Fujifilm GFX 50S vs Olympus TG-6
The Fujifilm GFX 50S and the Olympus Tough TG-6 are two digital cameras that were officially introduced, respectively, in September 2016 and May 2019. The GFX 50S is a mirrorless interchangeable lens camera, while the TG-6 is a fixed lens compact. The cameras are based on a medium format (GFX 50S) and a 1/2.3-inch (TG-6) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Olympus provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm GFX 50S||Olympus TG-6|
|Mirrorless system camera||Fixed lens compact camera|
|Fujifilm G mount lenses||25-100mm f/2.0-4.9|
|51.1 MP, Medium Format Sensor||12 MP, 1/2.3" Sensor|
|1080/30p Video||4K/30p Video|
|ISO 100-12,800 (50 - 102,400)||ISO 100-12,800|
|Viewfinder optional||No viewfinder, LCD framing|
|3.2 LCD, 2360k dots||3.0 LCD, 1040k dots|
|Fully flexible touchscreen||Fixed screen (not touch-sensitive)|
|3 shutter flaps per second||20 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Waterproof body (15m)|
|400 shots per battery charge||340 shots per battery charge|
|148 x 94 x 91 mm, 740 g||113 x 66 x 32 mm, 253 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Olympus Tough TG-6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 50S and the Olympus TG-6. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The TG-6 can be obtained in two different colors (black, red), while the GFX 50S is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus TG-6 is considerably smaller (46 percent) than the Fujifilm GFX 50S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the TG-6 is water-proof up to 15m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TG-6 has a lens built in, whereas the GFX 50S is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the GFX 50S gets 400 shots out of its NP-T125 battery, while the TG-6 can take 340 images on a single charge of its LI-92B power pack. The power pack in the TG-6 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Fujifilm GFX 50S||5.8 in||3.7 in||3.6 in||26.1 oz||400||Y||Sep 2016||6,499|
|Olympus TG-6||4.4 in||2.6 in||1.3 in||8.9 oz||340||Y||May 2019||449|
|Canon 6D Mark II||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999|
|Canon 1D X Mark II||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999|
|Canon 5D Mark IV||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499|
|Canon 80D||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199|
|Fujifilm GFX 50R||6.3 in||3.8 in||2.6 in||27.3 oz||400||Y||Sep 2018||4,499|
|Hasselblad X1D II||5.8 in||3.8 in||2.8 in||27.0 oz||..||Y||Jun 2019||5,750|
|Hasselblad X1D||5.9 in||3.9 in||2.8 in||25.6 oz||..||Y||Jun 2016||8,995|
|Leica M10||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Jan 2017||6,595|
|Leica SL||5.8 in||4.1 in||1.5 in||29.9 oz||400||Y||Oct 2015||7,450|
|Nikon D7500||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299|
|Nikon W300||4.4 in||2.6 in||1.1 in||8.1 oz||280||Y||May 2017||389|
|Olympus TG-5||4.4 in||2.6 in||1.3 in||8.8 oz||340||Y||May 2017||449|
|Olympus TG-4||4.4 in||2.6 in||1.2 in||8.7 oz||380||Y||Apr 2015||379|
|Olympus XZ-1||4.4 in||2.6 in||1.7 in||9.7 oz||320||n||Jan 2011||499|
|Ricoh WG-6||4.6 in||2.6 in||1.3 in||8.7 oz||340||Y||Feb 2019||399|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The TG-6 was launched at a lower price than the GFX 50S, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Olympus TG-6 a 1/2.3-inch sensor. The sensor area in the TG-6 is 98 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 51.1MP, the GFX 50S offers a higher resolution than the TG-6 (12MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 1.53μm for the TG-6) due to its larger sensor. However, the TG-6 is a much more recent model (by 2 years and 8 months) than the GFX 50S, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Olympus TG-6 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Olympus Tough TG-6 are ISO 100 to ISO 12800 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|Hasselblad X1D II||Medium Format||51.3||8272||6200||none||..||..||..||..|
|Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102|
|Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the TG-6 provides a better video resolution than the GFX 50S. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The GFX 50S and the TG-6 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The table below summarizes some of the other core capabilities of the Fujifilm GFX 50S and Olympus TG-6 in connection with corresponding information for a sample of similar cameras.
|Fujifilm GFX 50S||optional||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n|
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n|
|Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n|
|Canon 5D Mark IV||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n|
|Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n|
|Hasselblad X1D II||3690||n||3.6||2360||fixed||Y||1/2000s||2.7||n||n|
One feature that is present on the GFX 50S, but is missing on the TG-6 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S and the Olympus TG-6 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 50S and the TG-6 write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the TG-6 only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the TG-6 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Olympus Tough TG-6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Fujifilm GFX 50S||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y|
|Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-|
|Canon 5D Mark IV||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-|
|Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y|
|Hasselblad X1D II||Y||stereo||mono||Y||Y||-||3.0||Y||-||-|
It is notable that the GFX 50S has a hotshoe, while the TG-6 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the TG-6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the TG-6 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the GFX 50S and the TG-6 are recent models that are part of the current product line-up. The TG-6 replaced the earlier Olympus TG-5, while the GFX 50S does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Olympus websites.
So how do things add up? Is there a clear favorite between the Fujifilm GFX 50S and the Olympus TG-6? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Fujifilm GFX 50S:
- More detail: Offers more megapixels (51.1 vs 12MP) with a 106% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (400 versus 340) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been available for much longer (launched in September 2016).
Advantages of the Olympus Tough TG-6:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Faster burst: Shoots at higher frequency (20 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the GFX 50S necessitates an extra lens.
- More compact: Is smaller (113x66mm vs 148x94mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the GFX 50S).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 15m).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 8 months of technical progress since the GFX 50S launch.
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the match-up (24 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Olympus TG-6 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the GFX 50S or the TG-6 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm GFX 50S||..||85/100||5/5||5/5||4.5/5||Sep 2016||6,499|
|Olympus TG-6||+ +||76/100||4/5||..||4/5||May 2019||449|
|Canon 6D Mark II||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999|
|Canon 1D X Mark II||..||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999|
|Canon 5D Mark IV||+ +||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499|
|Canon 80D||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Fujifilm GFX 50R||..||84/100||4.5/5||4.5/5||4.5/5||Sep 2018||4,499|
|Hasselblad X1D II||..||..||4/5||..||..||Jun 2019||5,750|
|Hasselblad X1D||o||81/100||..||..||4/5||Jun 2016||8,995|
|Leica M10||..||..||4/5||..||4.5/5||Jan 2017||6,595|
|Leica SL||..||84/100||4.5/5||4/5||4/5||Oct 2015||7,450|
|Nikon D7500||+ +||86/100||5/5||4.5/5||4.5/5||Apr 2017||1,299|
|Nikon W300||+||..||4/5||..||4/5||May 2017||389|
|Olympus TG-5||+ +||..||4/5||o||4/5||May 2017||449|
|Olympus TG-4||+||79/100||4/5||4/5||4/5||Apr 2015||379|
|Olympus XZ-1||..||74/100||4.5/5||4.5/5||4.5/5||Jan 2011||499|
|Ricoh WG-6||..||..||3.5/5||..||3.5/5||Feb 2019||399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon M50 vs Fujifilm GFX 50S
- Fujifilm GFX 50S vs Fujifilm X-A2
- Fujifilm GFX 50S vs Leica CL
- Fujifilm GFX 50S vs Leica S2
- Fujifilm GFX 50S vs Nikon D1X
- Fujifilm GFX 50S vs Nikon D300S
- Leica Q2 vs Olympus TG-6
- Olympus E-M1 III vs Olympus TG-6
- Olympus TG-6 vs Olympus XZ-1
- Olympus TG-6 vs Panasonic GH2
- Olympus TG-6 vs Panasonic LX5
- Olympus TG-6 vs Sony RX100
Specifications: Fujifilm GFX 50S vs Olympus TG-6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 50S||Olympus TG-6|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Fujifilm G mount lenses||25-100mm f/2.0-4.9|
|Launch Date||September 2016||May 2019|
|Launch Price||USD 6,499||USD 449|
|Sensor Specs||Fujifilm GFX 50S||Olympus TG-6|
|Sensor Format||Medium Format Sensor||1/2.3" Sensor|
|Sensor Size||44.0 x 33.0 mm||6.17 x 4.55 mm|
|Sensor Area||1452 mm2||28.0735 mm2|
|Sensor Diagonal||55 mm||7.7 mm|
|Sensor Resolution||51.1 Megapixels||12 Megapixels|
|Image Resolution||8256 x 6192 pixels||4000 x 3000 pixels|
|Pixel Pitch||5.33 μm||1.53 μm|
|Pixel Density||3.52 MP/cm2||42.74 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 12,800 ISO||100 - 12,800 ISO|
|ISO Boost||50 - 102,400 ISO||no Enhancement|
|Image Processor||X Processor Pro||TruePic VIII|
|Screen Specs||Fujifilm GFX 50S||Olympus TG-6|
|Viewfinder Type||Viewfinder optional||no viewfinder|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2360k dots||1040k dots|
|LCD Attachment||Fully flexible screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm GFX 50S||Olympus TG-6|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||3 shutter flaps/s||20 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Fujifilm GFX 50S||Olympus TG-6|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Fujifilm GFX 50S||Olympus TG-6|
|Environmental Sealing||Weathersealed body||Waterproof body (15m)|
|Battery Life (CIPA)||400 shots per charge||340 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
148 x 94 x 91 mm
(5.8 x 3.7 x 3.6 in)
113 x 66 x 32 mm
(4.4 x 2.6 x 1.3 in)
|Camera Weight||740 g (26.1 oz)||253 g (8.9 oz)|
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