Fujifilm GFX 50R vs Canon 7D II
The Fujifilm GFX 50R and the Canon EOS 7D Mark II are two digital cameras that were revealed to the public, respectively, in September 2018 and September 2014. The GFX 50R is a mirrorless interchangeable lens camera, while the 7D Mark II is a DSLR. The cameras are based on a medium format (GFX 50R) and an APS-C (7D Mark II) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Canon provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50R and the Canon EOS 7D Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Fujifilm GFX 50R and the Canon 7D II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 7D II is notably larger (7 percent) than the Fujifilm GFX 50R. Moreover, the 7D Mark II is markedly heavier (17 percent) than the GFX 50R. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the GFX 50R gets 400 shots out of its Fujifilm NP-T125 battery, while the 7D Mark II can take 670 images on a single charge of its Canon LP-E6N power pack.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | 4,499 | ebay.com | |
2. | Canon 7D II | 149 mm | 112 mm | 78 mm | 910 g | 670 | Y | Sep 2014 | 1,799 | ebay.com | |
3. | Canon 5DS | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
4. | Canon 5DS R | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
5. | Canon 7D | 148 mm | 111 mm | 74 mm | 860 g | 800 | Y | Sep 2009 | 1,699 | ebay.com | |
6. | Canon 70D | 139 mm | 104 mm | 79 mm | 755 g | 920 | Y | Jul 2013 | 1,199 | ebay.com | |
7. | Canon SL1 | 117 mm | 91 mm | 69 mm | 407 g | 380 | n | Mar 2013 | 549 | ebay.com | |
8. | Canon T5i | 133 mm | 100 mm | 79 mm | 580 g | 440 | n | Mar 2013 | 649 | ebay.com | |
9. | Canon T6i | 132 mm | 101 mm | 78 mm | 555 g | 440 | n | Feb 2015 | 749 | ebay.com | |
10. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | 6,499 | ebay.com | |
11. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | 3,999 | amazon.com | |
12. | Fujifilm GFX 100 | 156 mm | 144 mm | 75 mm | 1320 g | 800 | Y | May 2019 | 9,999 | ebay.com | |
13. | Fujifilm GFX 100S | 150 mm | 104 mm | 87 mm | 900 g | 460 | Y | Jan 2021 | 5,999 | amazon.com | |
14. | Hasselblad X1D | 150 mm | 98 mm | 71 mm | 725 g | .. | Y | Jun 2016 | 8,995 | ebay.com | |
15. | Hasselblad X1D II | 148 mm | 97 mm | 70 mm | 766 g | .. | Y | Jun 2019 | 5,750 | ebay.com | |
16. | Leica M-E Typ 240 | 139 mm | 80 mm | 42 mm | 680 g | 500 | Y | Jun 2019 | 3,999 | ebay.com | |
17. | Leica Q2 | 130 mm | 80 mm | 92 mm | 718 g | 370 | Y | Mar 2019 | 4,995 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 7D Mark II was launched at a markedly lower price (by 60 percent) than the GFX 50R, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm GFX 50R features a medium format sensor and the Canon 7D II an APS-C sensor. The sensor area in the 7D Mark II is 77 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.6. The sensor in the GFX 50R has a native 4:3 aspect ratio, while the one in the 7D Mark II offers a 3:2 aspect.
With 51.1MP, the GFX 50R offers a higher resolution than the 7D Mark II (20MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.10μm for the 7D Mark II) due to its larger sensor. Moreover, the GFX 50R is a much more recent model (by 4 years) than the 7D Mark II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon 7D II are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The 7D Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm GFX 50R has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Canon EOS 7D Mark II are ISO 100 to ISO 16000, with the possibility to increase the ISO range to 100-51200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
2. | Canon 7D II | APS-C | 20.0 | 5472 | 3648 | 1080/60p | 22.4 | 11.8 | 1082 | 70 | |
3. | Canon 5DS | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.7 | 12.4 | 2381 | 87 | |
4. | Canon 5DS R | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.6 | 12.4 | 2308 | 86 | |
5. | Canon 7D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.0 | 11.7 | 854 | 66 | |
6. | Canon 70D | APS-C | 20.0 | 5472 | 3648 | 1080/30p | 22.5 | 11.6 | 926 | 68 | |
7. | Canon SL1 | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.8 | 11.3 | 843 | 63 | |
8. | Canon T5i | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.7 | 11.2 | 681 | 61 | |
9. | Canon T6i | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.7 | 12.0 | 919 | 71 | |
10. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
11. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
12. | Fujifilm GFX 100 | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.7 | 14.5 | 3227 | 99 | |
13. | Fujifilm GFX 100S | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.8 | 14.7 | 3391 | 100 | |
14. | Hasselblad X1D | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 26.2 | 14.8 | 4489 | 102 | |
15. | Hasselblad X1D II | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 25.7 | 14.5 | 3234 | 99 | |
16. | Leica M-E Typ 240 | Full Frame | 23.7 | 5952 | 3976 | 1080/25p | 25.2 | 14.2 | 2821 | 94 | |
17. | Leica Q2 | Full Frame | 46.7 | 8368 | 5584 | 4K/30p | 26.4 | 13.5 | 2491 | 96 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the 7D Mark II provides a faster frame rate than the GFX 50R. It can shoot movie footage at 1080/60p, while the Fujifilm is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GFX 50R has an electronic viewfinder (3690k dots), while the 7D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GFX 50R has a higher magnification than the one of the 7D Mark II (0.77x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Fujifilm GFX 50R and Canon 7D II in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
2. | Canon 7D II | optical | Y | 3.0 / 1040 | fixed | n | 1/8000s | 10.0/s | Y | n | |
3. | Canon 5DS | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
4. | Canon 5DS R | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
5. | Canon 7D | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 8.0/s | Y | n | |
6. | Canon 70D | optical | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 7.0/s | Y | n | |
7. | Canon SL1 | optical | n | 3.0 / 1040 | fixed | Y | 1/4000s | 4.9/s | Y | n | |
8. | Canon T5i | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
9. | Canon T6i | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
10. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
11. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
12. | Fujifilm GFX 100 | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
13. | Fujifilm GFX 100S | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
14. | Hasselblad X1D | 2360 | n | 3.0 / 920 | fixed | Y | 1/2000s | 2.3/s | n | n | |
15. | Hasselblad X1D II | 3690 | n | 3.6 / 2360 | fixed | Y | 1/2000s | 2.7/s | n | n | |
16. | Leica M-E Typ 240 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | n | n | |
17. | Leica Q2 | 3680 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GFX 50R has a touchscreen, while the 7D Mark II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50R and the Canon 7D II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GFX 50R writes its imaging data to SDXC cards, while the 7D Mark II uses Compact Flash or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The GFX 50R supports UHS-II cards (on both slots), while the 7D Mark II can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50R and Canon EOS 7D Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
2. | Canon 7D II | Y | stereo / mono | Y | Y | mini | 3.0 | - | - | - | |
3. | Canon 5DS | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
4. | Canon 5DS R | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
5. | Canon 7D | Y | mono / - | Y | - | mini | 2.0 | - | - | - | |
6. | Canon 70D | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
7. | Canon SL1 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
8. | Canon T5i | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
9. | Canon T6i | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
10. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
11. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
12. | Fujifilm GFX 100 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
13. | Fujifilm GFX 100S | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
14. | Hasselblad X1D | Y | stereo / mono | Y | Y | mini | 3.0 | Y | - | - | |
15. | Hasselblad X1D II | Y | stereo / mono | Y | Y | - | 3.0 | Y | - | - | |
16. | Leica M-E Typ 240 | Y | mono / - | - | - | - | 2.0 | - | - | - | |
17. | Leica Q2 | Y | stereo / mono | - | - | - | - | Y | - | Y |
It is notable that the GFX 50R offers wifi support, while the 7D Mark II does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Travel and landscape photographers will find it useful that the 7D Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the GFX 50R and the 7D Mark II have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Fujifilm and Canon. Further information on the features and operation of the GFX 50R and 7D Mark II can be found, respectively, in the Fujifilm GFX 50R Manual (free pdf) or the online Canon 7D II Manual.
Review summary
So what is the bottom line? Which of the two cameras – the Fujifilm GFX 50R or the Canon 7D II – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Fujifilm GFX 50R:
- More detail: Offers more megapixels (51.1 vs 20MP) with a 57% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.63x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Less heavy: Is lighter (by 135g or 15 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 4 years of technical progress since the 7D Mark II launch.
Reasons to prefer the Canon EOS 7D Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (670 versus 400) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50R is the clear winner of the match-up (19 : 12 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 50R and the Canon 7D II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the GFX 50R and the 7D Mark II in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | 4,499 | ebay.com | |
2. | Canon 7D II | 4.5/5 | + | 3.5/5 | 84/100 | 4/5 | 4.5/5 | Sep 2014 | 1,799 | ebay.com | |
3. | Canon 5DS | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
4. | Canon 5DS R | 5/5 | + | .. | 83/100 | 5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
5. | Canon 7D | 5/5 | + + | .. | 84/100 | 4.5/5 | 4.5/5 | Sep 2009 | 1,699 | ebay.com | |
6. | Canon 70D | 5/5 | + + | .. | 83/100 | 4.5/5 | 5/5 | Jul 2013 | 1,199 | ebay.com | |
7. | Canon SL1 | 4/5 | + | .. | 78/100 | 4/5 | 4/5 | Mar 2013 | 549 | ebay.com | |
8. | Canon T5i | .. | .. | .. | 76/100 | 4.5/5 | 4.5/5 | Mar 2013 | 649 | ebay.com | |
9. | Canon T6i | 5/5 | .. | .. | 75/100 | 4.5/5 | 4.5/5 | Feb 2015 | 749 | ebay.com | |
10. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | 6,499 | ebay.com | |
11. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | 3,999 | amazon.com | |
12. | Fujifilm GFX 100 | 4.5/5 | + + | 4.8/5 | 90/100 | 5/5 | 4.5/5 | May 2019 | 9,999 | ebay.com | |
13. | Fujifilm GFX 100S | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jan 2021 | 5,999 | amazon.com | |
14. | Hasselblad X1D | .. | o | .. | 81/100 | .. | 4/5 | Jun 2016 | 8,995 | ebay.com | |
15. | Hasselblad X1D II | .. | .. | 4/5 | .. | 4/5 | 4/5 | Jun 2019 | 5,750 | ebay.com | |
16. | Leica M-E Typ 240 | .. | .. | .. | .. | .. | .. | Jun 2019 | 3,999 | ebay.com | |
17. | Leica Q2 | .. | .. | 4.5/5 | 84/100 | 4.5/5 | 4/5 | Mar 2019 | 4,995 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D vs Fujifilm GFX 50R
- Canon 7D II vs Canon SX420
- Canon 7D II vs Olympus E-P5
- Canon 7D II vs Panasonic G5
- Canon 7D II vs Panasonic G9
- Canon 7D II vs Panasonic G90
- Canon 7D II vs Sony ZV-E10
- Canon 7D vs Fujifilm GFX 50R
- Fujifilm GFX 50R vs Leica X2
- Fujifilm GFX 50R vs Nikon D70s
- Fujifilm GFX 50R vs Olympus E-1
- Fujifilm GFX 50R vs Panasonic FZ1000 II
Specifications: Fujifilm GFX 50R vs Canon 7D II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm GFX 50R | Canon 7D II |
---|---|---|
Camera Type | Mirrorless system camera | Digital single lens reflex |
Camera Lens | Fujifilm G mount lenses | Canon EF mount lenses |
Launch Date | September 2018 | September 2014 |
Launch Price | USD 4,499 | USD 1,799 |
Sensor Specs | Fujifilm GFX 50R | Canon 7D II |
Sensor Technology | CMOS | CMOS |
Sensor Format | Medium Format Sensor | APS-C Sensor |
Sensor Size | 44.0 x 33.0 mm | 22.4 x 15.0 mm |
Sensor Area | 1452 mm2 | 336 mm2 |
Sensor Diagonal | 55 mm | 27 mm |
Crop Factor | 0.79x | 1.6x |
Sensor Resolution | 51.1 Megapixels | 20 Megapixels |
Image Resolution | 8256 x 6192 pixels | 5472 x 3648 pixels |
Pixel Pitch | 5.33 μm | 4.10 μm |
Pixel Density | 3.52 MP/cm2 | 5.94 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 1080/30p Video | 1080/60p Video |
ISO Setting | 100 - 12,800 ISO | 100 - 16,000 ISO |
ISO Boost | 50 - 102,400 ISO | 100 - 51,200 ISO |
Image Processor | X Processor Pro | DIGIC 6 (Dual) |
DXO Sensor Quality (score) | .. | 70 |
DXO Color Depth (bits) | .. | 22.4 |
DXO Dynamic Range (EV) | .. | 11.8 |
DXO Low Light (ISO) | .. | 1082 |
Screen Specs | Fujifilm GFX 50R | Canon 7D II |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.77x | 0.63x |
Viewfinder Resolution | 3690k dots | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.2inch | 3.0inch |
LCD Resolution | 2360k dots | 1040k dots |
LCD Attachment | Tilting screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Fujifilm GFX 50R | Canon 7D II |
Focus System | Contrast-detect AF | Phase-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 3 shutter flaps/s | 10 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | SDXC cards | CF or SDXC cards |
Single or Dual Card Slots | Dual card slots | Dual card slots |
UHS card support | Dual UHS-II | UHS-I |
Connectivity Specs | Fujifilm GFX 50R | Canon 7D II |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | PC Sync socket |
USB Connector | USB 3.0 | USB 3.0 |
HDMI Port | micro HDMI | mini HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | Headphone port | Headphone port |
Wifi Support | Wifi built-in | no Wifi |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Geotagging | no internal GPS | GPS built-in |
Body Specs | Fujifilm GFX 50R | Canon 7D II |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Fujifilm NP-T125 | Canon LP-E6N |
Battery Life (CIPA) | 400 shots per charge | 670 shots per charge |
Body Dimensions |
161 x 97 x 66 mm (6.3 x 3.8 x 2.6 in) |
149 x 112 x 78 mm (5.9 x 4.4 x 3.1 in) |
Camera Weight | 775 g (27.3 oz) | 910 g (32.1 oz) |
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