Fujifilm GFX 50R vs Panasonic GF7
The Fujifilm GFX 50R and the Panasonic Lumix DMC-GF7 are two digital cameras that were revealed to the public, respectively, in September 2018 and January 2015. Both the GFX 50R and the GF7 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 50R) and a Four Thirds (GF7) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm GFX 50R||Panasonic GF7|
|Mirrorless system camera||Mirrorless system camera|
|Fujifilm G mount lenses||Micro Four Thirds lenses|
|51.1 MP, Medium Format Sensor||15.8 MP, Four Thirds Sensor|
|1080/30p Video||1080/60p Video|
|ISO 100-12,800 (50 - 102,400)||ISO 200-25,600|
|Electronic viewfinder (3690k dots)||No viewfinder, LCD framing|
|3.2 LCD, 2360k dots||3.0 LCD, 1040k dots|
|Tilting touchscreen||Tilting touchscreen|
|3 shutter flaps per second||5.8 shutter flaps per second|
|Weathersealed body||not weather sealed|
|400 shots per battery charge||230 shots per battery charge|
|161 x 97 x 66 mm, 775 g||107 x 65 x 33 mm, 266 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50R and the Panasonic Lumix DMC-GF7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm GFX 50R and the Panasonic GF7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The GF7 can be obtained in two different colors (black, pink), while the GFX 50R is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF7 is considerably smaller (55 percent) than the Fujifilm GFX 50R. Moreover, the GF7 is substantially lighter (66 percent) than the GFX 50R. It is worth mentioning in this context that the GFX 50R is splash and dust resistant, while the GF7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Fujifilm GFX 50R||6.3 in||3.8 in||2.6 in||27.3 oz||400||Y||Sep 2018||4,499|
|Panasonic GF7||4.2 in||2.6 in||1.3 in||9.4 oz||230||n||Jan 2015||499|
|Canon 6D Mark II||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999|
|Canon 5DS||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Canon 5DS R||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Fujifilm GFX 100||6.1 in||5.7 in||3.0 in||46.6 oz||800||Y||May 2019||9,999|
|Fujifilm GFX 50S||5.8 in||3.7 in||3.6 in||26.1 oz||400||Y||Sep 2016||6,499|
|Hasselblad X1D II||5.8 in||3.8 in||2.8 in||27.0 oz||..||Y||Jun 2019||5,750|
|Hasselblad X1D||5.9 in||3.9 in||2.8 in||25.6 oz||..||Y||Jun 2016||8,995|
|Leica Q2||5.1 in||3.1 in||3.6 in||25.3 oz||370||Y||Mar 2019||4,995|
|Leica M-E Typ 240||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Jun 2019||3,999|
|Nikon D7500||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299|
|Panasonic GX850||4.2 in||2.6 in||1.3 in||9.5 oz||210||n||Jan 2017||549|
|Panasonic G7||4.9 in||3.4 in||3.0 in||14.5 oz||350||n||May 2015||649|
|Panasonic GM5||3.9 in||2.4 in||1.4 in||7.4 oz||220||n||Sep 2014||749|
|Panasonic GF6||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499|
|Panasonic GX1||4.6 in||2.7 in||1.5 in||11.2 oz||320||n||Nov 2011||699|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GF7 was launched at a markedly lower price (by 89 percent) than the GFX 50R, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 50R features a medium format sensor and the Panasonic GF7 a Four Thirds sensor. The sensor area in the GF7 is 85 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 51.1MP, the GFX 50R offers a higher resolution than the GF7 (15.8MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.77μm for the GF7) due to its larger sensor. Moreover, the GFX 50R is a much more recent model (by 3 years and 8 months) than the GF7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Panasonic GF7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The Fujifilm GFX 50R has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-GF7 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||..||..||..||..|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|Fujifilm GFX 100||Medium Format||101.8||11648||8736||4K/30p||..||..||..||..|
|Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|Hasselblad X1D II||Medium Format||51.3||8272||6200||none||..||..||..||..|
|Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102|
|Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|Leica M-E Typ 240||Full Frame||23.7||5952||3976||1080/25p||..||..||..||..|
|Panasonic GX850||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GF7 provides a faster frame rate than the GFX 50R. It can shoot movie footage at 1080/60p, while the Fujifilm is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GFX 50R has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GF7 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Fujifilm GFX 50R and Panasonic GF7 in connection with corresponding information for a sample of similar cameras.
|Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n|
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n|
|Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|Fujifilm GFX 100||optional||Y||3.2||2360||tilting||Y||1/4000s||5.0||n||Y|
|Fujifilm GFX 50S||optional||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n|
|Hasselblad X1D II||3690||n||3.6||2360||fixed||Y||1/2000s||2.7||n||n|
|Leica M-E Typ 240||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n|
One difference between the cameras concerns the presence of an on-board flash. The GF7 has one, while the GFX 50R does not. While the built-in flash of the GF7 is not very powerful, it can at times be useful as a fill-in light.The GF7 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 50R does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 50R and the GF7 write their files to SDXC cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the GF7 only has one slot. The GFX 50R supports UHS-II cards (on both slots), while the GF7 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50R and Panasonic Lumix DMC-GF7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y|
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y|
|Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|Fujifilm GFX 100||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y|
|Fujifilm GFX 50S||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
|Hasselblad X1D II||Y||stereo||mono||Y||Y||-||3.0||Y||-||-|
|Leica M-E Typ 240||Y||mono||-||-||-||-||2.0||-||-||-|
It is notable that the GFX 50R has a hotshoe, while the GF7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Fujifilm GFX 50R (unlike the GF7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GFX 50R is a recent model that features in the current product line-up of Fujifilm. In contrast, the GF7 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the GF7 was succeeded by the Panasonic GX850. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
So how do things add up? Is the Fujifilm GFX 50R better than the Panasonic GF7 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Fujifilm GFX 50R:
- More detail: Offers more megapixels (51.1 vs 15.8MP) with a 80% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (400 versus 230) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 3 years and 8 months of technical progress since the GF7 launch.
Reasons to prefer the Panasonic Lumix DMC-GF7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5.8 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (107x65mm vs 161x97mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 509g or 66 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (89 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in January 2015).
If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50R is the clear winner of the match-up (22 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 50R and the Panasonic GF7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 50R or the GF7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm GFX 50R||..||84/100||4.5/5||4.5/5||4.5/5||Sep 2018||4,499|
|Panasonic GF7||+||..||4.5/5||4.5/5||4.5/5||Jan 2015||499|
|Canon 6D Mark II||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999|
|Canon 5DS||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon 5DS R||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699|
|Fujifilm GFX 100||+ +||90/100||5/5||4.5/5||4.5/5||May 2019||9,999|
|Fujifilm GFX 50S||..||85/100||5/5||5/5||4.5/5||Sep 2016||6,499|
|Hasselblad X1D II||..||..||4/5||..||4/5||Jun 2019||5,750|
|Hasselblad X1D||o||81/100||..||..||4/5||Jun 2016||8,995|
|Leica Q2||..||84/100||4.5/5||..||4/5||Mar 2019||4,995|
|Leica M-E Typ 240||..||..||..||..||..||Jun 2019||3,999|
|Nikon D7500||+ +||86/100||5/5||4.5/5||4.5/5||Apr 2017||1,299|
|Panasonic GX850||+||76/100||4.5/5||4/5||4.5/5||Jan 2017||549|
|Panasonic G7||+ +||80/100||5/5||4.5/5||4.5/5||May 2015||649|
|Panasonic GM5||+||77/100||5/5||5/5||4.5/5||Sep 2014||749|
|Panasonic GF6||+ +||..||4.5/5||..||4.5/5||Apr 2013||499|
|Panasonic GX1||+||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1200D vs Fujifilm GFX 50R
- Canon 550D vs Fujifilm GFX 50R
- Canon 80D vs Panasonic GF7
- Fujifilm GFX 50R vs Fujifilm X-H1
- Fujifilm GFX 50R vs Fujifilm X20
- Fujifilm GFX 50R vs Fujifilm XF10
- Fujifilm GFX 50R vs Nikon B700
- Fujifilm GFX 50R vs Panasonic GH5s
- Fujifilm GFX 50R vs Panasonic GM5
- Fujifilm GFX 50R vs Panasonic LF1
- Fujifilm GFX 50R vs Panasonic LX100 II
- Nikon D4S vs Panasonic GF7
Specifications: Fujifilm GFX 50R vs Panasonic GF7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 50R||Panasonic GF7|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm G mount lenses||Micro Four Thirds lenses|
|Launch Date||September 2018||January 2015|
|Launch Price||USD 4,499||USD 499|
|Sensor Specs||Fujifilm GFX 50R||Panasonic GF7|
|Sensor Format||Medium Format Sensor||Four Thirds Sensor|
|Sensor Size||44.0 x 33.0 mm||17.3 x 13.0 mm|
|Sensor Area||1452 mm2||224.9 mm2|
|Sensor Diagonal||55 mm||21.6 mm|
|Sensor Resolution||51.1 Megapixels||15.8 Megapixels|
|Image Resolution||8256 x 6192 pixels||4592 x 3448 pixels|
|Pixel Pitch||5.33 μm||3.77 μm|
|Pixel Density||3.52 MP/cm2||7.04 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 12,800 ISO||200 - 25,600 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 25,600 ISO|
|Image Processor||X Processor Pro||Venus|
|Screen Specs||Fujifilm GFX 50R||Panasonic GF7|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3690k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2360k dots||1040k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Fujifilm GFX 50R||Panasonic GF7|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/500s|
|Continuous Shooting||3 shutter flaps/s||5.8 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Fujifilm GFX 50R||Panasonic GF7|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm GFX 50R||Panasonic GF7|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||400 shots per charge||230 shots per charge|
161 x 97 x 66 mm
(6.3 x 3.8 x 2.6 in)
107 x 65 x 33 mm
(4.2 x 2.6 x 1.3 in)
|Camera Weight||775 g (27.3 oz)||266 g (9.4 oz)|
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