Fujifilm GFX 50S vs Panasonic L10

The Fujifilm GFX 50S and the Panasonic Lumix DMC- L10 are two digital cameras that were officially introduced, respectively, in September 2016 and August 2007. The GFX 50S is a mirrorless interchangeable lens camera, while the L10 is a DSLR. The cameras are based on a medium format (GFX 50S) and a Four Thirds (L10) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Panasonic provides 10 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 50S		Panasonic L10
Mirrorless system camera		Digital single lens reflex
Fujifilm G mount lenses		Four Thirds lenses
51.1 MP – Medium Format sensor		10 MP – Four Thirds sensor
1080/30p Video		no Video
ISO 100-12,800 (50 - 102,400)		ISO 100-1,600
Viewfinder optional		Optical viewfinder
3.2" LCD – 2360k dots		2.5" LCD – 207k dots
Fully flexible touchscreen		Swivel screen (not touch-sensitive)
3 shutter flaps per second		3 shutter flaps per second
Weathersealed body		not weather sealed
400 shots per battery charge		450 shots per battery charge
148 x 94 x 91 mm, 740 g		135 x 96 x 78 mm, 556 g

Check GFX 50S offers at
ebay.com
Check L10 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Panasonic Lumix DMC- L10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 50S and the Panasonic L10. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic L10 is notably smaller (7 percent) than the Fujifilm GFX 50S. Moreover, the L10 is markedly lighter (25 percent) than the GFX 50S. It is worth mentioning in this context that the GFX 50S is splash and dust resistant, while the L10 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	6,499	ebay.com
2.		Panasonic L10	135 mm	96 mm	78 mm	556 g	450	n	Aug 2007	599	ebay.com
3.		Canon 5D Mark IV	151 mm	116 mm	76 mm	890 g	900	Y	Aug 2016	3,499	amazon.com
4.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	5,999	amazon.com
5.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	3,999	amazon.com
6.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	4,499	ebay.com
7.		Hasselblad X1D II	148 mm	97 mm	70 mm	766 g	..	Y	Jun 2019	5,750	ebay.com
8.		Hasselblad X1D	150 mm	98 mm	71 mm	725 g	..	Y	Jun 2016	8,995	ebay.com
9.		Leica Q3	130 mm	80 mm	93 mm	743 g	350	Y	May 2023	5,995	amazon.com
10.		Leica M10	139 mm	80 mm	39 mm	660 g	210	Y	Jan 2017	6,595	ebay.com
11.		Leica SL	147 mm	104 mm	39 mm	847 g	400	Y	Oct 2015	7,450	ebay.com
12.		Nikon D7500	136 mm	104 mm	73 mm	720 g	950	Y	Apr 2017	1,299	amazon.com
13.		Olympus E-420	130 mm	91 mm	53 mm	440 g	500	n	Mar 2008	599	ebay.com
14.		Olympus E-520	136 mm	92 mm	68 mm	535 g	750	n	May 2008	699	ebay.com
15.		Olympus E-410	130 mm	91 mm	53 mm	435 g	500	n	Mar 2007	699	ebay.com
16.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	599	ebay.com
17.		Panasonic L1	146 mm	87 mm	64 mm	606 g	750	n	Feb 2006	999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The L10 was launched at a markedly lower price (by 91 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Panasonic L10 a Four Thirds sensor. The sensor area in the L10 is 85 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

With 51.1MP, the GFX 50S offers a higher resolution than the L10 (10MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.74μm for the L10) due to its larger sensor. Moreover, the GFX 50S is a much more recent model (by 9 years) than the L10, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Panasonic L10 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC- L10 are ISO 100 to ISO 1600 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
2.		Panasonic L10	Four Thirds	10.0	3648	2736	none	21.3	10.8	429	55
3.		Canon 5D Mark IV	Full Frame	30.1	6720	4480	4K/30p	24.8	13.6	2995	91
4.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
5.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
6.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
7.		Hasselblad X1D II	Medium Format	51.3	8272	6200	1080/25p	25.7	14.5	3234	99
8.		Hasselblad X1D	Medium Format	51.3	8272	6200	1080/25p	26.2	14.8	4489	102
9.		Leica Q3	Full Frame	60.3	9528	6328	8K/30p	25.4	14.7	3216	96
10.		Leica M10	Full Frame	23.8	5952	3992	none	24.4	13.2	2133	86
11.		Leica SL	Full Frame	24.0	6000	4000	4K/30p	25.0	13.4	1821	88
12.		Nikon D7500	APS-C	20.7	5568	3712	4K/30p	24.3	14.0	1483	86
13.		Olympus E-420	Four Thirds	10.0	3648	2736	none	21.5	10.4	527	56
14.		Olympus E-520	Four Thirds	10.0	3648	2736	none	21.4	10.4	548	55
15.		Olympus E-410	Four Thirds	10.0	3648	2736	none	21.1	10.0	494	51
16.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
17.		Panasonic L1	Four Thirds	7.4	3136	2352	none	20.8	10.4	80	52
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The GFX 50S indeed provides movie recording capabilities, while the L10 does not. The highest resolution format that the GFX 50S can use is 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the L10 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50S, the Panasonic L10, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
2.		Panasonic L10	optical	n	2.5 / 207	swivel	n	1/4000s	3.0/s	Y	n
3.		Canon 5D Mark IV	optical	Y	3.2 / 1620	fixed	Y	1/8000s	7.0/s	n	n
4.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
5.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
6.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
7.		Hasselblad X1D II	3690	n	3.6 / 2360	fixed	Y	1/2000s	2.7/s	n	n
8.		Hasselblad X1D	2360	n	3.0 / 920	fixed	Y	1/2000s	2.3/s	n	n
9.		Leica Q3	5760	n	3.0 / 1840	tilting	Y	1/2000s	15.0/s	n	Y
10.		Leica M10	optical	n	3.0 / 1037	fixed	n	1/4000s	5.0/s	n	n
11.		Leica SL	4400	Y	3.0 / 1040	fixed	Y	1/8000s	11.0/s	n	n
12.		Nikon D7500	optical	Y	3.2 / 922	tilting	Y	1/8000s	8.0/s	Y	n
13.		Olympus E-420	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	n
14.		Olympus E-520	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	Y
15.		Olympus E-410	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	n
16.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
17.		Panasonic L1	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the GFX 50S, but is missing on the L10 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 50S writes its imaging data to SDXC cards, while the L10 uses SDHC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the L10 only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the L10 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Panasonic Lumix DMC- L10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
2.		Panasonic L10	Y	- / -	-	-	-	2.0	-	-	-
3.		Canon 5D Mark IV	Y	mono / mono	Y	Y	mini	3.0	Y	Y	-
4.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
5.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
6.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
7.		Hasselblad X1D II	Y	stereo / mono	Y	Y	-	3.0	Y	-	-
8.		Hasselblad X1D	Y	stereo / mono	Y	Y	mini	3.0	Y	-	-
9.		Leica Q3	Y	stereo / mono	-	-	micro	3.1	Y	-	Y
10.		Leica M10	Y	- / -	-	-	-	-	Y	-	-
11.		Leica SL	Y	stereo / mono	Y	Y	full	3.0	Y	-	-
12.		Nikon D7500	Y	stereo / mono	Y	Y	mini	2.0	Y	-	Y
13.		Olympus E-420	Y	- / -	-	-	-	2.0	-	-	-
14.		Olympus E-520	Y	- / -	-	-	-	2.0	-	-	-
15.		Olympus E-410	Y	- / -	-	-	-	2.0	-	-	-
16.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-
17.		Panasonic L1	Y	- / -	-	-	-	2.0	-	-	-

It is notable that the GFX 50S offers wifi support, while the L10 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the L10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GFX 50S and the L10 have been discontinued, but can regularly be found used on ebay. The GFX 50S was replaced by the Fujifilm GFX 50S II, while the L10 does not have a direct successor. Further information on the features and operation of the GFX 50S and L10 can be found, respectively, in the Fujifilm GFX 50S Manual (free pdf) or the online Panasonic L10 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Fujifilm GFX 50S or the Panasonic L10 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Fujifilm GFX 50S:

• More detail: Offers more megapixels (51.1 vs 10MP) with a 126% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Broader imaging potential: Can record not only still images but also 1080/30p movies.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 207k dots).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
• More modern: Reflects 9 years of technical progress since the L10 launch.

Reasons to prefer the Panasonic Lumix DMC- L10:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Less heavy: Has a lower weight (by 184g or 25 percent) and is thus easier to take along.
• Longer lasting: Gets more shots (450 versus 400) out of a single battery charge.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced into a lower priced category (91 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in August 2007).

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the match-up (21 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Panasonic L10 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the GFX 50S or the L10 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	6,499	ebay.com
2.		Panasonic L10	..	85/100	..	+	3.5/5	4/5	Aug 2007	599	ebay.com
3.		Canon 5D Mark IV	4.5/5	+ +	4/5	87/100	4.5/5	4.5/5	Aug 2016	3,499	amazon.com
4.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	5,999	amazon.com
5.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	3,999	amazon.com
6.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	4,499	ebay.com
7.		Hasselblad X1D II	..	..	4/5	..	4/5	4/5	Jun 2019	5,750	ebay.com
8.		Hasselblad X1D	..	o	..	81/100	..	4/5	Jun 2016	8,995	ebay.com
9.		Leica Q3	5/5	..	4.5/5	..	..	4.5/5	May 2023	5,995	amazon.com
10.		Leica M10	4.5/5	..	..	..	4/5	4.5/5	Jan 2017	6,595	ebay.com
11.		Leica SL	4/5	..	4/5	84/100	4.5/5	4/5	Oct 2015	7,450	ebay.com
12.		Nikon D7500	4.5/5	+ +	4.5/5	86/100	5/5	4.5/5	Apr 2017	1,299	amazon.com
13.		Olympus E-420	..	85/100	..	+ +	4/5	4.5/5	Mar 2008	599	ebay.com
14.		Olympus E-520	..	87/100	..	+ +	4.5/5	4.5/5	May 2008	699	ebay.com
15.		Olympus E-410	..	86/100	..	+ +	4/5	4.5/5	Mar 2007	699	ebay.com
16.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	599	ebay.com
17.		Panasonic L1	..	85/100	..	+	..	3.5/5	Feb 2006	999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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