Fujifilm GFX 50S vs Nikon D1
The Fujifilm GFX 50S and the Nikon D1 are two professional cameras that were announced, respectively, in September 2016 and June 1999. The GFX 50S is a mirrorless interchangeable lens camera, while the D1 is a DSLR. The cameras are based on a medium format (GFX 50S) and an APS-C (D1) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Nikon provides 2.6 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm GFX 50S||Nikon D1|
|Mirrorless system camera||Digital single lens reflex|
|Fujifilm G mount lenses||Nikon F mount lenses|
|51.1 MP, Medium Format Sensor||2.6 MP, APS-C Sensor|
|1080/30p Video||no Video|
|ISO 100-12800 (50-102400)||ISO 200-1600 (200-6400)|
|Viewfinder optional||Optical viewfinder|
|3.2" LCD, 2360k dots||2.0" LCD, 120k dots|
|Fully flexible touchscreen||Fixed screen (not touch-sensitive)|
|3 shutter flaps per second||1.5 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|148 x 94 x 91 mm, 740 g||157 x 153 x 85 mm, 1100 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Nikon D1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm GFX 50S and the Nikon D1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D1 is considerably larger (73 percent) than the Fujifilm GFX 50S. Moreover, the D1 is substantially heavier (49 percent) than the GFX 50S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
As can be seen in the images above, the D1 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the GFX 50S, Fujifilm provides the VG-GFX1 vertical grip as an optional accessory (see here on eBay).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Fujifilm GFX 50S»||5.8 in||3.7 in||3.6 in||26.1 oz||400||Y||Sep 2016||6,499||Fujifilm GFX 50S|
|Nikon D1«||6.2 in||6.0 in||3.3 in||38.8 oz||..||Y||Jun 1999||5,499||Nikon D1|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5D Mark IV« »||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||Canon 80D|
|Fujifilm GFX 50R« »||6.3 in||3.8 in||2.6 in||27.3 oz||400||Y||Sep 2018||4,499||Fujifilm GFX 50R|
|Hasselblad X1D II« »||5.8 in||3.8 in||2.8 in||27.0 oz||..||Y||Jun 2019||5,750||Hasselblad X1D II|
|Hasselblad X1D« »||5.9 in||3.9 in||2.8 in||25.6 oz||..||Y||Jun 2016||8,995||Hasselblad X1D|
|Leica M10« »||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Jan 2017||6,595||Leica M10|
|Leica SL« »||5.8 in||4.1 in||1.5 in||29.9 oz||400||Y||Oct 2015||7,450||Leica SL|
|Nikon D7500« »||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299||Nikon D7500|
|Nikon D300S« »||5.8 in||4.5 in||3.2 in||33.1 oz||950||Y||Jul 2009||1,799||Nikon D300S|
|Nikon D300« »||5.8 in||4.5 in||2.9 in||32.6 oz||1000||Y||Aug 2007||1,799||Nikon D300|
|Nikon D2Xs« »||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Jun 2006||4,699||Nikon D2Xs|
|Nikon D200« »||5.8 in||4.4 in||2.9 in||32.5 oz||400||Y||Nov 2005||1,699||Nikon D200|
|Nikon D1X« »||6.2 in||6.0 in||3.3 in||38.8 oz||1200||Y||Feb 2001||5,999||Nikon D1X|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D1 was launched at a somewhat lower price (by 15 percent) than the GFX 50S, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Nikon D1 an APS-C sensor. The sensor area in the D1 is 75 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the D1 offers a 3:2 aspect.
With 51.1MP, the GFX 50S offers a higher resolution than the D1 (2.6MP), but the GFX 50S has smaller individual pixels (pixel pitch of 5.33μm versus 11.93μm for the D1). However, the GFX 50S is a much more recent model (by 17 years and 3 months) than the D1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inch or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inch or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inch or 69.9 x 52.4 cm. The corresponding values for the Nikon D1 are 10 x 6.6 inch or 25.4 x 16.7 cm for good quality, 8 x 5.2 inch or 20.3 x 13.3 cm for very good quality, and 6.7 x 4.4 inch or 16.9 x 11.1 cm for excellent quality prints.
The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon D1 are ISO 200 to ISO 1600, with the possibility to increase the ISO range to 200-6400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..||Fujifilm GFX 50S|
|Nikon D1||APS-C||2.6||2000||1312||none||..||..||..||..||Nikon D1|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 80D||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..||Fujifilm GFX 50R|
|Hasselblad X1D II||Medium Format||51.3||8272||6200||none||..||..||..||..||Hasselblad X1D II|
|Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102||Hasselblad X1D|
|Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86||Leica M10|
|Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88||Leica SL|
|Nikon D7500||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Nikon D300S||APS-C||12.2||4288||2848||720/24p||22.5||12.2||787||70||Nikon D300S|
|Nikon D300||APS-C||12.2||4288||2848||none||22.1||12.0||679||67||Nikon D300|
|Nikon D2Xs||APS-C||12.2||4288||2848||none||22.2||10.9||489||59||Nikon D2Xs|
|Nikon D200||APS-C||10.0||3872||2592||none||22.3||11.5||583||64||Nikon D200|
|Nikon D1X||APS-C||5.9||3008||1960||none||..||..||..||..||Nikon D1X|
Many modern cameras cannot only take still pictures, but also record videos. The GFX 50S indeed provides movie recording capabilities, while the D1 does not. The highest resolution format that the GFX 50S can use is 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the D1 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The table below summarizes some of the other core capabilities of the Fujifilm GFX 50S and Nikon D1 in connection with corresponding information for a sample of similar cameras.
|Fujifilm GFX 50S||optional||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n||Fujifilm GFX 50S|
|Nikon D1||optical||Y||2.0||120||fixed||n||1/16000s||1.5||n||n||Nikon D1|
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 5D Mark IV||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n||Canon 5D Mark IV|
|Canon 80D||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n||Fujifilm GFX 50R|
|Hasselblad X1D II||3690||n||3.6||2360||fixed||Y||1/2000s||2.7||n||n||Hasselblad X1D II|
|Hasselblad X1D||2360||n||3.0||920||fixed||Y||1/2000s||2.3||n||n||Hasselblad X1D|
|Leica M10||optical||n||3.0||1037||fixed||n||1/4000s||5.0||n||n||Leica M10|
|Leica SL||4400||Y||3.0||1040||fixed||Y||1/8000s||11.0||n||n||Leica SL|
|Nikon D7500||optical||Y||3.2||922||tilting||Y||1/8000s||8.0||Y||n||Nikon D7500|
|Nikon D300S||optical||Y||3.0||920||fixed||n||1/8000s||7.0||Y||n||Nikon D300S|
|Nikon D300||optical||Y||3.0||922||fixed||n||1/8000s||6.0||Y||n||Nikon D300|
|Nikon D2Xs||optical||Y||2.5||230||fixed||n||1/8000s||5.0||n||n||Nikon D2Xs|
|Nikon D200||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Nikon D200|
|Nikon D1X||optical||Y||2.0||120||fixed||n||1/16000s||3.0||n||n||Nikon D1X|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GFX 50S has a touchscreen, while the D1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GFX 50S writes its imaging data to SDXC cards, while the D1 uses Compact Flash cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the D1 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Nikon D1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm GFX 50S||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Fujifilm GFX 50S|
|Nikon D1||Y||none||none||-||-||none||FW||-||-||-||Nikon D1|
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 5D Mark IV||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 80D||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y||Fujifilm GFX 50R|
|Hasselblad X1D II||Y||stereo||mono||Y||Y||none||3.0||Y||-||-||Hasselblad X1D II|
|Hasselblad X1D||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Hasselblad X1D|
|Leica M10||Y||none||none||-||-||none||none||Y||-||-||Leica M10|
|Leica SL||Y||stereo||mono||Y||Y||full||3.0||Y||-||-||Leica SL|
|Nikon D7500||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Nikon D300S||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon D300S|
|Nikon D300||Y||none||none||-||-||mini||2.0||-||-||-||Nikon D300|
|Nikon D2Xs||Y||none||none||-||-||none||2.0||-||-||-||Nikon D2Xs|
|Nikon D200||Y||none||none||-||-||none||2.0||-||-||-||Nikon D200|
|Nikon D1X||Y||none||none||-||-||none||FW||-||-||-||Nikon D1X|
It is notable that the GFX 50S offers wifi support, while the D1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The GFX 50S is a recent model that features in the current product line-up of Fujifilm. In contrast, the D1 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the D1 was succeeded by the Nikon D1X. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.
So what conclusions can be drawn? Which of the two cameras – the Fujifilm GFX 50S or the Nikon D1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Fujifilm GFX 50S:
- More detail: Offers more megapixels (51.1 vs 2.6MP) with a 331% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can record not only still images but also 1080/30p movies.
- Larger screen: Has a bigger rear LCD (3.2" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 120k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (3 vs 1.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (148x94mm vs 157x153mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 360g or 33 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 17 years and 3 months of technical progress since the D1 launch.
Advantages of the Nikon D1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/16000s vs 1/4000s) to freeze action.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- More affordable: Was released into a lower priced segment (15 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in June 1999).
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S is the clear winner of the match-up (20 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Nikon D1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the GFX 50S or the D1 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Fujifilm GFX 50S vs Fujifilm X-A5
- Fujifilm GFX 50S vs Olympus E-M1
- Fujifilm GFX 50S vs Panasonic ZS100
- Fujifilm GFX 50S vs Sigma fp
- Fujifilm GFX 50S vs Sony H200
- Fujifilm GFX 50S vs Sony RX10
- Fujifilm X-T20 vs Nikon D1
- Leica V-LUX 5 vs Nikon D1
- Nikon D1 vs Olympus E-P2
- Nikon D1 vs Panasonic GH2
- Nikon D1 vs Panasonic GH5s
- Nikon D1 vs Panasonic GX800
Specifications: Fujifilm GFX 50S vs Nikon D1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 50S||Nikon D1|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm G mount lenses||Nikon F mount lenses|
|Launch Date||September 2016||June 1999|
|Launch Price||USD 6499||USD 5499|
|Sensor Specs||Fujifilm GFX 50S||Nikon D1|
|Sensor Format||Medium Format Sensor||APS-C Sensor|
|Sensor Size||44.0 x 33.0 mm||23.7 x 15.6 mm|
|Sensor Area||1452 mm2||369.72 mm2|
|Sensor Diagonal||55 mm||28.4 mm|
|Sensor Resolution||51.1 Megapixels||2.6 Megapixels|
|Image Resolution||8256 x 6192 pixels||2000 x 1312 pixels|
|Pixel Pitch||5.33 μm||11.93 μm|
|Pixel Density||3.52 MP/cm2||0.71 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||no Video|
|ISO Setting||100-12800 ISO||200-1600 ISO|
|ISO Boost||50-102400 ISO||200-6400 ISO|
|Screen Specs||Fujifilm GFX 50S||Nikon D1|
|Viewfinder Type||Viewfinder optional||Optical viewfinder|
|Viewfinder Field of View||96%|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||3.2 inch||2.0 inch|
|LCD Resolution||2360k dots||120k dots|
|LCD Attachment||Fully flexible screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm GFX 50S||Nikon D1|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||3 shutter flaps/s||1.5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Fujifilm GFX 50S||Nikon D1|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.0||Firewire|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm GFX 50S||Nikon D1|
|Environmental Sealing||Weathersealed body||Weathersealed body|
148 x 94 x 91 mm
(5.8 x 3.7 x 3.6 in)
157 x 153 x 85 mm
(6.2 x 6.0 x 3.3 in)
|Camera Weight||740 g (26.1 oz)||1100 g (38.8 oz)|
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