Fujifilm GFX 50S vs Nikon D3S

The Fujifilm GFX 50S and the Nikon D3S are two professional cameras that were announced, respectively, in September 2016 and October 2009. The GFX 50S is a mirrorless interchangeable lens camera, while the D3S is a DSLR. The cameras are based on a medium format (GFX 50S) and a full frame (D3S) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Nikon provides 12.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 50S		Nikon D3S
Mirrorless system camera		Digital single lens reflex
Fujifilm G mount lenses		Nikon F mount lenses
51.1 MP – Medium Format sensor		12.1 MP – Full Frame sensor
1080/30p Video		720/24p Video
ISO 100-12,800 (50 - 102,400)		ISO 200-12,800 (100 - 102,400)
Viewfinder optional		Optical viewfinder
3.2" LCD – 2360k dots		3.0" LCD – 921k dots
Fully flexible touchscreen		Fixed screen (not touch-sensitive)
3 shutter flaps per second		11 shutter flaps per second
Weathersealed body		Weathersealed body
400 shots per battery charge		4200 shots per battery charge
148 x 94 x 91 mm, 740 g		160 x 157 x 88 mm, 1240 g

Check GFX 50S offers at
ebay.com
Check D3S offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Nikon D3S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm GFX 50S and the Nikon D3S are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D3S is considerably larger (81 percent) than the Fujifilm GFX 50S. Moreover, the D3S is substantially heavier (68 percent) than the GFX 50S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 50S gets 400 shots out of its Fujifilm NP-T125 battery, while the D3S can take 4200 images on a single charge of its Nikon EN-EL4a power pack. As can be seen in the images above, the D3S has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the GFX 50S, Fujifilm provides the VG-GFX1 vertical grip as an optional accessory (see here on ebay).

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	6,499	ebay.com
2.		Nikon D3S	160 mm	157 mm	88 mm	1240 g	4200	Y	Oct 2009	5,199	ebay.com
3.		Canon 5D Mark IV	151 mm	116 mm	76 mm	890 g	900	Y	Aug 2016	3,499	amazon.com
4.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	4,499	ebay.com
5.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	3,999	amazon.com
6.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	5,999	amazon.com
7.		Hasselblad X1D	150 mm	98 mm	71 mm	725 g	..	Y	Jun 2016	8,995	ebay.com
8.		Hasselblad X1D II	148 mm	97 mm	70 mm	766 g	..	Y	Jun 2019	5,750	ebay.com
9.		Leica M10	139 mm	80 mm	39 mm	660 g	210	Y	Jan 2017	6,595	ebay.com
10.		Leica Q3	130 mm	80 mm	93 mm	743 g	350	Y	May 2023	5,995	amazon.com
11.		Leica SL	147 mm	104 mm	39 mm	847 g	400	Y	Oct 2015	7,450	ebay.com
12.		Nikon D3	160 mm	157 mm	88 mm	1300 g	4300	Y	Aug 2007	4,999	ebay.com
13.		Nikon D3X	160 mm	157 mm	88 mm	1260 g	4400	Y	Dec 2008	7,999	ebay.com
14.		Nikon D4	160 mm	157 mm	91 mm	1340 g	2600	Y	Jan 2012	5,999	ebay.com
15.		Nikon D5	160 mm	159 mm	92 mm	1415 g	3780	Y	Jan 2016	6,499	ebay.com
16.		Nikon D700	147 mm	123 mm	77 mm	1074 g	1000	Y	Jul 2008	2,999	ebay.com
17.		Nikon D7500	136 mm	104 mm	73 mm	720 g	950	Y	Apr 2017	1,299	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D3S was launched at a somewhat lower price (by 20 percent) than the GFX 50S, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Nikon D3S a full frame sensor. The sensor area in the D3S is 41 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the D3S offers a 3:2 aspect.

With 51.1MP, the GFX 50S offers a higher resolution than the D3S (12.1MP), but the GFX 50S has smaller individual pixels (pixel pitch of 5.33μm versus 8.43μm for the D3S). However, the GFX 50S is a much more recent model (by 6 years and 11 months) than the D3S, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Nikon D3S are 21.3 x 14.2 inches or 54.1 x 36 cm for good quality, 17 x 11.3 inches or 43.2 x 28.8 cm for very good quality, and 14.2 x 9.4 inches or 36 x 24 cm for excellent quality prints.

The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon D3S are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-102400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
2.		Nikon D3S	Full Frame	12.1	4256	2832	720/24p	23.5	12.0	3253	82
3.		Canon 5D Mark IV	Full Frame	30.1	6720	4480	4K/30p	24.8	13.6	2995	91
4.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
5.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
6.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
7.		Hasselblad X1D	Medium Format	51.3	8272	6200	1080/25p	26.2	14.8	4489	102
8.		Hasselblad X1D II	Medium Format	51.3	8272	6200	1080/25p	25.7	14.5	3234	99
9.		Leica M10	Full Frame	23.8	5952	3992	none	24.4	13.2	2133	86
10.		Leica Q3	Full Frame	60.3	9528	6328	8K/30p	25.4	14.7	3216	96
11.		Leica SL	Full Frame	24.0	6000	4000	4K/30p	25.0	13.4	1821	88
12.		Nikon D3	Full Frame	12.1	4256	2832	none	23.5	12.2	2290	81
13.		Nikon D3X	Full Frame	24.4	6048	4032	none	24.7	13.7	1992	88
14.		Nikon D4	Full Frame	16.2	4928	3280	1080/30p	24.7	13.1	2965	89
15.		Nikon D5	Full Frame	20.7	5588	3712	4K/30p	25.1	12.3	2343	88
16.		Nikon D700	Full Frame	12.1	4256	2832	none	23.5	12.2	2303	80
17.		Nikon D7500	APS-C	20.7	5568	3712	4K/30p	24.3	14.0	1483	86
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GFX 50S provides a higher video resolution than the D3S. It can shoot video footage at 1080/30p, while the Nikon is limited to 720/24p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the D3S has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50S, the Nikon D3S, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
2.		Nikon D3S	optical	Y	3.0 / 921	fixed	n	1/8000s	11.0/s	n	n
3.		Canon 5D Mark IV	optical	Y	3.2 / 1620	fixed	Y	1/8000s	7.0/s	n	n
4.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
5.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
6.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
7.		Hasselblad X1D	2360	n	3.0 / 920	fixed	Y	1/2000s	2.3/s	n	n
8.		Hasselblad X1D II	3690	n	3.6 / 2360	fixed	Y	1/2000s	2.7/s	n	n
9.		Leica M10	optical	n	3.0 / 1037	fixed	n	1/4000s	5.0/s	n	n
10.		Leica Q3	5760	n	3.0 / 1840	tilting	Y	1/2000s	15.0/s	n	Y
11.		Leica SL	4400	Y	3.0 / 1040	fixed	Y	1/8000s	11.0/s	n	n
12.		Nikon D3	optical	Y	3.0 / 922	fixed	n	1/8000s	11.0/s	n	n
13.		Nikon D3X	optical	Y	3.0 / 922	fixed	n	1/8000s	5.0/s	n	n
14.		Nikon D4	optical	Y	3.2 / 921	fixed	n	1/8000s	11.0/s	n	n
15.		Nikon D5	optical	Y	3.2 / 2359	fixed	Y	1/8000s	14.0/s	n	n
16.		Nikon D700	optical	Y	3.0 / 922	fixed	n	1/8000s	8.0/s	Y	n
17.		Nikon D7500	optical	Y	3.2 / 922	tilting	Y	1/8000s	8.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GFX 50S has a touchscreen, while the D3S has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S and the Nikon D3S both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 50S writes its imaging data to SDXC cards, while the D3S uses Compact Flash cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Nikon D3S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
2.		Nikon D3S	Y	stereo / -	-	-	mini	2.0	-	-	-
3.		Canon 5D Mark IV	Y	mono / mono	Y	Y	mini	3.0	Y	Y	-
4.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
5.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
6.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
7.		Hasselblad X1D	Y	stereo / mono	Y	Y	mini	3.0	Y	-	-
8.		Hasselblad X1D II	Y	stereo / mono	Y	Y	-	3.0	Y	-	-
9.		Leica M10	Y	- / -	-	-	-	-	Y	-	-
10.		Leica Q3	Y	stereo / mono	-	-	micro	3.1	Y	-	Y
11.		Leica SL	Y	stereo / mono	Y	Y	full	3.0	Y	-	-
12.		Nikon D3	Y	- / -	-	-	mini	2.0	-	-	-
13.		Nikon D3X	Y	- / -	-	-	mini	2.0	-	-	-
14.		Nikon D4	Y	mono / mono	Y	Y	micro	2.0	-	-	-
15.		Nikon D5	Y	stereo / mono	Y	Y	mini	3.0	-	-	-
16.		Nikon D700	Y	- / -	-	-	mini	2.0	-	-	-
17.		Nikon D7500	Y	stereo / mono	Y	Y	mini	2.0	Y	-	Y

It is notable that the GFX 50S has a microphone port, which is missing on the D3S. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

Both the GFX 50S and the D3S have been discontinued, but can regularly be found used on ebay. The D3S was replaced by the Nikon D4, while the GFX 50S was followed by the Fujifilm GFX 50S II. Further information on the features and operation of the GFX 50S and D3S can be found, respectively, in the Fujifilm GFX 50S Manual (free pdf) or the online Nikon D3S Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Fujifilm GFX 50S or the Nikon D3S – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Fujifilm GFX 50S:

• More detail: Offers more megapixels (51.1 vs 12.1MP) with a 102% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (1080/30p vs 720/24p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 921k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More compact: Is smaller (148x94mm vs 160x157mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 500g or 40 percent) and hence easier to carry around.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• More modern: Reflects 6 years and 11 months of technical progress since the D3S launch.

Reasons to prefer the Nikon D3S:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Gets more shots (4200 versus 400) out of a single battery charge.
• More affordable: Was released into a lower priced segment (20 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in October 2009).

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S is the clear winner of the match-up (20 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Nikon D3S place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the GFX 50S or the D3S perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	6,499	ebay.com
2.		Nikon D3S	5/5	..	..	89/100	4.5/5	5/5	Oct 2009	5,199	ebay.com
3.		Canon 5D Mark IV	4.5/5	+ +	4/5	87/100	4.5/5	4.5/5	Aug 2016	3,499	amazon.com
4.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	4,499	ebay.com
5.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	3,999	amazon.com
6.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	5,999	amazon.com
7.		Hasselblad X1D	..	o	..	81/100	..	4/5	Jun 2016	8,995	ebay.com
8.		Hasselblad X1D II	..	..	4/5	..	4/5	4/5	Jun 2019	5,750	ebay.com
9.		Leica M10	4.5/5	..	..	..	4/5	4.5/5	Jan 2017	6,595	ebay.com
10.		Leica Q3	5/5	..	4.5/5	..	..	4.5/5	May 2023	5,995	amazon.com
11.		Leica SL	4/5	..	4/5	84/100	4.5/5	4/5	Oct 2015	7,450	ebay.com
12.		Nikon D3	..	..	..	+ +	5/5	4.5/5	Aug 2007	4,999	ebay.com
13.		Nikon D3X	..	..	..	86/100	4/5	5/5	Dec 2008	7,999	ebay.com
14.		Nikon D4	..	..	..	..	4.5/5	4.5/5	Jan 2012	5,999	ebay.com
15.		Nikon D5	..	..	4/5	89/100	4.5/5	5/5	Jan 2016	6,499	ebay.com
16.		Nikon D700	..	89/100	..	+ +	4.5/5	4.5/5	Jul 2008	2,999	ebay.com
17.		Nikon D7500	4.5/5	+ +	4.5/5	86/100	5/5	4.5/5	Apr 2017	1,299	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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