Fujifilm GFX 50S II vs Pentax 645D

The Fujifilm GFX 50S II and the Pentax 645D are two professional cameras that were announced, respectively, in September 2021 and March 2010. The GFX 50S II is a mirrorless interchangeable lens camera, while the 645D is a DSLR. Both cameras are equipped with a medium format sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Pentax provides 39.5 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 50S II		Pentax 645D
Mirrorless system camera		Digital single lens reflex
Fujifilm G mount lenses		Pentax 645 mount lenses
51.1 MP – Medium Format sensor		39.5 MP – Medium Format sensor
1080/30p Video		no Video
ISO 100-12,800 (50 - 102,400)		ISO 100-1,600
Electronic viewfinder (3690k dots)		Optical viewfinder
3.2" LCD – 2360k dots		3.0" LCD – 921k dots
Fully flexible touchscreen		Fixed screen (not touch-sensitive)
3 shutter flaps per second		1.1 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		Weathersealed body
440 shots per battery charge		800 shots per battery charge
150 x 104 x 87 mm, 900 g		156 x 117 x 119 mm, 1480 g

Check GFX 50S II price at
amazon.com
Check 645D offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S II and the Pentax 645D? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 50S II and the Pentax 645D. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax 645D is notably larger (17 percent) than the Fujifilm GFX 50S II. Moreover, the 645D is substantially heavier (64 percent) than the GFX 50S II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 50S II gets 440 shots out of its Fujifilm NP-W235 battery, while the 645D can take 800 images on a single charge of its Pentax D-LI90 power pack. The power pack in the GFX 50S II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	3,999	amazon.com
2.		Pentax 645D	156 mm	117 mm	119 mm	1480 g	800	Y	Mar 2010	9,995	ebay.com
3.		Canon R5 C	142 mm	101 mm	111 mm	770 g	320	Y	Jan 2022	4,499	amazon.com
4.		Canon R5	138 mm	98 mm	88 mm	738 g	320	Y	Jul 2020	3,899	amazon.com
5.		Canon 1D X	158 mm	168 mm	83 mm	1551 g	1120	Y	Oct 2011	6,799	ebay.com
6.		Canon 1D Mark IV	156 mm	157 mm	80 mm	1230 g	1500	Y	Oct 2009	4,999	ebay.com
7.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	7,499	amazon.com
8.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	5,999	amazon.com
9.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	9,999	ebay.com
10.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	4,499	ebay.com
11.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	6,499	ebay.com
12.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	8,199	amazon.com
13.		Leica S Typ 006	160 mm	120 mm	80 mm	1260 g	..	Y	Sep 2012	21,950	ebay.com
14.		Nikon D3S	160 mm	157 mm	88 mm	1240 g	4200	Y	Oct 2009	5,199	ebay.com
15.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380	Y	Feb 2019	3,699	amazon.com
16.		Pentax 645Z	156 mm	117 mm	123 mm	1550 g	650	Y	Apr 2014	8,499	ebay.com
17.		Sony A1	129 mm	97 mm	81 mm	737 g	530	Y	Jan 2021	6,499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GFX 50S II was launched at a markedly lower price (by 60 percent) than the 645D, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature a medium format sensor and have a format factor (sometimes also referred to as "crop factor") of 0.79. Within the spectrum of camera sensors, this places the review cameras among the large-sensor cameras that aim for top notch image quality. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

While the two cameras under review share the same sensor size, the GFX 50S II offers a higher resolution of 51.1 megapixels, compared with 39.5 MP of the 645D. This megapixels advantage translates into a 14 percent gain in linear resolution. On the other hand, these sensor specs imply that the GFX 50S II has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.33μm versus 6.06μm for the 645D). In this context, it should be noted, however, that the GFX 50S II is much more recent (by 11 years and 5 months) than the 645D, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 50S II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S II for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Pentax 645D are 36.3 x 27.2 inches or 92.3 x 69.1 cm for good quality, 29.1 x 21.8 inches or 73.8 x 55.3 cm for very good quality, and 24.2 x 18.1 inches or 61.5 x 46.1 cm for excellent quality prints.

Unlike the 645D, the GFX 50S II has the capacity to capture high quality composite images (205MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 50S II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Pentax 645D are ISO 100 to ISO 1600 (no boost).

In terms of underlying technology, the GFX 50S II is build around a CMOS sensor, while the 645D uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
2.		Pentax 645D	Medium Format	39.5	7264	5440	none	24.6	12.6	1262	82
3.		Canon R5 C	Full Frame	44.8	8192	5464	8k/60p	25.4	14.5	3082	96
4.		Canon R5	Full Frame	44.8	8192	5464	8K/30p	25.3	14.6	3042	95
5.		Canon 1D X	Full Frame	17.9	5184	3456	1080/30p	23.8	11.8	2786	82
6.		Canon 1D Mark IV	APS-H	16.0	4896	3264	1080/30p	22.8	12.0	1320	74
7.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
8.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
9.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
10.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
11.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
12.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
13.		Leica S Typ 006	Medium Format	37.5	7500	5000	none	23.9	12.2	824	76
14.		Nikon D3S	Full Frame	12.1	4256	2832	720/24p	23.5	12.0	3253	82
15.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
16.		Pentax 645Z	Medium Format	51.1	8256	6192	1080/60i	26.0	14.7	4505	101
17.		Sony A1	Full Frame	49.8	8640	5760	8k/30p	25.9	14.5	3163	98
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The GFX 50S II indeed provides movie recording capabilities, while the 645D does not. The highest resolution format that the GFX 50S II can use is 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the GFX 50S II has an electronic viewfinder (3690k dots), while the 645D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GFX 50S II offers a wider field of view (100%) than the one in the 645D (98%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the 645D has a higher magnification (0.78x vs 0.77x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Fujifilm GFX 50S II and Pentax 645D along with similar information for a selection of comparators.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
2.		Pentax 645D	optical	Y	3.0 / 921	fixed	n	1/4000s	1.1/s	n	n
3.		Canon R5 C	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	n
4.		Canon R5	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
5.		Canon 1D X	optical	Y	3.2 / 1040	fixed	n	1/8000s	14.0/s	n	n
6.		Canon 1D Mark IV	optical	Y	3.0 / 920	fixed	n	1/8000s	10.0/s	n	n
7.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
8.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
9.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
10.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
11.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
12.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
13.		Leica S Typ 006	optical	Y	3.0 / 922	fixed	n	1/4000s	1.5/s	n	n
14.		Nikon D3S	optical	Y	3.0 / 921	fixed	n	1/8000s	11.0/s	n	n
15.		Panasonic S1R	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
16.		Pentax 645Z	optical	Y	3.2 / 1037	tilting	n	1/4000s	3.0/s	n	n
17.		Sony A1	9437	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the GFX 50S II and the 645D is in-body image stabilization (IBIS). The GFX 50S II reduces the risk of handshake-induced blur with all attached lenses, while the 645D offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S II and the Pentax 645D both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 50S II and the 645D write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The GFX 50S II supports UHS-II cards (on both slots), while the 645D cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S II and Pentax 645D and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
2.		Pentax 645D	Y	stereo / -	-	-	-	2.0	-	-	-
3.		Canon R5 C	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
4.		Canon R5	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
5.		Canon 1D X	Y	mono / -	Y	-	mini	2.0	-	-	-
6.		Canon 1D Mark IV	Y	stereo / -	Y	-	mini	2.0	-	-	-
7.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
8.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
9.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
10.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
11.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
12.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
13.		Leica S Typ 006	Y	- / -	-	-	mini	2.0	-	-	-
14.		Nikon D3S	Y	stereo / -	-	-	mini	2.0	-	-	-
15.		Panasonic S1R	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
16.		Pentax 645Z	Y	stereo / mono	Y	-	mini	3.0	-	-	-
17.		Sony A1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

It is notable that the GFX 50S II offers wifi support, while the 645D does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

The GFX 50S II is a recent model that features in the current product line-up of Fujifilm. In contrast, the 645D has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the 645D was succeeded by the Pentax 645Z. Further information on the features and operation of the GFX 50S II and 645D can be found, respectively, in the Fujifilm GFX 50S II Manual (free pdf) or the online Pentax 645D Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Fujifilm GFX 50S II or the Pentax 645D – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Fujifilm GFX 50S II:

• More detail: Offers more megapixels (51.1 vs 39.5MP) with a 14% higher linear resolution.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Broader imaging potential: Can record not only still images but also 1080/30p movies.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 921k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster burst: Shoots at higher frequency (3 vs 1.1 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More compact: Is smaller (150x104mm vs 156x117mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 580g or 39 percent) and hence easier to carry around.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
• More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
• More modern: Reflects 11 years and 5 months of technical progress since the 645D launch.

Advantages of the Pentax 645D:

• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.77x).
• Longer lasting: Gets more shots (800 versus 440) out of a single battery charge.
• More heavily discounted: Has been around for much longer (launched in March 2010).

If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50S II is the clear winner of the match-up (21 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 50S II and the Pentax 645D place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GFX 50S II and the 645D in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	3,999	amazon.com
2.		Pentax 645D	5/5	..	..	..	..	..	Mar 2010	9,995	ebay.com
3.		Canon R5 C	..	+ +	..	..	..	..	Jan 2022	4,499	amazon.com
4.		Canon R5	4.5/5	+	4/5	91/100	4.5/5	4.5/5	Jul 2020	3,899	amazon.com
5.		Canon 1D X	5/5	..	..	..	4.5/5	4.5/5	Oct 2011	6,799	ebay.com
6.		Canon 1D Mark IV	5/5	..	..	89/100	..	..	Oct 2009	4,999	ebay.com
7.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	7,499	amazon.com
8.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	5,999	amazon.com
9.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	9,999	ebay.com
10.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	4,499	ebay.com
11.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	6,499	ebay.com
12.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	8,199	amazon.com
13.		Leica S Typ 006	..	..	..	..	..	..	Sep 2012	21,950	ebay.com
14.		Nikon D3S	5/5	..	..	89/100	4.5/5	5/5	Oct 2009	5,199	ebay.com
15.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	3,699	amazon.com
16.		Pentax 645Z	5/5	..	3.5/5	..	4.5/5	5/5	Apr 2014	8,499	ebay.com
17.		Sony A1	5/5	o	4.5/5	93/100	4.5/5	5/5	Jan 2021	6,499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check GFX 50S II price at
amazon.com
Check 645D offers at
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Other camera comparisons

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