Fujifilm GFX 100 vs Panasonic FZ2500
The Fujifilm GFX 100 and the Panasonic Lumix DMC-FZ2500 (labelled Panasonic FZ2000 in some countries) are two digital cameras that were officially introduced, respectively, in May 2019 and September 2016. The GFX 100 is a mirrorless interchangeable lens camera, while the FZ2500 is a fixed lens compact. The cameras are based on a medium format (GFX 100) and an one-inch (FZ2500) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 and the Panasonic Lumix DMC-FZ2500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm GFX 100 and the Panasonic FZ2500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2500 is considerably smaller (37 percent) than the Fujifilm GFX 100. It is worth mentioning in this context that the GFX 100 is splash and dust resistant, while the FZ2500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2500 has a lens built in, whereas the GFX 100 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the GFX 100 gets 800 shots out of its NP-T125 battery, while the FZ2500 can take 350 images on a single charge of its DMW-BLC12 power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the GFX 100 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Fujifilm GFX 100||6.1 in||5.7 in||3.0 in||46.6 oz||800||Y||May 2019||9,999|
|Panasonic FZ2500||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199|
|Fujifilm X-T4||5.3 in||3.7 in||2.5 in||21.4 oz||500||Y||Feb 2020||1,699|
|Fujifilm XP140||4.3 in||2.8 in||1.1 in||7.3 oz||240||Y||Feb 2019||229|
|Fujifilm X-H1||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899|
|Fujifilm GFX 50R||6.3 in||3.8 in||2.6 in||27.3 oz||400||Y||Sep 2018||4,499|
|Fujifilm X100F||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299|
|Fujifilm GFX 50S||5.8 in||3.7 in||3.6 in||26.1 oz||400||Y||Sep 2016||6,499|
|Leica V-LUX 5||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Jul 2019||1,249|
|Nikon Z6||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999|
|Panasonic FZ1000 II||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899|
|Panasonic FZ1000||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899|
|Pentax K-1 II||5.4 in||4.3 in||3.4 in||35.6 oz||670||Y||Feb 2018||1,999|
|Pentax 645Z||6.1 in||4.6 in||4.8 in||54.7 oz||650||Y||Apr 2014||8,499|
|Pentax 645D||6.1 in||4.6 in||4.7 in||52.2 oz||800||Y||Mar 2010||9,995|
|Sony A7 III||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999|
|Sony RX100 IV||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ2500 was launched at a lower price than the GFX 100, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm GFX 100 features a medium format sensor and the Panasonic FZ2500 an one-inch sensor. The sensor area in the FZ2500 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.7. The sensor in the GFX 100 has a native 4:3 aspect ratio, while the one in the FZ2500 offers a 3:2 aspect.
With 101.8MP, the GFX 100 offers a higher resolution than the FZ2500 (20MP), but the GFX 100 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 2.41μm for the FZ2500) due to its larger sensor. Moreover, the GFX 100 is a much more recent model (by 2 years and 8 months) than the FZ2500, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Panasonic FZ2500 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The GFX 100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm GFX 100 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-FZ2500 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Fujifilm GFX 100||Medium Format||101.8||11648||8736||4K/30p||..||..||..||..|
|Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Pentax K-1 II||Full Frame||36.2||7360||4912||1080/60i||..||..||..||..|
|Pentax 645Z||Medium Format||51.1||8256||6192||1080/60i||26.0||14.7||4505||101|
|Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ2500 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 100 relies on live view and the rear LCD for framing. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 100, the Panasonic FZ2500, and comparable cameras.
|Fujifilm GFX 100||optional||Y||3.2||2360||tilting||Y||1/4000s||5.0||n||Y|
|Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n|
|Fujifilm GFX 50S||optional||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n|
|Leica V-LUX 5||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|Panasonic FZ1000 II||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|Pentax K-1 II||optical||Y||3.2||1037||full-flex||n||1/8000s||4.4||n||Y|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
One feature that is present on the GFX 100, but is missing on the FZ2500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The FZ2500 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 100 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 100 and the Panasonic FZ2500 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 100 and the FZ2500 write their files to SDXC cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the FZ2500 only has one slot. The GFX 100 supports UHS-II cards (on both slots), while the FZ2500 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 and Panasonic Lumix DMC-FZ2500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Fujifilm GFX 100||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y|
|Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y|
|Fujifilm GFX 50S||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
|Leica V-LUX 5||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|Panasonic FZ1000 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|Pentax K-1 II||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
Studio photographers will appreciate that the Fujifilm GFX 100 (unlike the FZ2500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the GFX 100 and the FZ2500 are recent models that are part of the current product line-up. The FZ2500 replaced the earlier Panasonic FZ1000, while the GFX 100 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
So how do things add up? Is the Fujifilm GFX 100 better than the Panasonic FZ2500 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Fujifilm GFX 100:
- More detail: Offers more megapixels (101.8 vs 20MP) with a 121% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (800 versus 350) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 8 months of technical progress since the FZ2500 launch.
Reasons to prefer the Panasonic Lumix DMC-FZ2500:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the GFX 100 necessitates an extra lens.
- More compact: Is smaller (138x102mm vs 156x144mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the GFX 100).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in September 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 100 is the clear winner of the match-up (21 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 100 and the Panasonic FZ2500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 100 or the FZ2500. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm GFX 100||+ +||90/100||5/5||4.5/5||4.5/5||May 2019||9,999|
|Panasonic FZ2500||+||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199|
|Fujifilm X-T4||+ +||..||5/5||..||5/5||Feb 2020||1,699|
|Fujifilm XP140||+||..||3.5/5||..||4/5||Feb 2019||229|
|Fujifilm X-H1||+||86/100||4.5/5||..||4.5/5||Feb 2018||1,899|
|Fujifilm GFX 50R||..||84/100||4.5/5||4.5/5||4.5/5||Sep 2018||4,499|
|Fujifilm X100F||+||83/100||4.5/5||..||4.5/5||Jan 2017||1,299|
|Fujifilm GFX 50S||..||85/100||5/5||5/5||4.5/5||Sep 2016||6,499|
|Leica V-LUX 5||..||..||4/5||..||4/5||Jul 2019||1,249|
|Nikon Z6||..||..||4.5/5||4.5/5||5/5||Aug 2018||1,999|
|Panasonic FZ1000 II||..||83/100||4.5/5||..||4.5/5||Feb 2019||899|
|Panasonic FZ1000||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899|
|Pentax K-1 II||..||79/100||4.5/5||4.5/5||4.5/5||Feb 2018||1,999|
|Pentax 645Z||..||..||4.5/5||5/5||5/5||Apr 2014||8,499|
|Pentax 645D||..||..||..||4.5/5||..||Mar 2010||9,995|
|Sony A7 III||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999|
|Sony RX100 IV||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D vs Fujifilm GFX 100
- Canon 750D vs Fujifilm GFX 100
- Canon T7 vs Panasonic FZ2500
- Fujifilm GFX 100 vs Nikon D3X
- Fujifilm GFX 100 vs Nikon D7000
- Fujifilm GFX 100 vs Olympus E-420
- Fujifilm GFX 100 vs Olympus E-PL10
- Leica M-E Typ 240 vs Panasonic FZ2500
- Leica S Typ 007 vs Panasonic FZ2500
- Nikon 1 J5 vs Panasonic FZ2500
- Nikon P1000 vs Panasonic FZ2500
- Panasonic FZ2500 vs Pentax K-3
Specifications: Fujifilm GFX 100 vs Panasonic FZ2500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 100||Panasonic FZ2500|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Fujifilm G mount lenses||24-480mm f/2.8-4.5|
|Launch Date||May 2019||September 2016|
|Launch Price||USD 9,999||USD 1,199|
|Sensor Specs||Fujifilm GFX 100||Panasonic FZ2500|
|Sensor Format||Medium Format Sensor||1" Sensor|
|Sensor Size||43.8 x 32.9 mm||13.2 x 8.8 mm|
|Sensor Area||1441.02 mm2||116.16 mm2|
|Sensor Diagonal||54.8 mm||15.9 mm|
|Sensor Resolution||101.8 Megapixels||20 Megapixels|
|Image Resolution||11648 x 8736 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.76 μm||2.41 μm|
|Pixel Density||7.06 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100 - 12,800 ISO||125 - 12,800 ISO|
|ISO Boost||50 - 102,400 ISO||80 - 25,600 ISO|
|Image Processor||X-Processor 4||Venus|
|Screen Specs||Fujifilm GFX 100||Panasonic FZ2500|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2360k dots||1040k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Shooting Specs||Fujifilm GFX 100||Panasonic FZ2500|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Fujifilm GFX 100||Panasonic FZ2500|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm GFX 100||Panasonic FZ2500|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||800 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
156 x 144 x 75 mm
(6.1 x 5.7 x 3.0 in)
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
|Camera Weight||1320 g (46.6 oz)||915 g (32.3 oz)|
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