GFX 50S Manual (free pdf) or the online Panasonic S1R Manual.
So what is the bottom line? Is there a clear favorite between the Fujifilm GFX 50S and the Panasonic S1R? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Fujifilm GFX 50S:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 2100k dots).
- More compact: Is smaller (148x94mm vs 149x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 276g or 27 percent) and hence easier to carry around.
- More heavily discounted: Has been available for much longer (launched in September 2016).
Arguments in favor of the Panasonic Lumix DC-S1R:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (4K/60p vs 1080/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (9 vs 3 flaps/sec) to capture the decisive moment.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (43 percent cheaper at launch).
- More modern: Reflects 2 years and 4 months of technical progress since the GFX 50S launch.
If the count of individual advantages (bullet points above) is taken as a guide, the S1R emerges as the winner of the match-up (11 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Panasonic S1R place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GFX 50S and the S1R in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499||ebay.com|
|2.||Panasonic S1R||4.5/5||..||4.6/5||89/100||4.5/5||4.5/5||Feb 2019||3,699||amazon.com|
|3.||Canon R5||4.5/5||+||4/5||91/100||4.5/5||4.5/5||Jul 2020||3,899||amazon.com|
|4.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499||amazon.com|
|5.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199||ebay.com|
|6.||Fujifilm GFX 100S||5/5||+ +||5/5||90/100||5/5||5/5||Jan 2021||5,999||amazon.com|
|7.||Fujifilm GFX 50S II||5/5||..||5/5||87/100||..||5/5||Sep 2021||3,999||amazon.com|
|8.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499||amazon.com|
|9.||Hasselblad X1D II||..||..||4/5||..||4/5||4/5||Jun 2019||5,750||amazon.com|
|10.||Hasselblad X1D||..||o||..||81/100||..||4/5||Jun 2016||8,995||ebay.com|
|11.||Leica SL2||4/5||..||4.5/5||..||4.5/5||4/5||Nov 2019||5,999||amazon.com|
|12.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595||ebay.com|
|13.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450||ebay.com|
|14.||Nikon Z7||5/5||+||4.8/5||89/100||4.5/5||5/5||Aug 2018||3,399||ebay.com|
|15.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299||amazon.com|
|16.||Panasonic S1||4.5/5||+ +||4.5/5||88/100||4.5/5||4/5||Feb 2019||2,499||amazon.com|
|17.||Panasonic S1H||..||..||4/5||90/100||..||..||May 2019||3,999||amazon.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon G1 X Mark III vs Fujifilm GFX 50S
- Fujifilm GFX 50S vs Fujifilm X-T100
- Fujifilm GFX 50S vs Nikon D2Xs
- Fujifilm GFX 50S vs Olympus XZ-2
- Fujifilm GFX 50S vs Panasonic FT7
- Fujifilm GFX 50S vs Sony RX1R
- Leica C-LUX vs Panasonic S1R
- Nikon 1 J4 vs Panasonic S1R
- Nikon D7200 vs Panasonic S1R
- Nikon D850 vs Panasonic S1R
- Olympus E-M10 III vs Panasonic S1R
- Panasonic S1 vs Panasonic S1R
Specifications: Fujifilm GFX 50S vs Panasonic S1R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 50S||Panasonic S1R|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm G mount lenses||Leica L mount lenses|
|Launch Date||September 2016||February 2019|
|Launch Price||USD 6,499||USD 3,699|
|Sensor Specs||Fujifilm GFX 50S||Panasonic S1R|
|Sensor Format||Medium Format Sensor||Full Frame Sensor|
|Sensor Size||44.0 x 33.0 mm||36.0 x 24.0 mm|
|Sensor Area||1452 mm2||864 mm2|
|Sensor Diagonal||55 mm||43.3 mm|
|Sensor Resolution||51.1 Megapixels||46.7 Megapixels|
|Image Resolution||8256 x 6192 pixels||8368 x 5584 pixels|
|Pixel Pitch||5.33 μm||4.30 μm|
|Pixel Density||3.52 MP/cm2||5.41 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/30p Video||4K/60p Video|
|ISO Setting||100 - 12,800 ISO||100 - 25,600 ISO|
|ISO Boost||50 - 102,400 ISO||50 - 51,200 ISO|
|Image Processor||X Processor Pro||Venus|
|DXO Sensor Quality (score)||..||100|
|DXO Color Depth (bits)||..||26.4|
|DXO Dynamic Range (EV)||..||14.1|
|DXO Low Light (ISO)||..||3525|
|Screen Specs||Fujifilm GFX 50S||Panasonic S1R|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||5760k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.2inch|
|LCD Resolution||2360k dots||2100k dots|
|LCD Attachment||Fully flexible screen||Fully flexible screen|
|Shooting Specs||Fujifilm GFX 50S||Panasonic S1R|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||3 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC or XQD cards|
|Single or Dual Card Slots||Dual card slots||Dual card slots|
|UHS card support||Dual UHS-II||Dual UHS-II|
|Connectivity Specs||Fujifilm GFX 50S||Panasonic S1R|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.0||USB 3.1|
|HDMI Port||micro HDMI||full HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Fujifilm GFX 50S||Panasonic S1R|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||380 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
148 x 94 x 91 mm
(5.8 x 3.7 x 3.6 in)
149 x 110 x 97 mm
(5.9 x 4.3 x 3.8 in)
|Camera Weight||740 g (26.1 oz)||1016 g (35.8 oz)|
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