Fujifilm GFX 50R vs Canon M10
The Fujifilm GFX 50R and the Canon EOS M10 are two digital cameras that were announced, respectively, in September 2018 and October 2015. Both the GFX 50R and the M10 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 50R) and an APS-C (M10) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Canon provides 17.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50R and the Canon EOS M10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Fujifilm GFX 50R and the Canon M10 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The M10 can be obtained in two different colors (black, white), while the GFX 50R is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon M10 is considerably smaller (54 percent) than the Fujifilm GFX 50R. Moreover, the M10 is substantially lighter (61 percent) than the GFX 50R. It is worth mentioning in this context that the GFX 50R is splash and dust resistant, while the M10 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the GFX 50R gets 400 shots out of its Fujifilm NP-T125 battery, while the M10 can take 255 images on a single charge of its Canon LP-E12 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | 4,499 | ebay.com | |
2. | Canon M10 | 108 mm | 67 mm | 35 mm | 301 g | 255 | n | Oct 2015 | 499 | ebay.com | |
3. | Canon M100 | 108 mm | 67 mm | 35 mm | 302 g | 295 | n | Aug 2017 | 499 | ebay.com | |
4. | Canon T6 | 129 mm | 101 mm | 78 mm | 485 g | 500 | n | Mar 2016 | 449 | ebay.com | |
5. | Canon 5DS | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
6. | Canon 5DS R | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
7. | Canon M3 | 111 mm | 68 mm | 44 mm | 366 g | 250 | n | Feb 2015 | 679 | ebay.com | |
8. | Canon SL1 | 117 mm | 91 mm | 69 mm | 407 g | 380 | n | Mar 2013 | 549 | ebay.com | |
9. | Canon M | 109 mm | 66 mm | 32 mm | 298 g | 230 | n | Jul 2012 | 599 | ebay.com | |
10. | Fujifilm GFX 100S | 150 mm | 104 mm | 87 mm | 900 g | 460 | Y | Jan 2021 | 5,999 | amazon.com | |
11. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | 3,999 | amazon.com | |
12. | Fujifilm GFX 100 | 156 mm | 144 mm | 75 mm | 1320 g | 800 | Y | May 2019 | 9,999 | ebay.com | |
13. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | 6,499 | ebay.com | |
14. | Hasselblad X1D II | 148 mm | 97 mm | 70 mm | 766 g | .. | Y | Jun 2019 | 5,750 | ebay.com | |
15. | Hasselblad X1D | 150 mm | 98 mm | 71 mm | 725 g | .. | Y | Jun 2016 | 8,995 | ebay.com | |
16. | Leica Q2 | 130 mm | 80 mm | 92 mm | 718 g | 370 | Y | Mar 2019 | 4,995 | amazon.com | |
17. | Leica M-E Typ 240 | 139 mm | 80 mm | 42 mm | 680 g | 500 | Y | Jun 2019 | 3,999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The M10 was launched at a markedly lower price (by 89 percent) than the GFX 50R, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm GFX 50R features a medium format sensor and the Canon M10 an APS-C sensor. The sensor area in the M10 is 77 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.6. The sensor in the GFX 50R has a native 4:3 aspect ratio, while the one in the M10 offers a 3:2 aspect.
With 51.1MP, the GFX 50R offers a higher resolution than the M10 (17.9MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.31μm for the M10) due to its larger sensor. Moreover, the GFX 50R is a much more recent model (by 2 years and 11 months) than the M10, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon M10 are 25.9 x 17.3 inches or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inches or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inches or 43.9 x 29.3 cm for excellent quality prints.
The M10 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm GFX 50R has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Canon EOS M10 are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 100-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
2. | Canon M10 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.2 | 11.4 | 753 | 65 | |
3. | Canon M100 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.5 | 12.9 | 1272 | 78 | |
4. | Canon T6 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.0 | 11.7 | 781 | 66 | |
5. | Canon 5DS | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.7 | 12.4 | 2381 | 87 | |
6. | Canon 5DS R | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.6 | 12.4 | 2308 | 86 | |
7. | Canon M3 | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.8 | 11.8 | 1169 | 72 | |
8. | Canon SL1 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.8 | 11.3 | 843 | 63 | |
9. | Canon M | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.1 | 11.2 | 827 | 65 | |
10. | Fujifilm GFX 100S | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.8 | 14.7 | 3391 | 100 | |
11. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
12. | Fujifilm GFX 100 | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.7 | 14.5 | 3227 | 99 | |
13. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
14. | Hasselblad X1D II | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 25.7 | 14.5 | 3234 | 99 | |
15. | Hasselblad X1D | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 26.2 | 14.8 | 4489 | 102 | |
16. | Leica Q2 | Full Frame | 46.7 | 8368 | 5584 | 4K/30p | 26.4 | 13.5 | 2491 | 96 | |
17. | Leica M-E Typ 240 | Full Frame | 23.7 | 5952 | 3976 | 1080/25p | 25.2 | 14.2 | 2821 | 94 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/30p).
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GFX 50R has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the M10 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50R, the Canon M10, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
2. | Canon M10 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.6/s | Y | n | |
3. | Canon M100 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.1/s | Y | n | |
4. | Canon T6 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | Y | n | |
5. | Canon 5DS | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
6. | Canon 5DS R | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
7. | Canon M3 | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
8. | Canon SL1 | optical | n | 3.0 / 1040 | fixed | Y | 1/4000s | 4.9/s | Y | n | |
9. | Canon M | none | n | 3.0 / 1040 | fixed | Y | 1/4000s | 4.3/s | n | n | |
10. | Fujifilm GFX 100S | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
11. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
12. | Fujifilm GFX 100 | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
13. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
14. | Hasselblad X1D II | 3690 | n | 3.6 / 2360 | fixed | Y | 1/2000s | 2.7/s | n | n | |
15. | Hasselblad X1D | 2360 | n | 3.0 / 920 | fixed | Y | 1/2000s | 2.3/s | n | n | |
16. | Leica Q2 | 3680 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | n | Y | |
17. | Leica M-E Typ 240 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The M10 has one, while the GFX 50R does not. While the built-in flash of the M10 is not very powerful, it can at times be useful as a fill-in light.
The M10 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 50R does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 50R and the M10 write their files to SDXC cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the M10 only has one slot. The GFX 50R supports UHS-II cards (on both slots), while the M10 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50R and Canon EOS M10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
2. | Canon M10 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
3. | Canon M100 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
4. | Canon T6 | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
5. | Canon 5DS | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
6. | Canon 5DS R | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
7. | Canon M3 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
8. | Canon SL1 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
9. | Canon M | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
10. | Fujifilm GFX 100S | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
11. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
12. | Fujifilm GFX 100 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
13. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
14. | Hasselblad X1D II | Y | stereo / mono | Y | Y | - | 3.0 | Y | - | - | |
15. | Hasselblad X1D | Y | stereo / mono | Y | Y | mini | 3.0 | Y | - | - | |
16. | Leica Q2 | Y | stereo / mono | - | - | - | - | Y | - | Y | |
17. | Leica M-E Typ 240 | Y | mono / - | - | - | - | 2.0 | - | - | - |
It is notable that the GFX 50R has a hotshoe, while the M10 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Fujifilm GFX 50R (unlike the M10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the GFX 50R and the M10 have been discontinued, but can regularly be found used on ebay. The M10 was replaced by the Canon M100, while the GFX 50R does not have a direct successor. Further information on the features and operation of the GFX 50R and M10 can be found, respectively, in the Fujifilm GFX 50R Manual (free pdf) or the online Canon M10 Manual.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Fujifilm GFX 50R or the Canon M10 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Fujifilm GFX 50R:
- More detail: Offers more megapixels (51.1 vs 17.9MP) with a 66% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (400 versus 255) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 11 months of technical progress since the M10 launch.
Reasons to prefer the Canon EOS M10:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (4.6 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (108x67mm vs 161x97mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 474g or 61 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (89 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in October 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50R is the clear winner of the match-up (22 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 50R and the Canon M10 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the GFX 50R and the M10 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | 4,499 | ebay.com | |
2. | Canon M10 | .. | .. | .. | .. | .. | 4/5 | Oct 2015 | 499 | ebay.com | |
3. | Canon M100 | 3/5 | + | .. | .. | 4/5 | 3.5/5 | Aug 2017 | 499 | ebay.com | |
4. | Canon T6 | 4/5 | o | 4/5 | 73/100 | 4/5 | 4/5 | Mar 2016 | 449 | ebay.com | |
5. | Canon 5DS | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
6. | Canon 5DS R | 5/5 | + | .. | 83/100 | 5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
7. | Canon M3 | 4/5 | o | .. | 75/100 | 4.5/5 | 4/5 | Feb 2015 | 679 | ebay.com | |
8. | Canon SL1 | 4/5 | + | .. | 78/100 | 4/5 | 4/5 | Mar 2013 | 549 | ebay.com | |
9. | Canon M | 3/5 | + | .. | .. | 4/5 | 4/5 | Jul 2012 | 599 | ebay.com | |
10. | Fujifilm GFX 100S | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jan 2021 | 5,999 | amazon.com | |
11. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | 3,999 | amazon.com | |
12. | Fujifilm GFX 100 | 4.5/5 | + + | 4.8/5 | 90/100 | 5/5 | 4.5/5 | May 2019 | 9,999 | ebay.com | |
13. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | 6,499 | ebay.com | |
14. | Hasselblad X1D II | .. | .. | 4/5 | .. | 4/5 | 4/5 | Jun 2019 | 5,750 | ebay.com | |
15. | Hasselblad X1D | .. | o | .. | 81/100 | .. | 4/5 | Jun 2016 | 8,995 | ebay.com | |
16. | Leica Q2 | .. | .. | 4.5/5 | 84/100 | 4.5/5 | 4/5 | Mar 2019 | 4,995 | amazon.com | |
17. | Leica M-E Typ 240 | .. | .. | .. | .. | .. | .. | Jun 2019 | 3,999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 350D vs Canon M10
- Canon 6D Mark II vs Fujifilm GFX 50R
- Canon G1 X Mark II vs Canon M10
- Canon M10 vs Nikon D5600
- Canon M10 vs Nikon P900
- Canon M10 vs Olympus E-PL2
- Canon M10 vs Panasonic LX10
- Fujifilm GFX 50R vs Nikon D1
- Fujifilm GFX 50R vs Nikon D4
- Fujifilm GFX 50R vs Nikon D6
- Fujifilm GFX 50R vs Sony RX100
- Fujifilm GFX 50R vs Sony ZV-E10
Specifications: Fujifilm GFX 50R vs Canon M10
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm GFX 50R | Canon M10 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Fujifilm G mount lenses | Canon EF-M mount lenses |
Launch Date | September 2018 | October 2015 |
Launch Price | USD 4,499 | USD 499 |
Sensor Specs | Fujifilm GFX 50R | Canon M10 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Medium Format Sensor | APS-C Sensor |
Sensor Size | 44.0 x 33.0 mm | 22.3 x 14.9 mm |
Sensor Area | 1452 mm2 | 332.27 mm2 |
Sensor Diagonal | 55 mm | 26.8 mm |
Crop Factor | 0.79x | 1.6x |
Sensor Resolution | 51.1 Megapixels | 17.9 Megapixels |
Image Resolution | 8256 x 6192 pixels | 5184 x 3456 pixels |
Pixel Pitch | 5.33 μm | 4.31 μm |
Pixel Density | 3.52 MP/cm2 | 5.39 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 1080/30p Video | 1080/30p Video |
ISO Setting | 100 - 12,800 ISO | 100 - 12,800 ISO |
ISO Boost | 50 - 102,400 ISO | 100 - 25,600 ISO |
Image Processor | X Processor Pro | DIGIC 6 |
DXO Sensor Quality (score) | .. | 65 |
DXO Color Depth (bits) | .. | 22.2 |
DXO Dynamic Range (EV) | .. | 11.4 |
DXO Low Light (ISO) | .. | 753 |
Screen Specs | Fujifilm GFX 50R | Canon M10 |
Viewfinder Type | Electronic viewfinder | no viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.77x | |
Viewfinder Resolution | 3690k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.2inch | 3.0inch |
LCD Resolution | 2360k dots | 1040k dots |
LCD Attachment | Tilting screen | Tilting screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Fujifilm GFX 50R | Canon M10 |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 3 shutter flaps/s | 4.6 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
UHS card support | Dual UHS-II | UHS-I |
Connectivity Specs | Fujifilm GFX 50R | Canon M10 |
External Flash | Hotshoe | no Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 3.0 | USB 2.0 |
HDMI Port | micro HDMI | mini HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Fujifilm GFX 50R | Canon M10 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Fujifilm NP-T125 | Canon LP-E12 |
Battery Life (CIPA) | 400 shots per charge | 255 shots per charge |
Body Dimensions |
161 x 97 x 66 mm (6.3 x 3.8 x 2.6 in) |
108 x 67 x 35 mm (4.3 x 2.6 x 1.4 in) |
Camera Weight | 775 g (27.3 oz) | 301 g (10.6 oz) |
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