PW

Fujifilm GFX 50R vs Pentax K-3 II

The Fujifilm GFX 50R and the Pentax K-3 II are two digital cameras that were revealed to the public, respectively, in September 2018 and April 2015. The GFX 50R is a mirrorless interchangeable lens camera, while the K-3 II is a DSLR. The cameras are based on a medium format (GFX 50R) and an APS-C (K-3 II) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Pentax provides 24.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 50R   versus Pentax K-3 II
Fujifilm GFX 50R Pentax K-3 II
Mirrorless system camera Digital single lens reflex
Fujifilm G mount lenses Pentax K mount lenses
51.1 MP, Medium Format Sensor 24.1 MP, APS-C Sensor
1080/30p Video 1080/60i Video
ISO 100-12800 (50-102400) ISO 100-51200
Electronic viewfinder (3690k dots) Optical viewfinder
3.2" LCD, 2360k dots 3.2" LCD, 1037k dots
Tilting touchscreen Fixed screen (not touch-sensitive)
3 shutter flaps per second 8.3 shutter flaps per second
Lens stabilization onlyIn-body stabilization
Weathersealed bodyWeathersealed body
400 shots per battery charge720 shots per battery charge
161 x 97 x 66 mm, 775 g 131 x 100 x 77 mm, 800 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50R and the Pentax K-3 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm GFX 50R and the Pentax K-3 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The K-3 II can be obtained in two different colors (black, silver), while the GFX 50R is only available in black.

Size Fujifilm GFX 50R vs Pentax K-3 II
Compare GFX 50R versus K-3 II top
Comparison GFX 50R or K-3 II rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-3 II is notably smaller (16 percent) than the Fujifilm GFX 50R. However, the K-3 II is slightly heavier (3 percent) than the GFX 50R. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 50R gets 400 shots out of its NP-T125 battery, while the K-3 II can take 720 images on a single charge of its D-LI90 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Fujifilm GFX 50R» 6.3 in 3.8 in 2.6 in 27.3 oz 400 Y Sep 2018 4,499 i i Fujifilm GFX 50R
 
Pentax K-3 II« 5.2 in 3.9 in 3.0 in 28.2 oz 720 Y Apr 2015 1,099 i i Pentax K-3 II
 
Canon 6D Mark II« » 5.7 in 4.4 in 3.0 in 27.0 oz 1200 Y Jun 2017 1,999 i i Canon 6D Mark II
 
Canon 80D« » 5.5 in 4.1 in 3.1 in 25.8 oz 960 Y Feb 2016 1,199- i Canon 80D
 
Canon 5DS« » 6.0 in 4.6 in 3.0 in 32.8 oz 700 Y Feb 2015 3,699 i i Canon 5DS
 
Canon 5DS R« » 6.0 in 4.6 in 3.0 in 32.8 oz 700 Y Feb 2015 3,699 i i Canon 5DS R
 
Fujifilm GFX 100« » 6.1 in 5.7 in 3.0 in 46.6 oz 800 Y May 2019 9,999 i i Fujifilm GFX 100
 
Fujifilm GFX 50S« » 5.8 in 3.7 in 3.6 in 26.1 oz 400 Y Sep 2016 6,499 i i Fujifilm GFX 50S
 
Hasselblad X1D II« » 5.8 in 3.8 in 2.8 in 27.0 oz .. Y Jun 2019 5,750 i i Hasselblad X1D II
 
Hasselblad X1D« » 5.9 in 3.9 in 2.8 in 25.6 oz .. Y Jun 2016 8,995- i Hasselblad X1D
 
Leica Q2« » 5.1 in 3.1 in 3.6 in 25.3 oz 370 Y Mar 2019 4,995 i i Leica Q2
 
Leica M-E Typ 240« » 5.5 in 3.1 in 1.7 in 24.0 oz .. Y Jun 2019 3,999 i i Leica M-E Typ 240
 
Nikon D7500« » 5.4 in 4.1 in 2.9 in 25.4 oz 950 Y Apr 2017 1,299 i i Nikon D7500
 
Pentax KP« » 5.2 in 4.0 in 3.0 in 24.8 oz 390 Y Jan 2017 1,099 i i Pentax KP
 
Pentax K-70« » 5.0 in 3.7 in 2.9 in 24.3 oz 410 Y Jun 2016 649 i i Pentax K-70
 
Pentax K-3« » 5.2 in 3.9 in 3.0 in 28.2 oz 560 Y Oct 2013 1,299- i Pentax K-3
 
Pentax K-5« » 5.2 in 3.8 in 2.9 in 26.8 oz 740 Y Sep 2010 1,099- i Pentax K-5
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The K-3 II was launched at a markedly lower price (by 76 percent) than the GFX 50R, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

explore

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50R features a medium format sensor and the Pentax K-3 II an APS-C sensor. The sensor area in the K-3 II is 75 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 50R has a native 4:3 aspect ratio, while the one in the K-3 II offers a 3:2 aspect.

Fujifilm GFX 50R and Pentax K-3 II sensor measures

With 51.1MP, the GFX 50R offers a higher resolution than the K-3 II (24.1MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.90μm for the K-3 II) due to its larger sensor. Moreover, the GFX 50R is a much more recent model (by 3 years and 5 months) than the K-3 II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inch or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inch or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inch or 69.9 x 52.4 cm. The corresponding values for the Pentax K-3 II are 30.1 x 20 inch or 76.4 x 50.8 cm for good quality, 24.1 x 16 inch or 61.1 x 40.6 cm for very good quality, and 20.1 x 13.3 inch or 50.9 x 33.9 cm for excellent quality prints.

Unlike the GFX 50R, the K-3 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 50R has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Pentax K-3 II are ISO 100 to ISO 51200 (no boost).

GFX 50R versus K-3 II MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Fujifilm GFX 50R» Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50R
 
Pentax K-3 II« APS-C 24.1 6016 40001080/60i23.613.6110680Pentax K-3 II
 
Canon 6D Mark II« » Full Frame 26.0 6240 41601080/60p24.411.9286285Canon 6D Mark II
 
Canon 80D« » APS-C 24.0 6000 40001080/60p23.613.2113579Canon 80D
 
Canon 5DS« » Full Frame 50.3 8688 57921080/30p24.712.4238187Canon 5DS
 
Canon 5DS R« » Full Frame 50.3 8688 57921080/30p24.612.4230886Canon 5DS R
 
Fujifilm GFX 100« » Medium Format 101.8 11648 87364K/30p----Fujifilm GFX 100
 
Fujifilm GFX 50S« » Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50S
 
Hasselblad X1D II« » Medium Format 51.3 8272 6200-----Hasselblad X1D II
 
Hasselblad X1D« » Medium Format 51.3 8272 62001080/25p26.214.84489102Hasselblad X1D
 
Leica Q2« » Full Frame 46.7 8368 55844K/30p26.413.5249196Leica Q2
 
Leica M-E Typ 240« » Full Frame 23.7 5952 39761080/25p----Leica M-E Typ 240
 
Nikon D7500« » APS-C 20.7 5568 37124K/30p24.314.0148386Nikon D7500
 
Pentax KP« » APS-C 24.1 6016 40001080/60i----Pentax KP
 
Pentax K-70« » APS-C 24.0 6000 40001080/60i----Pentax K-70
 
Pentax K-3« » APS-C 24.1 6016 40001080/60i23.713.4121680Pentax K-3
 
Pentax K-5« » APS-C 16.1 4928 32641080/25p23.714.1116282Pentax K-5

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the K-3 II provides a faster frame rate than the GFX 50R. It can shoot movie footage at 1080/60i, while the Fujifilm is limited to 1080/30p.

explore

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the GFX 50R has an electronic viewfinder (3690k dots), while the K-3 II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GFX 50R has a higher magnification than the one of the K-3 II (0.77x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50R, the Pentax K-3 II, and comparable cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Fujifilm GFX 50R»3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n Fujifilm GFX 50R
 
Pentax K-3 II«optical Y 3.2 1037 fixed n 1/8000s 8.3 n Y Pentax K-3 II
 
Canon 6D Mark II« »optical Y 3.0 1040 swivel Y 1/4000s 6.5 n n Canon 6D Mark II
 
Canon 80D« »optical Y 3.0 1040 swivel Y 1/8000s 7.0 Y n Canon 80D
 
Canon 5DS« »optical Y 3.2 1040 fixed n 1/8000s 5.0 n n Canon 5DS
 
Canon 5DS R« »optical Y 3.2 1040 fixed n 1/8000s 5.0 n n Canon 5DS R
 
Fujifilm GFX 100« »- Y 3.2 2360 tilting Y 1/4000s 5.0 n Y Fujifilm GFX 100
 
Fujifilm GFX 50S« »- Y 3.2 2360 full-flex Y 1/4000s 3.0 n n Fujifilm GFX 50S
 
Hasselblad X1D II« »3690 n 3.6 2360 fixed Y 1/2000s 2.7 n n Hasselblad X1D II
 
Hasselblad X1D« »2360 n 3.0 920 fixed Y 1/2000s 2.3 n n Hasselblad X1D
 
Leica Q2« »3680 n 3.0 1040 fixed Y 1/2000s 20.0 n Y Leica Q2
 
Leica M-E Typ 240« »optical n 3.0 920 fixed n 1/4000s 3.0 n n Leica M-E Typ 240
 
Nikon D7500« »optical Y 3.2 922 tilting Y 1/8000s 8.0 Y n Nikon D7500
 
Pentax KP« »optical n 3.0 921 tilting n 1/6000s 7.0 Y Y Pentax KP
 
Pentax K-70« »optical n 3.0 921 swivel n 1/6000s 6.0 Y Y Pentax K-70
 
Pentax K-3« »optical Y 3.2 1037 fixed n 1/8000s 8.3 Y Y Pentax K-3
 
Pentax K-5« »optical Y 3.0 921 fixed n 1/8000s 7.0 Y Y Pentax K-5

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GFX 50R has a touchscreen, while the K-3 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50R and the Pentax K-3 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 50R and the K-3 II write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The GFX 50R supports UHS-II cards (on both slots), while the K-3 II can use UHS-I cards.

explore

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50R and Pentax K-3 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Fujifilm GFX 50R»YstereomonoYYmicro3.0Y-YFujifilm GFX 50R
 
Pentax K-3 II«YmonomonoYYmini3.0---Pentax K-3 II
 
Canon 6D Mark II« »YstereomonoY-mini2.0YYYCanon 6D Mark II
 
Canon 80D« »YstereomonoYYmini2.0YY-Canon 80D
 
Canon 5DS« »YmonomonoY-mini3.0---Canon 5DS
 
Canon 5DS R« »YmonomonoY-mini3.0---Canon 5DS R
 
Fujifilm GFX 100« »YstereomonoYYmicro3.1Y-YFujifilm GFX 100
 
Fujifilm GFX 50S« »YstereomonoYYmicro3.0Y--Fujifilm GFX 50S
 
Hasselblad X1D II« »YstereomonoYY-3.0Y--Hasselblad X1D II
 
Hasselblad X1D« »YstereomonoYYmini3.0Y--Hasselblad X1D
 
Leica Q2« »Ystereomono----Y-YLeica Q2
 
Leica M-E Typ 240« »Ymono----2.0---Leica M-E Typ 240
 
Nikon D7500« »YstereomonoYYmini2.0Y-YNikon D7500
 
Pentax KP« »YstereomonoY--2.0Y--Pentax KP
 
Pentax K-70« »YstereomonoY-mini2.0Y--Pentax K-70
 
Pentax K-3« »YmonomonoYYmini3.0---Pentax K-3
 
Pentax K-5« »YstereomonoY-mini2.0---Pentax K-5

It is notable that the GFX 50R offers wifi support, while the K-3 II does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

Travel and landscape photographers will find it useful that the K-3 II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.

Both the GFX 50R and the K-3 II are recent models that are part of the current product line-up. The K-3 II replaced the earlier Pentax K-3, while the GFX 50R does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Pentax websites.



Review summary

So what is the bottom line? Is there a clear favorite between the Fujifilm GFX 50R and the Pentax K-3 II? Which camera is better? The listing below highlights the relative strengths of the two models.

ilogo

Arguments in favor of the Fujifilm GFX 50R:

  • More detail: Offers more megapixels (51.1 vs 24.1MP) with a 43% higher linear resolution.
  • Better image quality: Features a larger and more technologically advanced imaging sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • More framing info: Has an electronic viewfinder that displays shooting data.
  • Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.63x).
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1037k dots).
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
  • Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More modern: Reflects 3 years and 5 months of technical progress since the K-3 II launch.

ilogo

Reasons to prefer the Pentax K-3 II:

  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Easier setting verification: Features a control panel on top to check shooting parameters.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Faster burst: Shoots at higher frequency (8.3 vs 3 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (131x100mm vs 161x97mm) and will fit more readily into a bag.
  • Longer lasting: Gets more shots (720 versus 400) out of a single battery charge.
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • Easier geotagging: Features an internal GPS sensor to log localization data.
  • More affordable: Was introduced into a lower priced category (76 percent cheaper at launch).
  • More heavily discounted: Has been around for much longer (launched in April 2015).

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50R is the clear winner of the match-up (16 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 50R 16:12 K-3 II

How about other alternatives? Do the specifications of the Fujifilm GFX 50R and the Pentax K-3 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the GFX 50R or the K-3 II perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Fujifilm GFX 50R»-84/1004.5/54.5/54.5/5 Sep 2018 4,499 i i Fujifilm GFX 50R
 
Pentax K-3 II«--5/54.5/55/5 Apr 2015 1,099 i i Pentax K-3 II
 
Canon 6D Mark II« »+80/1004.5/54/54/5 Jun 2017 1,999 i i Canon 6D Mark II
 
Canon 80D« »+ +84/1004.5/54.5/54.5/5 Feb 2016 1,199- i Canon 80D
 
Canon 5DS« »+83/1004.5/55/54.5/5 Feb 2015 3,699 i i Canon 5DS
 
Canon 5DS R« »+83/1005/55/54.5/5 Feb 2015 3,699 i i Canon 5DS R
 
Fujifilm GFX 100« »+ +90/1005/54.5/54.5/5 May 2019 9,999 i i Fujifilm GFX 100
 
Fujifilm GFX 50S« »-85/1005/55/54.5/5 Sep 2016 6,499 i i Fujifilm GFX 50S
 
Hasselblad X1D II« »----- Jun 2019 5,750 i i Hasselblad X1D II
 
Hasselblad X1D« »o81/100--4/5 Jun 2016 8,995- i Hasselblad X1D
 
Leica Q2« »-84/1004.5/5-4/5 Mar 2019 4,995 i i Leica Q2
 
Leica M-E Typ 240« »----- Jun 2019 3,999 i i Leica M-E Typ 240
 
Nikon D7500« »+ +86/1005/54.5/54.5/5 Apr 2017 1,299 i i Nikon D7500
 
Pentax KP« »-82/1005/5-4.5/5 Jan 2017 1,099 i i Pentax KP
 
Pentax K-70« »-79/1004.5/54/54.5/5 Jun 2016 649 i i Pentax K-70
 
Pentax K-3« »-83/1005/54.5/55/5 Oct 2013 1,299- i Pentax K-3
 
Pentax K-5« »-83/1005/54.5/54.5/5 Sep 2010 1,099- i Pentax K-5
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

Fujifilm GFX 50R:
Check Amazon price
Pentax K-3 II:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

~

    Specifications: Fujifilm GFX 50R vs Pentax K-3 II

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 50R Pentax K-3 II
    Camera Type Mirrorless system camera Digital single lens reflex
    Camera Lens Fujifilm G mount lenses Pentax K mount lenses
    Launch Date September 2018 April 2015
    Launch Price USD 4499 USD 1099
    Sensor Specs Fujifilm GFX 50R Pentax K-3 II
    Sensor Technology CMOS CMOS
    Sensor Format Medium Format Sensor APS-C Sensor
    Sensor Size 44.0 x 33.0 mm 23.5 x 15.6 mm
    Sensor Area 1452 mm2 366.6 mm2
    Sensor Diagonal 55 mm 28.2 mm
    Crop Factor 0.79x 1.5x
    Sensor Resolution 51.1 Megapixels 24.1 Megapixels
    Image Resolution 8256 x 6192 pixels 6016 x 4000 pixels
    Pixel Pitch 5.33 μm 3.90 μm
    Pixel Density 3.52 MP/cm2 6.56 MP/cm2
    Moiré control no AA filter no AA filter
    Movie Capability 1080/30p Video 1080/60i Video
    ISO Setting 100-12800 ISO 100-51200 ISO
    ISO Boost 50-102400 ISO no Enhancement
    Image Processor X Processor Pro PRIME III
    DXO Sensor Quality (score) .. 80
    DXO Color Depth (bits) .. 23.6
    DXO Dynamic Range (EV) .. 13.6
    DXO Low Light (ISO) .. 1106
    Screen Specs Fujifilm GFX 50R Pentax K-3 II
    Viewfinder Type Electronic viewfinder Optical viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification 0.77x 0.63x
    Viewfinder Resolution 3690k dots
    Top-Level Screen no Top Display Control Panel
    LCD Framing Live View Live View
    Rear LCD Size 3.2 inch 3.2 inch
    LCD Resolution 2360k dots 1037k dots
    LCD Attachment Tilting screen Fixed screen
    Touch Input Touchscreen no Touchscreen
    Shooting Specs Fujifilm GFX 50R Pentax K-3 II
    Autofocus System Contrast-detect AF Phase-detect AF
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/8000/s
    Continuous Shooting 3 shutter flaps/s 8.3 shutter flaps/s
    Electronic Shutterup to 1/16000sno E-Shutter
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Image StabilizationLens stabilization onlyIn-body stabilization
    Fill Flash no On-Board Flash no On-Board Flash
    Storage Medium SDXC cards SDXC cards
    Second Storage Option Dual card slots Dual card slots
    UHS card support Dual UHS-II UHS-I
    Connectivity Specs Fujifilm GFX 50R Pentax K-3 II
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket PC Sync socket
    USB Connector USB 3.0 USB 3.0
    HDMI Port micro HDMI mini HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket Headphone port Headphone port
    Wifi Support Wifi built-in no Wifi
    Bluetooth Support Bluetooth built-in no Bluetooth
    Geotagging no internal GPS GPS built-in
    Body Specs Fujifilm GFX 50R Pentax K-3 II
    Environmental SealingWeathersealed bodyWeathersealed body
    Battery Type NP-T125 D-LI90
    Battery Life (CIPA)400 shots per charge720 shots per charge
    Body Dimensions 161 x 97 x 66 mm
    (6.3 x 3.8 x 2.6 in)
    131 x 100 x 77 mm
    (5.2 x 3.9 x 3.0 in)
    Camera Weight 775 g (27.3 oz) 800 g (28.2 oz)

    Did you notice an error on this page? If so, please get in touch, so that we can correct the information.

    You are here Home  »  CAM-parator  »  Fujifilm GFX 50R vs Pentax K-3 II