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Fujifilm GFX 100S vs Panasonic S1R

The Fujifilm GFX 100S and the Panasonic Lumix DC-S1R are two digital cameras that were officially introduced, respectively, in January 2021 and February 2019. Both the GFX 100S and the S1R are mirrorless interchangeable lens cameras that are based on a medium format (GFX 100S) and a full frame (S1R) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Panasonic provides 46.7 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 100S
versus
Panasonic S1R
Fujifilm GFX 100S Panasonic S1R
Mirrorless system camera Mirrorless system camera
Fujifilm G mount lenses Leica L mount lenses
101.8 MP, Medium Format Sensor 46.7 MP, Full Frame Sensor
4K/30p Video 4K/60p Video
ISO 100-12,800 (50 - 102,400) ISO 100-25,600 (50 - 51,200)
Electronic viewfinder (3690k dots) Electronic viewfinder (5760k dots)
3.2 LCD, 2360k dots 3.2 LCD, 2100k dots
Fully flexible touchscreen Fully flexible touchscreen
5 shutter flaps per second 9 shutter flaps per second
In-body stabilizationIn-body stabilization
Weathersealed bodyWeathersealed body
460 shots per battery charge380 shots per battery charge
150 x 104 x 87 mm, 900 g 149 x 110 x 97 mm, 1016 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100S and the Panasonic Lumix DC-S1R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm GFX 100S and the Panasonic S1R is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

Size Fujifilm GFX 100S vs Panasonic S1R
Compare GFX 100S versus S1R top
Comparison GFX 100S or S1R rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1R is somewhat larger (5 percent) than the Fujifilm GFX 100S. Moreover, the S1R is markedly heavier (13 percent) than the GFX 100S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 100S gets 460 shots out of its NP-W235 battery, while the S1R can take 380 images on a single charge of its DMW-BLJ31 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

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Body Specifications
    Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
Weather
Sealing
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 100S 150 mm 104 mm 87 mm 900 g 460 Y Jan 2021 5,999 i
2.
 
Panasonic S1R 149 mm 110 mm 97 mm 1016 g 380 Y Feb 2019 3,699 i
3.
 
Canon R5 138 mm 98 mm 88 mm 738 g 320 Y Jul 2020 3,899 i
4.
 
Fujifilm X-T4 135 mm 93 mm 64 mm 607 g 500 Y Feb 2020 1,699 i
5.
 
Fujifilm GFX 100 156 mm 144 mm 75 mm 1320 g 800 Y May 2019 9,999 i
6.
 
Fujifilm GFX 50R 161 mm 97 mm 66 mm 775 g 400 Y Sep 2018 4,499 i
7.
 
Fujifilm XP130 110 mm 71 mm 28 mm 207 g 240 n Jan 2018 229 i
8.
 
Fujifilm GFX 50S 148 mm 94 mm 91 mm 740 g 400 Y Sep 2016 6,499 i
9.
 
Leica SL2-S 146 mm 107 mm 83 mm 931 g 510 Y Dec 2020 4,895 i
10.
 
Leica SL2 146 mm 107 mm 42 mm 953 g 370 Y Nov 2019 5,999 i
11.
 
Nikon Z7 134 mm 101 mm 67 mm 675 g 330 Y Aug 2018 3,399 i
12.
 
Panasonic S1 149 mm 110 mm 97 mm 1017 g 400 Y Feb 2019 2,499 i
13.
 
Panasonic S1H 151 mm 114 mm 110 mm 1052 g 400 Y May 2019 3,999 i
14.
 
Pentax K-3 III 135 mm 104 mm 74 mm 820 g 800 Y Mar 2021 1,999 i
15.
 
Sony A1 129 mm 97 mm 81 mm 737 g 530 Y Jan 2021 6,499 i
16.
 
Sony A99 II 143 mm 104 mm 76 mm 849 g 490 Y Sep 2016 3,199 i
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.

Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The S1R was launched at a markedly lower price (by 38 percent) than the GFX 100S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

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Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100S features a medium format sensor and the Panasonic S1R a full frame sensor. The sensor area in the S1R is 40 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 100S has a native 4:3 aspect ratio, while the one in the S1R offers a 3:2 aspect.

Fujifilm GFX 100S and Panasonic S1R sensor measures

With 101.8MP, the GFX 100S offers a higher resolution than the S1R (46.7MP), but the GFX 100S has smaller individual pixels (pixel pitch of 3.76μm versus 4.30μm for the S1R). However, the GFX 100S is a somewhat more recent model (by 1 year and 11 months) than the S1R, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 100S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100S for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Panasonic S1R are 41.8 x 27.9 inches or 106.3 x 70.9 cm for good quality, 33.5 x 22.3 inches or 85 x 56.7 cm for very good quality, and 27.9 x 18.6 inches or 70.8 x 47.3 cm for excellent quality prints.

The GFX 100S has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Both cameras have the capacity to capture high quality composite images by combining multiple shots after shifting the sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 100S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DC-S1R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.

GFX 100S versus S1R MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

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Sensor Characteristics
    Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
1.
 
Fujifilm GFX 100S Medium Format 101.8 11648 87364K/30p...... ..
2.
 
Panasonic S1R Full Frame 46.7 8368 55844K/60p26.414.13525 100
3.
 
Canon R5 Full Frame 44.8 8192 54648k/30p25.314.63042 95
4.
 
Fujifilm X-T4 APS-C 26.0 6240 41604K/60p...... ..
5.
 
Fujifilm GFX 100 Medium Format 101.8 11648 87364K/30p...... ..
6.
 
Fujifilm GFX 50R Medium Format 51.1 8256 61921080/30p...... ..
7.
 
Fujifilm XP130 1/2.3 15.9 4608 34561080/60p...... ..
8.
 
Fujifilm GFX 50S Medium Format 51.1 8256 61921080/30p...... ..
9.
 
Leica SL2-S Full Frame 24.0 6000 40004K/60p25.214.13504 95
10.
 
Leica SL2 Full Frame 46.7 8368 55844K/60p...... ..
11.
 
Nikon Z7 Full Frame 45.4 8256 55044K/30p26.314.62668 99
12.
 
Panasonic S1 Full Frame 24.0 6000 40004K/60p25.214.53333 95
13.
 
Panasonic S1H Full Frame 24.0 6000 40006K/30p...... ..
14.
 
Pentax K-3 III APS-C 25.6 6192 41284K/30p...... ..
15.
 
Sony A1 Full Frame 49.8 8640 57608k/30p...... ..
16.
 
Sony A99 II Full Frame 42.2 7952 53044K/30p25.413.42317 92

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the S1R provides a faster frame rate than the GFX 100S. It can shoot movie footage at 4K/60p, while the Fujifilm is limited to 4K/30p.

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Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the S1R offers a substantially higher resolution than the one in the GFX 100S (5760k vs 3690k dots). The adjacent table lists some of the other core features of the Fujifilm GFX 100S and Panasonic S1R along with similar information for a selection of comparators.

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Core Features
    Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
(000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
1.
 
Fujifilm GFX 100S3690 Y 3.2 2360 full-flex Y 1/4000s 5.0 n Y
2.
 
Panasonic S1R5760 Y 3.2 2100 full-flex Y 1/8000s 9.0 n Y
3.
 
Canon R55760 Y 3.2 2100 swivel Y 1/8000s 10.0 n Y
4.
 
Fujifilm X-T43690 n 3.0 1620 swivel Y 1/8000s 15.0 n Y
5.
 
Fujifilm GFX 100optional Y 3.2 2360 tilting Y 1/4000s 5.0 n Y
6.
 
Fujifilm GFX 50R3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n
7.
 
Fujifilm XP130none n 3.0 920 fixed n 1/2000s 10.0 Y Y
8.
 
Fujifilm GFX 50Soptional Y 3.2 2360 full-flex Y 1/4000s 3.0 n n
9.
 
Leica SL2-S5760 Y 3.2 2100 fixed Y 1/8000s 20.0 n Y
10.
 
Leica SL25760 Y 3.2 2100 fixed Y 1/8000s 10.0 n Y
11.
 
Nikon Z73690 Y 3.2 2100 tilting Y 1/8000s 9.0 n Y
12.
 
Panasonic S15760 Y 3.2 2100 full-flex Y 1/8000s 9.0 n Y
13.
 
Panasonic S1H5760 Y 3.2 2330 swivel Y 1/8000s 9.0 n Y
14.
 
Pentax K-3 IIIoptical Y 3.2 1620 fixed Y 1/8000s 12.0 n Y
15.
 
Sony A19437 n 3.0 1440 tilting Y 1/8000s 10.0 n Y
16.
 
Sony A99 II2400 Y 3.0 1229 full-flex n 1/8000s 12.0 n Y

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100S and the Panasonic S1R both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 100S writes its imaging data to SDXC cards, while the S1R uses SDHC or XQD cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both the GFX 100S and the S1R support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s, on both slots.

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Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100S and Panasonic Lumix DC-S1R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
    Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
1.
 
Fujifilm GFX 100SYstereomonoYYmicro3.2Y-Y
2.
 
Panasonic S1RYstereomonoYYfull3.1Y-Y
3.
 
Canon R5YmonomonoYYmicro3.2Y-Y
4.
 
Fujifilm X-T4YstereomonoY-micro3.1Y-Y
5.
 
Fujifilm GFX 100YstereomonoYYmicro3.1Y-Y
6.
 
Fujifilm GFX 50RYstereomonoYYmicro3.0Y-Y
7.
 
Fujifilm XP130-monomono--micro2.0Y-Y
8.
 
Fujifilm GFX 50SYstereomonoYYmicro3.0Y--
9.
 
Leica SL2-SYstereomonoYYfull3.2Y-Y
10.
 
Leica SL2YstereomonoYYfull3.1Y-Y
11.
 
Nikon Z7YstereomonoYYmicro3.1Y-Y
12.
 
Panasonic S1YstereomonoYYfull3.1Y-Y
13.
 
Panasonic S1HYstereomonoYYfull3.1Y-Y
14.
 
Pentax K-3 IIIYstereomonoYYmicro3.2Y-Y
15.
 
Sony A1YstereomonoYYfull3.2Y-Y
16.
 
Sony A99 IIYstereomonoYYmicro2.0YYY

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

Both the GFX 100S and the S1R are recent models that are part of the current product line-up. The GFX 100S replaced the earlier Fujifilm GFX 100, while the S1R does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.

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Review summary

So what is the bottom line? Is the Fujifilm GFX 100S better than the Panasonic S1R or vice versa? Below is a summary of the relative strengths of each of the two contestants.

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Arguments in favor of the Fujifilm GFX 100S:

  • More detail: Offers more megapixels (101.8 vs 46.7MP) with a 45% higher linear resolution.
  • Better image quality: Features a larger and more technologically advanced imaging sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 2100k dots).
  • Less heavy: Is lighter (by 116g or 11 percent) and hence easier to carry around.
  • Longer lasting: Can take more shots (460 versus 380) on a single battery charge.
  • Faster data transfer: Supports a more advanced USB protocol (3.2 vs 3.1).
  • More modern: Is somewhat more recent (announced 1 year and 11 months after the S1R).

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Advantages of the Panasonic Lumix DC-S1R:

  • Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
  • More detailed viewfinder: Has higher resolution electronic viewfinder (5760k vs 3690k dots).
  • Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.77x).
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
  • More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
  • More affordable: Was introduced into a lower priced category (38 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in February 2019).

If the number of relative strengths (bullet points above) is taken as a guide, the GFX 100S emerges as the winner of the contest (11 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 100S 11:08 S1R

How about other alternatives? Do the specifications of the Fujifilm GFX 100S and the Panasonic S1R place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 100S or the S1R. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Expert Camera Reviews
     Camera 
 Model 
 AP 
 score 
 CL 
 score 
 DPR 
 score 
 EPZ 
 score 
 PB 
 score 
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 100S5/5..90/100..5/5 Jan 2021 5,999 i
2.
 
Panasonic S1R4.5/5..89/1004.5/54.5/5 Feb 2019 3,699 i
3.
 
Canon R54.5/5..91/1004.5/54.5/5 Jul 2020 3,899 i
4.
 
Fujifilm X-T45/5+ +..5/55/5 Feb 2020 1,699 i
5.
 
Fujifilm GFX 1004.5/5+ +90/1005/54.5/5 May 2019 9,999 i
6.
 
Fujifilm GFX 50R5/5..84/1004.5/54.5/5 Sep 2018 4,499 i
7.
 
Fujifilm XP130..o..3.5/54/5 Jan 2018 229 i
8.
 
Fujifilm GFX 50S....85/1005/54.5/5 Sep 2016 6,499 i
9.
 
Leica SL2-S4/5....4.5/54.5/5 Dec 2020 4,895 i
10.
 
Leica SL24/5....4.5/54/5 Nov 2019 5,999 i
11.
 
Nikon Z75/5+89/1004.5/55/5 Aug 2018 3,399 i
12.
 
Panasonic S14.5/5+ +88/1004.5/54/5 Feb 2019 2,499 i
13.
 
Panasonic S1H....90/100.... May 2019 3,999 i
14.
 
Pentax K-3 III.......... Mar 2021 1,999 i
15.
 
Sony A15/5o93/1004.5/55/5 Jan 2021 6,499 i
16.
 
Sony A99 II....85/1004.5/54.5/5 Sep 2016 3,199 i
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Fujifilm GFX 100S:
Check Amazon price
Panasonic S1R:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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    Specifications: Fujifilm GFX 100S vs Panasonic S1R

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 100S Panasonic S1R
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Fujifilm G mount lenses Leica L mount lenses
    Launch Date January 2021 February 2019
    Launch Price USD 5,999 USD 3,699
    Sensor Specs Fujifilm GFX 100S Panasonic S1R
    Sensor Technology BSI-CMOS CMOS
    Sensor Format Medium Format Sensor Full Frame Sensor
    Sensor Size 43.8 x 32.9 mm 36.0 x 24.0 mm
    Sensor Area 1441.02 mm2 864 mm2
    Sensor Diagonal 54.8 mm 43.3 mm
    Crop Factor 0.79x 1.0x
    Sensor Resolution 101.8 Megapixels 46.7 Megapixels
    Image Resolution 11648 x 8736 pixels 8368 x 5584 pixels
    Pixel Pitch 3.76 μm 4.30 μm
    Pixel Density 7.06 MP/cm2 5.41 MP/cm2
    Moiré control no AA filter no AA filter
    Movie Capability 4K/30p Video 4K/60p Video
    ISO Setting 100 - 12,800 ISO 100 - 25,600 ISO
    ISO Boost 50 - 102,400 ISO 50 - 51,200 ISO
    Image Processor X-Processor 4 Venus
    DXO Sensor Quality (score) .. 100
    DXO Color Depth (bits) .. 26.4
    DXO Dynamic Range (EV) .. 14.1
    DXO Low Light (ISO) .. 3525
    Screen Specs Fujifilm GFX 100S Panasonic S1R
    Viewfinder Type Electronic viewfinder Electronic viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification 0.77x 0.78x
    Viewfinder Resolution 3690k dots 5760k dots
    Top-Level Screen Control Panel Control Panel
    LCD Framing Live View Live View
    Rear LCD Size 3.2inch 3.2inch
    LCD Resolution 2360k dots 2100k dots
    LCD Attachment Fully flexible screen Fully flexible screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Fujifilm GFX 100S Panasonic S1R
    Focus System On-Sensor Phase-detect Contrast-detect AF
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000s 1/8000s
    Continuous Shooting 5 shutter flaps/s 9 shutter flaps/s
    Electronic Shutterup to 1/16000sup to 1/8000s
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Image StabilizationIn-body stabilizationIn-body stabilization
    Fill Flash no On-Board Flash no On-Board Flash
    Storage Medium SDXC cards SDXC or XQD cards
    Second Storage Option Dual card slots Dual card slots
    UHS card support Dual UHS-II Dual UHS-II
    Connectivity Specs Fujifilm GFX 100S Panasonic S1R
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket PC Sync socket
    USB Connector USB 3.2 USB 3.1
    HDMI Port micro HDMI full HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Bluetooth Support Bluetooth built-in Bluetooth built-in
    Body Specs Fujifilm GFX 100S Panasonic S1R
    Environmental SealingWeathersealed bodyWeathersealed body
    Battery Type NP-W235 DMW-BLJ31
    Battery Life (CIPA)460 shots per charge380 shots per charge
    In-Camera Charging USB charging USB charging
    Body Dimensions 150 x 104 x 87 mm
    (5.9 x 4.1 x 3.4 in)
    149 x 110 x 97 mm
    (5.9 x 4.3 x 3.8 in)
    Camera Weight 900 g (31.7 oz) 1016 g (35.8 oz)

    Did you notice an error on this page? If so, please get in touch, so that we can correct the information.

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