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Fujifilm GFX 100 vs Sony A1

The Fujifilm GFX 100 and the Sony A1 are two professional cameras that were revealed to the public, respectively, in May 2019 and January 2021. Both the GFX 100 and the A1 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 100) and a full frame (A1) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Sony provides 49.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 100 versus Sony A1
Fujifilm GFX 100 Sony A1
Mirrorless system camera Mirrorless system camera
Fujifilm G mount lenses Sony E mount lenses
101.8 MP, Medium Format Sensor 49.8 MP, Full Frame Sensor
4K/30p Video 8k/30p Video
ISO 100-12,800 (50 - 102,400) ISO 100-32,000 (500 - 102,400)
Viewfinder optional Electronic viewfinder (9437k dots)
3.2 LCD, 2360k dots 3.0 LCD, 1440k dots
Tilting touchscreen Tilting touchscreen
5 shutter flaps per second 10 shutter flaps per second
In-body stabilizationIn-body stabilization
Weathersealed bodyWeathersealed body
800 shots per battery charge530 shots per battery charge
156 x 144 x 75 mm, 1320 g 129 x 97 x 81 mm, 737 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 and the Sony A1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm GFX 100 and the Sony A1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

Size Fujifilm GFX 100 vs Sony A1
Compare GFX 100 versus A1 top
Comparison GFX 100 or A1 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A1 is considerably smaller (44 percent) than the Fujifilm GFX 100. Moreover, the A1 is substantially lighter (44 percent) than the GFX 100. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 100 gets 800 shots out of its NP-T125 battery, while the A1 can take 530 images on a single charge of its NP-FZ100 power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the A1, Sony provides the VG-C4EM vertical grip as an optional accessory (see here on eBay). The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

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Body Specifications
    Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
Weather
Sealing
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 100 156 mm 144 mm 75 mm 1320 g 800 Y May 2019 9,999 i
2.
 
Sony A1 129 mm 97 mm 81 mm 737 g 530 Y Jan 2021 6,499 i
3.
 
Fujifilm GFX 100S 150 mm 104 mm 87 mm 900 g 460 Y Jan 2021 5,999 i
4.
 
Fujifilm X-T4 135 mm 93 mm 64 mm 607 g 500 Y Feb 2020 1,699 i
5.
 
Fujifilm XP140 110 mm 71 mm 28 mm 207 g 240 Y Feb 2019 229 i
6.
 
Fujifilm X-H1 140 mm 97 mm 86 mm 673 g 310 Y Feb 2018 1,899 i
7.
 
Fujifilm GFX 50R 161 mm 97 mm 66 mm 775 g 400 Y Sep 2018 4,499 i
8.
 
Fujifilm GFX 50S 148 mm 94 mm 91 mm 740 g 400 Y Sep 2016 6,499 i
9.
 
Pentax K-1 II 137 mm 110 mm 86 mm 1010 g 670 Y Feb 2018 1,999 i
10.
 
Pentax 645Z 156 mm 117 mm 123 mm 1550 g 650 Y Apr 2014 8,499 i
11.
 
Pentax 645D 156 mm 117 mm 119 mm 1480 g 800 Y Mar 2010 9,995i
12.
 
Sony A7S III 127 mm 97 mm 81 mm 699 g 600 Y Jul 2020 3,499 i
13.
 
Sony A7R IV 129 mm 96 mm 78 mm 665 g 670 Y Jul 2019 3,499 i
14.
 
Sony A7 III 127 mm 96 mm 74 mm 650 g 610 Y Feb 2018 1,999 i
15.
 
Sony A7R III 127 mm 96 mm 74 mm 650 g 650 Y Oct 2017 3,199i
16.
 
Sony A9 127 mm 96 mm 63 mm 673 g 650 Y Apr 2017 4,499i
17.
 
Sony A7R II 127 mm 96 mm 60 mm 625 g 290 Y Jun 2015 3,199i
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A1 was launched at a markedly lower price (by 35 percent) than the GFX 100, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

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Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100 features a medium format sensor and the Sony A1 a full frame sensor. The sensor area in the A1 is 40 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 100 has a native 4:3 aspect ratio, while the one in the A1 offers a 3:2 aspect.

In terms of underlying technology, both cameras are build around BSI-CMOS sensors.

Fujifilm GFX 100 and Sony A1 sensor measures

With 101.8MP, the GFX 100 offers a higher resolution than the A1 (49.8MP), but the GFX 100 has smaller individual pixels (pixel pitch of 3.76μm versus 4.16μm for the A1). Moreover, the A1 is a somewhat more recent model (by 1 year and 8 months) than the GFX 100, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Sony A1 are 43.2 x 28.8 inches or 109.7 x 73.2 cm for good quality, 34.6 x 23 inches or 87.8 x 58.5 cm for very good quality, and 28.8 x 19.2 inches or 73.2 x 48.8 cm for excellent quality prints.

Unlike the GFX 100, the A1 has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 100 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony A1 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 500-102400.

GFX 100 versus A1 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

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Sensor Characteristics
    Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
1.
 
Fujifilm GFX 100 Medium Format 101.8 11648 87364K/30p........
2.
 
Sony A1 Full Frame 49.8 8640 57608k/30p........
3.
 
Fujifilm GFX 100S Medium Format 101.8 11648 87364K/30p........
4.
 
Fujifilm X-T4 APS-C 26.0 6240 41604K/60p........
5.
 
Fujifilm XP140 1/2.3 15.9 4608 34564K/15p........
6.
 
Fujifilm X-H1 APS-C 24.0 6000 40004K/30p........
7.
 
Fujifilm GFX 50R Medium Format 51.1 8256 61921080/30p........
8.
 
Fujifilm GFX 50S Medium Format 51.1 8256 61921080/30p........
9.
 
Pentax K-1 II Full Frame 36.2 7360 49121080/60i........
10.
 
Pentax 645Z Medium Format 51.1 8256 61921080/60i26.014.74505101
11.
 
Pentax 645D Medium Format 39.5 7264 5440none24.612.6126282
12.
 
Sony A7S III Full Frame 12.0 4240 28324K/120p23.713.9252086
13.
 
Sony A7R IV Full Frame 60.2 9504 63364K/30p26.014.8334499
14.
 
Sony A7 III Full Frame 24.0 6000 40004K/30p25.014.7373096
15.
 
Sony A7R III Full Frame 42.2 7952 53044K/30p26.014.73523100
16.
 
Sony A9 Full Frame 24.0 6000 40004K/30p24.913.3351792
17.
 
Sony A7R II Full Frame 42.2 7952 53044K/30p26.013.9343498

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A1 provides a better video resolution than the GFX 100. It can shoot movie footage at 8k/30p, while the Fujifilm is limited to 4K/30p.

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Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the A1 has an electronic viewfinder (9437k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 100 relies on live view and the rear LCD for framing. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 100, the Sony A1, and comparable cameras.

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Core Features
    Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
(000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
1.
 
Fujifilm GFX 100optional Y 3.2 2360 tilting Y 1/4000s 5.0 n Y
2.
 
Sony A19437 n 3.0 1440 tilting Y 1/8000s 10.0 n Y
3.
 
Fujifilm GFX 100S3690 Y 3.2 2360 full-flex Y 1/4000s 5.0 n Y
4.
 
Fujifilm X-T43690 n 3.0 1620 swivel Y 1/8000s 15.0 n Y
5.
 
Fujifilm XP140none n 3.0 920 fixed n 1/2000s 10.0 Y Y
6.
 
Fujifilm X-H13690 Y 3.0 1040 full-flex Y 1/8000s 14.0 n Y
7.
 
Fujifilm GFX 50R3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n
8.
 
Fujifilm GFX 50Soptional Y 3.2 2360 full-flex Y 1/4000s 3.0 n n
9.
 
Pentax K-1 IIoptical Y 3.2 1037 full-flex n 1/8000s 4.4 n Y
10.
 
Pentax 645Zoptical Y 3.2 1037 tilting n 1/4000s 3.0 n n
11.
 
Pentax 645Doptical Y 3.0 921 fixed n 1/4000s 1.1 n n
12.
 
Sony A7S III9440 n 3.0 1440 swivel Y 1/8000s 10.0 n Y
13.
 
Sony A7R IV5760 n 3.0 1440 tilting Y 1/8000s 10.0 n Y
14.
 
Sony A7 III2359 n 3.0 922 tilting Y 1/8000s 10.0 n Y
15.
 
Sony A7R III3686 n 3.0 1440 tilting Y 1/8000s 10.0 n Y
16.
 
Sony A93686 n 3.0 1440 tilting Y 1/8000s 20.0 n Y
17.
 
Sony A7R II2400 n 3.0 1229 tilting n 1/8000s 5.0 n Y

One feature that is present on the GFX 100, but is missing on the A1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100 and the Sony A1 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 100 writes its imaging data to SDXC cards, while the A1 uses CFexpress or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.

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Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 and Sony A1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
    Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
1.
 
Fujifilm GFX 100YstereomonoYYmicro3.1Y-Y
2.
 
Sony A1YstereomonoYYmini3.2Y-Y
3.
 
Fujifilm GFX 100SYstereomonoYYmicro3.2Y-Y
4.
 
Fujifilm X-T4YstereomonoY-micro3.1Y-Y
5.
 
Fujifilm XP140-monomono--micro2.0Y-Y
6.
 
Fujifilm X-H1YstereomonoY-micro3.0Y--
7.
 
Fujifilm GFX 50RYstereomonoYYmicro3.0Y-Y
8.
 
Fujifilm GFX 50SYstereomonoYYmicro3.0Y--
9.
 
Pentax K-1 IIYstereomonoYYmicro2.0Y--
10.
 
Pentax 645ZYstereomonoY-mini3.0---
11.
 
Pentax 645DYstereo----2.0---
12.
 
Sony A7S IIIYstereomonoYYfull3.2Y-Y
13.
 
Sony A7R IVYstereomonoYYmicro3.1YYY
14.
 
Sony A7 IIIYstereomonoYYmicro3.1YYY
15.
 
Sony A7R IIIYstereomonoYYmicro3.1YYY
16.
 
Sony A9YstereomonoYYmicro2.0YYY
17.
 
Sony A7R IIYstereomonoYYmicro2.0YY-

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

Both the GFX 100 and the A1 are recent models that are part of the current product line-up. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Fujifilm and Sony. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.

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Review summary

So what is the bottom line? Is the Fujifilm GFX 100 better than the Sony A1 or vice versa? A synthesis of the relative strong points of each of the models is listed below.

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Reasons to prefer the Fujifilm GFX 100:

  • More detail: Offers more megapixels (101.8 vs 49.8MP) with a 40% higher linear resolution.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1440k dots).
  • More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
  • Longer lasting: Can take more shots (800 versus 530) on a single battery charge.
  • More heavily discounted: Has been on the market for longer (launched in May 2019).

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Arguments in favor of the Sony A1:

  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • Better video: Provides higher definition movie capture (8k/30p vs 4K/30p).
  • Easier framing: Has an electronic viewfinder for image composition and settings control.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (129x97mm vs 156x144mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 583g or 44 percent) and is thus easier to take along.
  • Faster data transfer: Supports a more advanced USB protocol (3.2 vs 3.1).
  • More affordable: Was introduced into a lower priced category (35 percent cheaper at launch).
  • More modern: Was introduced somewhat (1 year and 8 months) more recently.

If the number of relative strengths (bullet points above) is taken as a guide, the A1 emerges as the winner of the match-up (10 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 100 07:10 A1

How about other alternatives? Do the specifications of the Fujifilm GFX 100 and the Sony A1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 100 or the A1. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Expert Camera Reviews
     Camera 
 Model 
 AP 
 score 
 CL 
 score 
 DPR 
 score 
 EPZ 
 score 
 PB 
 score 
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Fujifilm GFX 1004.5/5+ +90/1005/54.5/5 May 2019 9,999 i
2.
 
Sony A15/5o....5/5 Jan 2021 6,499 i
3.
 
Fujifilm GFX 100S5/5......5/5 Jan 2021 5,999 i
4.
 
Fujifilm X-T45/5+ +..5/55/5 Feb 2020 1,699 i
5.
 
Fujifilm XP140..+..3.5/54/5 Feb 2019 229 i
6.
 
Fujifilm X-H1..+86/1004.5/54.5/5 Feb 2018 1,899 i
7.
 
Fujifilm GFX 50R5/5..84/1004.5/54.5/5 Sep 2018 4,499 i
8.
 
Fujifilm GFX 50S....85/1005/54.5/5 Sep 2016 6,499 i
9.
 
Pentax K-1 II....79/1004.5/54.5/5 Feb 2018 1,999 i
10.
 
Pentax 645Z5/5....4.5/55/5 Apr 2014 8,499 i
11.
 
Pentax 645D5/5........ Mar 2010 9,995i
12.
 
Sony A7S III..+ +91/1004.5/55/5 Jul 2020 3,499 i
13.
 
Sony A7R IV5/5+91/1004.5/55/5 Jul 2019 3,499 i
14.
 
Sony A7 III..+ +89/1005/55/5 Feb 2018 1,999 i
15.
 
Sony A7R III..+ +90/1004.5/55/5 Oct 2017 3,199i
16.
 
Sony A95/5+ +89/1005/55/5 Apr 2017 4,499i
17.
 
Sony A7R II5/5+ +90/1005/55/5 Jun 2015 3,199i
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Fujifilm GFX 100:
Check Amazon price
Sony A1:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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    Specifications: Fujifilm GFX 100 vs Sony A1

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 100 Sony A1
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Fujifilm G mount lenses Sony E mount lenses
    Launch Date May 2019 January 2021
    Launch Price USD 9,999 USD 6,499
    Sensor Specs Fujifilm GFX 100 Sony A1
    Sensor Technology BSI-CMOS BSI-CMOS
    Sensor Format Medium Format Sensor Full Frame Sensor
    Sensor Size 43.8 x 32.9 mm 35.9 x 24.0 mm
    Sensor Area 1441.02 mm2 861.6 mm2
    Sensor Diagonal 54.8 mm 43.2 mm
    Crop Factor 0.79x 1.0x
    Sensor Resolution 101.8 Megapixels 49.8 Megapixels
    Image Resolution 11648 x 8736 pixels 8640 x 5760 pixels
    Pixel Pitch 3.76 μm 4.16 μm
    Pixel Density 7.06 MP/cm2 5.78 MP/cm2
    Moiré control no AA filter no AA filter
    Movie Capability 4K/30p Video 8k/30p Video
    ISO Setting 100 - 12,800 ISO 100 - 32,000 ISO
    ISO Boost 50 - 102,400 ISO 500 - 102,400 ISO
    Image Processor X-Processor 4 Dual BIONZ XR
    Screen Specs Fujifilm GFX 100 Sony A1
    Viewfinder Type Viewfinder optional Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.9x
    Viewfinder Resolution 9437k dots
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.2inch 3.0inch
    LCD Resolution 2360k dots 1440k dots
    LCD Attachment Tilting screen Tilting screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Fujifilm GFX 100 Sony A1
    Focus System On-Sensor Phase-detect On-Sensor Phase-detect
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000s 1/8000s
    Continuous Shooting 5 shutter flaps/s 10 shutter flaps/s
    Electronic Shutterup to 1/16000sup to 1/32000s
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Image StabilizationIn-body stabilizationIn-body stabilization
    Fill Flash no On-Board Flash no On-Board Flash
    Storage Medium SDXC cards CFexpress or SDXC cards
    Second Storage Option Dual card slots Dual card slots
    UHS card support Dual UHS-II UHS-II
    Connectivity Specs Fujifilm GFX 100 Sony A1
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket PC Sync socket
    USB Connector USB 3.1 USB 3.2
    HDMI Port micro HDMI mini HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Bluetooth Support Bluetooth built-in Bluetooth built-in
    Body Specs Fujifilm GFX 100 Sony A1
    Environmental SealingWeathersealed bodyWeathersealed body
    Battery Type NP-T125 NP-FZ100
    Battery Life (CIPA)800 shots per charge530 shots per charge
    In-Camera Charging USB charging USB charging
    Body Dimensions 156 x 144 x 75 mm
    (6.1 x 5.7 x 3.0 in)
    129 x 97 x 81 mm
    (5.1 x 3.8 x 3.2 in)
    Camera Weight 1320 g (46.6 oz) 737 g (26.0 oz)

    Did you notice an error on this page? If so, please get in touch, so that we can correct the information.

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