Leica S1 Contax Camera Ranking
APO-Telyt Module Vivitar Shutter count
A potelyt.com – Photography & Imaging Resources
ad
PW

Fujifilm GFX 50R vs Panasonic G3

The Fujifilm GFX 50R and the Panasonic Lumix DMC-G3 are two digital cameras that were officially introduced, respectively, in September 2018 and May 2011. Both the GFX 50R and the G3 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 50R) and a Four Thirds (G3) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Panasonic provides 15.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 50R versus Panasonic G3
Fujifilm GFX 50R Panasonic G3
Mirrorless system camera Mirrorless system camera
Fujifilm G mount lenses Micro Four Thirds lenses
51.1 MP, Medium Format Sensor 15.8 MP, Four Thirds Sensor
1080/30p Video 1080/60i Video
ISO 100-12,800 (50 - 102,400) ISO 160-6,400
Electronic viewfinder (3690k dots) Electronic viewfinder (1440k dots)
3.2 LCD, 2360k dots 3.0 LCD, 460k dots
Tilting touchscreen Swivel touchscreen
3 shutter flaps per second 4 shutter flaps per second
Weathersealed bodynot weather sealed
400 shots per battery charge270 shots per battery charge
161 x 97 x 66 mm, 775 g 115 x 84 x 47 mm, 336 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50R and the Panasonic Lumix DMC-G3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm GFX 50R and the Panasonic G3 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

The G3 can be obtained in four different colors (black, brown, red, white), while the GFX 50R is only available in black.

Size Fujifilm GFX 50R vs Panasonic G3
Compare GFX 50R versus G3 top
Comparison GFX 50R or G3 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G3 is considerably smaller (38 percent) than the Fujifilm GFX 50R. Moreover, the G3 is substantially lighter (57 percent) than the GFX 50R. It is worth mentioning in this context that the GFX 50R is splash and dust resistant, while the G3 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 50R gets 400 shots out of its NP-T125 battery, while the G3 can take 270 images on a single charge of its DMW-BLD10 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

scroll hint
Body Specifications
    Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
Weather
Sealing
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 50R 161 mm 97 mm 66 mm 775 g 400 Y Sep 2018 4,499 i
2.
 
Panasonic G3 115 mm 84 mm 47 mm 336 g 270 n May 2011 599i
3.
 
Canon 6D Mark II 144 mm 111 mm 75 mm 765 g 1200 Y Jun 2017 1,999 i
4.
 
Canon 5DS 152 mm 116 mm 76 mm 930 g 700 Y Feb 2015 3,699 i
5.
 
Canon 5DS R 152 mm 116 mm 76 mm 930 g 700 Y Feb 2015 3,699 i
6.
 
Fujifilm GFX 50S 148 mm 94 mm 91 mm 740 g 400 Y Sep 2016 6,499 i
7.
 
Hasselblad X1D II 148 mm 97 mm 70 mm 766 g .. Y Jun 2019 5,750 i
8.
 
Leica Q2 130 mm 80 mm 92 mm 718 g 370 Y Mar 2019 4,995 i
9.
 
Leica M-E Typ 240 139 mm 80 mm 42 mm 680 g .. Y Jun 2019 3,999 i
10.
 
Nikon D7500 136 mm 104 mm 73 mm 720 g 950 Y Apr 2017 1,299 i
11.
 
Nikon D850 146 mm 124 mm 79 mm 1005 g 1840 Y Jul 2017 3,299 i
12.
 
Panasonic G6 122 mm 85 mm 71 mm 390 g 340 n Apr 2013 599i
13.
 
Panasonic G5 120 mm 83 mm 71 mm 396 g 320 n Jul 2012 599i
14.
 
Panasonic GX1 116 mm 68 mm 39 mm 318 g 320 n Nov 2011 699i
15.
 
Panasonic G10 124 mm 84 mm 74 mm 388 g 380 n Mar 2010 499i
16.
 
Panasonic G2 124 mm 84 mm 74 mm 428 g 360 n Mar 2010 599i
17.
 
Sony A9 127 mm 96 mm 63 mm 673 g 650 Y Apr 2017 4,499i
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G3 was launched at a markedly lower price (by 87 percent) than the GFX 50R, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

ad

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50R features a medium format sensor and the Panasonic G3 a Four Thirds sensor. The sensor area in the G3 is 85 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

Fujifilm GFX 50R and Panasonic G3 sensor measures

With 51.1MP, the GFX 50R offers a higher resolution than the G3 (15.8MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.77μm for the G3) due to its larger sensor. Moreover, the GFX 50R is a much more recent model (by 7 years and 4 months) than the G3, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Panasonic G3 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.

The Fujifilm GFX 50R has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-G3 are ISO 160 to ISO 6400 (no boost).

GFX 50R versus G3 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

scroll hint
Sensor Characteristics
    Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
1.
 
Fujifilm GFX 50R Medium Format 51.1 8256 61921080/30p........
2.
 
Panasonic G3 Four Thirds 15.8 4592 34481080/60i21.010.666756
3.
 
Canon 6D Mark II Full Frame 26.0 6240 41601080/60p24.411.9286285
4.
 
Canon 5DS Full Frame 50.3 8688 57921080/30p24.712.4238187
5.
 
Canon 5DS R Full Frame 50.3 8688 57921080/30p24.612.4230886
6.
 
Fujifilm GFX 50S Medium Format 51.1 8256 61921080/30p........
7.
 
Hasselblad X1D II Medium Format 51.3 8272 6200none........
8.
 
Leica Q2 Full Frame 46.7 8368 55844K/30p26.413.5249196
9.
 
Leica M-E Typ 240 Full Frame 23.7 5952 39761080/25p........
10.
 
Nikon D7500 APS-C 20.7 5568 37124K/30p24.314.0148386
11.
 
Nikon D850 Full Frame 45.4 8256 55044K/30p26.414.82660100
12.
 
Panasonic G6 Four Thirds 15.9 4608 34561080/60p21.311.563961
13.
 
Panasonic G5 Four Thirds 15.9 4608 34561080/60p........
14.
 
Panasonic GX1 Four Thirds 15.8 4592 34481080/60p20.810.670355
15.
 
Panasonic G10 Four Thirds 12.0 4000 3000720/30p21.210.141152
16.
 
Panasonic G2 Four Thirds 12.0 4000 3000720/30p21.210.349353
17.
 
Sony A9 Full Frame 24.0 6000 40004K/30p24.913.3351792

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G3 provides a faster frame rate than the GFX 50R. It can shoot movie footage at 1080/60i, while the Fujifilm is limited to 1080/30p.

ad

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GFX 50R offers a substantially higher resolution than the one in the G3 (3690k vs 1440k dots). The table below summarizes some of the other core capabilities of the Fujifilm GFX 50R and Panasonic G3 in connection with corresponding information for a sample of similar cameras.

scroll hint
Core Features
    Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
(000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
1.
 
Fujifilm GFX 50R3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n
2.
 
Panasonic G31440 n 3.0 460 swivel Y 1/4000s 4.0 Y n
3.
 
Canon 6D Mark IIoptical Y 3.0 1040 swivel Y 1/4000s 6.5 n n
4.
 
Canon 5DSoptical Y 3.2 1040 fixed n 1/8000s 5.0 n n
5.
 
Canon 5DS Roptical Y 3.2 1040 fixed n 1/8000s 5.0 n n
6.
 
Fujifilm GFX 50Soptional Y 3.2 2360 full-flex Y 1/4000s 3.0 n n
7.
 
Hasselblad X1D II3690 n 3.6 2360 fixed Y 1/2000s 2.7 n n
8.
 
Leica Q23680 n 3.0 1040 fixed Y 1/2000s 20.0 n Y
9.
 
Leica M-E Typ 240optical n 3.0 920 fixed n 1/4000s 3.0 n n
10.
 
Nikon D7500optical Y 3.2 922 tilting Y 1/8000s 8.0 Y n
11.
 
Nikon D850optical Y 3.2 2359 tilting Y 1/8000s 9.0 n n
12.
 
Panasonic G61440 n 3.0 1036 swivel Y 1/4000s 7.0 Y n
13.
 
Panasonic G51440 n 3.0 920 swivel Y 1/4000s 6.0 Y n
14.
 
Panasonic GX1optional n 3.0 460 fixed Y 1/4000s 4.2 Y n
15.
 
Panasonic G10202 n 3.0 460 fixed n 1/4000s 2.6 Y n
16.
 
Panasonic G21440 n 3.0 460 swivel Y 1/4000s 2.6 Y n
17.
 
Sony A93686 n 3.0 1440 tilting Y 1/8000s 20.0 n Y

One difference between the cameras concerns the presence of an on-board flash. The G3 has one, while the GFX 50R does not. While the built-in flash of the G3 is not very powerful, it can at times be useful as a fill-in light.

The G3 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 50R does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 50R and the G3 write their files to SDXC cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the G3 only has one slot. The GFX 50R supports UHS-II cards (on both slots), while the G3 cannot take advantage of Ultra High Speed SD cards.

ad

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50R and Panasonic Lumix DMC-G3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

scroll hint
Input-Output Connections
    Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
1.
 
Fujifilm GFX 50RYstereomonoYYmicro3.0Y-Y
2.
 
Panasonic G3Ystereomono--mini2.0---
3.
 
Canon 6D Mark IIYstereomonoY-mini2.0YYY
4.
 
Canon 5DSYmonomonoY-mini3.0---
5.
 
Canon 5DS RYmonomonoY-mini3.0---
6.
 
Fujifilm GFX 50SYstereomonoYYmicro3.0Y--
7.
 
Hasselblad X1D IIYstereomonoYY-3.0Y--
8.
 
Leica Q2Ystereomono----Y-Y
9.
 
Leica M-E Typ 240Ymono----2.0---
10.
 
Nikon D7500YstereomonoYYmini2.0Y-Y
11.
 
Nikon D850YstereomonoYYmini3.0YYY
12.
 
Panasonic G6YstereomonoY-mini2.0YY-
13.
 
Panasonic G5Ystereomono--mini2.0---
14.
 
Panasonic GX1Ystereomono--mini2.0---
15.
 
Panasonic G10Ymono---mini2.0---
16.
 
Panasonic G2Ystereomono--mini2.0---
17.
 
Sony A9YstereomonoYYmicro2.0YYY

It is notable that the GFX 50R has a microphone port, which is missing on the G3. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Fujifilm GFX 50R (unlike the G3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GFX 50R is a recent model that features in the current product line-up of Fujifilm. In contrast, the G3 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the G3 was succeeded by the Panasonic G5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.

ad

Review summary

So what conclusions can be drawn? Which of the two cameras – the Fujifilm GFX 50R or the Panasonic G3 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

ilogo

Reasons to prefer the Fujifilm GFX 50R:

  • More detail: Offers more megapixels (51.1 vs 15.8MP) with a 80% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Features a larger and more technologically advanced imaging sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 1440k dots).
  • Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.70x).
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 460k dots).
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • Longer lasting: Can take more shots (400 versus 270) on a single battery charge.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
  • More modern: Reflects 7 years and 4 months of technical progress since the G3 launch.

ilogo

Advantages of the Panasonic Lumix DMC-G3:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
  • More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster burst: Shoots at higher frequency (4 vs 3 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (115x84mm vs 161x97mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 439g or 57 percent) and is thus easier to take along.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • More affordable: Was introduced into a lower priced category (87 percent cheaper at launch).
  • More heavily discounted: Has been around for much longer (launched in May 2011).

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50R is the clear winner of the match-up (23 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 50R 23:10 G3

How about other alternatives? Do the specifications of the Fujifilm GFX 50R and the Panasonic G3 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 50R or the G3. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

scroll hint
Expert Camera Reviews
     Camera 
 Model 
 AP 
 score 
 CL 
 score 
 DPR 
 score 
 EPZ 
 score 
 PB 
 score 
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 50R5/5..84/1004.5/54.5/5 Sep 2018 4,499 i
2.
 
Panasonic G33/5+ +75/1004.5/55/5 May 2011 599i
3.
 
Canon 6D Mark II4/5+80/1004.5/54/5 Jun 2017 1,999 i
4.
 
Canon 5DS..+83/1004.5/54.5/5 Feb 2015 3,699 i
5.
 
Canon 5DS R5/5+83/1005/54.5/5 Feb 2015 3,699 i
6.
 
Fujifilm GFX 50S....85/1005/54.5/5 Sep 2016 6,499 i
7.
 
Hasselblad X1D II......4/54/5 Jun 2019 5,750 i
8.
 
Leica Q2....84/1004.5/54/5 Mar 2019 4,995 i
9.
 
Leica M-E Typ 240.......... Jun 2019 3,999 i
10.
 
Nikon D75004.5/5+ +86/1005/54.5/5 Apr 2017 1,299 i
11.
 
Nikon D8504.5/5+ +89/1004.5/55/5 Jul 2017 3,299 i
12.
 
Panasonic G64/5+ +..5/54.5/5 Apr 2013 599i
13.
 
Panasonic G53/5+ +..4.5/54.5/5 Jul 2012 599i
14.
 
Panasonic GX13/5+77/1004.5/54.5/5 Nov 2011 699i
15.
 
Panasonic G103/5..70/1004/54/5 Mar 2010 499i
16.
 
Panasonic G2....72/1004/54.5/5 Mar 2010 599i
17.
 
Sony A95/5+ +89/1005/55/5 Apr 2017 4,499i
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Fujifilm GFX 50R:
Check Amazon price
Panasonic G3:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

~
    loader

    Specifications: Fujifilm GFX 50R vs Panasonic G3

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 50R Panasonic G3
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Fujifilm G mount lenses Micro Four Thirds lenses
    Launch Date September 2018 May 2011
    Launch Price USD 4,499 USD 599
    Sensor Specs Fujifilm GFX 50R Panasonic G3
    Sensor Technology CMOS CMOS
    Sensor Format Medium Format Sensor Four Thirds Sensor
    Sensor Size 44.0 x 33.0 mm 17.3 x 13.0 mm
    Sensor Area 1452 mm2 224.9 mm2
    Sensor Diagonal 55 mm 21.6 mm
    Crop Factor 0.79x 2.0x
    Sensor Resolution 51.1 Megapixels 15.8 Megapixels
    Image Resolution 8256 x 6192 pixels 4592 x 3448 pixels
    Pixel Pitch 5.33 μm 3.77 μm
    Pixel Density 3.52 MP/cm2 7.04 MP/cm2
    Moiré control no AA filter Anti-Alias filter
    Movie Capability 1080/30p Video 1080/60i Video
    ISO Setting 100 - 12,800 ISO 160 - 6,400 ISO
    ISO Boost 50 - 102,400 ISO no Enhancement
    Image Processor X Processor Pro Venus FHD
    DXO Sensor Quality (score) .. 56
    DXO Color Depth (bits) .. 21.0
    DXO Dynamic Range (EV) .. 10.6
    DXO Low Light (ISO) .. 667
    Screen Specs Fujifilm GFX 50R Panasonic G3
    Viewfinder Type Electronic viewfinder Electronic viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification 0.77x 0.70x
    Viewfinder Resolution 3690k dots 1440k dots
    LCD Framing Live View Live View
    Rear LCD Size 3.2inch 3.0inch
    LCD Resolution 2360k dots 460k dots
    LCD Attachment Tilting screen Swivel screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Fujifilm GFX 50R Panasonic G3
    Focus System Contrast-detect AF Contrast-detect AF
    Manual Focusing AidFocus Peakingno Peaking Feature
    Continuous Shooting 3 shutter flaps/s 4 shutter flaps/s
    Electronic Shutterup to 1/16000sno E-Shutter
    Time-Lapse PhotographyIntervalometer built-inno Intervalometer
    Fill Flash no On-Board Flash Build-in Flash
    Storage Medium SDXC cards SDXC cards
    Second Storage Option Dual card slots Single card slot
    UHS card support Dual UHS-II no
    Connectivity Specs Fujifilm GFX 50R Panasonic G3
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 3.0 USB 2.0
    HDMI Port micro HDMI mini HDMI
    Microphone Port External MIC port no MIC socket
    Headphone Socket Headphone port no Headphone port
    Wifi Support Wifi built-in no Wifi
    Bluetooth Support Bluetooth built-in no Bluetooth
    Body Specs Fujifilm GFX 50R Panasonic G3
    Environmental SealingWeathersealed bodynot weather sealed
    Battery Type NP-T125 DMW-BLD10
    Battery Life (CIPA)400 shots per charge270 shots per charge
    Body Dimensions 161 x 97 x 66 mm
    (6.3 x 3.8 x 2.6 in)
    115 x 84 x 47 mm
    (4.5 x 3.3 x 1.9 in)
    Camera Weight 775 g (27.3 oz) 336 g (11.9 oz)

    Did you notice an error on this page? If so, please get in touch, so that we can correct the information.

    You are here Home  »  CAM-parator  »  Fujifilm GFX 50R vs Panasonic G3

    Thanks for your vote!

    You rated this page 4 out of 5.


    Rating

    Any additional comment or suggestion for improvement would be welcome.


    If you like it, make sure you share it:

    • Mention this page to your Facebook friends and Twitter followers.
    • Bookmark it in your browser for future reference by pressing "Crtl" + "D".
    • Create a hyperlink by copying the text below into your web-project or discussion forum entry.

    Once again, thanks for taking the time to provide feedback. I appreciate it.