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Fujifilm GFX 50S vs Olympus E-400

The Fujifilm GFX 50S and the Olympus E-400 are two digital cameras that were revealed to the public, respectively, in September 2016 and September 2006. The GFX 50S is a mirrorless interchangeable lens camera, while the E-400 is a DSLR. The cameras are based on a medium format (GFX 50S) and a Four Thirds (E-400) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Olympus provides 10 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 50S   Olympus E-400
Fujifilm GFX 50S Olympus E-400
Mirrorless system camera Digital single lens reflex
Fujifilm G mount lenses Four Thirds lenses
51.1 MP, Medium Format Sensor 10 MP, Four Thirds Sensor
1080/30p Video no Video
ISO 100-12800 (50-102400) ISO 100-1600
Viewfinder optional Optical viewfinder
3.2" LCD, 2360k dots 2.5" LCD, 215k dots
Fully flexible touchscreen Fixed screen (not touch-sensitive)
3 shutter flaps per second 3 shutter flaps per second
Weathersealed bodyNot weather sealed
400 shots per battery charge500 shots per battery charge
148 x 94 x 91 mm, 740 g 130 x 91 x 53 mm, 435 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Olympus E-400? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm GFX 50S and the Olympus E-400 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

Size Fujifilm GFX 50S vs Olympus E-400
Compare GFX 50S versus E-400 top
Comparison GFX 50S or E-400 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-400 is notably smaller (15 percent) than the Fujifilm GFX 50S. Moreover, the E-400 is substantially lighter (41 percent) than the GFX 50S. It is worth mentioning in this context that the GFX 50S is splash and dust resistant, while the E-400 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 50S gets 400 shots out of its NP-T125 battery, while the E-400 can take 500 images on a single charge of its BLS-1 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Fujifilm GFX 50S» 5.8 in 3.7 in 3.6 in 26.1 oz 400 Y Sep 2016 6,499 i i Fujifilm GFX 50S
 
Olympus E-400« 5.1 in 3.6 in 2.1 in 15.3 oz 500 n Sep 2006 699- i Olympus E-400
 
Canon 6D Mark II« » 5.7 in 4.4 in 3.0 in 27.0 oz 1200 Y Jun 2017 1,999 i i Canon 6D Mark II
 
Canon 1D X Mark II« » 6.2 in 6.6 in 3.3 in 54.0 oz 1210 Y Feb 2016 5,999 i i Canon 1D X Mark II
 
Canon 5D Mark IV« » 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
 
Canon 80D« » 5.5 in 4.1 in 3.1 in 25.8 oz 960 Y Feb 2016 1,199- i Canon 80D
 
Fujifilm GFX 50R« » 6.3 in 3.8 in 2.6 in 27.3 oz 400 Y Sep 2018 4,499 i i Fujifilm GFX 50R
 
Hasselblad X1D II« » 5.8 in 3.8 in 2.8 in 27.0 oz .. Y Jun 2019 5,750 i i Hasselblad X1D II
 
Hasselblad X1D« » 5.9 in 3.9 in 2.8 in 25.6 oz .. Y Jun 2016 8,995- i Hasselblad X1D
 
Leica M10« » 5.5 in 3.1 in 1.5 in 23.3 oz 210 Y Jan 2017 6,595 i i Leica M10
 
Leica SL« » 5.8 in 4.1 in 1.5 in 29.9 oz 400 Y Oct 2015 7,450 i i Leica SL
 
Nikon D7500« » 5.4 in 4.1 in 2.9 in 25.4 oz 950 Y Apr 2017 1,299 i i Nikon D7500
 
Olympus E-420« » 5.1 in 3.6 in 2.1 in 15.5 oz 500 n Mar 2008 599- i Olympus E-420
 
Olympus E-410« » 5.1 in 3.6 in 2.1 in 15.3 oz 500 n Mar 2007 699- i Olympus E-410
 
Olympus E-510« » 5.4 in 3.6 in 2.7 in 19.0 oz 750 n Mar 2007 799- i Olympus E-510
 
Olympus E-500« » 5.1 in 3.7 in 2.6 in 16.9 oz 750 n Sep 2005 599- i Olympus E-500
 
Panasonic L10« » 5.3 in 3.8 in 3.1 in 19.6 oz 450 n Aug 2007 599- i Panasonic L10
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-400 was launched at a markedly lower price (by 89 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Olympus E-400 a Four Thirds sensor. The sensor area in the E-400 is 85 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

In terms of underlying technology, both cameras are build around CMOS sensors.

Fujifilm GFX 50S and Olympus E-400 sensor measures

With 51.1MP, the GFX 50S offers a higher resolution than the E-400 (10MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.74μm for the E-400) due to its larger sensor. Moreover, the GFX 50S is a much more recent model (by 10 years) than the E-400, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inch or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inch or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inch or 69.9 x 52.4 cm. The corresponding values for the Olympus E-400 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.

The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Olympus E-400 are ISO 100 to ISO 1600 (no boost).

GFX 50S versus E-400 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Fujifilm GFX 50S» Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50S
 
Olympus E-400« Four Thirds 10.0 3648 2736-----Olympus E-400
 
Canon 6D Mark II« » Full Frame 26.0 6240 41601080/60p24.411.9286285Canon 6D Mark II
 
Canon 1D X Mark II« » Full Frame 20.0 5472 36484K/60p24.113.5320788Canon 1D X Mark II
 
Canon 5D Mark IV« » Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
 
Canon 80D« » APS-C 24.0 6000 40001080/60p23.613.2113579Canon 80D
 
Fujifilm GFX 50R« » Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50R
 
Hasselblad X1D II« » Medium Format 51.3 8272 6200-----Hasselblad X1D II
 
Hasselblad X1D« » Medium Format 51.3 8272 62001080/25p26.214.84489102Hasselblad X1D
 
Leica M10« » Full Frame 23.8 5952 3992-24.413.2213386Leica M10
 
Leica SL« » Full Frame 24.0 6000 40004K/30p25.013.4182188Leica SL
 
Nikon D7500« » APS-C 20.7 5568 37124K/30p24.314.0148386Nikon D7500
 
Olympus E-420« » Four Thirds 10.0 3648 2736-21.510.452756Olympus E-420
 
Olympus E-410« » Four Thirds 10.0 3648 2736-21.110.049451Olympus E-410
 
Olympus E-510« » Four Thirds 10.0 3648 2736-21.210.044252Olympus E-510
 
Olympus E-500« » Four Thirds 8.0 3264 2448-----Olympus E-500
 
Panasonic L10« » Four Thirds 10.0 3648 2736-21.310.842955Panasonic L10

Many modern cameras cannot only take still pictures, but also record videos. The GFX 50S indeed provides movie recording capabilities, while the E-400 does not. The highest resolution format that the GFX 50S can use is 1080/30p.

 

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-400 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The adjacent table lists some of the other core features of the Fujifilm GFX 50S and Olympus E-400 along with similar information for a selection of comparators.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Fujifilm GFX 50S»- Y 3.2 2360 full-flex Y 1/4000s 3.0 n n Fujifilm GFX 50S
 
Olympus E-400«optical n 2.5 215 fixed n 1/4000s 3.0 Y n Olympus E-400
 
Canon 6D Mark II« »optical Y 3.0 1040 swivel Y 1/4000s 6.5 n n Canon 6D Mark II
 
Canon 1D X Mark II« »optical Y 3.2 1620 fixed Y 1/8000s 16.0 n n Canon 1D X Mark II
 
Canon 5D Mark IV« »optical Y 3.2 1620 fixed Y 1/8000s 7.0 n n Canon 5D Mark IV
 
Canon 80D« »optical Y 3.0 1040 swivel Y 1/8000s 7.0 Y n Canon 80D
 
Fujifilm GFX 50R« »3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n Fujifilm GFX 50R
 
Hasselblad X1D II« »3690 n 3.6 2360 fixed Y 1/2000s 2.7 n n Hasselblad X1D II
 
Hasselblad X1D« »2360 n 3.0 920 fixed Y 1/2000s 2.3 n n Hasselblad X1D
 
Leica M10« »optical n 3.0 1037 fixed n 1/4000s 5.0 n n Leica M10
 
Leica SL« »4400 Y 3.0 1040 fixed Y 1/8000s 11.0 n n Leica SL
 
Nikon D7500« »optical Y 3.2 922 tilting Y 1/8000s 8.0 Y n Nikon D7500
 
Olympus E-420« »optical n 2.7 215 fixed n 1/4000s 3.5 Y n Olympus E-420
 
Olympus E-410« »optical n 2.5 215 fixed n 1/4000s 3.0 Y n Olympus E-410
 
Olympus E-510« »optical n 2.5 215 fixed n 1/4000s 3.0 Y Y Olympus E-510
 
Olympus E-500« »optical n 2.5 215 fixed n 1/4000s 2.5 Y n Olympus E-500
 
Panasonic L10« »optical n 2.5 207 swivel n 1/4000s 3.0 Y n Panasonic L10

One feature that is present on the GFX 50S, but is missing on the E-400 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 50S writes its imaging data to SDXC cards, while the E-400 uses Compact Flash or xD Picture cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.

 

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Olympus E-400 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Fujifilm GFX 50S»YstereomonoYYmicro3.0Y--Fujifilm GFX 50S
 
Olympus E-400«Y-----2.0---Olympus E-400
 
Canon 6D Mark II« »YstereomonoY-mini2.0YYYCanon 6D Mark II
 
Canon 1D X Mark II« »YmonomonoYYmini3.0---Canon 1D X Mark II
 
Canon 5D Mark IV« »YmonomonoYYmini3.0YY-Canon 5D Mark IV
 
Canon 80D« »YstereomonoYYmini2.0YY-Canon 80D
 
Fujifilm GFX 50R« »YstereomonoYYmicro3.0Y-YFujifilm GFX 50R
 
Hasselblad X1D II« »YstereomonoYY-3.0Y--Hasselblad X1D II
 
Hasselblad X1D« »YstereomonoYYmini3.0Y--Hasselblad X1D
 
Leica M10« »Y------Y--Leica M10
 
Leica SL« »YstereomonoYYfull3.0Y--Leica SL
 
Nikon D7500« »YstereomonoYYmini2.0Y-YNikon D7500
 
Olympus E-420« »Y-----2.0---Olympus E-420
 
Olympus E-410« »Y-----2.0---Olympus E-410
 
Olympus E-510« »Y-----2.0---Olympus E-510
 
Olympus E-500« »Y-----2.0---Olympus E-500
 
Panasonic L10« »Y-----2.0---Panasonic L10

It is notable that the GFX 50S offers wifi support, while the E-400 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the E-400) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GFX 50S is a recent model that features in the current product line-up of Fujifilm. In contrast, the E-400 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-400 was succeeded by the Olympus E-410. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Olympus websites.


Review summary

So what conclusions can be drawn? Is there a clear favorite between the Fujifilm GFX 50S and the Olympus E-400? Which camera is better? The listing below highlights the relative strengths of the two models.

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Arguments in favor of the Fujifilm GFX 50S:

  • More detail: Offers more megapixels (51.1 vs 10MP) with a 126% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Features a larger and more technologically advanced imaging sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Broader imaging potential: Can record not only still images but also 1080/30p movies.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 2.5") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 215k dots).
  • More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • More modern: Reflects 10 years of technical progress since the E-400 launch.

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Advantages of the Olympus E-400:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Easier framing: Has an optical viewfinder for image composition and settings control.
  • More compact: Is smaller (130x91mm vs 148x94mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 305g or 41 percent) and is thus easier to take along.
  • Longer lasting: Gets more shots (500 versus 400) out of a single battery charge.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • More affordable: Was introduced into a lower priced category (89 percent cheaper at launch).
  • More heavily discounted: Has been around for much longer (launched in September 2006).

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S is the clear winner of the match-up (20 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 50S 20:08 E-400

How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Olympus E-400 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GFX 50S and the E-400 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Fujifilm GFX 50S»-85/1005/55/54.5/5 Sep 2016 6,499 i i Fujifilm GFX 50S
 
Olympus E-400«85/100-4/5-4/5 Sep 2006 699- i Olympus E-400
 
Canon 6D Mark II« »+80/1004.5/54/54/5 Jun 2017 1,999 i i Canon 6D Mark II
 
Canon 1D X Mark II« »-89/1004.5/55/54.5/5 Feb 2016 5,999 i i Canon 1D X Mark II
 
Canon 5D Mark IV« »+ +87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
 
Canon 80D« »+ +84/1004.5/54.5/54.5/5 Feb 2016 1,199- i Canon 80D
 
Fujifilm GFX 50R« »-84/1004.5/54.5/54.5/5 Sep 2018 4,499 i i Fujifilm GFX 50R
 
Hasselblad X1D II« »----- Jun 2019 5,750 i i Hasselblad X1D II
 
Hasselblad X1D« »o81/100--4/5 Jun 2016 8,995- i Hasselblad X1D
 
Leica M10« »--4/5-4.5/5 Jan 2017 6,595 i i Leica M10
 
Leica SL« »-84/1004.5/54/54/5 Oct 2015 7,450 i i Leica SL
 
Nikon D7500« »+ +86/1005/54.5/54.5/5 Apr 2017 1,299 i i Nikon D7500
 
Olympus E-420« »85/100+ +4/5o4.5/5 Mar 2008 599- i Olympus E-420
 
Olympus E-410« »86/100+ +4/5o4.5/5 Mar 2007 699- i Olympus E-410
 
Olympus E-510« »89/100+ +3.5/5o4.5/5 Mar 2007 799- i Olympus E-510
 
Olympus E-500« »76/100+ +--- Sep 2005 599- i Olympus E-500
 
Panasonic L10« »85/100+3.5/5o4/5 Aug 2007 599- i Panasonic L10
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Fujifilm GFX 50S:
Check Amazon price
Olympus E-400:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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    Specifications: Fujifilm GFX 50S vs Olympus E-400

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 50S Olympus E-400
    Camera Type Mirrorless system camera Digital single lens reflex
    Camera Lens Fujifilm G mount lenses Four Thirds lenses
    Launch Date September 2016 September 2006
    Launch Price USD 6499 USD 699
    Sensor Specs Fujifilm GFX 50S Olympus E-400
    Sensor Technology CMOS CMOS
    Sensor Format Medium Format Sensor Four Thirds Sensor
    Sensor Size 44.0 x 33.0 mm 17.3 x 13.0 mm
    Sensor Area 1452 mm2 224.9 mm2
    Sensor Diagonal 55 mm 21.6 mm
    Crop Factor 0.79x 2.0x
    Sensor Resolution 51.1 Megapixels 10 Megapixels
    Image Resolution 8256 x 6192 pixels 3648 x 2736 pixels
    Pixel Pitch 5.33 μm 4.74 μm
    Pixel Density 3.52 MP/cm2 4.44 MP/cm2
    Moiré control no AA filter Anti-Alias filter
    Movie Capability 1080/30p Video no Video
    ISO Setting 100-12800 ISO 100-1600 ISO
    ISO Boost 50-102400 ISO no Enhancement
    Image Processor X Processor Pro TruePic
    Screen Specs Fujifilm GFX 50S Olympus E-400
    Viewfinder Type Viewfinder optional Optical viewfinder
    Viewfinder Field of View 95%
    Viewfinder Magnification 0.46x
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View
    Rear LCD Size 3.2 inch 2.5 inch
    LCD Resolution 2360k dots 215k dots
    LCD Attachment Fully flexible screen Fixed screen
    Touch Input Touchscreen no Touchscreen
    Shooting Specs Fujifilm GFX 50S Olympus E-400
    Autofocus System Contrast-detect AF Phase-detect AF
    Manual Focusing AidFocus PeakingNo Peaking Feature
    Continuous Shooting 3 shutter flaps/s 3 shutter flaps/s
    Electronic Shutterup to 1/16000sno E-Shutter
    Time-Lapse PhotographyIntervalometer built-inno Intervalometer
    Fill Flash no On-Board Flash Build-in Flash
    Storage Medium SDXC cards CF or XD cards
    Second Storage Option Dual card slots Dual card slots
    Connectivity Specs Fujifilm GFX 50S Olympus E-400
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 3.0 USB 2.0
    HDMI Port micro HDMI no HDMI
    Microphone Port External MIC port no MIC socket
    Headphone Socket Headphone port no Headphone port
    Wifi Support Wifi built-in no Wifi
    Body Specs Fujifilm GFX 50S Olympus E-400
    Environmental SealingWeathersealed bodyNot weather sealed
    Battery Type NP-T125 BLS-1
    Battery Life (CIPA)400 shots per charge500 shots per charge
    Body Dimensions 148 x 94 x 91 mm
    (5.8 x 3.7 x 3.6 in)
    130 x 91 x 53 mm
    (5.1 x 3.6 x 2.1 in)
    Camera Weight 740 g (26.1 oz) 435 g (15.3 oz)

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