Fujifilm GFX 50S vs Leica S Typ 006
The Fujifilm GFX 50S and the Leica S (Typ 006) are two professional cameras that were revealed to the public, respectively, in September 2016 and September 2012. The GFX 50S is a mirrorless interchangeable lens camera, while the S Typ 006 is a DSLR. Both cameras are equipped with a medium format sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Leica provides 37.5 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Leica S (Typ 006)? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 50S and the Leica S Typ 006. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica S Typ 006 is notably larger (38 percent) than the Fujifilm GFX 50S. Moreover, the S Typ 006 is substantially heavier (70 percent) than the GFX 50S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499|
|2.||Leica S Typ 006||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2012||21,950|
|3.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|4.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|5.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|6.||Fujifilm GFX 100S||150 mm||104 mm||87 mm||900 g||460||Y||Jan 2021||5,999|
|7.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|8.||Hasselblad X1D II||148 mm||97 mm||70 mm||766 g||..||Y||Jun 2019||5,750|
|9.||Hasselblad X1D||150 mm||98 mm||71 mm||725 g||..||Y||Jun 2016||8,995|
|10.||Leica S3||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2018||18,995|
|11.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595|
|12.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450|
|13.||Leica S-E Typ 006||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2014||16,900|
|14.||Leica S Typ 007||160 mm||120 mm||80 mm||1260 g||..||Y||Sep 2014||24,490|
|15.||Leica M Typ 240||139 mm||80 mm||42 mm||680 g||..||Y||Sep 2012||6,950|
|16.||Leica S2||160 mm||120 mm||80 mm||1410 g||..||Y||Sep 2008||22,995|
|17.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GFX 50S was launched at a markedly lower price (by 70 percent) than the S Typ 006, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a medium format sensor, but their sensors differ slightly in size. The sensor area in the S Typ 006 is 7 percent smaller. As a result of these sensor size differences, the cameras have format factors, respectively, of 0.79 (GFX 50S) and 0.8. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the S Typ 006 offers a 3:2 aspect.
With 51.1MP, the GFX 50S offers a higher resolution than the S Typ 006 (37.5MP), but the GFX 50S has smaller individual pixels (pixel pitch of 5.33μm versus 6.00μm for the S Typ 006). However, the GFX 50S is a much more recent model (by 4 years) than the S Typ 006, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Leica S Typ 006 are 37.5 x 25 inches or 95.3 x 63.5 cm for good quality, 30 x 20 inches or 76.2 x 50.8 cm for very good quality, and 25 x 16.7 inches or 63.5 x 42.3 cm for excellent quality prints.
The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Leica S (Typ 006) are ISO 100 to ISO 1600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|2.||Leica S Typ 006||Medium Format||37.5||7500||5000||none||23.9||12.2||824||76|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|4.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|6.||Fujifilm GFX 100S||Medium Format||101.8||11648||8736||4K/30p||..||..||..||..|
|7.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|8.||Hasselblad X1D II||Medium Format||51.3||8272||6200||none||..||..||..||..|
|9.||Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102|
|10.||Leica S3||Medium Format||64.0||9800||6533||4K/24p||..||..||..||..|
|11.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|12.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|13.||Leica S-E Typ 006||Medium Format||37.5||7500||5000||none||..||..||..||..|
|14.||Leica S Typ 007||Medium Format||37.5||7500||5000||4K/24p||..||..||..||..|
|15.||Leica M Typ 240||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84|
|16.||Leica S2||Medium Format||37.5||7500||5000||none||..||..||..||..|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The GFX 50S indeed provides movie recording capabilities, while the S Typ 006 does not. The highest resolution format that the GFX 50S can use is 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the S Typ 006 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The table below summarizes some of the other core capabilities of the Fujifilm GFX 50S and Leica S Typ 006 in connection with corresponding information for a sample of similar cameras.
|1.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0||n||n|
|2.||Leica S Typ 006||optical||Y||3.0 / 922||fixed||n||1/4000s||1.5||n||n|
|3.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5||n||n|
|4.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0||n||n|
|5.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|6.||Fujifilm GFX 100S||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0||n||Y|
|7.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0||n||n|
|8.||Hasselblad X1D II||3690||n||3.6 / 2360||fixed||Y||1/2000s||2.7||n||n|
|9.||Hasselblad X1D||2360||n||3.0 / 920||fixed||Y||1/2000s||2.3||n||n|
|10.||Leica S3||optical||Y||3.0 / 922||fixed||n||1/4000s||3.0||n||n|
|11.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0||n||n|
|12.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0||n||n|
|13.||Leica S-E Typ 006||optical||Y||3.0 / 922||fixed||n||1/4000s||1.5||n||n|
|14.||Leica S Typ 007||optical||Y||3.0 / 922||fixed||n||1/4000s||3.5||n||n|
|15.||Leica M Typ 240||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||n||n|
|16.||Leica S2||optical||Y||3.0 / 460||fixed||n||1/4000s||1.5||n||n|
|17.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0||Y||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GFX 50S has a touchscreen, while the S Typ 006 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GFX 50S writes its imaging data to SDXC cards, while the S Typ 006 uses Compact Flash or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The GFX 50S supports UHS-II cards (on both slots), while the S Typ 006 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Leica S (Typ 006) and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|2.||Leica S Typ 006||Y||- / -||-||-||mini||2.0||-||-||-|
|3.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|5.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|6.||Fujifilm GFX 100S||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|7.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|8.||Hasselblad X1D II||Y||stereo / mono||Y||Y||-||3.0||Y||-||-|
|9.||Hasselblad X1D||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|10.||Leica S3||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|11.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|12.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|13.||Leica S-E Typ 006||Y||- / -||-||-||mini||2.0||-||-||-|
|14.||Leica S Typ 007||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|15.||Leica M Typ 240||Y||stereo / mono||-||-||-||2.0||-||-||-|
|16.||Leica S2||Y||- / -||-||-||mini||2.0||-||-||-|
|17.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
It is notable that the GFX 50S offers wifi support, while the S Typ 006 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The GFX 50S is a recent model that features in the current product line-up of Fujifilm. In contrast, the S Typ 006 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the S Typ 006 was succeeded by the Leica S Typ 007. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Leica websites.
So what conclusions can be drawn? Is the Fujifilm GFX 50S better than the Leica S Typ 006 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Fujifilm GFX 50S:
- More detail: Offers more megapixels (51.1 vs 37.5MP) with a 14% higher linear resolution.
- Broader imaging potential: Can record not only still images but also 1080/30p movies.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 922k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (3 vs 1.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (148x94mm vs 160x120mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 520g or 41 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
- More modern: Reflects 4 years of technical progress since the S Typ 006 launch.
Advantages of the Leica S (Typ 006):
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S is the clear winner of the match-up (17 : 3 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Leica S Typ 006 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GFX 50S and the S Typ 006 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499|
|2.||Leica S Typ 006||..||..||..||..||..||..||Sep 2012||21,950|
|3.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|4.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|5.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|6.||Fujifilm GFX 100S||5/5||+ +||5/5||90/100||5/5||5/5||Jan 2021||5,999|
|7.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|8.||Hasselblad X1D II||..||..||4/5||..||4/5||4/5||Jun 2019||5,750|
|9.||Hasselblad X1D||..||o||..||81/100||..||4/5||Jun 2016||8,995|
|10.||Leica S3||..||..||..||..||..||..||Sep 2018||18,995|
|11.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595|
|12.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450|
|13.||Leica S-E Typ 006||..||..||..||..||..||..||Sep 2014||16,900|
|14.||Leica S Typ 007||4/5||..||..||..||..||..||Sep 2014||24,490|
|15.||Leica M Typ 240||4/5||..||..||..||4/5||..||Sep 2012||6,950|
|16.||Leica S2||..||..||..||..||..||..||Sep 2008||22,995|
|17.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon M50 vs Fujifilm GFX 50S
- Canon SX530 vs Fujifilm GFX 50S
- Fujifilm GFX 50S vs Nikon D3200
- Fujifilm GFX 50S vs Nikon D70
- Fujifilm GFX 50S vs Pentax K-3 II
- Fujifilm GFX 50S vs Sony NEX-F3
- Fujifilm XP120 vs Leica S Typ 006
- Leica S Typ 006 vs Nikon D1H
- Leica S Typ 006 vs Nikon D600
- Leica S Typ 006 vs Olympus E-M1
- Leica S Typ 006 vs Panasonic LX5
- Leica S Typ 006 vs Pentax K-3
Specifications: Fujifilm GFX 50S vs Leica S Typ 006
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 50S||Leica S Typ 006|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm G mount lenses||Leica S mount lenses|
|Launch Date||September 2016||September 2012|
|Launch Price||USD 6,499||USD 21,950|
|Sensor Specs||Fujifilm GFX 50S||Leica S Typ 006|
|Sensor Format||Medium Format Sensor||Medium Format Sensor|
|Sensor Size||44.0 x 33.0 mm||45.0 x 30.0 mm|
|Sensor Area||1452 mm2||1350 mm2|
|Sensor Diagonal||55 mm||54.1 mm|
|Sensor Resolution||51.1 Megapixels||37.5 Megapixels|
|Image Resolution||8256 x 6192 pixels||7500 x 5000 pixels|
|Pixel Pitch||5.33 μm||6.00 μm|
|Pixel Density||3.52 MP/cm2||2.78 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/30p Video||no Video|
|ISO Setting||100 - 12,800 ISO||100 - 1,600 ISO|
|ISO Boost||50 - 102,400 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||76|
|DXO Color Depth (bits)||..||23.9|
|DXO Dynamic Range (EV)||..||12.2|
|DXO Low Light (ISO)||..||824|
|Screen Specs||Fujifilm GFX 50S||Leica S Typ 006|
|Viewfinder Type||Viewfinder optional||Optical viewfinder|
|Viewfinder Field of View||98%|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2360k dots||922k dots|
|LCD Attachment||Fully flexible screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm GFX 50S||Leica S Typ 006|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||3 shutter flaps/s||1.5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Fujifilm GFX 50S||Leica S Typ 006|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm GFX 50S||Leica S Typ 006|
|Environmental Sealing||Weathersealed body||Weathersealed body|
148 x 94 x 91 mm
(5.8 x 3.7 x 3.6 in)
160 x 120 x 80 mm
(6.3 x 4.7 x 3.1 in)
|Camera Weight||740 g (26.1 oz)||1260 g (44.4 oz)|
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