Fujifilm GFX 50S II vs Nikon Z9

The Fujifilm GFX 50S II and the Nikon Z9 are two professional cameras that were revealed to the public, respectively, in September 2021 and October 2021. Both the GFX 50S II and the Z9 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 50S II) and a full frame (Z9) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Nikon provides 45.4 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 50S II		Nikon Z9
Mirrorless system camera		Mirrorless system camera
Fujifilm G mount lenses		Nikon Z mount lenses
51.1 MP – Medium Format sensor		45.4 MP – Full Frame sensor
1080/30p Video		8K/30p Video
ISO 100-12,800 (50 - 102,400)		ISO 64-25,600 (32 - 102,400)
Electronic viewfinder (3690k dots)		Electronic viewfinder (3690k dots)
3.2" LCD – 2360k dots		3.2" LCD – 2089k dots
Fully flexible touchscreen		Fully flexible touchscreen
3 shutter flaps per second		30 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
440 shots per battery charge		740 shots per battery charge
150 x 104 x 87 mm, 900 g		149 x 150 x 91 mm, 1340 g

Check GFX 50S II price at
amazon.com
Check Z9 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S II and the Nikon Z9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm GFX 50S II and the Nikon Z9 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z9 is considerably larger (43 percent) than the Fujifilm GFX 50S II. Moreover, the Z9 is substantially heavier (49 percent) than the GFX 50S II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 50S II gets 440 shots out of its Fujifilm NP-W235 battery, while the Z9 can take 740 images on a single charge of its Nikon EN-EL18d power pack. As can be seen in the images above, the Z9 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	3,999	amazon.com
2.		Nikon Z9	149 mm	150 mm	91 mm	1340 g	740	Y	Oct 2021	5,499	amazon.com
3.		Canon R5 C	142 mm	101 mm	111 mm	770 g	320	Y	Jan 2022	4,499	amazon.com
4.		Canon 1D X Mark III	158 mm	168 mm	83 mm	1440 g	2850	Y	Jan 2020	6,499	amazon.com
5.		Canon R5	138 mm	98 mm	88 mm	738 g	320	Y	Jul 2020	3,899	amazon.com
6.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	7,499	amazon.com
7.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	5,999	amazon.com
8.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	9,999	ebay.com
9.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	4,499	ebay.com
10.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	6,499	ebay.com
11.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	8,199	amazon.com
12.		Nikon Z8	144 mm	119 mm	83 mm	910 g	340	Y	May 2023	3,999	amazon.com
13.		Nikon D6	160 mm	163 mm	92 mm	1270 g	3580	Y	Feb 2020	6,499	amazon.com
14.		Nikon Z7 II	134 mm	101 mm	70 mm	705 g	420	Y	Oct 2020	2,999	amazon.com
15.		Nikon Z7	134 mm	101 mm	67 mm	675 g	330	Y	Aug 2018	3,399	ebay.com
16.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380	Y	Feb 2019	3,699	amazon.com
17.		Sony A1	129 mm	97 mm	81 mm	737 g	530	Y	Jan 2021	6,499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GFX 50S II was launched at a markedly lower price (by 27 percent) than the Z9, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S II features a medium format sensor and the Nikon Z9 a full frame sensor. The sensor area in the Z9 is 41 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 50S II has a native 4:3 aspect ratio, while the one in the Z9 offers a 3:2 aspect.

With 51.1MP, the GFX 50S II offers a higher resolution than the Z9 (45.4MP), but the GFX 50S II nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.35μm for the Z9) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The Z9 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the Z9, the GFX 50S II has the capacity to capture high quality composite images (205MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 50S II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon Z9 are ISO 64 to ISO 25600, with the possibility to increase the ISO range to 32-102400.

In terms of underlying technology, the GFX 50S II is build around a CMOS sensor, while the Z9 uses a Stacked BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
2.		Nikon Z9	Full Frame	45.4	8256	5504	8K/30p	26.3	14.4	2451	98
3.		Canon R5 C	Full Frame	44.8	8192	5464	8k/60p	25.4	14.5	3082	96
4.		Canon 1D X Mark III	Full Frame	20.0	5472	3648	4K/60p	24.2	14.5	3248	91
5.		Canon R5	Full Frame	44.8	8192	5464	8K/30p	25.3	14.6	3042	95
6.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
7.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
8.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
9.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
10.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
11.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
12.		Nikon Z8	Full Frame	45.4	8256	5504	8K/30p	26.3	14.2	2548	98
13.		Nikon D6	Full Frame	20.7	5568	3712	4K/30p	25.3	14.3	2886	95
14.		Nikon Z7 II	Full Frame	45.4	8256	5504	4K/60p	26.3	14.7	2841	100
15.		Nikon Z7	Full Frame	45.4	8256	5504	4K/30p	26.3	14.6	2668	99
16.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
17.		Sony A1	Full Frame	49.8	8640	5760	8k/30p	25.9	14.5	3163	98
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the Z9 provides a better video resolution than the GFX 50S II. It can shoot movie footage at 8K/30p, while the Fujifilm is limited to 1080/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The GFX 50S II and the Z9 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 3690k dots. The adjacent table lists some of the other core features of the Fujifilm GFX 50S II and Nikon Z9 along with similar information for a selection of comparators.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
2.		Nikon Z9	3690	Y	3.2 / 2089	full-flex	Y	1/32000s	30.0/s	n	Y
3.		Canon R5 C	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	n
4.		Canon 1D X Mark III	optical	Y	3.2 / 2100	fixed	Y	1/8000s	20.0/s	n	n
5.		Canon R5	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
6.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
7.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
8.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
9.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
10.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
11.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
12.		Nikon Z8	3690	Y	3.2 / 2089	full-flex	Y	1/32000s	30.0/s	n	Y
13.		Nikon D6	optical	Y	3.2 / 2359	fixed	Y	1/8000s	14.0/s	n	n
14.		Nikon Z7 II	3690	Y	3.2 / 2100	tilting	Y	1/8000s	10.0/s	n	Y
15.		Nikon Z7	3690	Y	3.2 / 2100	tilting	Y	1/8000s	9.0/s	n	Y
16.		Panasonic S1R	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
17.		Sony A1	9437	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S II and the Nikon Z9 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 50S II writes its imaging data to SDXC cards, while the Z9 uses CFexpress (type B) or XQD cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S II and Nikon Z9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
2.		Nikon Z9	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Canon R5 C	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
4.		Canon 1D X Mark III	Y	mono / mono	Y	Y	mini	3.1	Y	-	Y
5.		Canon R5	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
6.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
7.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
8.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
9.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
10.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
11.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
12.		Nikon Z8	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
13.		Nikon D6	Y	stereo / mono	Y	Y	mini	3.1	Y	-	Y
14.		Nikon Z7 II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
15.		Nikon Z7	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
16.		Panasonic S1R	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
17.		Sony A1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

Travel and landscape photographers will find it useful that the Z9 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

Both the GFX 50S II and the Z9 are recent models that are part of the current product line-up. The GFX 50S II replaced the earlier Fujifilm GFX 50S, while the Z9 does not have a direct predecessor. Further information on the features and operation of the GFX 50S II and Z9 can be found, respectively, in the Fujifilm GFX 50S II Manual (free pdf) or the online Nikon Z9 Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Fujifilm GFX 50S II and the Nikon Z9? Which camera is better? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Fujifilm GFX 50S II:

• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 2089k dots).
• More compact: Is smaller (150x104mm vs 149x150mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 440g or 33 percent) and hence easier to carry around.
• More affordable: Was introduced into a lower priced category (27 percent cheaper at launch).

Advantages of the Nikon Z9:

• Better video: Provides higher definition movie capture (8K/30p vs 1080/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.77x).
• Faster shutter: Has higher mechanical shutter speed (1/32000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (30 vs 3 flaps/sec) to capture the decisive moment.
• More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
• Longer lasting: Gets more shots (740 versus 440) out of a single battery charge.
• Easier geotagging: Features an internal GPS sensor to log localization data.
• More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.

If the count of relative strengths (bullet points above) is taken as a measure, the Z9 comes out slightly ahead of the GFX 50S II (10 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 50S II and the Nikon Z9 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GFX 50S II and the Z9 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	3,999	amazon.com
2.		Nikon Z9	5/5	..	4.5/5	94/100	5/5	5/5	Oct 2021	5,499	amazon.com
3.		Canon R5 C	..	+ +	..	..	..	..	Jan 2022	4,499	amazon.com
4.		Canon 1D X Mark III	..	+ +	5/5	..	4.5/5	4/5	Jan 2020	6,499	amazon.com
5.		Canon R5	4.5/5	+	4/5	91/100	4.5/5	4.5/5	Jul 2020	3,899	amazon.com
6.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	7,499	amazon.com
7.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	5,999	amazon.com
8.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	9,999	ebay.com
9.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	4,499	ebay.com
10.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	6,499	ebay.com
11.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	8,199	amazon.com
12.		Nikon Z8	5/5	..	5/5	94/100	5/5	4.5/5	May 2023	3,999	amazon.com
13.		Nikon D6	..	..	4/5	..	4.5/5	4.5/5	Feb 2020	6,499	amazon.com
14.		Nikon Z7 II	4.5/5	..	4.5/5	..	4.5/5	4.5/5	Oct 2020	2,999	amazon.com
15.		Nikon Z7	5/5	+	4.8/5	89/100	4.5/5	5/5	Aug 2018	3,399	ebay.com
16.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	3,699	amazon.com
17.		Sony A1	5/5	o	4.5/5	93/100	4.5/5	5/5	Jan 2021	6,499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Check GFX 50S II price at
amazon.com
Check Z9 price at
amazon.com

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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Check GFX 50S II price at
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Check Z9 price at
amazon.com

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