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Fujifilm GFX 50S II vs Sony ZV-E10

The Fujifilm GFX 50S II and the Sony ZV-E10 are two digital cameras that were revealed to the public, respectively, in September 2021 and July 2021. Both the GFX 50S II and the ZV-E10 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 50S II) and an APS-C (ZV-E10) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 50S II
versus
Sony ZV-E10
Fujifilm GFX 50S II   Sony ZV-E10
Mirrorless system camera Mirrorless system camera
Fujifilm G mount lenses Sony E mount lenses
51.1 MP – Medium Format sensor 24 MP – APS-C sensor
1080/30p Video 4K/30p Video
ISO 100-12,800 (50 - 102,400) ISO 100-32,000 (100 - 51,200)
Electronic viewfinder (3690k dots) No viewfinder, LCD framing
3.2" LCD – 2360k dots 3.0" LCD – 922k dots
Fully flexible touchscreen Swivel touchscreen
3 shutter flaps per second 11 shutter flaps per second
In-body stabilizationLens stabilization only
Weathersealed bodynot weather sealed
440 shots per battery charge440 shots per battery charge
150 x 104 x 87 mm, 900 g 115 x 64 x 45 mm, 343 g
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Check GFX 50S II price at
amazon.com
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Check ZV-E10 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S II and the Sony ZV-E10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

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Body comparison

The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 50S II and the Sony ZV-E10. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The ZV-E10 can be obtained in two different colors (black, white), while the GFX 50S II is only available in black.

Size Fujifilm GFX 50S II vs Sony ZV-E10
Compare GFX 50S II versus ZV-E10 top
Comparison GFX 50S II or ZV-E10 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony ZV-E10 is considerably smaller (53 percent) than the Fujifilm GFX 50S II. Moreover, the ZV-E10 is substantially lighter (62 percent) than the GFX 50S II. It is worth mentioning in this context that the GFX 50S II is splash and dust resistant, while the ZV-E10 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

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Body Specifications
# image Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
Weather
Sealing
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 50S II 150 mm 104 mm 87 mm 900 g 440 Y Sep 2021 3,999 amazon.com
2.
 
Sony ZV-E10 115 mm 64 mm 45 mm 343 g 440 n Jul 2021 699 amazon.com
3.
 
Canon R5 C 142 mm 101 mm 111 mm 770 g 320 Y Jan 2022 4,499 amazon.com
4.
 
Canon R5 138 mm 98 mm 88 mm 738 g 320 Y Jul 2020 3,899 amazon.com
5.
 
Fujifilm GFX 100 II 152 mm 117 mm 99 mm 1030 g 540 Y Sep 2023 7,499 amazon.com
6.
 
Fujifilm GFX 100S 150 mm 104 mm 87 mm 900 g 460 Y Jan 2021 5,999 amazon.com
7.
 
Fujifilm GFX 100 156 mm 144 mm 75 mm 1320 g 800 Y May 2019 9,999ebay.com
8.
 
Fujifilm GFX 50R 161 mm 97 mm 66 mm 775 g 400 Y Sep 2018 4,499ebay.com
9.
 
Fujifilm GFX 50S 148 mm 94 mm 91 mm 740 g 400 Y Sep 2016 6,499ebay.com
10.
 
Hasselblad X2D 100C 149 mm 106 mm 75 mm 895 g 420 Y Sep 2022 8,199 amazon.com
11.
 
Panasonic S1R 149 mm 110 mm 97 mm 1016 g 380 Y Feb 2019 3,699 amazon.com
12.
 
Sony A1 129 mm 97 mm 81 mm 737 g 530 Y Jan 2021 6,499 amazon.com
13.
 
Sony A6100 120 mm 67 mm 59 mm 396 g 420 n Aug 2019 749ebay.com
14.
 
Sony A5100 110 mm 63 mm 36 mm 283 g 400 n Aug 2014 549ebay.com
15.
 
Sony A6000 120 mm 67 mm 45 mm 344 g 360 n Feb 2014 599ebay.com
16.
 
Sony A3000 128 mm 91 mm 85 mm 411 g 470 n Aug 2013 329ebay.com
17.
 
Sony NEX-3 117 mm 62 mm 33 mm 297 g 330 n May 2010 599ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The ZV-E10 was launched at a markedly lower price (by 83 percent) than the GFX 50S II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S II features a medium format sensor and the Sony ZV-E10 an APS-C sensor. The sensor area in the ZV-E10 is 75 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 50S II has a native 4:3 aspect ratio, while the one in the ZV-E10 offers a 3:2 aspect.

Fujifilm GFX 50S II and Sony ZV-E10 sensor measures

With 51.1MP, the GFX 50S II offers a higher resolution than the ZV-E10 (24MP), but the GFX 50S II nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.91μm for the ZV-E10) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the GFX 50S II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S II for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Sony ZV-E10 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

The ZV-E10 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the ZV-E10, the GFX 50S II has the capacity to capture high quality composite images (205MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 50S II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony ZV-E10 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

GFX 50S II versus ZV-E10 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

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Sensor Characteristics
# image Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
1.
 
Fujifilm GFX 50S II Medium Format 51.1 8256 61921080/30p25.914.83456100
2.
 
Sony ZV-E10 APS-C 24.0 6000 40004K/30p24.213.8213485
3.
 
Canon R5 C Full Frame 44.8 8192 54648k/60p25.414.5308296
4.
 
Canon R5 Full Frame 44.8 8192 54648K/30p25.314.6304295
5.
 
Fujifilm GFX 100 II Medium Format 101.8 11648 87368K/30p25.915.03651101
6.
 
Fujifilm GFX 100S Medium Format 101.8 11648 87364K/30p25.814.73391100
7.
 
Fujifilm GFX 100 Medium Format 101.8 11648 87364K/30p25.714.5322799
8.
 
Fujifilm GFX 50R Medium Format 51.1 8256 61921080/30p25.714.4316998
9.
 
Fujifilm GFX 50S Medium Format 51.1 8256 61921080/30p25.414.1297796
10.
 
Hasselblad X2D 100C Medium Format 102.1 11656 8762none25.914.93550101
11.
 
Panasonic S1R Full Frame 46.7 8368 55844K/60p26.414.13525100
12.
 
Sony A1 Full Frame 49.8 8640 57608k/30p25.914.5316398
13.
 
Sony A6100 APS-C 24.0 6000 40004K/30p24.113.6194784
14.
 
Sony A5100 APS-C 24.0 6000 40001080/60p23.812.7134780
15.
 
Sony A6000 APS-C 24.0 6000 40001080/60p24.113.1134782
16.
 
Sony A3000 APS-C 19.8 5456 36321080/60i23.712.8106878
17.
 
Sony NEX-3 APS-C 14.0 4592 3056720/30p22.112.083068
Note: DXO values in italics represent estimates based on sensor size and age.
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Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the ZV-E10 provides a better video resolution than the GFX 50S II. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/30p.

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Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GFX 50S II has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the ZV-E10 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50S II, the Sony ZV-E10, and comparable cameras.

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Core Features
# image Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Specifications
(inch/000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Max
Shutter
Speed *
Max
Shutter
Flaps *
Built-in
Flash
(yes/no)
Built-in
Image
Stab
1.
 
Fujifilm GFX 50S II3690 Y3.2 / 2360 full-flex Y 1/4000s 3.0/s n Y
2.
 
Sony ZV-E10none n3.0 / 922 swivel Y 1/4000s 11.0/s n n
3.
 
Canon R5 C5760 Y3.2 / 2100 swivel Y 1/8000s 12.0/s n n
4.
 
Canon R55760 Y3.2 / 2100 swivel Y 1/8000s 12.0/s n Y
5.
 
Fujifilm GFX 100 II9440 Y3.2 / 2360 full-flex Y 1/4000s 8.0/s n Y
6.
 
Fujifilm GFX 100S3690 Y3.2 / 2360 full-flex Y 1/4000s 5.0/s n Y
7.
 
Fujifilm GFX 100optional Y3.2 / 2360 full-flex Y 1/4000s 5.0/s n Y
8.
 
Fujifilm GFX 50R3690 n3.2 / 2360 tilting Y 1/4000s 3.0/s n n
9.
 
Fujifilm GFX 50Soptional Y3.2 / 2360 full-flex Y 1/4000s 3.0/s n n
10.
 
Hasselblad X2D 100C5760 Y3.6 / 2360 tilting Y 1/4000s 3.3/s n Y
11.
 
Panasonic S1R5760 Y3.2 / 2100 full-flex Y 1/8000s 9.0/s n Y
12.
 
Sony A19437 n3.0 / 1440 tilting Y 1/8000s 10.0/s n Y
13.
 
Sony A61001440 n3.0 / 922 tilting Y 1/4000s 11.0/s Y n
14.
 
Sony A5100none n3.0 / 922 tilting Y 1/4000s 6.0/s Y n
15.
 
Sony A60001440 n3.0 / 922 tilting n 1/4000s 11.0/s Y n
16.
 
Sony A3000202 n3.0 / 230 fixed n 1/4000s 2.5/s Y n
17.
 
Sony NEX-3optional n3.0 / 920 tilting n 1/4000s 7.0/s n n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.
padding

One feature that is present on the GFX 50S II, but is missing on the ZV-E10 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The ZV-E10 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 50S II does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 50S II writes its imaging data to SDXC cards, while the ZV-E10 uses SDXC or Memory Stick PRO Duo cards. The GFX 50S II features dual card slots, which can be very useful in case a memory card fails. In contrast, the ZV-E10 only has one slot. The GFX 50S II supports UHS-II cards (on both slots), while the ZV-E10 can use UHS-I cards.

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Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S II and Sony ZV-E10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
# image Camera
Model
Hotshoe
Port
Internal
Mic / Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
1.
 
Fujifilm GFX 50S IIYstereo / monoYYmicro3.2Y--
2.
 
Sony ZV-E10Ystereo / monoYYmicro3.2YYY
3.
 
Canon R5 CYstereo / monoYYmicro3.2Y-Y
4.
 
Canon R5Ymono / monoYYmicro3.2Y-Y
5.
 
Fujifilm GFX 100 IIYstereo / monoYYfull3.2Y-Y
6.
 
Fujifilm GFX 100SYstereo / monoYYmicro3.2Y-Y
7.
 
Fujifilm GFX 100Ystereo / monoYYmicro3.1Y-Y
8.
 
Fujifilm GFX 50RYstereo / monoYYmicro3.0Y-Y
9.
 
Fujifilm GFX 50SYstereo / monoYYmicro3.0Y--
10.
 
Hasselblad X2D 100CYstereo / mono---3.2Y--
11.
 
Panasonic S1RYstereo / monoYYfull3.1Y-Y
12.
 
Sony A1Ystereo / monoYYfull3.2Y-Y
13.
 
Sony A6100Ystereo / monoY-micro2.0YYY
14.
 
Sony A5100-stereo / mono--micro2.0YY-
15.
 
Sony A6000Ystereo / mono--micro2.0YY-
16.
 
Sony A3000Ystereo / mono--mini2.0---
17.
 
Sony NEX-3Ystereo / mono--mini2.0---
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Studio photographers will appreciate that the Fujifilm GFX 50S II (unlike the ZV-E10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GFX 50S II and the ZV-E10 are recent models that are part of the current product line-up. The GFX 50S II replaced the earlier Fujifilm GFX 50S, while the ZV-E10 does not have a direct predecessor. Further information on the features and operation of the GFX 50S II and ZV-E10 can be found, respectively, in the Fujifilm GFX 50S II Manual (free pdf) or the online Sony ZV-E10 Manual.

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Review summary

So what conclusions can be drawn? Is there a clear favorite between the Fujifilm GFX 50S II and the Sony ZV-E10? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

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Arguments in favor of the Fujifilm GFX 50S II:

  • More detail: Offers more megapixels (51.1 vs 24MP) with a 43% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
  • Richer colors: The pixel size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
  • Easier framing: Has an electronic viewfinder for image composition and settings control.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 922k dots).
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Sharper images: Has hand-shake reducing image stabilization built-in.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).

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Reasons to prefer the Sony ZV-E10:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (115x64mm vs 150x104mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 557g or 62 percent) and is thus easier to take along.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • More affordable: Was introduced into a lower priced category (83 percent cheaper at launch).

If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50S II is the clear winner of the match-up (17 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 50S II 17:10 ZV-E10

How about other alternatives? Do the specifications of the Fujifilm GFX 50S II and the Sony ZV-E10 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 50S II or the ZV-E10. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Expert Camera Reviews
# image  Camera 
 Model 
 AP 
 score 
 CL 
 score 
 DCW 
 score 
 DPR 
 score 
 EPZ 
 score 
 PB 
 score 
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 50S II5/5..5/587/100..5/5 Sep 2021 3,999 amazon.com
2.
 
Sony ZV-E104/5..4/582/1004.5/54.5/5 Jul 2021 699 amazon.com
3.
 
Canon R5 C..+ +........ Jan 2022 4,499 amazon.com
4.
 
Canon R54.5/5+4/591/1004.5/54.5/5 Jul 2020 3,899 amazon.com
5.
 
Fujifilm GFX 100 II5/5+5/5....4.5/5 Sep 2023 7,499 amazon.com
6.
 
Fujifilm GFX 100S5/5+ +5/590/1005/55/5 Jan 2021 5,999 amazon.com
7.
 
Fujifilm GFX 1004.5/5+ +4.8/590/1005/54.5/5 May 2019 9,999ebay.com
8.
 
Fujifilm GFX 50R5/5..5/584/1004.5/54.5/5 Sep 2018 4,499ebay.com
9.
 
Fujifilm GFX 50S....4.5/585/1005/54.5/5 Sep 2016 6,499ebay.com
10.
 
Hasselblad X2D 100C4/5..5/5...... Sep 2022 8,199 amazon.com
11.
 
Panasonic S1R4.5/5..4.6/589/1004.5/54.5/5 Feb 2019 3,699 amazon.com
12.
 
Sony A15/5o4.5/593/1004.5/55/5 Jan 2021 6,499 amazon.com
13.
 
Sony A6100....4/582/1004/55/5 Aug 2019 749ebay.com
14.
 
Sony A51004.5/5+....4.5/55/5 Aug 2014 549ebay.com
15.
 
Sony A60005/5+4.5/580/1004.5/55/5 Feb 2014 599ebay.com
16.
 
Sony A30003/5+....4/54/5 Aug 2013 329ebay.com
17.
 
Sony NEX-3......70/1004.5/54/5 May 2010 599ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.
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The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Check GFX 50S II price at
amazon.com
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Check ZV-E10 price at
amazon.com

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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    Specifications: Fujifilm GFX 50S II vs Sony ZV-E10

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 50S II Sony ZV-E10
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Fujifilm G mount lenses Sony E mount lenses
    Launch Date September 2021 July 2021
    Launch Price USD 3,999 USD 699
    Sensor Specs Fujifilm GFX 50S II Sony ZV-E10
    Sensor Technology CMOS CMOS
    Sensor Format Medium Format Sensor APS-C Sensor
    Sensor Size 44.0 x 33.0 mm 23.5 x 15.6 mm
    Sensor Area 1452 mm2 366.6 mm2
    Sensor Diagonal 55 mm 28.2 mm
    Crop Factor 0.79x 1.5x
    Sensor Resolution 51.1 Megapixels 24 Megapixels
    Image Resolution 8256 x 6192 pixels 6000 x 4000 pixels
    Pixel Pitch 5.33 μm 3.91 μm
    Pixel Density 3.52 MP/cm2 6.55 MP/cm2
    Moiré control no AA filter Anti-Alias filter
    Movie Capability 1080/30p Video 4K/30p Video
    ISO Setting 100 - 12,800 ISO 100 - 32,000 ISO
    ISO Boost 50 - 102,400 ISO 100 - 51,200 ISO
    Image Processor X Processor 4 BIONZ X
    Screen Specs Fujifilm GFX 50S II Sony ZV-E10
    Viewfinder Type Electronic viewfinder no viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.77x
    Viewfinder Resolution 3690k dots
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.2inch 3.0inch
    LCD Resolution 2360k dots 922k dots
    LCD Attachment Fully flexible screen Swivel screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Fujifilm GFX 50S II Sony ZV-E10
    Focus System Contrast-detect AF On-Sensor Phase-detect
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000s 1/4000s
    Continuous Shooting 3 shutter flaps/s 11 shutter flaps/s
    Electronic Shutterup to 1/16000sYES
    Time-Lapse PhotographyIntervalometer built-inno Intervalometer
    Image StabilizationIn-body stabilizationLens stabilization only
    Fill Flash no On-Board Flash no On-Board Flash
    Storage Medium SDXC cards MS or SDXC cards
    Single or Dual Card Slots Dual card slots Single card slot
    UHS card support Dual UHS-II UHS-I
    Connectivity Specs Fujifilm GFX 50S II Sony ZV-E10
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 3.2 USB 3.2
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Near-Field Communication no NFC NFC built-in
    Bluetooth Support no Bluetooth Bluetooth built-in
    Body Specs Fujifilm GFX 50S II Sony ZV-E10
    Environmental SealingWeathersealed bodynot weather sealed
    Battery Type Fujifilm NP-W235 Sony NP-FW50
    Battery Life (CIPA)440 shots per charge440 shots per charge
    In-Camera Charging USB charging USB charging
    Body Dimensions 150 x 104 x 87 mm
    (5.9 x 4.1 x 3.4 in)
    115 x 64 x 45 mm
    (4.5 x 2.5 x 1.8 in)
    Camera Weight 900 g (31.7 oz) 343 g (12.1 oz)
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