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Fujifilm GFX 50S vs Panasonic G7

The Fujifilm GFX 50S and the Panasonic Lumix DMC-G7 are two digital cameras that were revealed to the public, respectively, in September 2016 and May 2015. Both the GFX 50S and the G7 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 50S) and a Four Thirds (G7) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Panasonic provides 15.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 50S   Panasonic G7
Fujifilm GFX 50S Panasonic G7
Mirrorless system camera Mirrorless system camera
Fujifilm G mount lenses Micro Four Thirds lenses
51.1 MP, Medium Format Sensor 15.8 MP, Four Thirds Sensor
1080/30p Video 4K/30p Video
ISO 100-12800 (50-102400) ISO 160-25600
Viewfinder optional Electronic viewfinder (2360k dots)
3.2" LCD, 2360k dots 3.0" LCD, 1040k dots
Fully flexible touchscreen Swivel touchscreen
3 shutter flaps per second 7 shutter flaps per second
Weathersealed bodyNot weather sealed
400 shots per battery charge350 shots per battery charge
148 x 94 x 91 mm, 740 g 125 x 86 x 77 mm, 410 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Panasonic Lumix DMC-G7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 50S and the Panasonic G7. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The G7 can be obtained in two different colors (black, silver), while the GFX 50S is only available in black.

Size Fujifilm GFX 50S vs Panasonic G7
Compare GFX 50S versus G7 top
Comparison GFX 50S or G7 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G7 is notably smaller (23 percent) than the Fujifilm GFX 50S. Moreover, the G7 is substantially lighter (45 percent) than the GFX 50S. It is worth mentioning in this context that the GFX 50S is splash and dust resistant, while the G7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 50S gets 400 shots out of its NP-T125 battery, while the G7 can take 350 images on a single charge of its DMW-BLC12 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Fujifilm GFX 50S» 5.8 in 3.7 in 3.6 in 26.1 oz 400 Y Sep 2016 6,499 i i Fujifilm GFX 50S
 
Panasonic G7« 4.9 in 3.4 in 3.0 in 14.5 oz 350 n May 2015 649- i Panasonic G7
 
Canon 6D Mark II« » 5.7 in 4.4 in 3.0 in 27.0 oz 1200 Y Jun 2017 1,999 i i Canon 6D Mark II
 
Canon 1D X Mark II« » 6.2 in 6.6 in 3.3 in 54.0 oz 1210 Y Feb 2016 5,999 i i Canon 1D X Mark II
 
Canon 5D Mark IV« » 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
 
Canon 80D« » 5.5 in 4.1 in 3.1 in 25.8 oz 960 Y Feb 2016 1,199- i Canon 80D
 
Fujifilm GFX 50R« » 6.3 in 3.8 in 2.6 in 27.3 oz 400 Y Sep 2018 4,499 i i Fujifilm GFX 50R
 
Hasselblad X1D II« » 5.8 in 3.8 in 2.8 in 27.0 oz .. Y Jun 2019 5,750 i i Hasselblad X1D II
 
Hasselblad X1D« » 5.9 in 3.9 in 2.8 in 25.6 oz .. Y Jun 2016 8,995- i Hasselblad X1D
 
Leica M10« » 5.5 in 3.1 in 1.5 in 23.3 oz 210 Y Jan 2017 6,595 i i Leica M10
 
Leica SL« » 5.8 in 4.1 in 1.5 in 29.9 oz 400 Y Oct 2015 7,450 i i Leica SL
 
Nikon D7500« » 5.4 in 4.1 in 2.9 in 25.4 oz 950 Y Apr 2017 1,299 i i Nikon D7500
 
Panasonic GM5« » 3.9 in 2.4 in 1.4 in 7.4 oz 220 n Sep 2014 749- i Panasonic GM5
 
Panasonic G6« » 4.8 in 3.3 in 2.8 in 13.8 oz 340 n Apr 2013 599- i Panasonic G6
 
Panasonic GM1« » 3.9 in 2.2 in 1.2 in 7.2 oz 230 n Oct 2013 749- i Panasonic GM1
 
Panasonic G5« » 4.7 in 3.3 in 2.8 in 14.0 oz 320 n Jul 2012 599- i Panasonic G5
 
Panasonic GH2« » 4.9 in 3.5 in 3.0 in 15.6 oz 330 n Sep 2010 899- i Panasonic GH2
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G7 was launched at a markedly lower price (by 90 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Panasonic G7 a Four Thirds sensor. The sensor area in the G7 is 85 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

Fujifilm GFX 50S and Panasonic G7 sensor measures

With 51.1MP, the GFX 50S offers a higher resolution than the G7 (15.8MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.77μm for the G7) due to its larger sensor. Moreover, the GFX 50S is a somewhat more recent model (by 1 year and 4 months) than the G7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inch or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inch or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inch or 69.9 x 52.4 cm. The corresponding values for the Panasonic G7 are 23 x 17.2 inch or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inch or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inch or 38.9 x 29.2 cm for excellent quality prints.

The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-G7 are ISO 160 to ISO 25600 (no boost).

GFX 50S versus G7 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Fujifilm GFX 50S» Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50S
 
Panasonic G7« Four Thirds 15.8 4592 34484K/30p----Panasonic G7
 
Canon 6D Mark II« » Full Frame 26.0 6240 41601080/60p24.411.9286285Canon 6D Mark II
 
Canon 1D X Mark II« » Full Frame 20.0 5472 36484K/60p24.113.5320788Canon 1D X Mark II
 
Canon 5D Mark IV« » Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
 
Canon 80D« » APS-C 24.0 6000 40001080/60p23.613.2113579Canon 80D
 
Fujifilm GFX 50R« » Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50R
 
Hasselblad X1D II« » Medium Format 51.3 8272 6200-----Hasselblad X1D II
 
Hasselblad X1D« » Medium Format 51.3 8272 62001080/25p26.214.84489102Hasselblad X1D
 
Leica M10« » Full Frame 23.8 5952 3992-24.413.2213386Leica M10
 
Leica SL« » Full Frame 24.0 6000 40004K/30p25.013.4182188Leica SL
 
Nikon D7500« » APS-C 20.7 5568 37124K/30p24.314.0148386Nikon D7500
 
Panasonic GM5« » Four Thirds 15.8 4592 34481080/60p22.111.772166Panasonic GM5
 
Panasonic G6« » Four Thirds 15.9 4608 34561080/60p21.311.563961Panasonic G6
 
Panasonic GM1« » Four Thirds 15.8 4592 34481080/60i22.311.766066Panasonic GM1
 
Panasonic G5« » Four Thirds 15.9 4608 34561080/60p----Panasonic G5
 
Panasonic GH2« » Four Thirds 15.9 4608 34561080/60i21.211.365560Panasonic GH2

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G7 provides a better video resolution than the GFX 50S. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/30p.

 

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the G7 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The adjacent table lists some of the other core features of the Fujifilm GFX 50S and Panasonic G7 along with similar information for a selection of comparators.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Fujifilm GFX 50S»- Y 3.2 2360 full-flex Y 1/4000s 3.0 n n Fujifilm GFX 50S
 
Panasonic G7«2360 n 3.0 1040 swivel Y 1/4000s 7.0 Y n Panasonic G7
 
Canon 6D Mark II« »optical Y 3.0 1040 swivel Y 1/4000s 6.5 n n Canon 6D Mark II
 
Canon 1D X Mark II« »optical Y 3.2 1620 fixed Y 1/8000s 16.0 n n Canon 1D X Mark II
 
Canon 5D Mark IV« »optical Y 3.2 1620 fixed Y 1/8000s 7.0 n n Canon 5D Mark IV
 
Canon 80D« »optical Y 3.0 1040 swivel Y 1/8000s 7.0 Y n Canon 80D
 
Fujifilm GFX 50R« »3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n Fujifilm GFX 50R
 
Hasselblad X1D II« »3690 n 3.6 2360 fixed Y 1/2000s 2.7 n n Hasselblad X1D II
 
Hasselblad X1D« »2360 n 3.0 920 fixed Y 1/2000s 2.3 n n Hasselblad X1D
 
Leica M10« »optical n 3.0 1037 fixed n 1/4000s 5.0 n n Leica M10
 
Leica SL« »4400 Y 3.0 1040 fixed Y 1/8000s 11.0 n n Leica SL
 
Nikon D7500« »optical Y 3.2 922 tilting Y 1/8000s 8.0 Y n Nikon D7500
 
Panasonic GM5« »1166 n 3.0 921 fixed Y 1/500s 5.8 n n Panasonic GM5
 
Panasonic G6« »1440 n 3.0 1036 swivel Y 1/4000s 7.0 Y n Panasonic G6
 
Panasonic GM1« »- n 3.0 1036 fixed Y 1/500s 5.0 Y n Panasonic GM1
 
Panasonic G5« »1440 n 3.0 920 swivel Y 1/4000s 6.0 Y n Panasonic G5
 
Panasonic GH2« »1534 n 3.0 460 swivel n 1/4000s 3.0 Y n Panasonic GH2

One feature that is present on the GFX 50S, but is missing on the G7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The G7 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 50S does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S and the Panasonic G7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 50S and the G7 write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the G7 only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.

 

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Panasonic Lumix DMC-G7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Fujifilm GFX 50S»YstereomonoYYmicro3.0Y--Fujifilm GFX 50S
 
Panasonic G7«YstereomonoY-micro2.0Y--Panasonic G7
 
Canon 6D Mark II« »YstereomonoY-mini2.0YYYCanon 6D Mark II
 
Canon 1D X Mark II« »YmonomonoYYmini3.0---Canon 1D X Mark II
 
Canon 5D Mark IV« »YmonomonoYYmini3.0YY-Canon 5D Mark IV
 
Canon 80D« »YstereomonoYYmini2.0YY-Canon 80D
 
Fujifilm GFX 50R« »YstereomonoYYmicro3.0Y-YFujifilm GFX 50R
 
Hasselblad X1D II« »YstereomonoYY-3.0Y--Hasselblad X1D II
 
Hasselblad X1D« »YstereomonoYYmini3.0Y--Hasselblad X1D
 
Leica M10« »Y------Y--Leica M10
 
Leica SL« »YstereomonoYYfull3.0Y--Leica SL
 
Nikon D7500« »YstereomonoYYmini2.0Y-YNikon D7500
 
Panasonic GM5« »Ystereomono--micro2.0Y--Panasonic GM5
 
Panasonic G6« »YstereomonoY-mini2.0YY-Panasonic G6
 
Panasonic GM1« »-stereomono--micro2.0Y--Panasonic GM1
 
Panasonic G5« »Ystereomono--mini2.0---Panasonic G5
 
Panasonic GH2« »YstereomonoY-mini2.0---Panasonic GH2

It is notable that the GFX 50S has a headphone jack, which is not present on the G7 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the G7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GFX 50S is a recent model that features in the current product line-up of Fujifilm. In contrast, the G7 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the G7 was succeeded by the Panasonic G85. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.


Review summary

So what is the bottom line? Is the Fujifilm GFX 50S better than the Panasonic G7 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

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Arguments in favor of the Fujifilm GFX 50S:

  • More detail: Offers more megapixels (51.1 vs 15.8MP) with a 80% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Features a larger and more technologically advanced imaging sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
  • Longer lasting: Can take more shots (400 versus 350) on a single battery charge.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • More modern: Is somewhat more recent (announced 1 year and 4 months after the G7).

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Advantages of the Panasonic Lumix DMC-G7:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
  • Easier framing: Has an electronic viewfinder for image composition and settings control.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster burst: Shoots at higher frequency (7 vs 3 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (125x86mm vs 148x94mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 330g or 45 percent) and is thus easier to take along.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • More affordable: Was introduced into a lower priced category (90 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in May 2015).

If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the match-up (16 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 50S 16:10 G7

How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Panasonic G7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 50S or the G7. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Fujifilm GFX 50S»-85/1005/55/54.5/5 Sep 2016 6,499 i i Fujifilm GFX 50S
 
Panasonic G7«+ +80/1005/54.5/54.5/5 May 2015 649- i Panasonic G7
 
Canon 6D Mark II« »+80/1004.5/54/54/5 Jun 2017 1,999 i i Canon 6D Mark II
 
Canon 1D X Mark II« »-89/1004.5/55/54.5/5 Feb 2016 5,999 i i Canon 1D X Mark II
 
Canon 5D Mark IV« »+ +87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
 
Canon 80D« »+ +84/1004.5/54.5/54.5/5 Feb 2016 1,199- i Canon 80D
 
Fujifilm GFX 50R« »-84/1004.5/54.5/54.5/5 Sep 2018 4,499 i i Fujifilm GFX 50R
 
Hasselblad X1D II« »----- Jun 2019 5,750 i i Hasselblad X1D II
 
Hasselblad X1D« »o81/100--4/5 Jun 2016 8,995- i Hasselblad X1D
 
Leica M10« »--4/5-4.5/5 Jan 2017 6,595 i i Leica M10
 
Leica SL« »-84/1004.5/54/54/5 Oct 2015 7,450 i i Leica SL
 
Nikon D7500« »+ +86/1005/54.5/54.5/5 Apr 2017 1,299 i i Nikon D7500
 
Panasonic GM5« »+77/1005/55/54.5/5 Sep 2014 749- i Panasonic GM5
 
Panasonic G6« »+ +-5/5-4.5/5 Apr 2013 599- i Panasonic G6
 
Panasonic GM1« »+78/1005/54.5/54.5/5 Oct 2013 749- i Panasonic GM1
 
Panasonic G5« »+ +-4.5/54.5/54.5/5 Jul 2012 599- i Panasonic G5
 
Panasonic GH2« »+ +79/1004.5/54.5/55/5 Sep 2010 899- i Panasonic GH2
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Fujifilm GFX 50S:
Check Amazon price
Panasonic G7:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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    Specifications: Fujifilm GFX 50S vs Panasonic G7

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 50S Panasonic G7
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Fujifilm G mount lenses Micro Four Thirds lenses
    Launch Date September 2016 May 2015
    Launch Price USD 6499 USD 649
    Sensor Specs Fujifilm GFX 50S Panasonic G7
    Sensor Technology CMOS CMOS
    Sensor Format Medium Format Sensor Four Thirds Sensor
    Sensor Size 44.0 x 33.0 mm 17.3 x 13.0 mm
    Sensor Area 1452 mm2 224.9 mm2
    Sensor Diagonal 55 mm 21.6 mm
    Crop Factor 0.79x 2.0x
    Sensor Resolution 51.1 Megapixels 15.8 Megapixels
    Image Resolution 8256 x 6192 pixels 4592 x 3448 pixels
    Pixel Pitch 5.33 μm 3.77 μm
    Pixel Density 3.52 MP/cm2 7.04 MP/cm2
    Moiré control no AA filter Anti-Alias filter
    Movie Capability 1080/30p Video 4K/30p Video
    ISO Setting 100-12800 ISO 160-25600 ISO
    ISO Boost 50-102400 ISO no Enhancement
    Image Processor X Processor Pro Venus
    Screen Specs Fujifilm GFX 50S Panasonic G7
    Viewfinder Type Viewfinder optional Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.70x
    Viewfinder Resolution 2360k dots
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.2 inch 3.0 inch
    LCD Resolution 2360k dots 1040k dots
    LCD Attachment Fully flexible screen Swivel screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Fujifilm GFX 50S Panasonic G7
    Autofocus System Contrast-detect AF Contrast-detect AF
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/4000/s
    Continuous Shooting 3 shutter flaps/s 7 shutter flaps/s
    Electronic Shutterup to 1/16000sup to 1/16000s
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Fill Flash no On-Board Flash Build-in Flash
    Storage Medium SDXC cards SDXC cards
    Second Storage Option Dual card slots Single card slot
    UHS card support Dual UHS-II UHS-II
    Connectivity Specs Fujifilm GFX 50S Panasonic G7
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 3.0 USB 2.0
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket Headphone port no Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Body Specs Fujifilm GFX 50S Panasonic G7
    Environmental SealingWeathersealed bodyNot weather sealed
    Battery Type NP-T125 DMW-BLC12
    Battery Life (CIPA)400 shots per charge350 shots per charge
    Body Dimensions 148 x 94 x 91 mm
    (5.8 x 3.7 x 3.6 in)
    125 x 86 x 77 mm
    (4.9 x 3.4 x 3.0 in)
    Camera Weight 740 g (26.1 oz) 410 g (14.5 oz)

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