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Fujifilm GFX 100 vs Panasonic L1

The Fujifilm GFX 100 and the Panasonic Lumix DMC-L1 are two digital cameras that were announced, respectively, in May 2019 and February 2006. The GFX 100 is a mirrorless interchangeable lens camera, while the L1 is a DSLR. The cameras are based on a medium format (GFX 100) and a Four Thirds (L1) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Panasonic provides 7.4 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 100 versus Panasonic L1
Fujifilm GFX 100 Panasonic L1
Mirrorless system camera Digital single lens reflex
Fujifilm G mount lenses Four Thirds lenses
101.8 MP, Medium Format Sensor 7.4 MP, Four Thirds Sensor
4K/30p Video no Video
ISO 100-12,800 (50 - 102,400) ISO 100-1,600
Viewfinder optional Optical viewfinder
3.2 LCD, 2360k dots 2.5 LCD, 207k dots
Tilting touchscreen Fixed screen (not touch-sensitive)
5 shutter flaps per second 3 shutter flaps per second
In-body stabilizationLens stabilization only
Weathersealed bodynot weather sealed
800 shots per battery charge750 shots per battery charge
156 x 144 x 75 mm, 1320 g 146 x 87 x 64 mm, 606 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 and the Panasonic Lumix DMC-L1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm GFX 100 and the Panasonic L1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

Size Fujifilm GFX 100 vs Panasonic L1
Compare GFX 100 versus L1 top
Comparison GFX 100 or L1 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic L1 is considerably smaller (43 percent) than the Fujifilm GFX 100. Moreover, the L1 is substantially lighter (54 percent) than the GFX 100. It is worth mentioning in this context that the GFX 100 is splash and dust resistant, while the L1 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the GFX 100 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

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Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life 1
Weather
Sealing
Camera
Launch 2
Launch
Price (USD)
Street
Price
 
Fujifilm GFX 100 6.1 in 5.7 in 3.0 in 46.6 oz 800 Y May 2019 9,999 i
 
Panasonic L1 5.7 in 3.4 in 2.5 in 21.4 oz 750 n Feb 2006 999i
 
Canon XT 5.0 in 3.7 in 2.5 in 19.0 oz 400 n Feb 2005 899i
 
Fujifilm X-T4 5.3 in 3.7 in 2.5 in 21.4 oz 500 Y Feb 2020 1,699 i
 
Fujifilm XP140 4.3 in 2.8 in 1.1 in 7.3 oz 240 Y Feb 2019 229 i
 
Fujifilm X-H1 5.5 in 3.8 in 3.4 in 23.7 oz 310 Y Feb 2018 1,899 i
 
Fujifilm GFX 50R 6.3 in 3.8 in 2.6 in 27.3 oz 400 Y Sep 2018 4,499 i
 
Fujifilm GFX 50S 5.8 in 3.7 in 3.6 in 26.1 oz 400 Y Sep 2016 6,499 i
 
Leica Digilux 3 5.7 in 3.4 in 3.0 in 21.4 oz 750 n Sep 2006 1,499i
 
Nikon Z6 5.3 in 4.0 in 2.6 in 23.8 oz 310 Y Aug 2018 1,999 i
 
Olympus E-330 5.5 in 3.4 in 2.8 in 22.5 oz 750 n Jan 2006 999i
 
Olympus E-300 5.8 in 3.3 in 2.5 in 22.0 oz 750 n Sep 2004 799i
 
Panasonic L10 5.3 in 3.8 in 3.1 in 19.6 oz 450 n Aug 2007 599i
 
Pentax K-1 II 5.4 in 4.3 in 3.4 in 35.6 oz 670 Y Feb 2018 1,999 i
 
Pentax 645Z 6.1 in 4.6 in 4.8 in 54.7 oz 650 Y Apr 2014 8,499 i
 
Pentax 645D 6.1 in 4.6 in 4.7 in 52.2 oz 800 Y Mar 2010 9,995i
 
Sony A7 III 5.0 in 3.8 in 2.9 in 22.9 oz 610 Y Feb 2018 1,999 i
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The L1 was launched at a markedly lower price (by 90 percent) than the GFX 100, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100 features a medium format sensor and the Panasonic L1 a Four Thirds sensor. The sensor area in the L1 is 84 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

Fujifilm GFX 100 and Panasonic L1 sensor measures

With 101.8MP, the GFX 100 offers a higher resolution than the L1 (7.4MP), but the GFX 100 has smaller individual pixels (pixel pitch of 3.76μm versus 5.51μm for the L1). However, the GFX 100 is a much more recent model (by 13 years and 2 months) than the L1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.

The GFX 100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Fujifilm GFX 100 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-L1 are ISO 100 to ISO 1600 (no boost).

GFX 100 versus L1 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

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Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
 
Fujifilm GFX 100 Medium Format 101.8 11648 87364K/30p........
 
Panasonic L1 Four Thirds 7.4 3136 2352none........
 
Canon XT APS-C 8.0 3456 2304none21.810.863760
 
Fujifilm X-T4 APS-C 26.0 6240 41604K/60p........
 
Fujifilm XP140 1/2.3 15.9 4608 34564K/15p........
 
Fujifilm X-H1 APS-C 24.0 6000 40004K/30p........
 
Fujifilm GFX 50R Medium Format 51.1 8256 61921080/30p........
 
Fujifilm GFX 50S Medium Format 51.1 8256 61921080/30p........
 
Leica Digilux 3 Four Thirds 7.4 3136 2352none........
 
Nikon Z6 Full Frame 24.3 6048 40244K/30p25.314.3329995
 
Olympus E-330 Four Thirds 7.4 3136 2352none........
 
Olympus E-300 Four Thirds 8.0 3264 2448none........
 
Panasonic L10 Four Thirds 10.0 3648 2736none21.310.842955
 
Pentax K-1 II Full Frame 36.2 7360 49121080/60i........
 
Pentax 645Z Medium Format 51.1 8256 61921080/60i26.014.74505101
 
Pentax 645D Medium Format 39.5 7264 5440none24.612.6126282
 
Sony A7 III Full Frame 24.0 6000 40004K/30p25.014.7373096

Many modern cameras are not only capable of taking still images, but can also record movies. The GFX 100 indeed provides movie recording capabilities, while the L1 does not. The highest resolution format that the GFX 100 can use is 4K/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the L1 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 100 relies on live view and the rear LCD for framing. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The table below summarizes some of the other core capabilities of the Fujifilm GFX 100 and Panasonic L1 in connection with corresponding information for a sample of similar cameras.

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Core Features
  Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
(000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
 
Fujifilm GFX 100optional Y 3.2 2360 tilting Y 1/4000s 5.0 n Y
 
Panasonic L1optical n 2.5 207 fixed n 1/4000s 3.0 Y n
 
Canon XToptical n 1.8 115 fixed n 1/4000s 3.0 Y n
 
Fujifilm X-T43690 n 3.0 1620 swivel Y 1/8000s 15.0 n Y
 
Fujifilm XP140none n 3.0 920 fixed n 1/2000s 10.0 Y Y
 
Fujifilm X-H13690 Y 3.0 1040 full-flex Y 1/8000s 14.0 n Y
 
Fujifilm GFX 50R3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n
 
Fujifilm GFX 50Soptional Y 3.2 2360 full-flex Y 1/4000s 3.0 n n
 
Leica Digilux 3optical n 2.5 207 fixed n 1/4000s 3.0 Y n
 
Nikon Z63690 Y 3.2 2100 tilting Y 1/8000s 12.0 n Y
 
Olympus E-330optical n 2.5 215 tilting n 1/4000s 3.0 Y n
 
Olympus E-300optical n 1.8 134 fixed n 1/4000s 2.5 Y n
 
Panasonic L10optical n 2.5 207 swivel n 1/4000s 3.0 Y n
 
Pentax K-1 IIoptical Y 3.2 1037 full-flex n 1/8000s 4.4 n Y
 
Pentax 645Zoptical Y 3.2 1037 tilting n 1/4000s 3.0 n n
 
Pentax 645Doptical Y 3.0 921 fixed n 1/4000s 1.1 n n
 
Sony A7 III2359 n 3.0 922 tilting Y 1/8000s 10.0 n Y

One feature that is present on the GFX 100, but is missing on the L1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 100 writes its imaging data to SDXC cards, while the L1 uses SDHC cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the L1 only has one slot. The GFX 100 supports UHS-II cards (on both slots), while the L1 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 and Panasonic Lumix DMC-L1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
 
Fujifilm GFX 100YstereomonoYYmicro3.1Y-Y
 
Panasonic L1Y-----2.0---
 
Canon XTY-----2.0---
 
Fujifilm X-T4YstereomonoY-micro3.1Y-Y
 
Fujifilm XP140-monomono--micro2.0Y-Y
 
Fujifilm X-H1YstereomonoY-micro3.0Y--
 
Fujifilm GFX 50RYstereomonoYYmicro3.0Y-Y
 
Fujifilm GFX 50SYstereomonoYYmicro3.0Y--
 
Leica Digilux 3Ystereomono---2.0---
 
Nikon Z6YstereomonoYYmicro3.1Y-Y
 
Olympus E-330Y-----2.0---
 
Olympus E-300Y-----2.0---
 
Panasonic L10Y-----2.0---
 
Pentax K-1 IIYstereomonoYYmicro2.0Y--
 
Pentax 645ZYstereomonoY-mini3.0---
 
Pentax 645DYstereo----2.0---
 
Sony A7 IIIYstereomonoYYmicro3.1YYY

It is notable that the GFX 100 offers wifi support, while the L1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Studio photographers will appreciate that the Fujifilm GFX 100 (unlike the L1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GFX 100 is a recent model that features in the current product line-up of Fujifilm. In contrast, the L1 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the L1 was succeeded by the Panasonic L10. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Fujifilm GFX 100 or the Panasonic L1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

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Advantages of the Fujifilm GFX 100:

  • More detail: Offers more megapixels (101.8 vs 7.4MP) with a 271% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Features a larger and more technologically advanced imaging sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Broader imaging potential: Can record not only still images but also 4K/30p movies.
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 2.5") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 207k dots).
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Sharper images: Has hand-shake reducing image stabilization built-in.
  • More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
  • Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
  • Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
  • More modern: Reflects 13 years and 2 months of technical progress since the L1 launch.

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Reasons to prefer the Panasonic Lumix DMC-L1:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Easier framing: Has an optical viewfinder for image composition and settings control.
  • More compact: Is smaller (146x87mm vs 156x144mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 714g or 54 percent) and is thus easier to take along.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • More affordable: Was introduced into a lower priced category (90 percent cheaper at launch).
  • More heavily discounted: Has been around for much longer (launched in February 2006).

If the number of relative strengths (bullet points above) is taken as a guide, the GFX 100 is the clear winner of the match-up (27 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 100 27:07 L1

How about other alternatives? Do the specifications of the Fujifilm GFX 100 and the Panasonic L1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the GFX 100 and the L1 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Review Scores
  Camera
Model
camera
  labs  
dp
review  
ephoto
  zine  
imaging
resource
photography
  blog  
Camera
Launch
Launch
Price (USD)
Street
Price
 
Fujifilm GFX 100+ +90/1005/54.5/54.5/5 May 2019 9,999 i
 
Panasonic L185/100+..o3.5/5 Feb 2006 999i
 
Canon XT80/100+ +oo.. Feb 2005 899i
 
Fujifilm X-T4+ +..5/5..5/5 Feb 2020 1,699 i
 
Fujifilm XP140+..3.5/5..4/5 Feb 2019 229 i
 
Fujifilm X-H1+86/1004.5/5..4.5/5 Feb 2018 1,899 i
 
Fujifilm GFX 50R..84/1004.5/54.5/54.5/5 Sep 2018 4,499 i
 
Fujifilm GFX 50S..85/1005/55/54.5/5 Sep 2016 6,499 i
 
Leica Digilux 3.......... Sep 2006 1,499i
 
Nikon Z6....4.5/54.5/55/5 Aug 2018 1,999 i
 
Olympus E-330..+o3.5/5.. Jan 2006 999i
 
Olympus E-300..+oo4.5/5 Sep 2004 799i
 
Panasonic L1085/100+3.5/5o4/5 Aug 2007 599i
 
Pentax K-1 II..79/1004.5/54.5/54.5/5 Feb 2018 1,999 i
 
Pentax 645Z....4.5/55/55/5 Apr 2014 8,499 i
 
Pentax 645D......4.5/5.. Mar 2010 9,995i
 
Sony A7 III+ +89/1005/55/55/5 Feb 2018 1,999 i
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Fujifilm GFX 100:
Check Amazon price
Panasonic L1:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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    Specifications: Fujifilm GFX 100 vs Panasonic L1

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 100 Panasonic L1
    Camera Type Mirrorless system camera Digital single lens reflex
    Camera Lens Fujifilm G mount lenses Four Thirds lenses
    Launch Date May 2019 February 2006
    Launch Price USD 9,999 USD 999
    Sensor Specs Fujifilm GFX 100 Panasonic L1
    Sensor Technology BSI-CMOS CMOS
    Sensor Format Medium Format Sensor Four Thirds Sensor
    Sensor Size 43.8 x 32.9 mm 17.3 x 13.0 mm
    Sensor Area 1441.02 mm2 224.9 mm2
    Sensor Diagonal 54.8 mm 21.6 mm
    Crop Factor 0.79x 2.0x
    Sensor Resolution 101.8 Megapixels 7.4 Megapixels
    Image Resolution 11648 x 8736 pixels 3136 x 2352 pixels
    Pixel Pitch 3.76 μm 5.51 μm
    Pixel Density 7.06 MP/cm2 3.28 MP/cm2
    Moiré control no AA filter Anti-Alias filter
    Movie Capability 4K/30p Video no Video
    ISO Setting 100 - 12,800 ISO 100 - 1,600 ISO
    ISO Boost 50 - 102,400 ISO no Enhancement
    Image Processor X-Processor 4 Venus
    Screen Specs Fujifilm GFX 100 Panasonic L1
    Viewfinder Type Viewfinder optional Optical viewfinder
    Viewfinder Field of View 95%
    Viewfinder Magnification 0.47x
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.2inch 2.5inch
    LCD Resolution 2360k dots 207k dots
    LCD Attachment Tilting screen Fixed screen
    Touch Input Touchscreen no Touchscreen
    Shooting Specs Fujifilm GFX 100 Panasonic L1
    Focus System On-Sensor Phase-detect Phase-detect AF
    Manual Focusing AidFocus Peakingno Peaking Feature
    Continuous Shooting 5 shutter flaps/s 3 shutter flaps/s
    Electronic Shutterup to 1/16000sno E-Shutter
    Time-Lapse PhotographyIntervalometer built-inno Intervalometer
    Image StabilizationIn-body stabilizationLens stabilization only
    Fill Flash no On-Board Flash Build-in Flash
    Storage Medium SDXC cards SDHC cards
    Second Storage Option Dual card slots Single card slot
    UHS card support Dual UHS-II no
    Connectivity Specs Fujifilm GFX 100 Panasonic L1
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 3.1 USB 2.0
    HDMI Port micro HDMI no HDMI
    Microphone Port External MIC port no MIC socket
    Headphone Socket Headphone port no Headphone port
    Wifi Support Wifi built-in no Wifi
    Bluetooth Support Bluetooth built-in no Bluetooth
    Body Specs Fujifilm GFX 100 Panasonic L1
    Environmental SealingWeathersealed bodynot weather sealed
    Battery Type NP-T125 CGR-S602
    Battery Life (CIPA)800 shots per charge750 shots per charge
    In-Camera Charging USB charging no USB charging
    Body Dimensions 156 x 144 x 75 mm
    (6.1 x 5.7 x 3.0 in)
    146 x 87 x 64 mm
    (5.7 x 3.4 x 2.5 in)
    Camera Weight 1320 g (46.6 oz) 606 g (21.4 oz)

    Did you notice an error on this page? If so, please get in touch, so that we can correct the information.

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