Fujifilm GFX 100S vs X-A2
The Fujifilm GFX 100S and the Fujifilm X-A2 are two digital cameras that were officially introduced, respectively, in January 2021 and January 2015. Both the GFX 100S and the X-A2 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 100S) and an APS-C (X-A2) sensor. The GFX 100S has a resolution of 101.8 megapixels, whereas the X-A2 provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100S and the Fujifilm X-A2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm GFX 100S and the Fujifilm X-A2 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-A2 can be obtained in three different colors (black, brown, white), while the GFX 100S is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-A2 is considerably smaller (50 percent) than the Fujifilm GFX 100S. Moreover, the X-A2 is substantially lighter (61 percent) than the GFX 100S. It is worth mentioning in this context that the GFX 100S is splash and dust resistant, while the X-A2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the GFX 100S gets 460 shots out of its NP-W235 battery, while the X-A2 can take 410 images on a single charge of its NP-W126 power pack. The power pack in the GFX 100S can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm GFX 100S||150 mm||104 mm||87 mm||900 g||460||Y||Jan 2021||5,999||amazon.com|
|2.||Fujifilm X-A2||117 mm||67 mm||40 mm||350 g||410||n||Jan 2015||399||ebay.com|
|3.||Canon R3||150 mm||143 mm||87 mm||1015 g||760||Y||Sep 2021||5,999||amazon.com|
|4.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899||amazon.com|
|5.||Fujifilm GFX 50S II||150 mm||104 mm||87 mm||900 g||440||Y||Sep 2021||3,999||amazon.com|
|6.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699||amazon.com|
|7.||Fujifilm GFX 100||156 mm||144 mm||75 mm||1320 g||800||Y||May 2019||9,999||amazon.com|
|8.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499||amazon.com|
|9.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499||ebay.com|
|10.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399||ebay.com|
|11.||Fujifilm X-A10||117 mm||67 mm||40 mm||331 g||410||n||Dec 2016||399||ebay.com|
|12.||Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699||ebay.com|
|13.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799||ebay.com|
|14.||Fujifilm X-A1||117 mm||67 mm||39 mm||330 g||350||n||Sep 2013||399||ebay.com|
|15.||Hasselblad X2D 100C||149 mm||106 mm||75 mm||895 g||420||Y||Sep 2022||8,199||amazon.com|
|16.||Leica SL2||146 mm||107 mm||42 mm||953 g||370||Y||Nov 2019||5,999||amazon.com|
|17.||Sony A1||129 mm||97 mm||81 mm||737 g||530||Y||Jan 2021||6,499||amazon.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X-A2 was launched at a markedly lower price (by 93 percent) than the GFX 100S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 100S features a medium format sensor and the Fujifilm X-A2 an APS-C sensor. The sensor area in the X-A2 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 100S has a native 4:3 aspect ratio, while the one in the X-A2 offers a 3:2 aspect.
With 101.8MP, the GFX 100S offers a higher resolution than the X-A2 (16MP), but the GFX 100S has smaller individual pixels (pixel pitch of 3.76μm versus 4.80μm for the X-A2). However, the GFX 100S is a much more recent model (by 6 years) than the X-A2, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 100S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 100S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100S for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Fujifilm X-A2 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
The GFX 100S has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the X-A2, the GFX 100S has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm GFX 100S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm X-A2 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-25600.
In terms of underlying technology, the GFX 100S is build around a BSI-CMOS sensor, while the X-A2 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Fujifilm GFX 100S||Medium Format||101.8||11648||8736||4K/30p||25.8||14.7||3391||100|
|3.||Canon R3||Full Frame||24.0||6000||4000||6K/60p||25.0||14.7||4086||96|
|4.||Canon R5||Full Frame||44.8||8192||5464||8K/30p||25.3||14.6||3042||95|
|5.||Fujifilm GFX 50S II||Medium Format||51.1||8256||6192||1080/30p||25.9||14.8||3456||100|
|7.||Fujifilm GFX 100||Medium Format||101.8||11648||8736||4K/30p||25.7||14.5||3227||99|
|8.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||25.7||14.4||3169||98|
|9.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||25.4||14.1||2977||96|
|15.||Hasselblad X2D 100C||Medium Format||102.1||11656||8762||none||25.9||14.9||3550||101|
|16.||Leica SL2||Full Frame||46.7||8368||5584||4K/60p||25.3||14.3||2866||95|
|17.||Sony A1||Full Frame||49.8||8640||5760||8k/30p||25.9||14.5||3163||98|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GFX 100S provides a higher video resolution than the X-A2. It can shoot video footage at 4K/30p, while the X-A2 is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GFX 100S has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the X-A2 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Fujifilm GFX 100S and Fujifilm X-A2 along with similar information for a selection of comparators.
|1.||Fujifilm GFX 100S||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0/s||n||Y|
|2.||Fujifilm X-A2||none||n||3.0 / 920||tilting||n||1/4000s||5.6/s||Y||n|
|3.||Canon R3||5760||Y||3.2 / 4150||swivel||Y||1/8000s||12.0/s||n||Y|
|4.||Canon R5||5760||Y||3.2 / 2100||swivel||Y||1/8000s||12.0/s||n||Y|
|5.||Fujifilm GFX 50S II||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||Y|
|6.||Fujifilm X-T4||3690||n||3.0 / 1620||swivel||Y||1/8000s||15.0/s||n||Y|
|7.||Fujifilm GFX 100||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0/s||n||Y|
|8.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0/s||n||n|
|9.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||n|
|10.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|11.||Fujifilm X-A10||none||n||3.0 / 1040||tilting||n||1/4000s||6.0/s||Y||n|
|12.||Fujifilm X-E2S||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0/s||Y||n|
|13.||Fujifilm X-T10||2360||n||3.0 / 920||tilting||n||1/4000s||8.0/s||Y||n|
|14.||Fujifilm X-A1||none||n||3.0 / 920||tilting||n||1/4000s||5.6/s||Y||n|
|15.||Hasselblad X2D 100C||5760||Y||3.6 / 2360||tilting||Y||1/4000s||3.3/s||n||Y|
|16.||Leica SL2||5760||Y||3.2 / 2100||fixed||Y||1/8000s||10.0/s||n||Y|
|17.||Sony A1||9437||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the GFX 100S, but is missing on the X-A2 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The X-A2 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 100S does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 100S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 100S and the X-A2 write their files to SDXC cards. The GFX 100S features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-A2 only has one slot. The GFX 100S supports UHS-II cards (on both slots), while the X-A2 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100S and Fujifilm X-A2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm GFX 100S||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|2.||Fujifilm X-A2||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|3.||Canon R3||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Canon R5||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|5.||Fujifilm GFX 50S II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||-|
|6.||Fujifilm X-T4||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|7.||Fujifilm GFX 100||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|8.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|9.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|10.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Fujifilm X-A10||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Fujifilm X-E2S||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|13.||Fujifilm X-T10||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Fujifilm X-A1||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|15.||Hasselblad X2D 100C||Y||stereo / mono||-||-||-||3.2||Y||-||-|
|16.||Leica SL2||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|17.||Sony A1||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
It is notable that the GFX 100S has a microphone port, which is missing on the X-A2. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Fujifilm GFX 100S (unlike the X-A2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GFX 100S is a recent model that features in the current product line-up of Fujifilm. In contrast, the X-A2 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the X-A2 was succeeded by the Fujifilm X-A3. Further information on the features and operation of the GFX 100S and X-A2 can be found, respectively, in the Fujifilm GFX 100S Manual (free pdf) or the online Fujifilm X-A2 Manual.
So what is the bottom line? Which of the two cameras – the Fujifilm GFX 100S or the Fujifilm X-A2 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Fujifilm GFX 100S:
- More detail: Offers more megapixels (101.8 vs 16MP) with a 147% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 920k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (460 versus 410) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 6 years of technical progress since the X-A2 launch.
Advantages of the Fujifilm X-A2:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5.6 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (117x67mm vs 150x104mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 550g or 61 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (93 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in January 2015).
If the count of individual advantages (bullet points above) is taken as a guide, the GFX 100S is the clear winner of the match-up (29 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 100S and the Fujifilm X-A2 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the GFX 100S and the X-A2 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm GFX 100S||5/5||+ +||5/5||90/100||5/5||5/5||Jan 2021||5,999||amazon.com|
|2.||Fujifilm X-A2||4/5||..||..||..||4.5/5||4.5/5||Jan 2015||399||ebay.com|
|3.||Canon R3||5/5||o||4.5/5||..||5/5||4.5/5||Sep 2021||5,999||amazon.com|
|4.||Canon R5||4.5/5||+||4/5||91/100||4.5/5||4.5/5||Jul 2020||3,899||amazon.com|
|5.||Fujifilm GFX 50S II||5/5||..||5/5||87/100||..||5/5||Sep 2021||3,999||amazon.com|
|6.||Fujifilm X-T4||5/5||+ +||5/5||88/100||5/5||5/5||Feb 2020||1,699||amazon.com|
|7.||Fujifilm GFX 100||4.5/5||+ +||4.8/5||90/100||5/5||4.5/5||May 2019||9,999||amazon.com|
|8.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499||amazon.com|
|9.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499||ebay.com|
|10.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399||ebay.com|
|11.||Fujifilm X-A10||..||..||..||..||4/5||4/5||Dec 2016||399||ebay.com|
|12.||Fujifilm X-E2S||4.5/5||..||..||77/100||4.5/5||4.5/5||Jan 2016||699||ebay.com|
|13.||Fujifilm X-T10||4.5/5||+ +||..||80/100||5/5||5/5||May 2015||799||ebay.com|
|14.||Fujifilm X-A1||..||..||..||..||4.5/5||4.5/5||Sep 2013||399||ebay.com|
|15.||Hasselblad X2D 100C||..||..||..||..||..||..||Sep 2022||8,199||amazon.com|
|16.||Leica SL2||4/5||..||4.5/5||..||4.5/5||4/5||Nov 2019||5,999||amazon.com|
|17.||Sony A1||5/5||o||4.5/5||93/100||4.5/5||5/5||Jan 2021||6,499||amazon.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 2000D vs Fujifilm GFX 100S
- Canon D30 vs Fujifilm X-A2
- Canon SX420 vs Fujifilm X-A2
- Canon T2i vs Fujifilm X-A2
- Canon T4i vs Fujifilm X-A2
- Fujifilm GFX 100S vs Fujifilm X-Pro1
- Fujifilm GFX 100S vs Nikon A1000
- Fujifilm GFX 100S vs Nikon Z fc
- Fujifilm GFX 100S vs Panasonic FZ1000 II
- Fujifilm GFX 100S vs Panasonic FZ82
- Fujifilm X-A2 vs Nikon L840
- Fujifilm X-A2 vs Ricoh WG-60
Specifications: Fujifilm GFX 100S vs Fujifilm X-A2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 100S||Fujifilm X-A2|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm G mount lenses||Fujifilm X mount lenses|
|Launch Date||January 2021||January 2015|
|Launch Price||USD 5,999||USD 399|
|Sensor Specs||Fujifilm GFX 100S||Fujifilm X-A2|
|Sensor Format||Medium Format Sensor||APS-C Sensor|
|Sensor Size||43.8 x 32.9 mm||23.6 x 15.6 mm|
|Sensor Area||1441.02 mm2||368.16 mm2|
|Sensor Diagonal||54.8 mm||28.3 mm|
|Sensor Resolution||101.8 Megapixels||16 Megapixels|
|Image Resolution||11648 x 8736 pixels||4896 x 3264 pixels|
|Pixel Pitch||3.76 μm||4.80 μm|
|Pixel Density||7.06 MP/cm2||4.34 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/30p Video|
|ISO Setting||100 - 12,800 ISO||200 - 6,400 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 25,600 ISO|
|Image Processor||X-Processor 4||EXR Processor II|
|Screen Specs||Fujifilm GFX 100S||Fujifilm X-A2|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2360k dots||920k dots|
|LCD Attachment||Fully flexible screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm GFX 100S||Fujifilm X-A2|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||5.6 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Fujifilm GFX 100S||Fujifilm X-A2|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.2||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm GFX 100S||Fujifilm X-A2|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||460 shots per charge||410 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
150 x 104 x 87 mm
(5.9 x 4.1 x 3.4 in)
117 x 67 x 40 mm
(4.6 x 2.6 x 1.6 in)
|Camera Weight||900 g (31.7 oz)||350 g (12.3 oz)|
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