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Fujifilm GFX 100S vs Panasonic FT7

The Fujifilm GFX 100S and the Panasonic Lumix DC-FT7 (labelled Panasonic TS7 in some countries) are two digital cameras that were announced, respectively, in January 2021 and May 2018. The GFX 100S is a mirrorless interchangeable lens camera, while the FT7 is a fixed lens compact. The cameras are based on a medium format (GFX 100S) and a 1/2.3-inch (FT7) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Panasonic provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 100S
versus
Panasonic FT7
Fujifilm GFX 100S   Panasonic FT7
Mirrorless system camera Fixed lens compact camera
Fujifilm G mount lenses 28-128mm f/3.3-5.9
101.8 MP – Medium Format sensor 20.2 MP – 1/2.3" sensor
4K/30p Video 4K/30p Video
ISO 100-12,800 (50 - 102,400) ISO 80-3,200 (80 - 6,400)
Electronic viewfinder (3690k dots) Electronic viewfinder (1170k dots)
3.2" LCD – 2360k dots 3.0" LCD – 1040k dots
Fully flexible touchscreen Fixed screen (not touch-sensitive)
5 shutter flaps per second 10 shutter flaps per second
In-body stabilizationLens-based stabilization
Weathersealed bodyWaterproof body (31m)
460 shots per battery charge300 shots per battery charge
150 x 104 x 87 mm, 900 g 117 x 76 x 37 mm, 319 g
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Check GFX 100S price at
amazon.com
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Check FT7 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100S and the Panasonic Lumix DC-FT7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

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Body comparison

The physical size and weight of the Fujifilm GFX 100S and the Panasonic FT7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The FT7 can be obtained in three different colors (black, blue, orange), while the GFX 100S is only available in black.

Size Fujifilm GFX 100S vs Panasonic FT7
Compare GFX 100S versus FT7 top
Comparison GFX 100S or FT7 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FT7 is considerably smaller (43 percent) than the Fujifilm GFX 100S. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the FT7 is water-proof up to 31m and can, thus, be used for underwater photography.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FT7 has a lens built in, whereas the GFX 100S is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the GFX 100S gets 460 shots out of its Fujifilm NP-W235 battery, while the FT7 can take 300 images on a single charge of its Panasonic DMW-BCM13 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

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Body Specifications
# image Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
Weather
Sealing
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 100S 150 mm 104 mm 87 mm 900 g 460 Y Jan 2021 5,999 amazon.com
2.
 
Panasonic FT7 117 mm 76 mm 37 mm 319 g 300 Y May 2018 449ebay.com
3.
 
Canon R3 150 mm 143 mm 87 mm 1015 g 760 Y Sep 2021 5,999 amazon.com
4.
 
Canon SX740 110 mm 64 mm 40 mm 299 g 265 n Jul 2018 399 amazon.com
5.
 
Canon SX730 110 mm 64 mm 40 mm 300 g 250 n Apr 2017 399ebay.com
6.
 
Fujifilm GFX 100 II 152 mm 117 mm 99 mm 1030 g 540 Y Sep 2023 7,499 amazon.com
7.
 
Fujifilm GFX 50S II 150 mm 104 mm 87 mm 900 g 440 Y Sep 2021 3,999 amazon.com
8.
 
Fujifilm GFX 100 156 mm 144 mm 75 mm 1320 g 800 Y May 2019 9,999ebay.com
9.
 
Fujifilm XF10 113 mm 64 mm 41 mm 279 g 330 n Jul 2018 499ebay.com
10.
 
Fujifilm GFX 50R 161 mm 97 mm 66 mm 775 g 400 Y Sep 2018 4,499ebay.com
11.
 
Fujifilm GFX 50S 148 mm 94 mm 91 mm 740 g 400 Y Sep 2016 6,499ebay.com
12.
 
Hasselblad X2D 100C 149 mm 106 mm 75 mm 895 g 420 Y Sep 2022 8,199 amazon.com
13.
 
Hasselblad X1D II 148 mm 97 mm 70 mm 766 g .. Y Jun 2019 5,750ebay.com
14.
 
Leica SL2 146 mm 107 mm 42 mm 953 g 370 Y Nov 2019 5,999 amazon.com
15.
 
Panasonic TZ95 112 mm 69 mm 42 mm 327 g 380 n Feb 2019 449ebay.com
16.
 
Panasonic TZ90 112 mm 67 mm 41 mm 322 g 380 n Apr 2017 449ebay.com
17.
 
Sony A1 129 mm 97 mm 81 mm 737 g 530 Y Jan 2021 6,499 amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FT7 was launched at a lower price than the GFX 100S, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100S features a medium format sensor and the Panasonic FT7 a 1/2.3-inch sensor. The sensor area in the FT7 is 98 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

Fujifilm GFX 100S and Panasonic FT7 sensor measures

With 101.8MP, the GFX 100S offers a higher resolution than the FT7 (20.2MP), but the GFX 100S nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 1.18μm for the FT7) due to its larger sensor. Moreover, the GFX 100S is a much more recent model (by 2 years and 8 months) than the FT7, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 100S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 100S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100S for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Panasonic FT7 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

The GFX 100S has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the FT7, the GFX 100S has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 100S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DC-FT7 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.

Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

GFX 100S versus FT7 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

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Sensor Characteristics
# image Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
1.
 
Fujifilm GFX 100S Medium Format 101.8 11648 87364K/30p25.814.73391100
2.
 
Panasonic FT7 1/2.3 20.2 5184 38884K/30p20.612.1102851
3.
 
Canon R3 Full Frame 24.0 6000 40006K/60p25.014.7408696
4.
 
Canon SX740 1/2.3 20.2 5184 38884K/30p20.612.1105051
5.
 
Canon SX730 1/2.3 20.2 5184 38881080/60p20.511.992450
6.
 
Fujifilm GFX 100 II Medium Format 101.8 11648 87368K/30p25.915.03651101
7.
 
Fujifilm GFX 50S II Medium Format 51.1 8256 61921080/30p25.914.83456100
8.
 
Fujifilm GFX 100 Medium Format 101.8 11648 87364K/30p25.714.5322799
9.
 
Fujifilm XF10 APS-C 24.0 6000 40004K/15p24.013.4184483
10.
 
Fujifilm GFX 50R Medium Format 51.1 8256 61921080/30p25.714.4316998
11.
 
Fujifilm GFX 50S Medium Format 51.1 8256 61921080/30p25.414.1297796
12.
 
Hasselblad X2D 100C Medium Format 102.1 11656 8762none25.914.93550101
13.
 
Hasselblad X1D II Medium Format 51.3 8272 62001080/25p25.714.5323499
14.
 
Leica SL2 Full Frame 46.7 8368 55844K/60p25.314.3286695
15.
 
Panasonic TZ95 1/2.3 20.2 5184 38884K/30p20.712.2110352
16.
 
Panasonic TZ90 1/2.3 20.2 5184 38884K/30p19.110.610636
17.
 
Sony A1 Full Frame 49.8 8640 57608k/30p25.914.5316398
Note: DXO values in italics represent estimates based on sensor size and age.
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Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).

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Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GFX 100S offers a substantially higher resolution than the one in the FT7 (3690k vs 1170k dots). The table below summarizes some of the other core capabilities of the Fujifilm GFX 100S and Panasonic FT7 in connection with corresponding information for a sample of similar cameras.

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Core Features
# image Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Specifications
(inch/000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Max
Shutter
Speed *
Max
Shutter
Flaps *
Built-in
Flash
(yes/no)
Built-in
Image
Stab
1.
 
Fujifilm GFX 100S3690 Y3.2 / 2360 full-flex Y 1/4000s 5.0/s n Y
2.
 
Panasonic FT71170 n3.0 / 1040 fixed n 1/1300s 10.0/s Y Y
3.
 
Canon R35760 Y3.2 / 4150 swivel Y 1/8000s 12.0/s n Y
4.
 
Canon SX740none n3.0 / 922 tilting n 1/3200s 10.0/s Y Y
5.
 
Canon SX730none n3.0 / 922 tilting n 1/3200s 5.9/s Y Y
6.
 
Fujifilm GFX 100 II9440 Y3.2 / 2360 full-flex Y 1/4000s 8.0/s n Y
7.
 
Fujifilm GFX 50S II3690 Y3.2 / 2360 full-flex Y 1/4000s 3.0/s n Y
8.
 
Fujifilm GFX 100optional Y3.2 / 2360 full-flex Y 1/4000s 5.0/s n Y
9.
 
Fujifilm XF10none n3.0 / 1040 fixed Y 1/4000s 6.0/s Y n
10.
 
Fujifilm GFX 50R3690 n3.2 / 2360 tilting Y 1/4000s 3.0/s n n
11.
 
Fujifilm GFX 50Soptional Y3.2 / 2360 full-flex Y 1/4000s 3.0/s n n
12.
 
Hasselblad X2D 100C5760 Y3.6 / 2360 tilting Y 1/4000s 3.3/s n Y
13.
 
Hasselblad X1D II3690 n3.6 / 2360 fixed Y 1/2000s 2.7/s n n
14.
 
Leica SL25760 Y3.2 / 2100 fixed Y 1/8000s 10.0/s n Y
15.
 
Panasonic TZ952330 n3.0 / 1040 tilting Y 1/2000s 10.0/s Y Y
16.
 
Panasonic TZ901166 n3.0 / 1040 tilting Y 1/2000s 10.0/s Y Y
17.
 
Sony A19437 n3.0 / 1440 tilting Y 1/8000s 10.0/s n Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.
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One feature that is present on the GFX 100S, but is missing on the FT7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 100S and the FT7 write their files to SDXC cards. The GFX 100S features dual card slots, which can be very useful in case a memory card fails. In contrast, the FT7 only has one slot. The GFX 100S supports UHS-II cards (on both slots), while the FT7 can use UHS-I cards.

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Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100S and Panasonic Lumix DC-FT7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
# image Camera
Model
Hotshoe
Port
Internal
Mic / Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
1.
 
Fujifilm GFX 100SYstereo / monoYYmicro3.2Y-Y
2.
 
Panasonic FT7-stereo / mono--micro2.0Y--
3.
 
Canon R3Ystereo / monoYYmicro3.2Y-Y
4.
 
Canon SX740-stereo / mono--micro2.0Y-Y
5.
 
Canon SX730-stereo / mono--micro2.0YYY
6.
 
Fujifilm GFX 100 IIYstereo / monoYYfull3.2Y-Y
7.
 
Fujifilm GFX 50S IIYstereo / monoYYmicro3.2Y--
8.
 
Fujifilm GFX 100Ystereo / monoYYmicro3.1Y-Y
9.
 
Fujifilm XF10-stereo / monoY-micro2.0Y-Y
10.
 
Fujifilm GFX 50RYstereo / monoYYmicro3.0Y-Y
11.
 
Fujifilm GFX 50SYstereo / monoYYmicro3.0Y--
12.
 
Hasselblad X2D 100CYstereo / mono---3.2Y--
13.
 
Hasselblad X1D IIYstereo / monoYY-3.0Y--
14.
 
Leica SL2Ystereo / monoYYfull3.1Y-Y
15.
 
Panasonic TZ95-stereo / mono--micro2.0Y-Y
16.
 
Panasonic TZ90-stereo / mono--micro2.0Y--
17.
 
Sony A1Ystereo / monoYYfull3.2Y-Y
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It is notable that the GFX 100S has a hotshoe, while the FT7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Studio photographers will appreciate that the Fujifilm GFX 100S (unlike the FT7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GFX 100S is a recent model that features in the current product line-up of Fujifilm. In contrast, the FT7 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the FT7 from Panasonic. Further information on the features and operation of the GFX 100S and FT7 can be found, respectively, in the Fujifilm GFX 100S Manual (free pdf) or the online Panasonic FT7 Manual.

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Review summary

So what conclusions can be drawn? Is the Fujifilm GFX 100S better than the Panasonic FT7 or vice versa? The listing below highlights the relative strengths of the two models.

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Reasons to prefer the Fujifilm GFX 100S:

  • More detail: Offers more megapixels (101.8 vs 20.2MP) with a 125% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better image quality: Features a larger and more technologically advanced imaging sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 1170k dots).
  • Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.45x).
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
  • More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1300s) to freeze action.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
  • Longer lasting: Can take more shots (460 versus 300) on a single battery charge.
  • Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
  • Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More modern: Reflects 2 years and 8 months of technical progress since the FT7 launch.

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Advantages of the Panasonic Lumix DC-FT7:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
  • Ready to shoot: Has an integrated lens, whereas the GFX 100S necessitates an extra lens.
  • More compact: Is smaller (117x76mm vs 150x104mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight even though it has a lens built in (unlike the GFX 100S).
  • Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • More affordable: Was introduced at a lower price, despite coming with a built-in lens.
  • More heavily discounted: Has been around for much longer (launched in May 2018).

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 100S is the clear winner of the match-up (28 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 100S 28:09 FT7

How about other alternatives? Do the specifications of the Fujifilm GFX 100S and the Panasonic FT7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 100S or the FT7. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Expert Camera Reviews
# image  Camera 
 Model 
 AP 
 score 
 CL 
 score 
 DCW 
 score 
 DPR 
 score 
 EPZ 
 score 
 PB 
 score 
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 100S5/5+ +5/590/1005/55/5 Jan 2021 5,999 amazon.com
2.
 
Panasonic FT7..+....3.5/53.5/5 May 2018 449ebay.com
3.
 
Canon R35/5o4.5/5..5/54.5/5 Sep 2021 5,999 amazon.com
4.
 
Canon SX740..+3.5/5..4/54/5 Jul 2018 399 amazon.com
5.
 
Canon SX730..+....4/54/5 Apr 2017 399ebay.com
6.
 
Fujifilm GFX 100 II5/5+5/5....4.5/5 Sep 2023 7,499 amazon.com
7.
 
Fujifilm GFX 50S II5/5..5/587/100..5/5 Sep 2021 3,999 amazon.com
8.
 
Fujifilm GFX 1004.5/5+ +4.8/590/1005/54.5/5 May 2019 9,999ebay.com
9.
 
Fujifilm XF10....4/575/1004/54.5/5 Jul 2018 499ebay.com
10.
 
Fujifilm GFX 50R5/5..5/584/1004.5/54.5/5 Sep 2018 4,499ebay.com
11.
 
Fujifilm GFX 50S....4.5/585/1005/54.5/5 Sep 2016 6,499ebay.com
12.
 
Hasselblad X2D 100C4/5..5/5...... Sep 2022 8,199 amazon.com
13.
 
Hasselblad X1D II....4/5..4/54/5 Jun 2019 5,750ebay.com
14.
 
Leica SL24/5..4.5/5..4.5/54/5 Nov 2019 5,999 amazon.com
15.
 
Panasonic TZ95..+ +....4.5/5.. Feb 2019 449ebay.com
16.
 
Panasonic TZ90..+ +4/5..4/54/5 Apr 2017 449ebay.com
17.
 
Sony A15/5o4.5/593/1004.5/55/5 Jan 2021 6,499 amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.
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Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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    Specifications: Fujifilm GFX 100S vs Panasonic FT7

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 100S Panasonic FT7
    Camera Type Mirrorless system camera Fixed lens compact camera
    Camera Lens Fujifilm G mount lenses 28-128mm f/3.3-5.9
    Launch Date January 2021 May 2018
    Launch Price USD 5,999 USD 449
    Sensor Specs Fujifilm GFX 100S Panasonic FT7
    Sensor Technology BSI-CMOS BSI-CMOS
    Sensor Format Medium Format Sensor 1/2.3" Sensor
    Sensor Size 43.8 x 32.9 mm 6.17 x 4.55 mm
    Sensor Area 1441.02 mm2 28.0735 mm2
    Sensor Diagonal 54.8 mm 7.7 mm
    Crop Factor 0.79x 5.6x
    Sensor Resolution 101.8 Megapixels 20.2 Megapixels
    Image Resolution 11648 x 8736 pixels 5184 x 3888 pixels
    Pixel Pitch 3.76 μm 1.18 μm
    Pixel Density 7.06 MP/cm2 71.80 MP/cm2
    Moiré control no AA filter Anti-Alias filter
    Movie Capability 4K/30p Video 4K/30p Video
    ISO Setting 100 - 12,800 ISO 80 - 3,200 ISO
    ISO Boost 50 - 102,400 ISO 80 - 6,400 ISO
    Image Processor X-Processor 4 Venus
    Screen Specs Fujifilm GFX 100S Panasonic FT7
    Viewfinder Type Electronic viewfinder Electronic viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification 0.77x 0.45x
    Viewfinder Resolution 3690k dots 1170k dots
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.2inch 3.0inch
    LCD Resolution 2360k dots 1040k dots
    LCD Attachment Fully flexible screen Fixed screen
    Touch Input Touchscreen no Touchscreen
    Shooting Specs Fujifilm GFX 100S Panasonic FT7
    Focus System On-Sensor Phase-detect Contrast-detect AF
    Manual Focusing AidFocus Peakingno Peaking Feature
    Continuous Shooting 5 shutter flaps/s 10 shutter flaps/s
    Electronic Shutterup to 1/16000sup to 1/16000s
    Time-Lapse PhotographyIntervalometer built-inno Intervalometer
    Image StabilizationIn-body stabilizationLens-based stabilization
    Fill Flash no On-Board Flash Built-in Flash
    Storage Medium SDXC cards SDXC cards
    Single or Dual Card Slots Dual card slots Single card slot
    UHS card support Dual UHS-II UHS-I
    Connectivity Specs Fujifilm GFX 100S Panasonic FT7
    External Flash Hotshoe no Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 3.2 USB 2.0
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port no MIC socket
    Headphone Socket Headphone port no Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Bluetooth Support Bluetooth built-in no Bluetooth
    Body Specs Fujifilm GFX 100S Panasonic FT7
    Environmental SealingWeathersealed bodyWaterproof body (31m)
    Battery Type Fujifilm NP-W235 Panasonic DMW-BCM13
    Battery Life (CIPA)460 shots per charge300 shots per charge
    In-Camera Charging USB charging USB charging
    Body Dimensions 150 x 104 x 87 mm
    (5.9 x 4.1 x 3.4 in)
    117 x 76 x 37 mm
    (4.6 x 3.0 x 1.5 in)
    Camera Weight 900 g (31.7 oz) 319 g (11.3 oz)
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