Fujifilm GFX 50S vs Leica X Typ 113
The Fujifilm GFX 50S and the Leica X (Typ 113) are two digital cameras that were announced, respectively, in September 2016 and September 2014. The GFX 50S is a mirrorless interchangeable lens camera, while the X Typ 113 is a fixed lens compact. The cameras are based on a medium format (GFX 50S) and an APS-C (X Typ 113) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Leica provides 16.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Leica X (Typ 113)? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 50S and the Leica X Typ 113. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The X Typ 113 can be obtained in three different colors (black, brown, white), while the GFX 50S is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica X Typ 113 is considerably smaller (30 percent) than the Fujifilm GFX 50S. It is worth mentioning in this context that the GFX 50S is splash and dust resistant, while the X Typ 113 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the X Typ 113 has a lens built in, whereas the GFX 50S is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499|
|2.||Leica X Typ 113||133 mm||73 mm||78 mm||486 g||350||n||Sep 2014||2,295|
|3.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|4.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|5.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|6.||Fujifilm GFX 100S||150 mm||104 mm||87 mm||900 g||460||Y||Jan 2021||5,999|
|7.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|8.||Fujifilm X100T||127 mm||74 mm||52 mm||440 g||330||n||Sep 2014||1,299|
|9.||Fujifilm X100S||127 mm||74 mm||54 mm||445 g||330||n||Jan 2013||1,299|
|10.||Hasselblad X1D II||148 mm||97 mm||70 mm||766 g||..||Y||Jun 2019||5,750|
|11.||Hasselblad X1D||150 mm||98 mm||71 mm||725 g||..||Y||Jun 2016||8,995|
|12.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595|
|13.||Leica TL2||134 mm||69 mm||33 mm||399 g||250||n||Jul 2017||1,950|
|14.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450|
|15.||Leica X2||124 mm||69 mm||52 mm||345 g||450||n||May 2012||1,995|
|16.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299|
|17.||Sony RX1R||113 mm||65 mm||70 mm||482 g||270||n||Jun 2013||2,799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X Typ 113 was launched at a lower price than the GFX 50S, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Leica X Typ 113 an APS-C sensor. The sensor area in the X Typ 113 is 75 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the X Typ 113 offers a 3:2 aspect.
With 51.1MP, the GFX 50S offers a higher resolution than the X Typ 113 (16.1MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.79μm for the X Typ 113) due to its larger sensor. Moreover, the GFX 50S is a much more recent model (by 2 years) than the X Typ 113, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Leica X Typ 113 are 24.6 x 16.3 inches or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.6 cm for excellent quality prints.
The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Leica X (Typ 113) are ISO 100 to ISO 12500 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|2.||Leica X Typ 113||APS-C||16.1||4928||3264||1080/30p||..||..||..||..|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|4.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|6.||Fujifilm GFX 100S||Medium Format||101.8||11648||8736||4K/30p||..||..||..||..|
|7.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|10.||Hasselblad X1D II||Medium Format||51.3||8272||6200||none||..||..||..||..|
|11.||Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102|
|12.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|14.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|17.||Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/30p).
Apart from body and sensor, cameras can and do differ across a range of features. The GFX 50S and the X Typ 113 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. However, optional viewfinders – the EVF-TL1 for the GFX 50S and the Visoflex (Typ 020) for the X Typ 113 – are available as accessories. The adjacent table lists some of the other core features of the Fujifilm GFX 50S and Leica X Typ 113 along with similar information for a selection of comparators.
|1.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0||n||n|
|2.||Leica X Typ 113||optional||n||3.0 / 920||fixed||n||1/2000s||5.0||Y||n|
|3.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5||n||n|
|4.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0||n||n|
|5.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|6.||Fujifilm GFX 100S||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0||n||Y|
|7.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0||n||n|
|8.||Fujifilm X100T||2360||n||3.0 / 1040||fixed||n||1/4000s||6.0||Y||n|
|9.||Fujifilm X100S||2360||n||2.8 / 460||fixed||n||1/4000s||6.0||Y||n|
|10.||Hasselblad X1D II||3690||n||3.6 / 2360||fixed||Y||1/2000s||2.7||n||n|
|11.||Hasselblad X1D||2360||n||3.0 / 920||fixed||Y||1/2000s||2.3||n||n|
|12.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0||n||n|
|13.||Leica TL2||optional||n||3.7 / 1230||fixed||Y||1/4000s||7.0||n||n|
|14.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0||n||n|
|15.||Leica X2||optional||n||2.7 / 230||fixed||n||1/2000s||5.0||Y||n|
|16.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0||Y||n|
|17.||Sony RX1R||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0||Y||n|
One feature that is present on the GFX 50S, but is missing on the X Typ 113 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 50S and the X Typ 113 write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the X Typ 113 only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the X Typ 113 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Leica X (Typ 113) and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|2.||Leica X Typ 113||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|5.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|6.||Fujifilm GFX 100S||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|7.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|8.||Fujifilm X100T||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Fujifilm X100S||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|10.||Hasselblad X1D II||Y||stereo / mono||Y||Y||-||3.0||Y||-||-|
|11.||Hasselblad X1D||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|12.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|13.||Leica TL2||Y||stereo / mono||-||-||micro||3.0||Y||-||-|
|14.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|15.||Leica X2||Y||- / -||-||-||mini||2.0||-||-||-|
|16.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|17.||Sony RX1R||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the GFX 50S has a microphone port, which is missing on the X Typ 113. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the X Typ 113) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GFX 50S is a recent model that features in the current product line-up of Fujifilm. In contrast, the X Typ 113 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the X Typ 113 from Leica. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Leica websites.
So what is the bottom line? Which of the two cameras – the Fujifilm GFX 50S or the Leica X Typ 113 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Fujifilm GFX 50S:
- More detail: Offers more megapixels (51.1 vs 16.1MP) with a 75% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 920k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (400 versus 350) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 2 years of technical progress since the X Typ 113 launch.
Advantages of the Leica X (Typ 113):
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the GFX 50S necessitates an extra lens.
- More compact: Is smaller (133x73mm vs 148x94mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the GFX 50S).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in September 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the match-up (25 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Leica X Typ 113 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GFX 50S and the X Typ 113 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499|
|2.||Leica X Typ 113||3.5/5||..||..||..||3.5/5||4/5||Sep 2014||2,295|
|3.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|4.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|5.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|6.||Fujifilm GFX 100S||5/5||+ +||5/5||90/100||5/5||5/5||Jan 2021||5,999|
|7.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|8.||Fujifilm X100T||5/5||+||..||81/100||4.5/5||5/5||Sep 2014||1,299|
|9.||Fujifilm X100S||5/5||+ +||..||81/100||4.5/5||5/5||Jan 2013||1,299|
|10.||Hasselblad X1D II||..||..||4/5||..||4/5||4/5||Jun 2019||5,750|
|11.||Hasselblad X1D||..||o||..||81/100||..||4/5||Jun 2016||8,995|
|12.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595|
|13.||Leica TL2||3.5/5||..||3/5||..||4/5||4/5||Jul 2017||1,950|
|14.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450|
|15.||Leica X2||3/5||..||..||..||3/5||4/5||May 2012||1,995|
|16.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299|
|17.||Sony RX1R||5/5||..||..||..||4/5||4.5/5||Jun 2013||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon R vs Leica X Typ 113
- Fujifilm GFX 50S vs Fujifilm X-T10
- Fujifilm GFX 50S vs Nikon D6
- Fujifilm GFX 50S vs Nikon Z7
- Fujifilm GFX 50S vs Panasonic G2
- Fujifilm GFX 50S vs Sony A1
- Fujifilm GFX 50S vs Sony A6000
- Leica X Typ 113 vs Nikon D40X
- Leica X Typ 113 vs Panasonic GH3
- Leica X Typ 113 vs Sony A7 III
- Leica X Typ 113 vs Sony A7C
- Leica X Typ 113 vs Sony RX100 II
Specifications: Fujifilm GFX 50S vs Leica X Typ 113
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 50S||Leica X Typ 113|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Fujifilm G mount lenses||35mm f/1.7|
|Launch Date||September 2016||September 2014|
|Launch Price||USD 6,499||USD 2,295|
|Sensor Specs||Fujifilm GFX 50S||Leica X Typ 113|
|Sensor Format||Medium Format Sensor||APS-C Sensor|
|Sensor Size||44.0 x 33.0 mm||23.7 x 15.6 mm|
|Sensor Area||1452 mm2||369.72 mm2|
|Sensor Diagonal||55 mm||28.4 mm|
|Sensor Resolution||51.1 Megapixels||16.1 Megapixels|
|Image Resolution||8256 x 6192 pixels||4928 x 3264 pixels|
|Pixel Pitch||5.33 μm||4.79 μm|
|Pixel Density||3.52 MP/cm2||4.35 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/30p Video|
|ISO Setting||100 - 12,800 ISO||100 - 12,500 ISO|
|ISO Boost||50 - 102,400 ISO||no Enhancement|
|Screen Specs||Fujifilm GFX 50S||Leica X Typ 113|
|Viewfinder Type||Viewfinder optional||Viewfinder optional|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2360k dots||920k dots|
|LCD Attachment||Fully flexible screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm GFX 50S||Leica X Typ 113|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||3 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||no|
|Connectivity Specs||Fujifilm GFX 50S||Leica X Typ 113|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm GFX 50S||Leica X Typ 113|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||400 shots per charge||350 shots per charge|
148 x 94 x 91 mm
(5.8 x 3.7 x 3.6 in)
133 x 73 x 78 mm
(5.2 x 2.9 x 3.1 in)
|Camera Weight||740 g (26.1 oz)||486 g (17.1 oz)|
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