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Fujifilm GFX 100 vs Panasonic ZS80

The Fujifilm GFX 100 and the Panasonic Lumix DC-ZS80 (labelled Panasonic TZ95 in some countries) are two digital cameras that were announced, respectively, in May 2019 and February 2019. The GFX 100 is a mirrorless interchangeable lens camera, while the ZS80 is a fixed lens compact. The cameras are based on a medium format (GFX 100) and a 1/2.3-inch (ZS80) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Panasonic provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 100 versus Panasonic ZS80
Fujifilm GFX 100 Panasonic ZS80
Mirrorless system camera Fixed lens compact camera
Fujifilm G mount lenses 24-720mm f/3.3-6.4
101.8 MP, Medium Format Sensor 20.2 MP, 1/2.3" Sensor
4K/30p Video 4K/30p Video
ISO 100-12,800 (50 - 102,400) ISO 80-3,200 (80 - 6,400)
Viewfinder optional Electronic viewfinder (2330k dots)
3.2 LCD, 2360k dots 3.0 LCD, 1040k dots
Tilting touchscreen Tilting touchscreen
5 shutter flaps per second 10 shutter flaps per second
In-body stabilizationLens-based stabilization
Weathersealed bodynot weather sealed
800 shots per battery charge380 shots per battery charge
156 x 144 x 75 mm, 1320 g 112 x 69 x 42 mm, 327 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 and the Panasonic Lumix DC-ZS80? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 100 and the Panasonic ZS80. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

The ZS80 can be obtained in two different colors (black, silver), while the GFX 100 is only available in black.

Size Fujifilm GFX 100 vs Panasonic ZS80
Compare GFX 100 versus ZS80 top
Comparison GFX 100 or ZS80 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic ZS80 is considerably smaller (66 percent) than the Fujifilm GFX 100. It is worth mentioning in this context that the GFX 100 is splash and dust resistant, while the ZS80 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZS80 has a lens built in, whereas the GFX 100 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the GFX 100 gets 800 shots out of its NP-T125 battery, while the ZS80 can take 380 images on a single charge of its DMW-BLG10 power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.

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Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life 1
Weather
Sealing
Camera
Launch 2
Launch
Price (USD)
Street
Price
 
Fujifilm GFX 100 6.1 in 5.7 in 3.0 in 46.6 oz 800 Y May 2019 9,999 i
 
Panasonic ZS80 4.4 in 2.7 in 1.7 in 11.5 oz 380 n Feb 2019 449 i
 
Canon SX740 4.3 in 2.5 in 1.6 in 10.5 oz 265 n Jul 2018 399 i
 
Canon SX730 4.3 in 2.5 in 1.6 in 10.6 oz 250 n Apr 2017 399i
 
Fujifilm X-T4 5.3 in 3.7 in 2.5 in 21.4 oz 500 Y Feb 2020 1,699 i
 
Fujifilm XP140 4.3 in 2.8 in 1.1 in 7.3 oz 240 Y Feb 2019 229 i
 
Fujifilm XF10 4.4 in 2.5 in 1.6 in 9.8 oz 330 n Jul 2018 499 i
 
Fujifilm X-H1 5.5 in 3.8 in 3.4 in 23.7 oz 310 Y Feb 2018 1,899 i
 
Fujifilm GFX 50R 6.3 in 3.8 in 2.6 in 27.3 oz 400 Y Sep 2018 4,499 i
 
Fujifilm GFX 50S 5.8 in 3.7 in 3.6 in 26.1 oz 400 Y Sep 2016 6,499 i
 
Nikon Z6 5.3 in 4.0 in 2.6 in 23.8 oz 310 Y Aug 2018 1,999 i
 
Panasonic TS7 4.6 in 3.0 in 1.5 in 11.3 oz 300 Y May 2018 449 i
 
Panasonic ZS70 4.4 in 2.6 in 1.6 in 11.4 oz 380 n Apr 2017 449i
 
Pentax K-1 II 5.4 in 4.3 in 3.4 in 35.6 oz 670 Y Feb 2018 1,999 i
 
Pentax 645Z 6.1 in 4.6 in 4.8 in 54.7 oz 650 Y Apr 2014 8,499 i
 
Pentax 645D 6.1 in 4.6 in 4.7 in 52.2 oz 800 Y Mar 2010 9,995i
 
Sony A7 III 5.0 in 3.8 in 2.9 in 22.9 oz 610 Y Feb 2018 1,999 i
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The ZS80 was launched at a lower price than the GFX 100, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

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Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100 features a medium format sensor and the Panasonic ZS80 a 1/2.3-inch sensor. The sensor area in the ZS80 is 98 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

Fujifilm GFX 100 and Panasonic ZS80 sensor measures

With 101.8MP, the GFX 100 offers a higher resolution than the ZS80 (20.2MP), but the GFX 100 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 1.18μm for the ZS80) due to its larger sensor. Moreover, the GFX 100 is a somewhat more recent model (by 3 months) than the ZS80, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Panasonic ZS80 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

The GFX 100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Fujifilm GFX 100 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DC-ZS80 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.

GFX 100 versus ZS80 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

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Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
 
Fujifilm GFX 100 Medium Format 101.8 11648 87364K/30p........
 
Panasonic ZS80 1/2.3 20.2 5184 38884K/30p........
 
Canon SX740 1/2.3 20.2 5184 38884K/30p........
 
Canon SX730 1/2.3 20.2 5184 38881080/60p........
 
Fujifilm X-T4 APS-C 26.0 6240 41604K/60p........
 
Fujifilm XP140 1/2.3 15.9 4608 34564K/15p........
 
Fujifilm XF10 APS-C 24.0 6000 40004K/15p........
 
Fujifilm X-H1 APS-C 24.0 6000 40004K/30p........
 
Fujifilm GFX 50R Medium Format 51.1 8256 61921080/30p........
 
Fujifilm GFX 50S Medium Format 51.1 8256 61921080/30p........
 
Nikon Z6 Full Frame 24.3 6048 40244K/30p25.314.3329995
 
Panasonic TS7 1/2.3 20.2 5184 38884K/30p........
 
Panasonic ZS70 1/2.3 20.2 5184 38884K/30p19.110.610636
 
Pentax K-1 II Full Frame 36.2 7360 49121080/60i........
 
Pentax 645Z Medium Format 51.1 8256 61921080/60i26.014.74505101
 
Pentax 645D Medium Format 39.5 7264 5440none24.612.6126282
 
Sony A7 III Full Frame 24.0 6000 40004K/30p25.014.7373096

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).

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Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the ZS80 has an electronic viewfinder (2330k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 100 relies on live view and the rear LCD for framing. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The table below summarizes some of the other core capabilities of the Fujifilm GFX 100 and Panasonic ZS80 in connection with corresponding information for a sample of similar cameras.

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Core Features
  Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
(000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
 
Fujifilm GFX 100optional Y 3.2 2360 tilting Y 1/4000s 5.0 n Y
 
Panasonic ZS802330 n 3.0 1040 tilting Y 1/2000s 10.0 Y Y
 
Canon SX740none n 3.0 922 tilting n 1/3200s 10.0 Y Y
 
Canon SX730none n 3.0 922 tilting n 1/3200s 5.9 Y Y
 
Fujifilm X-T43690 n 3.0 1620 swivel Y 1/8000s 15.0 n Y
 
Fujifilm XP140none n 3.0 920 fixed n 1/2000s 10.0 Y Y
 
Fujifilm XF10none n 3.0 1040 fixed Y 1/4000s 6.0 Y n
 
Fujifilm X-H13690 Y 3.0 1040 full-flex Y 1/8000s 14.0 n Y
 
Fujifilm GFX 50R3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n
 
Fujifilm GFX 50Soptional Y 3.2 2360 full-flex Y 1/4000s 3.0 n n
 
Nikon Z63690 Y 3.2 2100 tilting Y 1/8000s 12.0 n Y
 
Panasonic TS71170 n 3.0 1040 fixed n 1/1300s 10.0 Y Y
 
Panasonic ZS701166 n 3.0 1040 tilting Y 1/2000s 10.0 Y Y
 
Pentax K-1 IIoptical Y 3.2 1037 full-flex n 1/8000s 4.4 n Y
 
Pentax 645Zoptical Y 3.2 1037 tilting n 1/4000s 3.0 n n
 
Pentax 645Doptical Y 3.0 921 fixed n 1/4000s 1.1 n n
 
Sony A7 III2359 n 3.0 922 tilting Y 1/8000s 10.0 n Y

One feature that is present on the GFX 100, but is missing on the ZS80 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The ZS80 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 100 does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 100 and the ZS80 write their files to SDXC cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the ZS80 only has one slot. The GFX 100 supports UHS-II cards (on both slots), while the ZS80 can use UHS-I cards.

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Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 and Panasonic Lumix DC-ZS80 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
 
Fujifilm GFX 100YstereomonoYYmicro3.1Y-Y
 
Panasonic ZS80-stereomono--micro2.0Y-Y
 
Canon SX740-stereomono--micro2.0Y-Y
 
Canon SX730-stereomono--micro2.0YYY
 
Fujifilm X-T4YstereomonoY-micro3.1Y-Y
 
Fujifilm XP140-monomono--micro2.0Y-Y
 
Fujifilm XF10-stereomonoY-micro2.0Y-Y
 
Fujifilm X-H1YstereomonoY-micro3.0Y--
 
Fujifilm GFX 50RYstereomonoYYmicro3.0Y-Y
 
Fujifilm GFX 50SYstereomonoYYmicro3.0Y--
 
Nikon Z6YstereomonoYYmicro3.1Y-Y
 
Panasonic TS7-stereomono--micro2.0Y--
 
Panasonic ZS70-stereomono--micro2.0Y--
 
Pentax K-1 IIYstereomonoYYmicro2.0Y--
 
Pentax 645ZYstereomonoY-mini3.0---
 
Pentax 645DYstereo----2.0---
 
Sony A7 IIIYstereomonoYYmicro3.1YYY

It is notable that the GFX 100 has a hotshoe, while the ZS80 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Studio photographers will appreciate that the Fujifilm GFX 100 (unlike the ZS80) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GFX 100 and the ZS80 are recent models that are part of the current product line-up. The ZS80 replaced the earlier Panasonic ZS70, while the GFX 100 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.

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Review summary

So how do things add up? Is there a clear favorite between the Fujifilm GFX 100 and the Panasonic ZS80? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

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Reasons to prefer the Fujifilm GFX 100:

  • More detail: Offers more megapixels (101.8 vs 20.2MP) with a 125% higher linear resolution.
  • Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
  • Richer colors: The pixel size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
  • Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
  • More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
  • Longer lasting: Can take more shots (800 versus 380) on a single battery charge.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
  • Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More modern: Is somewhat more recent (announced 3 months after the ZS80).

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Advantages of the Panasonic Lumix DC-ZS80:

  • Easier framing: Has an electronic viewfinder for image composition and settings control.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
  • Ready to shoot: Has an integrated lens, whereas the GFX 100 necessitates an extra lens.
  • More compact: Is smaller (112x69mm vs 156x144mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight even though it has a lens built in (unlike the GFX 100).
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • More affordable: Was introduced at a lower price, despite coming with a built-in lens.
  • More heavily discounted: Has been on the market for longer (launched in February 2019).

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 100 is the clear winner of the match-up (23 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 100 23:09 ZS80

How about other alternatives? Do the specifications of the Fujifilm GFX 100 and the Panasonic ZS80 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 100 or the ZS80. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Review Scores
  Camera
Model
camera
  labs  
dp
review  
ephoto
  zine  
imaging
resource
photography
  blog  
Camera
Launch
Launch
Price (USD)
Street
Price
 
Fujifilm GFX 100+ +90/1005/54.5/54.5/5 May 2019 9,999 i
 
Panasonic ZS80+ +..4.5/5.... Feb 2019 449 i
 
Canon SX740+..4/5..4/5 Jul 2018 399 i
 
Canon SX730+..4/5..4/5 Apr 2017 399i
 
Fujifilm X-T4+ +..5/5..5/5 Feb 2020 1,699 i
 
Fujifilm XP140+..3.5/5..4/5 Feb 2019 229 i
 
Fujifilm XF10..75/1004/5..4.5/5 Jul 2018 499 i
 
Fujifilm X-H1+86/1004.5/5..4.5/5 Feb 2018 1,899 i
 
Fujifilm GFX 50R..84/1004.5/54.5/54.5/5 Sep 2018 4,499 i
 
Fujifilm GFX 50S..85/1005/55/54.5/5 Sep 2016 6,499 i
 
Nikon Z6....4.5/54.5/55/5 Aug 2018 1,999 i
 
Panasonic TS7+......3.5/5 May 2018 449 i
 
Panasonic ZS70+ +..4/5..4/5 Apr 2017 449i
 
Pentax K-1 II..79/1004.5/54.5/54.5/5 Feb 2018 1,999 i
 
Pentax 645Z....4.5/55/55/5 Apr 2014 8,499 i
 
Pentax 645D......4.5/5.. Mar 2010 9,995i
 
Sony A7 III+ +89/1005/55/55/5 Feb 2018 1,999 i
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

Fujifilm GFX 100:
Check Amazon price
Panasonic ZS80:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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    Specifications: Fujifilm GFX 100 vs Panasonic ZS80

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 100 Panasonic ZS80
    Camera Type Mirrorless system camera Fixed lens compact camera
    Camera Lens Fujifilm G mount lenses 24-720mm f/3.3-6.4
    Launch Date May 2019 February 2019
    Launch Price USD 9,999 USD 449
    Sensor Specs Fujifilm GFX 100 Panasonic ZS80
    Sensor Technology BSI-CMOS BSI-CMOS
    Sensor Format Medium Format Sensor 1/2.3" Sensor
    Sensor Size 43.8 x 32.9 mm 6.17 x 4.55 mm
    Sensor Area 1441.02 mm2 28.0735 mm2
    Sensor Diagonal 54.8 mm 7.7 mm
    Crop Factor 0.79x 5.6x
    Sensor Resolution 101.8 Megapixels 20.2 Megapixels
    Image Resolution 11648 x 8736 pixels 5184 x 3888 pixels
    Pixel Pitch 3.76 μm 1.18 μm
    Pixel Density 7.06 MP/cm2 71.80 MP/cm2
    Moiré control no AA filter no AA filter
    Movie Capability 4K/30p Video 4K/30p Video
    ISO Setting 100 - 12,800 ISO 80 - 3,200 ISO
    ISO Boost 50 - 102,400 ISO 80 - 6,400 ISO
    Image Processor X-Processor 4 Venus
    Screen Specs Fujifilm GFX 100 Panasonic ZS80
    Viewfinder Type Viewfinder optional Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.53x
    Viewfinder Resolution 2330k dots
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.2inch 3.0inch
    LCD Resolution 2360k dots 1040k dots
    LCD Attachment Tilting screen Tilting screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Fujifilm GFX 100 Panasonic ZS80
    Focus System On-Sensor Phase-detect Contrast-detect AF
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000s 1/2000s
    Continuous Shooting 5 shutter flaps/s 10 shutter flaps/s
    Electronic Shutterup to 1/16000sup to 1/16000s
    Time-Lapse PhotographyIntervalometer built-inno Intervalometer
    Image StabilizationIn-body stabilizationLens-based stabilization
    Fill Flash no On-Board Flash Build-in Flash
    Storage Medium SDXC cards SDXC cards
    Second Storage Option Dual card slots Single card slot
    UHS card support Dual UHS-II UHS-I
    Connectivity Specs Fujifilm GFX 100 Panasonic ZS80
    External Flash Hotshoe no Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 3.1 USB 2.0
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port no MIC socket
    Headphone Socket Headphone port no Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Bluetooth Support Bluetooth built-in Bluetooth built-in
    Body Specs Fujifilm GFX 100 Panasonic ZS80
    Environmental SealingWeathersealed bodynot weather sealed
    Battery Type NP-T125 DMW-BLG10
    Battery Life (CIPA)800 shots per charge380 shots per charge
    In-Camera Charging USB charging USB charging
    Body Dimensions 156 x 144 x 75 mm
    (6.1 x 5.7 x 3.0 in)
    112 x 69 x 42 mm
    (4.4 x 2.7 x 1.7 in)
    Camera Weight 1320 g (46.6 oz) 327 g (11.5 oz)

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