Fujifilm GFX 50R vs Nikon D610
The Fujifilm GFX 50R and the Nikon D610 are two digital cameras that were announced, respectively, in September 2018 and October 2013. The GFX 50R is a mirrorless interchangeable lens camera, while the D610 is a DSLR. The cameras are based on a medium format (GFX 50R) and a full frame (D610) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Nikon provides 24.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm GFX 50R||Nikon D610|
|Mirrorless system camera||Digital single lens reflex|
|Fujifilm G mount lenses||Nikon F mount lenses|
|51.1 MP, Medium Format Sensor||24.2 MP, Full Frame Sensor|
|1080/30p Video||1080/30p Video|
|ISO 100-12800 (50-102400)||ISO 100-6400 (50-25600)|
|Electronic viewfinder (3690k dots)||Optical viewfinder|
|3.2" LCD, 2360k dots||3.2" LCD, 921k dots|
|Tilting touchscreen||Fixed screen (not touch-sensitive)|
|3 shutter flaps per second||6 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|400 shots per battery charge||900 shots per battery charge|
|161 x 97 x 66 mm, 775 g||141 x 113 x 82 mm, 850 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50R and the Nikon D610? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm GFX 50R and the Nikon D610 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D610 is somewhat larger (2 percent) than the Fujifilm GFX 50R. Moreover, the D610 is markedly heavier (10 percent) than the GFX 50R. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Fujifilm GFX 50R»||6.3 in||3.8 in||2.6 in||27.3 oz||400||Y||Sep 2018||4,499||Fujifilm GFX 50R|
|Nikon D610«||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999||Nikon D610|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS R|
|Fujifilm GFX 100« »||6.1 in||5.7 in||3.0 in||46.6 oz||800||Y||May 2019||9,999||Fujifilm GFX 100|
|Fujifilm GFX 50S« »||5.8 in||3.7 in||3.6 in||26.1 oz||400||Y||Sep 2016||6,499||Fujifilm GFX 50S|
|Hasselblad X1D II« »||5.8 in||3.8 in||2.8 in||27.0 oz||..||Y||Jun 2019||5,750||Hasselblad X1D II|
|Hasselblad X1D« »||5.9 in||3.9 in||2.8 in||25.6 oz||..||Y||Jun 2016||8,995||-||Hasselblad X1D|
|Leica Q2« »||5.1 in||3.1 in||3.6 in||25.3 oz||370||Y||Mar 2019||4,995||Leica Q2|
|Leica M-E Typ 240« »||5.5 in||3.1 in||1.7 in||24.0 oz||..||Y||Jun 2019||3,999||Leica M-E Typ 240|
|Nikon D7500« »||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299||Nikon D7500|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299||-||Nikon D750|
|Nikon D7100« »||5.4 in||4.2 in||3.0 in||27.0 oz||950||Y||Feb 2013||1,199||-||Nikon D7100|
|Nikon D600« »||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099||-||Nikon D600|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D610 was launched at a markedly lower price (by 56 percent) than the GFX 50R, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm GFX 50R features a medium format sensor and the Nikon D610 a full frame sensor. The sensor area in the D610 is 41 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 50R has a native 4:3 aspect ratio, while the one in the D610 offers a 3:2 aspect.
With 51.1MP, the GFX 50R offers a higher resolution than the D610 (24.2MP), but the GFX 50R has smaller individual pixels (pixel pitch of 5.33μm versus 5.97μm for the D610). However, the GFX 50R is a much more recent model (by 4 years and 11 months) than the D610, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inch or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inch or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inch or 69.9 x 52.4 cm. The corresponding values for the Nikon D610 are 30.1 x 20.1 inch or 76.4 x 51 cm for good quality, 24.1 x 16.1 inch or 61.1 x 40.8 cm for very good quality, and 20.1 x 13.4 inch or 50.9 x 34 cm for excellent quality prints.
The Fujifilm GFX 50R has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon D610 are ISO 100 to ISO 6400, with the possibility to increase the ISO range to 50-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm GFX 50R»||Medium Format||51.1||8256||6192||1080/30p||-||-||-||-||Fujifilm GFX 50R|
|Nikon D610«||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94||Nikon D610|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86||Canon 5DS R|
|Fujifilm GFX 100« »||Medium Format||101.8||11648||8736||4K/30p||-||-||-||-||Fujifilm GFX 100|
|Fujifilm GFX 50S« »||Medium Format||51.1||8256||6192||1080/30p||-||-||-||-||Fujifilm GFX 50S|
|Hasselblad X1D II« »||Medium Format||51.3||8272||6200||-||-||-||-||-||Hasselblad X1D II|
|Hasselblad X1D« »||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102||Hasselblad X1D|
|Leica Q2« »||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96||Leica Q2|
|Leica M-E Typ 240« »||Full Frame||23.7||5952||3976||1080/25p||-||-||-||-||Leica M-E Typ 240|
|Nikon D7500« »||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Nikon D750« »||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Nikon D7100« »||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83||Nikon D7100|
|Nikon D600« »||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94||Nikon D600|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/30p).
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GFX 50R has an electronic viewfinder (3690k dots), while the D610 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GFX 50R has a higher magnification than the one of the D610 (0.77x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50R, the Nikon D610, and comparable cameras.
|Fujifilm GFX 50R»||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n||Fujifilm GFX 50R|
|Nikon D610«||optical||Y||3.2||921||fixed||n||1/4000s||6.0||Y||n||Nikon D610|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS R|
|Fujifilm GFX 100« »||-||Y||3.2||2360||tilting||Y||1/4000s||5.0||n||Y||Fujifilm GFX 100|
|Fujifilm GFX 50S« »||-||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n||Fujifilm GFX 50S|
|Hasselblad X1D II« »||3690||n||3.6||2360||fixed||Y||1/2000s||2.7||n||n||Hasselblad X1D II|
|Hasselblad X1D« »||2360||n||3.0||920||fixed||Y||1/2000s||2.3||n||n||Hasselblad X1D|
|Leica Q2« »||3680||n||3.0||1040||fixed||Y||1/2000s||20.0||n||Y||Leica Q2|
|Leica M-E Typ 240« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||n||n||Leica M-E Typ 240|
|Nikon D7500« »||optical||Y||3.2||922||tilting||Y||1/8000s||8.0||Y||n||Nikon D7500|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Nikon D750« »||optical||Y||3.2||1229||tilting||n||1/4000s||6.0||Y||n||Nikon D750|
|Nikon D7100« »||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7100|
|Nikon D600« »||optical||Y||3.0||921||fixed||n||1/4000s||5.5||Y||n||Nikon D600|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GFX 50R has a touchscreen, while the D610 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50R and the Nikon D610 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 50R and the D610 write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The GFX 50R supports UHS-II cards (on both slots), while the D610 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50R and Nikon D610 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm GFX 50R»||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y||Fujifilm GFX 50R|
|Nikon D610«||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D610|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Fujifilm GFX 100« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm GFX 100|
|Fujifilm GFX 50S« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Fujifilm GFX 50S|
|Hasselblad X1D II« »||Y||stereo||mono||Y||Y||-||3.0||Y||-||-||Hasselblad X1D II|
|Hasselblad X1D« »||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Hasselblad X1D|
|Leica Q2« »||Y||stereo||mono||-||-||-||-||Y||-||Y||Leica Q2|
|Leica M-E Typ 240« »||Y||mono||-||-||-||-||2.0||-||-||-||Leica M-E Typ 240|
|Nikon D7500« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Nikon D750« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Nikon D7100« »||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Nikon D7100|
|Nikon D600« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D600|
It is notable that the GFX 50R offers wifi support, while the D610 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the GFX 50R and the D610 are recent models that are part of the current product line-up. The D610 replaced the earlier Nikon D600, while the GFX 50R does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm GFX 50R and the Nikon D610? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Fujifilm GFX 50R:
- More detail: Offers more megapixels (51.1 vs 24.2MP) with a 43% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (2360k vs 921k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 4 years and 11 months of technical progress since the D610 launch.
Arguments in favor of the Nikon D610:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster burst: Shoots at higher frequency (6 vs 3 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (900 versus 400) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in October 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50R is the clear winner of the match-up (18 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 50R and the Nikon D610 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the GFX 50R or the D610 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm GFX 50R»||-||84/100||4.5/5||4.5/5||4.5/5||Sep 2018||4,499||Fujifilm GFX 50R|
|Nikon D610«||+ +||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999||Nikon D610|
|Canon 6D Mark II« »||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon 5DS« »||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS R|
|Fujifilm GFX 100« »||+ +||90/100||5/5||-||4.5/5||May 2019||9,999||Fujifilm GFX 100|
|Fujifilm GFX 50S« »||-||85/100||5/5||5/5||4.5/5||Sep 2016||6,499||Fujifilm GFX 50S|
|Hasselblad X1D II« »||-||-||-||-||-||Jun 2019||5,750||Hasselblad X1D II|
|Hasselblad X1D« »||o||81/100||-||-||4/5||Jun 2016||8,995||-||Hasselblad X1D|
|Leica Q2« »||-||84/100||4.5/5||-||4/5||Mar 2019||4,995||Leica Q2|
|Leica M-E Typ 240« »||-||-||-||-||-||Jun 2019||3,999||Leica M-E Typ 240|
|Nikon D7500« »||+ +||86/100||5/5||4.5/5||4.5/5||Apr 2017||1,299||Nikon D7500|
|Nikon D500« »||+ +||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Nikon D750« »||+ +||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299||-||Nikon D750|
|Nikon D7100« »||+ +||85/100||4.5/5||5/5||4.5/5||Feb 2013||1,199||-||Nikon D7100|
|Nikon D600« »||+ +||87/100||5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Nikon D600|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark III vs Nikon D610
- Canon G12 vs Fujifilm GFX 50R
- Canon SL2 vs Nikon D610
- Fujifilm GFX 50R vs Olympus E-M1
- Fujifilm GFX 50R vs Olympus E-M10 III
- Fujifilm GFX 50R vs Panasonic G95
- Fujifilm GFX 50R vs Sony A68
- Fujifilm X-A10 vs Nikon D610
- Leica V-LUX 2 vs Nikon D610
- Nikon D610 vs Panasonic FZ100
- Nikon D610 vs Panasonic G9
- Nikon D610 vs Sony A6300
Specifications: Fujifilm GFX 50R vs Nikon D610
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 50R||Nikon D610|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm G mount lenses||Nikon F mount lenses|
|Launch Date||September 2018||October 2013|
|Launch Price||USD 4499||USD 1999|
|Sensor Specs||Fujifilm GFX 50R||Nikon D610|
|Sensor Format||Medium Format Sensor||Full Frame Sensor|
|Sensor Size||44.0 x 33.0 mm||35.9 x 24.0 mm|
|Sensor Area||1452 mm2||861.6 mm2|
|Sensor Diagonal||55 mm||43.2 mm|
|Sensor Resolution||51.1 Megapixels||24.2 Megapixels|
|Image Resolution||8256 x 6192 pixels||6016 x 4016 pixels|
|Pixel Pitch||5.33 μm||5.97 μm|
|Pixel Density||3.52 MP/cm2||2.80 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/30p Video|
|ISO Setting||100-12800 ISO||100-6400 ISO|
|ISO Boost||50-102400 ISO||50-25600 ISO|
|Image Processor||X Processor Pro||EXPEED 3|
|DXO Sensor Quality (score)||..||94|
|DXO Color Depth (bits)||..||25.1|
|DXO Dynamic Range (EV)||..||14.4|
|DXO Low Light (ISO)||..||2925|
|Screen Specs||Fujifilm GFX 50R||Nikon D610|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.2 inch|
|LCD Resolution||2360k dots||921k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm GFX 50R||Nikon D610|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||3 shutter flaps/s||6 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Fujifilm GFX 50R||Nikon D610|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm GFX 50R||Nikon D610|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||900 shots per charge|
161 x 97 x 66 mm
(6.3 x 3.8 x 2.6 in)
141 x 113 x 82 mm
(5.6 x 4.4 x 3.2 in)
|Camera Weight||775 g (27.3 oz)||850 g (30.0 oz)|
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