Fujifilm GFX 50R vs Nikon D6
The Fujifilm GFX 50R and the Nikon D6 are two professional cameras that were revealed to the public, respectively, in September 2018 and February 2020. The GFX 50R is a mirrorless interchangeable lens camera, while the D6 is a DSLR. The cameras are based on a medium format (GFX 50R) and a full frame (D6) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50R and the Nikon D6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm GFX 50R and the Nikon D6 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D6 is considerably larger (67 percent) than the Fujifilm GFX 50R. Moreover, the D6 is substantially heavier (64 percent) than the GFX 50R. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the GFX 50R gets 400 shots out of its NP-T125 battery, while the D6 can take 3580 images on a single charge of its EN-EL18c power pack. As can be seen in the images above, the D6 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|2.||Nikon D6||160 mm||163 mm||92 mm||1270 g||3580||Y||Feb 2020||6,499|
|3.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|4.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|5.||Fujifilm GFX 100S||150 mm||104 mm||87 mm||900 g||460||Y||Jan 2021||5,999|
|6.||Fujifilm GFX 50S II||150 mm||104 mm||87 mm||900 g||440||Y||Sep 2021||3,999|
|7.||Fujifilm GFX 100||156 mm||144 mm||75 mm||1320 g||800||Y||May 2019||9,999|
|8.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499|
|9.||Hasselblad X1D II||148 mm||97 mm||70 mm||766 g||..||Y||Jun 2019||5,750|
|10.||Hasselblad X1D||150 mm||98 mm||71 mm||725 g||..||Y||Jun 2016||8,995|
|11.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995|
|12.||Leica M-E Typ 240||139 mm||80 mm||42 mm||680 g||..||Y||Jun 2019||3,999|
|13.||Nikon D780||144 mm||116 mm||76 mm||840 g||2260||Y||Jan 2020||2,299|
|14.||Nikon D5||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499|
|15.||Nikon D4S||160 mm||157 mm||91 mm||1350 g||3020||Y||Feb 2014||6,499|
|16.||Nikon D4||160 mm||157 mm||91 mm||1340 g||2600||Y||Jan 2012||5,999|
|17.||Nikon D3X||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GFX 50R was launched at a markedly lower price (by 31 percent) than the D6, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 50R features a medium format sensor and the Nikon D6 a full frame sensor. The sensor area in the D6 is 41 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 50R has a native 4:3 aspect ratio, while the one in the D6 offers a 3:2 aspect.
With 51.1MP, the GFX 50R offers a higher resolution than the D6 (20.7MP), but the GFX 50R has smaller individual pixels (pixel pitch of 5.33μm versus 6.44μm for the D6). Moreover, the D6 is a somewhat more recent model (by 1 year and 4 months) than the GFX 50R, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Nikon D6 are 27.8 x 18.6 inches or 70.7 x 47.1 cm for good quality, 22.3 x 14.8 inches or 56.6 x 37.7 cm for very good quality, and 18.6 x 12.4 inches or 47.1 x 31.4 cm for excellent quality prints.
The Fujifilm GFX 50R has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon D6 are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-3280000.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||25.7||14.4||3169||98|
|2.||Nikon D6||Full Frame||20.7||5568||3712||4K/30p||25.3||14.3||2886||95|
|3.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|4.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|5.||Fujifilm GFX 100S||Medium Format||101.8||11648||8736||4K/30p||25.8||14.7||3391||100|
|6.||Fujifilm GFX 50S II||Medium Format||51.1||8256||6192||1080/30p||25.9||14.8||3456||100|
|7.||Fujifilm GFX 100||Medium Format||101.8||11648||8736||4K/30p||25.7||14.5||3227||99|
|8.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||25.4||14.1||2977||96|
|9.||Hasselblad X1D II||Medium Format||51.3||8272||6200||none||25.7||14.5||3234||99|
|10.||Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102|
|11.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|12.||Leica M-E Typ 240||Full Frame||23.7||5952||3976||1080/25p||25.2||14.2||2821||94|
|13.||Nikon D780||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||2877||95|
|14.||Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|15.||Nikon D4S||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89|
|16.||Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|17.||Nikon D3X||Full Frame||24.4||6048||4032||none||24.7||13.7||1992||88|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the D6 provides a better video resolution than the GFX 50R. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GFX 50R has an electronic viewfinder (3690k dots), while the D6 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GFX 50R has a higher magnification than the one of the D6 (0.77x vs 0.72x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50R, the Nikon D6, and comparable cameras.
|1.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0/s||n||n|
|2.||Nikon D6||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0/s||n||n|
|3.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|4.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|5.||Fujifilm GFX 100S||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0/s||n||Y|
|6.||Fujifilm GFX 50S II||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||Y|
|7.||Fujifilm GFX 100||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0/s||n||Y|
|8.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||n|
|9.||Hasselblad X1D II||3690||n||3.6 / 2360||fixed||Y||1/2000s||2.7/s||n||n|
|10.||Hasselblad X1D||2360||n||3.0 / 920||fixed||Y||1/2000s||2.3/s||n||n|
|11.||Leica Q2||3680||n||3.0 / 1040||fixed||Y||1/2000s||20.0/s||n||Y|
|12.||Leica M-E Typ 240||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||n||n|
|13.||Nikon D780||optical||Y||3.2 / 2359||tilting||Y||1/8000s||12.0/s||n||n|
|14.||Nikon D5||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0/s||n||n|
|15.||Nikon D4S||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0/s||n||n|
|16.||Nikon D4||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0/s||n||n|
|17.||Nikon D3X||optical||Y||3.0 / 922||fixed||n||1/8000s||5.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the D6, but is missing on the GFX 50R is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50R and the Nikon D6 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GFX 50R writes its imaging data to SDXC cards, while the D6 uses CFexpress or XQD cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50R and Nikon D6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|2.||Nikon D6||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|3.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|4.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|5.||Fujifilm GFX 100S||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|6.||Fujifilm GFX 50S II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||-|
|7.||Fujifilm GFX 100||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|8.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|9.||Hasselblad X1D II||Y||stereo / mono||Y||Y||-||3.0||Y||-||-|
|10.||Hasselblad X1D||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|11.||Leica Q2||Y||stereo / mono||-||-||-||-||Y||-||Y|
|12.||Leica M-E Typ 240||Y||mono / -||-||-||-||2.0||-||-||-|
|13.||Nikon D780||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|14.||Nikon D5||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|15.||Nikon D4S||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|16.||Nikon D4||Y||mono / mono||Y||Y||micro||2.0||-||-||-|
|17.||Nikon D3X||Y||- / -||-||-||mini||2.0||-||-||-|
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the GFX 50R and the D6 are recent models that are part of the current product line-up. The D6 replaced the earlier Nikon D5, while the GFX 50R does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.
So how do things add up? Is the Fujifilm GFX 50R better than the Nikon D6 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Fujifilm GFX 50R:
- More detail: Offers more megapixels (51.1 vs 20.7MP) with a 54% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.72x).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (161x97mm vs 160x163mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 495g or 39 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- More affordable: Was introduced into a lower priced category (31 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in September 2018).
Reasons to prefer the Nikon D6:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 3 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (3580 versus 400) out of a single battery charge.
- More modern: Was introduced somewhat (1 year and 4 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50R emerges as the winner of the contest (11 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 50R and the Nikon D6 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the GFX 50R and the D6 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|2.||Nikon D6||..||..||4/5||..||4.5/5||4.5/5||Feb 2020||6,499|
|3.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|4.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699|
|5.||Fujifilm GFX 100S||5/5||+ +||5/5||90/100||5/5||5/5||Jan 2021||5,999|
|6.||Fujifilm GFX 50S II||5/5||..||5/5||87/100||..||5/5||Sep 2021||3,999|
|7.||Fujifilm GFX 100||4.5/5||+ +||4.8/5||90/100||5/5||4.5/5||May 2019||9,999|
|8.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499|
|9.||Hasselblad X1D II||..||..||4/5||..||4/5||4/5||Jun 2019||5,750|
|10.||Hasselblad X1D||..||o||..||81/100||..||4/5||Jun 2016||8,995|
|11.||Leica Q2||..||..||..||84/100||4.5/5||4/5||Mar 2019||4,995|
|12.||Leica M-E Typ 240||..||..||..||..||..||..||Jun 2019||3,999|
|13.||Nikon D780||5/5||..||5/5||87/100||4.5/5||4.5/5||Jan 2020||2,299|
|14.||Nikon D5||..||..||4/5||89/100||4.5/5||5/5||Jan 2016||6,499|
|15.||Nikon D4S||5/5||..||..||..||4.5/5||4.5/5||Feb 2014||6,499|
|16.||Nikon D4||..||..||..||..||4.5/5||4.5/5||Jan 2012||5,999|
|17.||Nikon D3X||..||..||..||86/100||4/5||5/5||Dec 2008||7,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark IV vs Nikon D6
- Canon T3 vs Fujifilm GFX 50R
- Fujifilm GFX 50R vs Leica S Typ 006
- Fujifilm GFX 50R vs Leica X Typ 113
- Fujifilm GFX 50R vs Nikon D3100
- Fujifilm GFX 50R vs Olympus E-PL2
- Fujifilm GFX 50R vs Pentax K-500
- Fujifilm XF10 vs Nikon D6
- Leica CL vs Nikon D6
- Nikon D6 vs Nikon Z6 II
- Nikon D6 vs Panasonic GX80
- Nikon D6 vs Sony RX100 V
Specifications: Fujifilm GFX 50R vs Nikon D6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 50R||Nikon D6|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm G mount lenses||Nikon F mount lenses|
|Launch Date||September 2018||February 2020|
|Launch Price||USD 4,499||USD 6,499|
|Sensor Specs||Fujifilm GFX 50R||Nikon D6|
|Sensor Format||Medium Format Sensor||Full Frame Sensor|
|Sensor Size||44.0 x 33.0 mm||35.9 x 23.9 mm|
|Sensor Area||1452 mm2||858.01 mm2|
|Sensor Diagonal||55 mm||43.1 mm|
|Sensor Resolution||51.1 Megapixels||20.7 Megapixels|
|Image Resolution||8256 x 6192 pixels||5568 x 3712 pixels|
|Pixel Pitch||5.33 μm||6.44 μm|
|Pixel Density||3.52 MP/cm2||2.41 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 12,800 ISO||100 - 102,400 ISO|
|ISO Boost||50 - 102,400 ISO||50 - 3,280,000 ISO|
|Image Processor||X Processor Pro||EXPEED 6|
|Screen Specs||Fujifilm GFX 50R||Nikon D6|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.2inch|
|LCD Resolution||2360k dots||2359k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Fujifilm GFX 50R||Nikon D6|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||3 shutter flaps/s||14 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CFexpress or XQD cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Fujifilm GFX 50R||Nikon D6|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.0||USB 3.1|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Fujifilm GFX 50R||Nikon D6|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||3580 shots per charge|
161 x 97 x 66 mm
(6.3 x 3.8 x 2.6 in)
160 x 163 x 92 mm
(6.3 x 6.4 x 3.6 in)
|Camera Weight||775 g (27.3 oz)||1270 g (44.8 oz)|
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