Fujifilm GFX 50S vs Nikon 1 V1
The Fujifilm GFX 50S and the Nikon 1 V1 are two digital cameras that were revealed to the public, respectively, in September 2016 and September 2011. Both the GFX 50S and the V1 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 50S) and an one-inch (V1) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Nikon provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Nikon 1 V1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Fujifilm GFX 50S and the Nikon 1 V1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon 1 V1 is considerably smaller (38 percent) than the Fujifilm GFX 50S. Moreover, the V1 is substantially lighter (48 percent) than the GFX 50S. It is worth mentioning in this context that the GFX 50S is splash and dust resistant, while the V1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the GFX 50S gets 400 shots out of its Fujifilm NP-T125 battery, while the V1 can take 350 images on a single charge of its Nikon EN-EL15 power pack.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | 6,499 | ebay.com | |
2. | Nikon 1 V1 | 113 mm | 76 mm | 44 mm | 383 g | 350 | n | Sep 2011 | 799 | ebay.com | |
3. | Canon 5D Mark IV | 151 mm | 116 mm | 76 mm | 890 g | 900 | Y | Aug 2016 | 3,499 | amazon.com | |
4. | Fujifilm GFX 100 II | 152 mm | 117 mm | 99 mm | 1030 g | 540 | Y | Sep 2023 | 7,499 | amazon.com | |
5. | Fujifilm GFX 100S | 150 mm | 104 mm | 87 mm | 900 g | 460 | Y | Jan 2021 | 5,999 | amazon.com | |
6. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | 3,999 | amazon.com | |
7. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | 4,499 | ebay.com | |
8. | Hasselblad X1D II | 148 mm | 97 mm | 70 mm | 766 g | .. | Y | Jun 2019 | 5,750 | ebay.com | |
9. | Hasselblad X1D | 150 mm | 98 mm | 71 mm | 725 g | .. | Y | Jun 2016 | 8,995 | ebay.com | |
10. | Leica Q3 | 130 mm | 80 mm | 93 mm | 743 g | 350 | Y | May 2023 | 5,995 | amazon.com | |
11. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | 6,595 | ebay.com | |
12. | Leica SL | 147 mm | 104 mm | 39 mm | 847 g | 400 | Y | Oct 2015 | 7,450 | ebay.com | |
13. | Nikon 1 V3 | 111 mm | 65 mm | 33 mm | 381 g | 310 | n | Mar 2014 | 799 | ebay.com | |
14. | Nikon 1 V2 | 109 mm | 82 mm | 46 mm | 278 g | 310 | n | Oct 2012 | 799 | ebay.com | |
15. | Panasonic GX1 | 116 mm | 68 mm | 39 mm | 318 g | 320 | n | Nov 2011 | 699 | ebay.com | |
16. | Panasonic G10 | 124 mm | 84 mm | 74 mm | 388 g | 380 | n | Mar 2010 | 499 | ebay.com | |
17. | Panasonic G2 | 124 mm | 84 mm | 74 mm | 428 g | 360 | n | Mar 2010 | 599 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The V1 was launched at a markedly lower price (by 88 percent) than the GFX 50S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Nikon 1 V1 an one-inch sensor. The sensor area in the V1 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.7. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the V1 offers a 3:2 aspect.
With 51.1MP, the GFX 50S offers a higher resolution than the V1 (10MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.41μm for the V1) due to its larger sensor. Moreover, the GFX 50S is a much more recent model (by 5 years) than the V1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Nikon 1 V1 are 19.4 x 13 inches or 49.2 x 32.9 cm for good quality, 15.5 x 10.4 inches or 39.3 x 26.3 cm for very good quality, and 12.9 x 8.6 inches or 32.8 x 21.9 cm for excellent quality prints.
The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon 1 V1 are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
2. | Nikon 1 V1 | 1-inch | 10.0 | 3872 | 2592 | 1080/60i | 21.3 | 11.0 | 346 | 54 | |
3. | Canon 5D Mark IV | Full Frame | 30.1 | 6720 | 4480 | 4K/30p | 24.8 | 13.6 | 2995 | 91 | |
4. | Fujifilm GFX 100 II | Medium Format | 101.8 | 11648 | 8736 | 8K/30p | 25.9 | 15.0 | 3651 | 101 | |
5. | Fujifilm GFX 100S | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.8 | 14.7 | 3391 | 100 | |
6. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
7. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
8. | Hasselblad X1D II | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 25.7 | 14.5 | 3234 | 99 | |
9. | Hasselblad X1D | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 26.2 | 14.8 | 4489 | 102 | |
10. | Leica Q3 | Full Frame | 60.3 | 9528 | 6328 | 8K/30p | 25.4 | 14.7 | 3216 | 96 | |
11. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
12. | Leica SL | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 13.4 | 1821 | 88 | |
13. | Nikon 1 V3 | 1-inch | 18.2 | 5232 | 3488 | 1080/60p | 20.8 | 10.7 | 384 | 52 | |
14. | Nikon 1 V2 | 1-inch | 14.2 | 4608 | 3072 | 1080/60p | 20.2 | 10.8 | 403 | 50 | |
15. | Panasonic GX1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 20.8 | 10.6 | 703 | 55 | |
16. | Panasonic G10 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.1 | 411 | 52 | |
17. | Panasonic G2 | Four Thirds | 12.0 | 4000 | 3000 | 720/30p | 21.2 | 10.3 | 493 | 53 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the V1 provides a faster frame rate than the GFX 50S. It can shoot movie footage at 1080/60i, while the Fujifilm is limited to 1080/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the V1 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The adjacent table lists some of the other core features of the Fujifilm GFX 50S and Nikon 1 V1 along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
2. | Nikon 1 V1 | 1440 | n | 3.0 / 921 | fixed | n | 1/4000s | 10.0/s | n | n | |
3. | Canon 5D Mark IV | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 7.0/s | n | n | |
4. | Fujifilm GFX 100 II | 9440 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 8.0/s | n | Y | |
5. | Fujifilm GFX 100S | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
6. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
7. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
8. | Hasselblad X1D II | 3690 | n | 3.6 / 2360 | fixed | Y | 1/2000s | 2.7/s | n | n | |
9. | Hasselblad X1D | 2360 | n | 3.0 / 920 | fixed | Y | 1/2000s | 2.3/s | n | n | |
10. | Leica Q3 | 5760 | n | 3.0 / 1840 | tilting | Y | 1/2000s | 15.0/s | n | Y | |
11. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
12. | Leica SL | 4400 | Y | 3.0 / 1040 | fixed | Y | 1/8000s | 11.0/s | n | n | |
13. | Nikon 1 V3 | optional | n | 3.0 / 1037 | tilting | Y | 1/4000s | 60.0/s | Y | n | |
14. | Nikon 1 V2 | 1440 | n | 3.0 / 921 | fixed | n | 1/4000s | 15.0/s | Y | n | |
15. | Panasonic GX1 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 4.2/s | Y | n | |
16. | Panasonic G10 | 202 | n | 3.0 / 460 | fixed | n | 1/4000s | 2.6/s | Y | n | |
17. | Panasonic G2 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 2.6/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the GFX 50S, but is missing on the V1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S and the Nikon 1 V1 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 50S and the V1 write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the V1 only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the V1 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Nikon 1 V1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
2. | Nikon 1 V1 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
3. | Canon 5D Mark IV | Y | mono / mono | Y | Y | mini | 3.0 | Y | Y | - | |
4. | Fujifilm GFX 100 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
5. | Fujifilm GFX 100S | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
6. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
7. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
8. | Hasselblad X1D II | Y | stereo / mono | Y | Y | - | 3.0 | Y | - | - | |
9. | Hasselblad X1D | Y | stereo / mono | Y | Y | mini | 3.0 | Y | - | - | |
10. | Leica Q3 | Y | stereo / mono | - | - | micro | 3.1 | Y | - | Y | |
11. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
12. | Leica SL | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | - | |
13. | Nikon 1 V3 | - | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
14. | Nikon 1 V2 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
15. | Panasonic GX1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
16. | Panasonic G10 | Y | mono / - | - | - | mini | 2.0 | - | - | - | |
17. | Panasonic G2 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
It is notable that the GFX 50S has a hotshoe, while the V1 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the V1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the GFX 50S and the V1 have been discontinued, but can regularly be found used on ebay. The V1 was replaced by the Nikon 1 V2, while the GFX 50S was followed by the Fujifilm GFX 50S II. Further information on the features and operation of the GFX 50S and V1 can be found, respectively, in the Fujifilm GFX 50S Manual (free pdf) or the online Nikon 1 V1 Manual.
Review summary
So what is the bottom line? Is the Fujifilm GFX 50S better than the Nikon 1 V1 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Fujifilm GFX 50S:
- More detail: Offers more megapixels (51.1 vs 10MP) with a 122% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 921k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Longer lasting: Can take more shots (400 versus 350) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 5 years of technical progress since the V1 launch.
Advantages of the Nikon 1 V1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (113x76mm vs 148x94mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 357g or 48 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (88 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2011).
If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the match-up (22 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Nikon 1 V1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the GFX 50S or the V1 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | 6,499 | ebay.com | |
2. | Nikon 1 V1 | .. | + | .. | 69/100 | 4.5/5 | 4/5 | Sep 2011 | 799 | ebay.com | |
3. | Canon 5D Mark IV | 4.5/5 | + + | 4/5 | 87/100 | 4.5/5 | 4.5/5 | Aug 2016 | 3,499 | amazon.com | |
4. | Fujifilm GFX 100 II | 5/5 | + | 5/5 | .. | .. | 4.5/5 | Sep 2023 | 7,499 | amazon.com | |
5. | Fujifilm GFX 100S | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jan 2021 | 5,999 | amazon.com | |
6. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | 3,999 | amazon.com | |
7. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | 4,499 | ebay.com | |
8. | Hasselblad X1D II | .. | .. | 4/5 | .. | 4/5 | 4/5 | Jun 2019 | 5,750 | ebay.com | |
9. | Hasselblad X1D | .. | o | .. | 81/100 | .. | 4/5 | Jun 2016 | 8,995 | ebay.com | |
10. | Leica Q3 | 5/5 | .. | 4.5/5 | .. | .. | 4.5/5 | May 2023 | 5,995 | amazon.com | |
11. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | 6,595 | ebay.com | |
12. | Leica SL | 4/5 | .. | 4/5 | 84/100 | 4.5/5 | 4/5 | Oct 2015 | 7,450 | ebay.com | |
13. | Nikon 1 V3 | 3/5 | .. | .. | 76/100 | 4.5/5 | 4/5 | Mar 2014 | 799 | ebay.com | |
14. | Nikon 1 V2 | 3/5 | .. | .. | .. | 4.5/5 | 4/5 | Oct 2012 | 799 | ebay.com | |
15. | Panasonic GX1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Nov 2011 | 699 | ebay.com | |
16. | Panasonic G10 | 3/5 | .. | .. | 70/100 | 4/5 | 4/5 | Mar 2010 | 499 | ebay.com | |
17. | Panasonic G2 | .. | .. | .. | 72/100 | 4/5 | 4.5/5 | Mar 2010 | 599 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 60D vs Fujifilm GFX 50S
- Canon G12 vs Fujifilm GFX 50S
- Canon SX520 vs Fujifilm GFX 50S
- Canon SX730 vs Nikon 1 V1
- Canon T6s vs Nikon 1 V1
- Fujifilm GFX 50S vs Fujifilm X-E2S
- Fujifilm GFX 50S vs Panasonic G5
- Fujifilm GFX 50S vs Sony A9 II
- Nikon 1 V1 vs Nikon W300
- Nikon 1 V1 vs Olympus PEN-F
- Nikon 1 V1 vs Olympus XZ-2
- Nikon 1 V1 vs Sony RX100 III
Specifications: Fujifilm GFX 50S vs Nikon 1 V1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm GFX 50S | Nikon 1 V1 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Fujifilm G mount lenses | Nikon 1 mount lenses |
Launch Date | September 2016 | September 2011 |
Launch Price | USD 6,499 | USD 799 |
Sensor Specs | Fujifilm GFX 50S | Nikon 1 V1 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Medium Format Sensor | 1" Sensor |
Sensor Size | 44.0 x 33.0 mm | 13.2 x 8.8 mm |
Sensor Area | 1452 mm2 | 116.16 mm2 |
Sensor Diagonal | 55 mm | 15.9 mm |
Crop Factor | 0.79x | 2.7x |
Sensor Resolution | 51.1 Megapixels | 10 Megapixels |
Image Resolution | 8256 x 6192 pixels | 3872 x 2592 pixels |
Pixel Pitch | 5.33 μm | 3.41 μm |
Pixel Density | 3.52 MP/cm2 | 8.64 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 1080/30p Video | 1080/60i Video |
ISO Setting | 100 - 12,800 ISO | 100 - 3,200 ISO |
ISO Boost | 50 - 102,400 ISO | 100 - 6,400 ISO |
DXO Sensor Quality (score) | .. | 54 |
DXO Color Depth (bits) | .. | 21.3 |
DXO Dynamic Range (EV) | .. | 11 |
DXO Low Light (ISO) | .. | 346 |
Screen Specs | Fujifilm GFX 50S | Nikon 1 V1 |
Viewfinder Type | Viewfinder optional | Electronic viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Resolution | 1440k dots | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.2inch | 3.0inch |
LCD Resolution | 2360k dots | 921k dots |
LCD Attachment | Fully flexible screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Fujifilm GFX 50S | Nikon 1 V1 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 3 shutter flaps/s | 10 shutter flaps/s |
Electronic Shutter | up to 1/16000s | up to 1/16000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
UHS card support | Dual UHS-II | UHS-I |
Connectivity Specs | Fujifilm GFX 50S | Nikon 1 V1 |
External Flash | Hotshoe | no Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 3.0 | USB 2.0 |
HDMI Port | micro HDMI | mini HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | no Wifi |
Body Specs | Fujifilm GFX 50S | Nikon 1 V1 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Fujifilm NP-T125 | Nikon EN-EL15 |
Battery Life (CIPA) | 400 shots per charge | 350 shots per charge |
Body Dimensions |
148 x 94 x 91 mm (5.8 x 3.7 x 3.6 in) |
113 x 76 x 44 mm (4.4 x 3.0 x 1.7 in) |
Camera Weight | 740 g (26.1 oz) | 383 g (13.5 oz) |
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