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Fujifilm GFX 100 vs Sony A7R III

The Fujifilm GFX 100 and the Sony Alpha A7R III are two digital cameras that were revealed to the public, respectively, in May 2019 and October 2017. Both the GFX 100 and the A7R III are mirrorless interchangeable lens cameras that are based on a medium format (GFX 100) and a full frame (A7R III) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Sony provides 42.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 100   Sony A7R III
Fujifilm GFX 100 Sony A7R III
Mirrorless system camera Mirrorless system camera
Fujifilm G mount lenses Sony E mount lenses
101.8 MP, Medium Format Sensor 42.2 MP, Full Frame Sensor
4K/30p Video 4K/30p Video
ISO 100-12800 (50-102400) ISO 100-32000 (50-102400)
Viewfinder optional Electronic viewfinder (3686k dots)
3.2" LCD, 2360k dots 3.0" LCD, 1440k dots
Tilting touchscreen Tilting touchscreen
5 shutter flaps per second 10 shutter flaps per second
In-body stabilizationIn-body stabilization
Weathersealed bodyWeathersealed body
800 shots per battery charge650 shots per battery charge
156 x 144 x 75 mm, 1320 g 127 x 96 x 74 mm, 650 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 and the Sony Alpha A7R III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison: Fujifilm GFX 100 vs Sony A7R III

An illustration of the physical size and weight of the Fujifilm GFX 100 and the Sony A7R III is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

Size Fujifilm GFX 100 vs Sony A7R III
Compare GFX 100 versus A7R III top
Comparison GFX 100 or A7R III rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R III is considerably smaller (46 percent) than the Fujifilm GFX 100. Moreover, the A7R III is substantially lighter (51 percent) than the GFX 100. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 100 gets 800 shots out of its NP-T125 battery, while the A7R III can take 650 images on a single charge of its NP-FZ100 power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the A7R III, Sony provides the VG-C3EM vertical grip as an optional accessory (see here on eBay). The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Fujifilm GFX 100» 6.1 in 5.7 in 3.0 in 46.6 oz 800 Y May 2019 9,999 i i Fujifilm GFX 100
 
Sony A7R III« 5.0 in 3.8 in 2.9 in 22.9 oz 650 Y Oct 2017 3,199 i i Sony A7R III
 
Fujifilm X-H1« » 5.5 in 3.8 in 3.4 in 23.7 oz 310 Y Feb 2018 1,899 i i Fujifilm X-H1
 
Fujifilm GFX 50R« » 6.3 in 3.8 in 2.6 in 27.3 oz 400 Y Sep 2018 4,499 i i Fujifilm GFX 50R
 
Fujifilm GFX 50S« » 5.8 in 3.7 in 3.6 in 26.1 oz 400 Y Sep 2016 6,499 i i Fujifilm GFX 50S
 
Nikon Z6« » 5.3 in 4.0 in 2.6 in 23.8 oz 310 Y Aug 2018 1,999 i i Nikon Z6
 
Nikon Z7« » 5.3 in 4.0 in 2.6 in 23.8 oz 330 Y Aug 2018 3,399 i i Nikon Z7
 
Olympus E-M1X« » 5.7 in 5.8 in 3.0 in 35.2 oz 870 Y Jan 2019 2,999 i i Olympus E-M1X
 
Pentax K-1 II« » 5.4 in 4.3 in 3.4 in 35.6 oz 670 Y Feb 2018 1,999 i i Pentax K-1 II
 
Pentax 645Z« » 6.1 in 4.6 in 4.8 in 54.7 oz 650 Y Apr 2014 8,499 i i Pentax 645Z
 
Pentax 645D« » 6.1 in 4.6 in 4.7 in 52.2 oz 800 Y Mar 2010 9,995- i Pentax 645D
 
Sony A7 III« » 5.0 in 3.8 in 2.9 in 22.9 oz 610 Y Feb 2018 1,999 i i Sony A7 III
 
Sony A9« » 5.0 in 3.8 in 2.5 in 23.7 oz 650 Y Apr 2017 4,499 i i Sony A9
 
Sony A99 II« » 5.6 in 4.1 in 3.0 in 29.9 oz 490 Y Sep 2016 3,199 i i Sony A99 II
 
Sony A7R II« » 5.0 in 3.8 in 2.4 in 22.0 oz 290 Y Jun 2015 3,199- i Sony A7R II
 
Sony A7S II« » 5.0 in 3.8 in 2.4 in 22.1 oz 370 Y Sep 2015 2,999 i i Sony A7S II
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A7R III was launched at a markedly lower price (by 68 percent) than the GFX 100, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison: Fujifilm GFX 100 vs Sony A7R III

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100 features a medium format sensor and the Sony A7R III a full frame sensor. The sensor area in the A7R III is 40 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 100 has a native 4:3 aspect ratio, while the one in the A7R III offers a 3:2 aspect.

Fujifilm GFX 100 and Sony A7R III sensor measures

With 101.8MP, the GFX 100 offers a higher resolution than the A7R III (42.2MP), but the GFX 100 has smaller individual pixels (pixel pitch of 3.76μm versus 4.52μm for the A7R III). However, the GFX 100 is a somewhat more recent model (by 1 year and 6 months) than the A7R III, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inch or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inch or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inch or 98.6 x 74 cm. The corresponding values for the Sony A7R III are 39.8 x 26.5 inch or 101 x 67.4 cm for good quality, 31.8 x 21.2 inch or 80.8 x 53.9 cm for very good quality, and 26.5 x 17.7 inch or 67.3 x 44.9 cm for excellent quality prints.

Unlike the GFX 100, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 100 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Alpha A7R III are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.

GFX 100 versus A7R III MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Fujifilm GFX 100» Medium Format 101.8 11648 87364K/30p----Fujifilm GFX 100
 
Sony A7R III« Full Frame 42.2 7952 53044K/30p26.014.73523100Sony A7R III
 
Fujifilm X-H1« » APS-C 24.0 6000 40004K/30p----Fujifilm X-H1
 
Fujifilm GFX 50R« » Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50R
 
Fujifilm GFX 50S« » Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50S
 
Nikon Z6« » Full Frame 24.3 6048 40244K/30p25.314.3329995Nikon Z6
 
Nikon Z7« » Full Frame 45.4 8256 55044K/30p26.314.6266899Nikon Z7
 
Olympus E-M1X« » Four Thirds 20.2 5184 38884K/30p----Olympus E-M1X
 
Pentax K-1 II« » Full Frame 36.2 7360 49121080/60i----Pentax K-1 II
 
Pentax 645Z« » Medium Format 51.1 8256 61921080/60i26.014.74505101Pentax 645Z
 
Pentax 645D« » Medium Format 39.5 7264 5440-24.612.6126282Pentax 645D
 
Sony A7 III« » Full Frame 24.0 6000 40004K/30p25.014.7373096Sony A7 III
 
Sony A9« » Full Frame 24.0 6000 40004K/30p24.913.3351792Sony A9
 
Sony A99 II« » Full Frame 42.2 7952 53044K/30p25.413.4231792Sony A99 II
 
Sony A7R II« » Full Frame 42.2 7952 53044K/30p26.013.9343498Sony A7R II
 
Sony A7S II« » Full Frame 12.0 4240 28324K/30p23.613.3299385Sony A7S II

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).

 

Feature comparison: Fujifilm GFX 100 vs Sony A7R III

Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7R III has an electronic viewfinder (3686k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 100 relies on live view and the rear LCD for framing. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The adjacent table lists some of the other core features of the Fujifilm GFX 100 and Sony A7R III along with similar information for a selection of comparators.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Fujifilm GFX 100»- Y 3.2 2360 tilting Y 1/4000s 5.0 n Y Fujifilm GFX 100
 
Sony A7R III«3686 n 3.0 1440 tilting Y 1/8000s 10.0 n Y Sony A7R III
 
Fujifilm X-H1« »3690 Y 3.0 1040 full-flex Y 1/8000s 14.0 n Y Fujifilm X-H1
 
Fujifilm GFX 50R« »3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n Fujifilm GFX 50R
 
Fujifilm GFX 50S« »- Y 3.2 2360 full-flex Y 1/4000s 3.0 n n Fujifilm GFX 50S
 
Nikon Z6« »3690 Y 3.2 2100 tilting Y 1/8000s 12.0 n Y Nikon Z6
 
Nikon Z7« »3690 Y 3.2 2100 tilting Y 1/8000s 9.0 n Y Nikon Z7
 
Olympus E-M1X« »2360 n 3.0 1037 swivel Y 1/8000s 18.0 n Y Olympus E-M1X
 
Pentax K-1 II« »optical Y 3.2 1037 full-flex n 1/8000s 4.4 n Y Pentax K-1 II
 
Pentax 645Z« »optical Y 3.2 1037 tilting n 1/4000s 3.0 n n Pentax 645Z
 
Pentax 645D« »optical Y 3.0 921 fixed n 1/4000s 1.1 n n Pentax 645D
 
Sony A7 III« »2359 n 3.0 922 tilting Y 1/8000s 10.0 n Y Sony A7 III
 
Sony A9« »3686 n 3.0 1440 tilting Y 1/8000s 20.0 n Y Sony A9
 
Sony A99 II« »2400 Y 3.0 1229 full-flex n 1/8000s 12.0 n Y Sony A99 II
 
Sony A7R II« »2400 n 3.0 1229 tilting n 1/8000s 5.0 n Y Sony A7R II
 
Sony A7S II« »2400 n 3.0 1229 tilting n 1/8000s 5.0 n Y Sony A7S II

One feature that is present on the GFX 100, but is missing on the A7R III is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100 and the Sony A7R III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 100 writes its imaging data to SDXC cards, while the A7R III uses SDXC or Memory Stick PRO Duo cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. However, while the GFX 100 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s) on both slots, the A7R III supports UHS-II only on its first slot and UHS-I (data transfer speed up to 104 MB/s) on the second one.

 

Connectivity comparison: Fujifilm GFX 100 vs Sony A7R III

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 and Sony Alpha A7R III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Fujifilm GFX 100»YstereomonoYYmicro3.1Y-YFujifilm GFX 100
 
Sony A7R III«YstereomonoYYmicro3.1YYYSony A7R III
 
Fujifilm X-H1« »YstereomonoY-micro3.0Y--Fujifilm X-H1
 
Fujifilm GFX 50R« »YstereomonoYYmicro3.0Y-YFujifilm GFX 50R
 
Fujifilm GFX 50S« »YstereomonoYYmicro3.0Y--Fujifilm GFX 50S
 
Nikon Z6« »YstereomonoYYmicro3.1Y-YNikon Z6
 
Nikon Z7« »YstereomonoYYmicro3.1Y-YNikon Z7
 
Olympus E-M1X« »YstereomonoYYmicro3.0Y-YOlympus E-M1X
 
Pentax K-1 II« »YstereomonoYYmicro2.0Y--Pentax K-1 II
 
Pentax 645Z« »YstereomonoY-mini3.0---Pentax 645Z
 
Pentax 645D« »Ystereo----2.0---Pentax 645D
 
Sony A7 III« »YstereomonoYYmicro3.1YYYSony A7 III
 
Sony A9« »YstereomonoYYmicro2.0YYYSony A9
 
Sony A99 II« »YstereomonoYYmicro2.0YYYSony A99 II
 
Sony A7R II« »YstereomonoYYmicro2.0YY-Sony A7R II
 
Sony A7S II« »YstereomonoYYmicro2.0YY-Sony A7S II

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

Both the GFX 100 and the A7R III are recent models that are part of the current product line-up. The A7R III replaced the earlier Sony A7R II, while the GFX 100 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.


Review summary: Fujifilm GFX 100 vs Sony A7R III

So how do things add up? Which of the two cameras – the Fujifilm GFX 100 or the Sony A7R III – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

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Advantages of the Fujifilm GFX 100:

  • More detail: Offers more megapixels (101.8 vs 42.2MP) with a 52% higher linear resolution.
  • Better image quality: Features a larger and more technologically advanced imaging sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1440k dots).
  • More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
  • Longer lasting: Can take more shots (800 versus 650) on a single battery charge.
  • More modern: Is somewhat more recent (announced 1 year and 6 months after the A7R III).

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Arguments in favor of the Sony Alpha A7R III:

  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Easier framing: Has an electronic viewfinder for image framing and settings control.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (127x96mm vs 156x144mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 670g or 51 percent) and is thus easier to take along.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • More affordable: Was introduced into a lower priced category (68 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in October 2017).

If the number of relative strengths (bullet points above) is taken as a guide, the GFX 100 emerges as the winner of the contest (11 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 100 11:09 A7R III

How about other alternatives? Do the specifications of the Fujifilm GFX 100 and the Sony A7R III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GFX 100 and the A7R III in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews: Fujifilm GFX 100 vs Sony A7R III

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Fujifilm GFX 100»+ +90/100--- May 2019 9,999 i i Fujifilm GFX 100
 
Sony A7R III«+ +90/1004.5/55/55/5 Oct 2017 3,199 i i Sony A7R III
 
Fujifilm X-H1« »+86/1004.5/5-4.5/5 Feb 2018 1,899 i i Fujifilm X-H1
 
Fujifilm GFX 50R« »-84/1004.5/54.5/54.5/5 Sep 2018 4,499 i i Fujifilm GFX 50R
 
Fujifilm GFX 50S« »-85/1005/55/54.5/5 Sep 2016 6,499 i i Fujifilm GFX 50S
 
Nikon Z6« »--4.5/5-5/5 Aug 2018 1,999 i i Nikon Z6
 
Nikon Z7« »+89/1004.5/54.5/55/5 Aug 2018 3,399 i i Nikon Z7
 
Olympus E-M1X« »o-4.5/55/5- Jan 2019 2,999 i i Olympus E-M1X
 
Pentax K-1 II« »-79/1004.5/54.5/54.5/5 Feb 2018 1,999 i i Pentax K-1 II
 
Pentax 645Z« »--4.5/55/55/5 Apr 2014 8,499 i i Pentax 645Z
 
Pentax 645D« »---4.5/5- Mar 2010 9,995- i Pentax 645D
 
Sony A7 III« »+ +89/1005/55/55/5 Feb 2018 1,999 i i Sony A7 III
 
Sony A9« »+ +89/1005/55/55/5 Apr 2017 4,499 i i Sony A9
 
Sony A99 II« »-85/1004.5/54.5/54.5/5 Sep 2016 3,199 i i Sony A99 II
 
Sony A7R II« »+ +90/1005/54.5/55/5 Jun 2015 3,199- i Sony A7R II
 
Sony A7S II« »+-4.5/55/55/5 Sep 2015 2,999 i i Sony A7S II
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

Fujifilm GFX 100:
Check Amazon price
Sony A7R III:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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    Specifications: Fujifilm GFX 100 vs Sony A7R III

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 100 Sony A7R III
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Fujifilm G mount lenses Sony E mount lenses
    Launch Date May 2019 October 2017
    Launch Price USD 9999 USD 3199
    Sensor Specs Fujifilm GFX 100 Sony A7R III
    Sensor Technology BSI-CMOS BSI-CMOS
    Sensor Format Medium Format Sensor Full Frame Sensor
    Sensor Size 43.8 x 32.9 mm 35.9 x 24.0 mm
    Sensor Area 1441.02 mm2 861.6 mm2
    Sensor Diagonal 54.8 mm 43.2 mm
    Crop Factor 0.79x 1.0x
    Sensor Resolution 101.8 Megapixels 42.2 Megapixels
    Image Resolution 11648 x 8736 pixels 7952 x 5304 pixels
    Pixel Pitch 3.76 μm 4.52 μm
    Pixel Density 7.06 MP/cm2 4.90 MP/cm2
    Moiré control no AA filter no AA filter
    Movie Capability 4K/30p Video 4K/30p Video
    ISO Setting 100-12800 ISO 100-32000 ISO
    ISO Boost 50-102400 ISO 50-102400 ISO
    Image Processor X-Processor 4 BIONZ X
    DXO Sensor Quality (score) .. 100
    DXO Color Depth (bits) .. 26.0
    DXO Dynamic Range (EV) .. 14.7
    DXO Low Light (ISO) .. 3523
    Screen Specs Fujifilm GFX 100 Sony A7R III
    Viewfinder Type Viewfinder optional Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.78x
    Viewfinder Resolution 3686k dots
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.2 inch 3.0 inch
    LCD Resolution 2360k dots 1440k dots
    LCD Attachment Tilting screen Tilting screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Fujifilm GFX 100 Sony A7R III
    Autofocus System On-Sensor Phase-detect On-Sensor Phase-detect
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/8000/s
    Continuous Shooting 5 shutter flaps/s 10 shutter flaps/s
    Electronic Shutterup to 1/16000sYES
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Image StabilizationIn-body stabilizationIn-body stabilization
    Fill Flash no On-Board Flash no On-Board Flash
    Storage Medium SDXC cards MS or SDXC cards
    Second Storage Option Dual card slots Dual card slots
    UHS card support Dual UHS-II Single UHS-II
    Connectivity Specs Fujifilm GFX 100 Sony A7R III
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket PC Sync socket
    USB Connector USB 3.1 USB 3.1
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Near-Field Communication no NFC NFC built-in
    Bluetooth Support Bluetooth built-in Bluetooth built-in
    Body Specs Fujifilm GFX 100 Sony A7R III
    Environmental SealingWeathersealed bodyWeathersealed body
    Battery Type NP-T125 power pack NP-FZ100 power pack
    Battery Life (CIPA)800 shots per charge650 shots per charge
    In-Camera Charging USB charging USB charging
    Body Dimensions 156 x 144 x 75 mm
    (6.1 x 5.7 x 3.0 in)
    127 x 96 x 74 mm
    (5.0 x 3.8 x 2.9 in)
    Camera Weight 1320 g (46.6 oz) 650 g (22.9 oz)

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