PW

Fujifilm GFX 100 vs Panasonic FZ2000

The Fujifilm GFX 100 and the Panasonic Lumix DMC-FZ2000 (labelled Panasonic FZ2500 in some countries) are two digital cameras that were officially introduced, respectively, in May 2019 and September 2016. The GFX 100 is a mirrorless interchangeable lens camera, while the FZ2000 is a fixed lens compact. The cameras are based on a medium format (GFX 100) and an one-inch (FZ2000) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Panasonic provides 20 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 100   Panasonic FZ2000
Fujifilm GFX 100 Panasonic FZ2000
Mirrorless system camera Fixed lens compact camera
Fujifilm G mount lenses 24-480mm f/2.8-4.5
101.8 MP, Medium Format Sensor 20 MP, 1" Sensor
4K/30p Video 4K/30p Video
ISO 100-12800 (50-102400) ISO 125-12800 (80-25600)
Viewfinder optional Electronic viewfinder (2360k dots)
3.2" LCD, 2360k dots 3.0" LCD, 1040k dots
Tilting touchscreen Swivel touchscreen
5 shutter flaps per second 12 shutter flaps per second
In-body stabilizationLens-based stabilization
Weathersealed bodyNot weather sealed
800 shots per battery charge350 shots per battery charge
156 x 144 x 75 mm, 1320 g 138 x 102 x 135 mm, 915 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 and the Panasonic Lumix DMC-FZ2000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm GFX 100 and the Panasonic FZ2000 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

Size Fujifilm GFX 100 vs Panasonic FZ2000
Compare GFX 100 versus FZ2000 top
Comparison GFX 100 or FZ2000 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2000 is considerably smaller (37 percent) than the Fujifilm GFX 100. It is worth mentioning in this context that the GFX 100 is splash and dust resistant, while the FZ2000 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2000 has a lens built in, whereas the GFX 100 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the GFX 100 gets 800 shots out of its NP-T125 battery, while the FZ2000 can take 350 images on a single charge of its DMW-BLC12 power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the GFX 100 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Fujifilm GFX 100» 6.1 in 5.7 in 3.0 in 46.6 oz 800 Y May 2019 9,999 i i Fujifilm GFX 100
 
Panasonic FZ2000« 5.4 in 4.0 in 5.3 in 32.3 oz 350 n Sep 2016 1,199 i i Panasonic FZ2000
 
Fujifilm XP140« » 4.3 in 2.8 in 1.1 in 7.3 oz 240 Y Feb 2019 229 i i Fujifilm XP140
 
Fujifilm X-H1« » 5.5 in 3.8 in 3.4 in 23.7 oz 310 Y Feb 2018 1,899 i i Fujifilm X-H1
 
Fujifilm GFX 50R« » 6.3 in 3.8 in 2.6 in 27.3 oz 400 Y Sep 2018 4,499 i i Fujifilm GFX 50R
 
Fujifilm X100F« » 5.0 in 3.0 in 2.0 in 16.5 oz 390 n Jan 2017 1,299 i i Fujifilm X100F
 
Fujifilm GFX 50S« » 5.8 in 3.7 in 3.6 in 26.1 oz 400 Y Sep 2016 6,499 i i Fujifilm GFX 50S
 
Nikon Z6« » 5.3 in 4.0 in 2.6 in 23.8 oz 310 Y Aug 2018 1,999 i i Nikon Z6
 
Nikon Z7« » 5.3 in 4.0 in 2.6 in 23.8 oz 330 Y Aug 2018 3,399 i i Nikon Z7
 
Panasonic FZ1000« » 5.4 in 3.9 in 5.2 in 29.3 oz 360 n Jun 2014 899- i Panasonic FZ1000
 
Pentax K-1 II« » 5.4 in 4.3 in 3.4 in 35.6 oz 670 Y Feb 2018 1,999 i i Pentax K-1 II
 
Pentax 645Z« » 6.1 in 4.6 in 4.8 in 54.7 oz 650 Y Apr 2014 8,499 i i Pentax 645Z
 
Pentax 645D« » 6.1 in 4.6 in 4.7 in 52.2 oz 800 Y Mar 2010 9,995- i Pentax 645D
 
Sony A7 III« » 5.0 in 3.8 in 2.9 in 22.9 oz 610 Y Feb 2018 1,999 i i Sony A7 III
 
Sony RX100 V« » 4.0 in 2.3 in 1.6 in 10.5 oz 220 n Oct 2016 999 i i Sony RX100 V
 
Sony RX10 II« » 5.1 in 3.5 in 4.0 in 28.7 oz 400 Y Jun 2015 1,299- i Sony RX10 II
 
Sony RX100 IV« » 4.0 in 2.3 in 1.6 in 10.5 oz 280 n Jun 2015 999- i Sony RX100 IV
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ2000 was launched at a lower price than the GFX 100, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100 features a medium format sensor and the Panasonic FZ2000 an one-inch sensor. The sensor area in the FZ2000 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 2.7. The sensor in the GFX 100 has a native 4:3 aspect ratio, while the one in the FZ2000 offers a 3:2 aspect.

Fujifilm GFX 100 and Panasonic FZ2000 sensor measures

With 101.8MP, the GFX 100 offers a higher resolution than the FZ2000 (20MP), but the GFX 100 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 2.41μm for the FZ2000) due to its larger sensor. Moreover, the GFX 100 is a much more recent model (by 2 years and 8 months) than the FZ2000, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inch or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inch or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inch or 98.6 x 74 cm. The corresponding values for the Panasonic FZ2000 are 27.4 x 18.2 inch or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inch or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inch or 46.3 x 30.9 cm for excellent quality prints.

The GFX 100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Fujifilm GFX 100 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-FZ2000 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.

GFX 100 versus FZ2000 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Fujifilm GFX 100» Medium Format 101.8 11648 87364K/30p----Fujifilm GFX 100
 
Panasonic FZ2000« 1-inch 20.0 5472 36484K/30p----Panasonic FZ2000
 
Fujifilm XP140« » 1/2.3 15.9 4608 34564K/15p----Fujifilm XP140
 
Fujifilm X-H1« » APS-C 24.0 6000 40004K/30p----Fujifilm X-H1
 
Fujifilm GFX 50R« » Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50R
 
Fujifilm X100F« » APS-C 24.0 6000 40001080/60p----Fujifilm X100F
 
Fujifilm GFX 50S« » Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50S
 
Nikon Z6« » Full Frame 24.3 6048 40244K/30p25.314.3329995Nikon Z6
 
Nikon Z7« » Full Frame 45.4 8256 55044K/30p26.314.6266899Nikon Z7
 
Panasonic FZ1000« » 1-inch 20.0 5472 36484K/30p22.111.751764Panasonic FZ1000
 
Pentax K-1 II« » Full Frame 36.2 7360 49121080/60i----Pentax K-1 II
 
Pentax 645Z« » Medium Format 51.1 8256 61921080/60i26.014.74505101Pentax 645Z
 
Pentax 645D« » Medium Format 39.5 7264 5440-24.612.6126282Pentax 645D
 
Sony A7 III« » Full Frame 24.0 6000 40004K/30p25.014.7373096Sony A7 III
 
Sony RX100 V« » 1-inch 20.0 5472 36484K/30p22.812.458670Sony RX100 V
 
Sony RX10 II« » 1-inch 20.0 5472 36484K/30p23.012.653170Sony RX10 II
 
Sony RX100 IV« » 1-inch 20.0 5472 36484K/30p22.812.659170Sony RX100 IV

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).

 

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ2000 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 100 relies on live view and the rear LCD for framing. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 100, the Panasonic FZ2000, and comparable cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Fujifilm GFX 100»- Y 3.2 2360 tilting Y 1/4000s 5.0 n Y Fujifilm GFX 100
 
Panasonic FZ2000«2360 n 3.0 1040 swivel Y 1/4000s 12.0 Y Y Panasonic FZ2000
 
Fujifilm XP140« »- n 3.0 920 fixed n 1/2000s 10.0 Y Y Fujifilm XP140
 
Fujifilm X-H1« »3690 Y 3.0 1040 full-flex Y 1/8000s 14.0 n Y Fujifilm X-H1
 
Fujifilm GFX 50R« »3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n Fujifilm GFX 50R
 
Fujifilm X100F« »2360 n 3.0 1040 fixed n 1/4000s 8.0 Y n Fujifilm X100F
 
Fujifilm GFX 50S« »- Y 3.2 2360 full-flex Y 1/4000s 3.0 n n Fujifilm GFX 50S
 
Nikon Z6« »3690 Y 3.2 2100 tilting Y 1/8000s 12.0 n Y Nikon Z6
 
Nikon Z7« »3690 Y 3.2 2100 tilting Y 1/8000s 9.0 n Y Nikon Z7
 
Panasonic FZ1000« »2359 n 3.0 921 swivel n 1/4000s 12.0 Y Y Panasonic FZ1000
 
Pentax K-1 II« »optical Y 3.2 1037 full-flex n 1/8000s 4.4 n Y Pentax K-1 II
 
Pentax 645Z« »optical Y 3.2 1037 tilting n 1/4000s 3.0 n n Pentax 645Z
 
Pentax 645D« »optical Y 3.0 921 fixed n 1/4000s 1.1 n n Pentax 645D
 
Sony A7 III« »2359 n 3.0 922 tilting Y 1/8000s 10.0 n Y Sony A7 III
 
Sony RX100 V« »2359 n 3.0 1229 tilting n 1/2000s 24.0 Y Y Sony RX100 V
 
Sony RX10 II« »2359 Y 3.0 1229 tilting n 1/3200s 14.0 Y Y Sony RX10 II
 
Sony RX100 IV« »2359 n 3.0 1228 tilting n 1/2000s 16.0 Y Y Sony RX100 IV

One feature that is present on the GFX 100, but is missing on the FZ2000 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The FZ2000 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 100 does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100 and the Panasonic FZ2000 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 100 and the FZ2000 write their files to SDXC cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the FZ2000 only has one slot. The GFX 100 supports UHS-II cards (on both slots), while the FZ2000 can use UHS-I cards.

 

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 and Panasonic Lumix DMC-FZ2000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Fujifilm GFX 100»YstereomonoYYmicro3.1Y-YFujifilm GFX 100
 
Panasonic FZ2000«YstereomonoYYmicro2.0Y--Panasonic FZ2000
 
Fujifilm XP140« »-monomono--micro2.0Y-YFujifilm XP140
 
Fujifilm X-H1« »YstereomonoY-micro3.0Y--Fujifilm X-H1
 
Fujifilm GFX 50R« »YstereomonoYYmicro3.0Y-YFujifilm GFX 50R
 
Fujifilm X100F« »YstereomonoY-micro2.0Y--Fujifilm X100F
 
Fujifilm GFX 50S« »YstereomonoYYmicro3.0Y--Fujifilm GFX 50S
 
Nikon Z6« »YstereomonoYYmicro3.1Y-YNikon Z6
 
Nikon Z7« »YstereomonoYYmicro3.1Y-YNikon Z7
 
Panasonic FZ1000« »YstereomonoY-micro2.0YY-Panasonic FZ1000
 
Pentax K-1 II« »YstereomonoYYmicro2.0Y--Pentax K-1 II
 
Pentax 645Z« »YstereomonoY-mini3.0---Pentax 645Z
 
Pentax 645D« »Ystereo----2.0---Pentax 645D
 
Sony A7 III« »YstereomonoYYmicro3.1YYYSony A7 III
 
Sony RX100 V« »-stereomono--micro2.0YY-Sony RX100 V
 
Sony RX10 II« »YstereomonoYYmicro2.0YY-Sony RX10 II
 
Sony RX100 IV« »-stereomono--micro2.0YY-Sony RX100 IV

Studio photographers will appreciate that the Fujifilm GFX 100 (unlike the FZ2000) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GFX 100 and the FZ2000 are recent models that are part of the current product line-up. The FZ2000 replaced the earlier Panasonic FZ1000, while the GFX 100 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.


Review summary

So how do things add up? Is the Fujifilm GFX 100 better than the Panasonic FZ2000 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

ilogo

Arguments in favor of the Fujifilm GFX 100:

  • More detail: Offers more megapixels (101.8 vs 20MP) with a 121% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Features a larger and more technologically advanced imaging sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
  • More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
  • More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
  • Longer lasting: Can take more shots (800 versus 350) on a single battery charge.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More modern: Reflects 2 years and 8 months of technical progress since the FZ2000 launch.

ilogo

Reasons to prefer the Panasonic Lumix DMC-FZ2000:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Easier framing: Has an electronic viewfinder for image composition and settings control.
  • More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
  • Ready to shoot: Has an integrated lens, whereas the GFX 100 necessitates an extra lens.
  • More compact: Is smaller (138x102mm vs 156x144mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight even though it has a lens built in (unlike the GFX 100).
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • More affordable: Was introduced at a lower price, despite coming with a built-in lens.
  • More heavily discounted: Has been around for much longer (launched in September 2016).

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 100 is the clear winner of the match-up (20 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 100 20:11 FZ2000

How about other alternatives? Do the specifications of the Fujifilm GFX 100 and the Panasonic FZ2000 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 100 or the FZ2000. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Fujifilm GFX 100»+ +90/1005/5-4.5/5 May 2019 9,999 i i Fujifilm GFX 100
 
Panasonic FZ2000«+82/1004.5/54.5/55/5 Sep 2016 1,199 i i Panasonic FZ2000
 
Fujifilm XP140« »+-3.5/5-4/5 Feb 2019 229 i i Fujifilm XP140
 
Fujifilm X-H1« »+86/1004.5/5-4.5/5 Feb 2018 1,899 i i Fujifilm X-H1
 
Fujifilm GFX 50R« »-84/1004.5/54.5/54.5/5 Sep 2018 4,499 i i Fujifilm GFX 50R
 
Fujifilm X100F« »+83/1004.5/5-4.5/5 Jan 2017 1,299 i i Fujifilm X100F
 
Fujifilm GFX 50S« »-85/1005/55/54.5/5 Sep 2016 6,499 i i Fujifilm GFX 50S
 
Nikon Z6« »--4.5/54.5/55/5 Aug 2018 1,999 i i Nikon Z6
 
Nikon Z7« »+89/1004.5/54.5/55/5 Aug 2018 3,399 i i Nikon Z7
 
Panasonic FZ1000« »+ +82/1004.5/54.5/54.5/5 Jun 2014 899- i Panasonic FZ1000
 
Pentax K-1 II« »-79/1004.5/54.5/54.5/5 Feb 2018 1,999 i i Pentax K-1 II
 
Pentax 645Z« »--4.5/55/55/5 Apr 2014 8,499 i i Pentax 645Z
 
Pentax 645D« »---4.5/5- Mar 2010 9,995- i Pentax 645D
 
Sony A7 III« »+ +89/1005/55/55/5 Feb 2018 1,999 i i Sony A7 III
 
Sony RX100 V« »+ +83/1004/55/54.5/5 Oct 2016 999 i i Sony RX100 V
 
Sony RX10 II« »+ +82/1004.5/54.5/54/5 Jun 2015 1,299- i Sony RX10 II
 
Sony RX100 IV« »+ +85/1004/54.5/54.5/5 Jun 2015 999- i Sony RX100 IV
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Fujifilm GFX 100:
Check Amazon price
Panasonic FZ2000:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

~

    Specifications: Fujifilm GFX 100 vs Panasonic FZ2000

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 100 Panasonic FZ2000
    Camera Type Mirrorless system camera Fixed lens compact camera
    Camera Lens Fujifilm G mount lenses 24-480mm f/2.8-4.5
    Launch Date May 2019 September 2016
    Launch Price USD 9999 USD 1199
    Sensor Specs Fujifilm GFX 100 Panasonic FZ2000
    Sensor Technology BSI-CMOS BSI-CMOS
    Sensor Format Medium Format Sensor 1" Sensor
    Sensor Size 43.8 x 32.9 mm 13.2 x 8.8 mm
    Sensor Area 1441.02 mm2 116.16 mm2
    Sensor Diagonal 54.8 mm 15.9 mm
    Crop Factor 0.79x 2.7x
    Sensor Resolution 101.8 Megapixels 20 Megapixels
    Image Resolution 11648 x 8736 pixels 5472 x 3648 pixels
    Pixel Pitch 3.76 μm 2.41 μm
    Pixel Density 7.06 MP/cm2 17.18 MP/cm2
    Moiré control no AA filter Anti-Alias filter
    Movie Capability 4K/30p Video 4K/30p Video
    ISO Setting 100-12800 ISO 125-12800 ISO
    ISO Boost 50-102400 ISO 80-25600 ISO
    Image Processor X-Processor 4 Venus
    Screen Specs Fujifilm GFX 100 Panasonic FZ2000
    Viewfinder Type Viewfinder optional Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.74x
    Viewfinder Resolution 2360k dots
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.2 inch 3.0 inch
    LCD Resolution 2360k dots 1040k dots
    LCD Attachment Tilting screen Swivel screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Fujifilm GFX 100 Panasonic FZ2000
    Autofocus System On-Sensor Phase-detect Contrast-detect AF
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/4000/s 1/4000/s
    Continuous Shooting 5 shutter flaps/s 12 shutter flaps/s
    Electronic Shutterup to 1/16000sup to 1/16000s
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Image StabilizationIn-body stabilizationLens-based stabilization
    Fill Flash no On-Board Flash Build-in Flash
    Storage Medium SDXC cards SDXC cards
    Second Storage Option Dual card slots Single card slot
    UHS card support Dual UHS-II UHS-I
    Connectivity Specs Fujifilm GFX 100 Panasonic FZ2000
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 3.1 USB 2.0
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Bluetooth Support Bluetooth built-in no Bluetooth
    Body Specs Fujifilm GFX 100 Panasonic FZ2000
    Environmental SealingWeathersealed bodyNot weather sealed
    Battery Type NP-T125 DMW-BLC12
    Battery Life (CIPA)800 shots per charge350 shots per charge
    In-Camera Charging USB charging no USB charging
    Body Dimensions 156 x 144 x 75 mm
    (6.1 x 5.7 x 3.0 in)
    138 x 102 x 135 mm
    (5.4 x 4.0 x 5.3 in)
    Camera Weight 1320 g (46.6 oz) 915 g (32.3 oz)

    Did you notice an error on this page? If so, please get in touch, so that we can correct the information.

    You are here Home  »  CAM-parator  »  Fujifilm GFX 100 vs Panasonic FZ2000