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Fujifilm GFX 100S vs Panasonic S5

The Fujifilm GFX 100S and the Panasonic Lumix DC-S5 are two digital cameras that were revealed to the public, respectively, in January 2021 and September 2020. Both the GFX 100S and the S5 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 100S) and a full frame (S5) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Panasonic provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 100S versus Panasonic S5
Fujifilm GFX 100S Panasonic S5
Mirrorless system camera Mirrorless system camera
Fujifilm G mount lenses Leica L mount lenses
101.8 MP, Medium Format Sensor 24 MP, Full Frame Sensor
4K/30p Video 4K/60p Video
ISO 100-12,800 (50 - 102,400) ISO 100-51,200 (50 - 204,800)
Electronic viewfinder (3690k dots) Electronic viewfinder (2360k dots)
3.2 LCD, 2360k dots 3.0 LCD, 1840k dots
Fully flexible touchscreen Fully flexible touchscreen
5 shutter flaps per second 7 shutter flaps per second
In-body stabilizationIn-body stabilization
Weathersealed bodyWeathersealed body
460 shots per battery charge440 shots per battery charge
150 x 104 x 87 mm, 900 g 133 x 98 x 82 mm, 714 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100S and the Panasonic Lumix DC-S5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm GFX 100S and the Panasonic S5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

Size Fujifilm GFX 100S vs Panasonic S5
Compare GFX 100S versus S5 top
Comparison GFX 100S or S5 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S5 is notably smaller (16 percent) than the Fujifilm GFX 100S. Moreover, the S5 is markedly lighter (21 percent) than the GFX 100S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 100S gets 460 shots out of its NP-W235 battery, while the S5 can take 440 images on a single charge of its DMW-BLK22 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

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Body Specifications
    Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
Weather
Sealing
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 100S 150 mm 104 mm 87 mm 900 g 460 Y Jan 2021 5,999 i
2.
 
Panasonic S5 133 mm 98 mm 82 mm 714 g 440 Y Sep 2020 1,999 i
3.
 
Canon R5 138 mm 98 mm 88 mm 738 g 320 Y Jul 2020 3,899 i
4.
 
Fujifilm X-T4 135 mm 93 mm 64 mm 607 g 500 Y Feb 2020 1,699 i
5.
 
Fujifilm X-S10 126 mm 85 mm 65 mm 465 g 325 n Oct 2020 999 i
6.
 
Fujifilm GFX 100 156 mm 144 mm 75 mm 1320 g 800 Y May 2019 9,999 i
7.
 
Fujifilm GFX 50R 161 mm 97 mm 66 mm 775 g 400 Y Sep 2018 4,499 i
8.
 
Fujifilm XP130 110 mm 71 mm 28 mm 207 g 240 n Jan 2018 229i
9.
 
Fujifilm GFX 50S 148 mm 94 mm 91 mm 740 g 400 Y Sep 2016 6,499 i
10.
 
Leica SL2-S 146 mm 107 mm 83 mm 931 g 510 Y Dec 2020 4,895 i
11.
 
Leica SL2 146 mm 107 mm 42 mm 953 g 370 Y Nov 2019 5,999 i
12.
 
Panasonic S1 149 mm 110 mm 97 mm 1017 g 400 Y Feb 2019 2,499 i
13.
 
Panasonic S1H 151 mm 114 mm 110 mm 1052 g 400 Y May 2019 3,999 i
14.
 
Panasonic G9 137 mm 97 mm 92 mm 658 g 400 Y Nov 2017 1,699 i
15.
 
Panasonic GH5 139 mm 98 mm 87 mm 725 g 410 Y Jan 2017 1,999 i
16.
 
Sony A1 129 mm 97 mm 81 mm 737 g 530 Y Jan 2021 6,499 i
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The S5 was launched at a markedly lower price (by 67 percent) than the GFX 100S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

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Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100S features a medium format sensor and the Panasonic S5 a full frame sensor. The sensor area in the S5 is 41 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 100S has a native 4:3 aspect ratio, while the one in the S5 offers a 3:2 aspect.

Fujifilm GFX 100S and Panasonic S5 sensor measures

With 101.8MP, the GFX 100S offers a higher resolution than the S5 (24MP), but the GFX 100S has smaller individual pixels (pixel pitch of 3.76μm versus 5.94μm for the S5). However, the GFX 100S is a somewhat more recent model (by 4 months) than the S5, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 100S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100S for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Panasonic S5 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

The GFX 100S has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the GFX 100S, the S5 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 100S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DC-S5 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

GFX 100S versus S5 MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

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Sensor Characteristics
    Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
1.
 
Fujifilm GFX 100S Medium Format 101.8 11648 87364K/30p........
2.
 
Panasonic S5 Full Frame 24.0 6000 40004K/60p........
3.
 
Canon R5 Full Frame 44.8 8192 54648k/30p25.314.6304295
4.
 
Fujifilm X-T4 APS-C 26.0 6240 41604K/60p........
5.
 
Fujifilm X-S10 APS-C 26.0 6240 41604K/30p........
6.
 
Fujifilm GFX 100 Medium Format 101.8 11648 87364K/30p........
7.
 
Fujifilm GFX 50R Medium Format 51.1 8256 61921080/30p........
8.
 
Fujifilm XP130 1/2.3 15.9 4608 34561080/60p........
9.
 
Fujifilm GFX 50S Medium Format 51.1 8256 61921080/30p........
10.
 
Leica SL2-S Full Frame 24.0 6000 40004K/60p........
11.
 
Leica SL2 Full Frame 46.7 8368 55844K/60p........
12.
 
Panasonic S1 Full Frame 24.0 6000 40004K/60p25.214.5333395
13.
 
Panasonic S1H Full Frame 24.0 6000 40006K/30p........
14.
 
Panasonic G9 Four Thirds 20.2 5184 38884K/60p........
15.
 
Panasonic GH5 Four Thirds 20.2 5184 38884K/60p23.913.080777
16.
 
Sony A1 Full Frame 49.8 8640 57608k/30p........

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the S5 provides a faster frame rate than the GFX 100S. It can shoot movie footage at 4K/60p, while the Fujifilm is limited to 4K/30p.

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Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GFX 100S offers a substantially higher resolution than the one in the S5 (3690k vs 2360k dots). The adjacent table lists some of the other core features of the Fujifilm GFX 100S and Panasonic S5 along with similar information for a selection of comparators.

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Core Features
    Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
(000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
1.
 
Fujifilm GFX 100S3690 Y 3.2 2360 full-flex Y 1/4000s 5.0 n Y
2.
 
Panasonic S52360 n 3.0 1840 full-flex Y 1/8000s 7.0 n Y
3.
 
Canon R55760 Y 3.2 2100 swivel Y 1/8000s 10.0 n Y
4.
 
Fujifilm X-T43690 n 3.0 1620 swivel Y 1/8000s 15.0 n Y
5.
 
Fujifilm X-S102360 n 3.0 1040 swivel Y 1/4000s 8.0 Y Y
6.
 
Fujifilm GFX 100optional Y 3.2 2360 tilting Y 1/4000s 5.0 n Y
7.
 
Fujifilm GFX 50R3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n
8.
 
Fujifilm XP130none n 3.0 920 fixed n 1/2000s 10.0 Y Y
9.
 
Fujifilm GFX 50Soptional Y 3.2 2360 full-flex Y 1/4000s 3.0 n n
10.
 
Leica SL2-S5760 Y 3.2 2100 fixed Y 1/8000s 20.0 n Y
11.
 
Leica SL25760 Y 3.2 2100 fixed Y 1/8000s 10.0 n Y
12.
 
Panasonic S15760 Y 3.2 2100 full-flex Y 1/8000s 9.0 n Y
13.
 
Panasonic S1H5760 Y 3.2 2330 swivel Y 1/8000s 9.0 n Y
14.
 
Panasonic G93680 Y 3.0 1040 swivel Y 1/8000s 20.0 n Y
15.
 
Panasonic GH53680 n 3.2 1620 swivel Y 1/8000s 12.0 n Y
16.
 
Sony A19437 n 3.0 1440 tilting Y 1/8000s 10.0 n Y

One feature that is present on the GFX 100S, but is missing on the S5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The S5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 100S does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100S and the Panasonic S5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 100S and the S5 write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. However, while the GFX 100S supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s) on both slots, the S5 supports UHS-II only on its first slot and UHS-I (data transfer speed up to 104 MB/s) on the second one.

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Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100S and Panasonic Lumix DC-S5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
    Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
1.
 
Fujifilm GFX 100SYstereomonoYYmicro3.2Y-Y
2.
 
Panasonic S5YstereomonoYYmicro3.2Y-Y
3.
 
Canon R5YmonomonoYYmicro3.2Y-Y
4.
 
Fujifilm X-T4YstereomonoY-micro3.1Y-Y
5.
 
Fujifilm X-S10YstereomonoY-micro3.2Y-Y
6.
 
Fujifilm GFX 100YstereomonoYYmicro3.1Y-Y
7.
 
Fujifilm GFX 50RYstereomonoYYmicro3.0Y-Y
8.
 
Fujifilm XP130-monomono--micro2.0Y-Y
9.
 
Fujifilm GFX 50SYstereomonoYYmicro3.0Y--
10.
 
Leica SL2-SYstereomonoYYfull3.2Y-Y
11.
 
Leica SL2YstereomonoYYfull3.1Y-Y
12.
 
Panasonic S1YstereomonoYYfull3.1Y-Y
13.
 
Panasonic S1HYstereomonoYYfull3.1Y-Y
14.
 
Panasonic G9YstereomonoYYfull3.0Y-Y
15.
 
Panasonic GH5YstereomonoYYfull3.1Y-Y
16.
 
Sony A1YstereomonoYYmini3.2Y-Y

Studio photographers will appreciate that the Fujifilm GFX 100S (unlike the S5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GFX 100S and the S5 are recent models that are part of the current product line-up. The GFX 100S replaced the earlier Fujifilm GFX 100, while the S5 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.

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Review summary

So what is the bottom line? Which of the two cameras – the Fujifilm GFX 100S or the Panasonic S5 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

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Arguments in favor of the Fujifilm GFX 100S:

  • More detail: Offers more megapixels (101.8 vs 24MP) with a 102% higher linear resolution.
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
  • Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.74x).
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1840k dots).
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • More modern: Is somewhat more recent (announced 4 months after the S5).

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Advantages of the Panasonic Lumix DC-S5:

  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Faster burst: Shoots at higher frequency (7 vs 5 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (133x98mm vs 150x104mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 186g or 21 percent) and is thus easier to take along.
  • More affordable: Was introduced into a lower priced category (67 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in September 2020).

If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (9 points each). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 100S 09:09 S5

How about other alternatives? Do the specifications of the Fujifilm GFX 100S and the Panasonic S5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the GFX 100S and the S5 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Expert Camera Reviews
     Camera 
 Model 
 AP 
 score 
 CL 
 score 
 DPR 
 score 
 EPZ 
 score 
 PB 
 score 
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 100S.......... Jan 2021 5,999 i
2.
 
Panasonic S54.5/5+ +..4.5/54.5/5 Sep 2020 1,999 i
3.
 
Canon R54.5/5..91/1004.5/54.5/5 Jul 2020 3,899 i
4.
 
Fujifilm X-T45/5+ +..5/55/5 Feb 2020 1,699 i
5.
 
Fujifilm X-S105/5..86/1004.5/54.5/5 Oct 2020 999 i
6.
 
Fujifilm GFX 1004.5/5+ +90/1005/54.5/5 May 2019 9,999 i
7.
 
Fujifilm GFX 50R5/5..84/1004.5/54.5/5 Sep 2018 4,499 i
8.
 
Fujifilm XP130..o..3.5/54/5 Jan 2018 229i
9.
 
Fujifilm GFX 50S....85/1005/54.5/5 Sep 2016 6,499 i
10.
 
Leica SL2-S4/5......4.5/5 Dec 2020 4,895 i
11.
 
Leica SL24/5....4.5/54/5 Nov 2019 5,999 i
12.
 
Panasonic S14.5/5+ +88/1004.5/54/5 Feb 2019 2,499 i
13.
 
Panasonic S1H....90/100.... May 2019 3,999 i
14.
 
Panasonic G9..+ +85/1005/55/5 Nov 2017 1,699 i
15.
 
Panasonic GH54.5/5+ +85/1004.5/55/5 Jan 2017 1,999 i
16.
 
Sony A1.......... Jan 2021 6,499 i
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Fujifilm GFX 100S:
Check Amazon price
Panasonic S5:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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    Specifications: Fujifilm GFX 100S vs Panasonic S5

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 100S Panasonic S5
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Fujifilm G mount lenses Leica L mount lenses
    Launch Date January 2021 September 2020
    Launch Price USD 5,999 USD 1,999
    Sensor Specs Fujifilm GFX 100S Panasonic S5
    Sensor Technology BSI-CMOS CMOS
    Sensor Format Medium Format Sensor Full Frame Sensor
    Sensor Size 43.8 x 32.9 mm 35.6 x 23.8 mm
    Sensor Area 1441.02 mm2 847.28 mm2
    Sensor Diagonal 54.8 mm 42.8 mm
    Crop Factor 0.79x 1.0x
    Sensor Resolution 101.8 Megapixels 24 Megapixels
    Image Resolution 11648 x 8736 pixels 6000 x 4000 pixels
    Pixel Pitch 3.76 μm 5.94 μm
    Pixel Density 7.06 MP/cm2 2.83 MP/cm2
    Moiré control no AA filter no AA filter
    Movie Capability 4K/30p Video 4K/60p Video
    ISO Setting 100 - 12,800 ISO 100 - 51,200 ISO
    ISO Boost 50 - 102,400 ISO 50 - 204,800 ISO
    Image Processor X-Processor 4 Venus
    Screen Specs Fujifilm GFX 100S Panasonic S5
    Viewfinder Type Electronic viewfinder Electronic viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification 0.77x 0.74x
    Viewfinder Resolution 3690k dots 2360k dots
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.2inch 3.0inch
    LCD Resolution 2360k dots 1840k dots
    LCD Attachment Fully flexible screen Fully flexible screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Fujifilm GFX 100S Panasonic S5
    Focus System On-Sensor Phase-detect Contrast-detect AF
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000s 1/8000s
    Continuous Shooting 5 shutter flaps/s 7 shutter flaps/s
    Electronic Shutterup to 1/16000sup to 1/8000s
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Image StabilizationIn-body stabilizationIn-body stabilization
    Fill Flash no On-Board Flash no On-Board Flash
    Storage Medium SDXC cards SDXC cards
    Second Storage Option Dual card slots Dual card slots
    UHS card support Dual UHS-II Single UHS-II
    Connectivity Specs Fujifilm GFX 100S Panasonic S5
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 3.2 USB 3.2
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Bluetooth Support Bluetooth built-in Bluetooth built-in
    Body Specs Fujifilm GFX 100S Panasonic S5
    Environmental SealingWeathersealed bodyWeathersealed body
    Battery Type NP-W235 DMW-BLK22
    Battery Life (CIPA)460 shots per charge440 shots per charge
    In-Camera Charging USB charging USB charging
    Body Dimensions 150 x 104 x 87 mm
    (5.9 x 4.1 x 3.4 in)
    133 x 98 x 82 mm
    (5.2 x 3.9 x 3.2 in)
    Camera Weight 900 g (31.7 oz) 714 g (25.2 oz)

    Did you notice an error on this page? If so, please get in touch, so that we can correct the information.

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