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Fujifilm GFX 100 vs Panasonic FT7

The Fujifilm GFX 100 and the Panasonic Lumix DC-FT7 (labelled Panasonic TS7 in some countries) are two digital cameras that were officially introduced, respectively, in May 2019 and May 2018. The GFX 100 is a mirrorless interchangeable lens camera, while the FT7 is a fixed lens compact. The cameras are based on a medium format (GFX 100) and a 1/2.3-inch (FT7) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Panasonic provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Fujifilm GFX 100   Panasonic FT7
Fujifilm GFX 100 Panasonic FT7
Mirrorless system camera Fixed lens compact camera
Fujifilm G mount lenses 28-128mm f/3.3-5.9
101.8 MP, Medium Format Sensor 20.2 MP, 1/2.3" Sensor
4K/30p Video 4K/30p Video
ISO 100-12800 (50-102400) ISO 80-3200 (80-6400)
Viewfinder optional Electronic viewfinder (1170k dots)
3.2" LCD, 2360k dots 3.0" LCD, 1040k dots
Tilting touchscreen Fixed screen (not touch-sensitive)
5 shutter flaps per second 10 shutter flaps per second
In-body stabilizationLens-based stabilization
Weathersealed bodyWaterproof body (31m)
800 shots per battery charge300 shots per battery charge
156 x 144 x 75 mm, 1320 g 117 x 76 x 37 mm, 319 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 and the Panasonic Lumix DC-FT7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm GFX 100 and the Panasonic FT7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

The FT7 can be obtained in three different colors (black, blue, orange), while the GFX 100 is only available in black.

Size Fujifilm GFX 100 vs Panasonic FT7
Compare GFX 100 versus FT7 top
Comparison GFX 100 or FT7 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FT7 is considerably smaller (60 percent) than the Fujifilm GFX 100. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the FT7 is water-proof up to 31m and can, thus, be used for underwater photography.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FT7 has a lens built in, whereas the GFX 100 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.

Concerning battery life, the GFX 100 gets 800 shots out of its NP-T125 battery, while the FT7 can take 300 images on a single charge of its DMW-BCM13 power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Fujifilm GFX 100» 6.1 in 5.7 in 3.0 in 46.6 oz 800 Y May 2019 9,999 i i Fujifilm GFX 100
 
Panasonic FT7« 4.6 in 3.0 in 1.5 in 11.3 oz 300 Y May 2018 449 i i Panasonic FT7
 
Canon SX740« » 4.3 in 2.5 in 1.6 in 10.5 oz 265 n Jul 2018 399 i i Canon SX740
 
Canon SX730« » 4.3 in 2.5 in 1.6 in 10.6 oz 250 n Apr 2017 399- i Canon SX730
 
Fujifilm XP140« » 4.3 in 2.8 in 1.1 in 7.3 oz 240 Y Feb 2019 229 i i Fujifilm XP140
 
Fujifilm XF10« » 4.4 in 2.5 in 1.6 in 9.8 oz 330 n Jul 2018 499 i i Fujifilm XF10
 
Fujifilm X-H1« » 5.5 in 3.8 in 3.4 in 23.7 oz 310 Y Feb 2018 1,899 i i Fujifilm X-H1
 
Fujifilm GFX 50R« » 6.3 in 3.8 in 2.6 in 27.3 oz 400 Y Sep 2018 4,499 i i Fujifilm GFX 50R
 
Fujifilm GFX 50S« » 5.8 in 3.7 in 3.6 in 26.1 oz 400 Y Sep 2016 6,499 i i Fujifilm GFX 50S
 
Nikon Z6« » 5.3 in 4.0 in 2.6 in 23.8 oz 310 Y Aug 2018 1,999 i i Nikon Z6
 
Nikon Z7« » 5.3 in 4.0 in 2.6 in 23.8 oz 330 Y Aug 2018 3,399 i i Nikon Z7
 
Panasonic TZ95« » 4.4 in 2.7 in 1.7 in 11.5 oz 380 n Feb 2019 449 i i Panasonic TZ95
 
Panasonic TZ90« » 4.4 in 2.6 in 1.6 in 11.4 oz 380 n Apr 2017 449- i Panasonic TZ90
 
Pentax K-1 II« » 5.4 in 4.3 in 3.4 in 35.6 oz 670 Y Feb 2018 1,999 i i Pentax K-1 II
 
Pentax 645Z« » 6.1 in 4.6 in 4.8 in 54.7 oz 650 Y Apr 2014 8,499 i i Pentax 645Z
 
Pentax 645D« » 6.1 in 4.6 in 4.7 in 52.2 oz 800 Y Mar 2010 9,995- i Pentax 645D
 
Sony A7 III« » 5.0 in 3.8 in 2.9 in 22.9 oz 610 Y Feb 2018 1,999 i i Sony A7 III
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FT7 was launched at a lower price than the GFX 100, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 100 features a medium format sensor and the Panasonic FT7 a 1/2.3-inch sensor. The sensor area in the FT7 is 98 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

In terms of underlying technology, both cameras are build around BSI-CMOS sensors.

Fujifilm GFX 100 and Panasonic FT7 sensor measures

With 101.8MP, the GFX 100 offers a higher resolution than the FT7 (20.2MP), but the GFX 100 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 1.18μm for the FT7) due to its larger sensor. Moreover, the GFX 100 is a somewhat more recent model (by 1 year) than the FT7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inch or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inch or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inch or 98.6 x 74 cm. The corresponding values for the Panasonic FT7 are 25.9 x 19.4 inch or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inch or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inch or 43.9 x 32.9 cm for excellent quality prints.

The GFX 100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Fujifilm GFX 100 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DC-FT7 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.

GFX 100 versus FT7 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Fujifilm GFX 100» Medium Format 101.8 11648 87364K/30p----Fujifilm GFX 100
 
Panasonic FT7« 1/2.3 20.2 5184 38884K/30p----Panasonic FT7
 
Canon SX740« » 1/2.3 20.2 5184 38884K/30p----Canon SX740
 
Canon SX730« » 1/2.3 20.2 5184 38881080/60p----Canon SX730
 
Fujifilm XP140« » 1/2.3 15.9 4608 34564K/15p----Fujifilm XP140
 
Fujifilm XF10« » APS-C 24.0 6000 40004K/15p----Fujifilm XF10
 
Fujifilm X-H1« » APS-C 24.0 6000 40004K/30p----Fujifilm X-H1
 
Fujifilm GFX 50R« » Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50R
 
Fujifilm GFX 50S« » Medium Format 51.1 8256 61921080/30p----Fujifilm GFX 50S
 
Nikon Z6« » Full Frame 24.3 6048 40244K/30p25.314.3329995Nikon Z6
 
Nikon Z7« » Full Frame 45.4 8256 55044K/30p26.314.6266899Nikon Z7
 
Panasonic TZ95« » 1/2.3 20.2 5184 38884K/30p----Panasonic TZ95
 
Panasonic TZ90« » 1/2.3 20.2 5184 38884K/30p19.110.610636Panasonic TZ90
 
Pentax K-1 II« » Full Frame 36.2 7360 49121080/60i----Pentax K-1 II
 
Pentax 645Z« » Medium Format 51.1 8256 61921080/60i26.014.74505101Pentax 645Z
 
Pentax 645D« » Medium Format 39.5 7264 5440-24.612.6126282Pentax 645D
 
Sony A7 III« » Full Frame 24.0 6000 40004K/30p25.014.7373096Sony A7 III

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).

 

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the FT7 has an electronic viewfinder (1170k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 100 relies on live view and the rear LCD for framing. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The table below summarizes some of the other core capabilities of the Fujifilm GFX 100 and Panasonic FT7 in connection with corresponding information for a sample of similar cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Fujifilm GFX 100»- Y 3.2 2360 tilting Y 1/4000s 5.0 n Y Fujifilm GFX 100
 
Panasonic FT7«1170 n 3.0 1040 fixed n 1/1300s 10.0 Y Y Panasonic FT7
 
Canon SX740« »- n 3.0 922 tilting n 1/3200s 10.0 Y Y Canon SX740
 
Canon SX730« »- n 3.0 922 tilting n 1/3200s 5.9 Y Y Canon SX730
 
Fujifilm XP140« »- n 3.0 920 fixed n 1/2000s 10.0 Y Y Fujifilm XP140
 
Fujifilm XF10« »- n 3.0 1040 fixed Y 1/4000s 6.0 Y n Fujifilm XF10
 
Fujifilm X-H1« »3690 Y 3.0 1040 full-flex Y 1/8000s 14.0 n Y Fujifilm X-H1
 
Fujifilm GFX 50R« »3690 n 3.2 2360 tilting Y 1/4000s 3.0 n n Fujifilm GFX 50R
 
Fujifilm GFX 50S« »- Y 3.2 2360 full-flex Y 1/4000s 3.0 n n Fujifilm GFX 50S
 
Nikon Z6« »3690 Y 3.2 2100 tilting Y 1/8000s 12.0 n Y Nikon Z6
 
Nikon Z7« »3690 Y 3.2 2100 tilting Y 1/8000s 9.0 n Y Nikon Z7
 
Panasonic TZ95« »2330 n 3.0 1040 tilting Y 1/2000s 10.0 Y Y Panasonic TZ95
 
Panasonic TZ90« »1166 n 3.0 1040 tilting Y 1/2000s 10.0 Y Y Panasonic TZ90
 
Pentax K-1 II« »optical Y 3.2 1037 full-flex n 1/8000s 4.4 n Y Pentax K-1 II
 
Pentax 645Z« »optical Y 3.2 1037 tilting n 1/4000s 3.0 n n Pentax 645Z
 
Pentax 645D« »optical Y 3.0 921 fixed n 1/4000s 1.1 n n Pentax 645D
 
Sony A7 III« »2359 n 3.0 922 tilting Y 1/8000s 10.0 n Y Sony A7 III

One feature that is present on the GFX 100, but is missing on the FT7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 100 and the FT7 write their files to SDXC cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the FT7 only has one slot. The GFX 100 supports UHS-II cards (on both slots), while the FT7 can use UHS-I cards.

 

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 and Panasonic Lumix DC-FT7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Fujifilm GFX 100»YstereomonoYYmicro3.1Y-YFujifilm GFX 100
 
Panasonic FT7«-stereomono--micro2.0Y--Panasonic FT7
 
Canon SX740« »-stereomono--micro2.0YYYCanon SX740
 
Canon SX730« »-stereomono--micro2.0YYYCanon SX730
 
Fujifilm XP140« »-monomono--micro2.0Y-YFujifilm XP140
 
Fujifilm XF10« »-stereomonoY-micro2.0Y-YFujifilm XF10
 
Fujifilm X-H1« »YstereomonoY-micro3.0Y--Fujifilm X-H1
 
Fujifilm GFX 50R« »YstereomonoYYmicro3.0Y-YFujifilm GFX 50R
 
Fujifilm GFX 50S« »YstereomonoYYmicro3.0Y--Fujifilm GFX 50S
 
Nikon Z6« »YstereomonoYYmicro3.1Y-YNikon Z6
 
Nikon Z7« »YstereomonoYYmicro3.1Y-YNikon Z7
 
Panasonic TZ95« »-stereomono--micro2.0Y-YPanasonic TZ95
 
Panasonic TZ90« »-stereomono--micro2.0Y--Panasonic TZ90
 
Pentax K-1 II« »YstereomonoYYmicro2.0Y--Pentax K-1 II
 
Pentax 645Z« »YstereomonoY-mini3.0---Pentax 645Z
 
Pentax 645D« »Ystereo----2.0---Pentax 645D
 
Sony A7 III« »YstereomonoYYmicro3.1YYYSony A7 III

It is notable that the GFX 100 has a hotshoe, while the FT7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.

Studio photographers will appreciate that the Fujifilm GFX 100 (unlike the FT7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the GFX 100 and the FT7 are recent models that are part of the current product line-up. The FT7 replaced the earlier Panasonic FT6, while the GFX 100 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.


Review summary

So what is the bottom line? Is there a clear favorite between the Fujifilm GFX 100 and the Panasonic FT7? Which camera is better? The listing below highlights the relative strengths of the two models.

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Advantages of the Fujifilm GFX 100:

  • More detail: Offers more megapixels (101.8 vs 20.2MP) with a 125% higher linear resolution.
  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better image quality: Features a larger and more technologically advanced imaging sensor.
  • Richer colors: The sensor size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
  • Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/1300s) to freeze action.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
  • More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
  • Longer lasting: Can take more shots (800 versus 300) on a single battery charge.
  • Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
  • Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More modern: Is somewhat more recent (announced 1 year after the FT7).

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Reasons to prefer the Panasonic Lumix DC-FT7:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Easier framing: Has an electronic viewfinder for image composition and settings control.
  • Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
  • Ready to shoot: Has an integrated lens, whereas the GFX 100 necessitates an extra lens.
  • More compact: Is smaller (117x76mm vs 156x144mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight even though it has a lens built in (unlike the GFX 100).
  • Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • More affordable: Was introduced at a lower price, despite coming with a built-in lens.
  • More heavily discounted: Has been on the market for longer (launched in May 2018).

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 100 is the clear winner of the match-up (26 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GFX 100 26:10 FT7

How about other alternatives? Do the specifications of the Fujifilm GFX 100 and the Panasonic FT7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the GFX 100 or the FT7 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Fujifilm GFX 100»+ +90/1005/5-4.5/5 May 2019 9,999 i i Fujifilm GFX 100
 
Panasonic FT7«+-3.5/5-3.5/5 May 2018 449 i i Panasonic FT7
 
Canon SX740« »+-4/5-4/5 Jul 2018 399 i i Canon SX740
 
Canon SX730« »+-4/5-4/5 Apr 2017 399- i Canon SX730
 
Fujifilm XP140« »+-3.5/5-4/5 Feb 2019 229 i i Fujifilm XP140
 
Fujifilm XF10« »-75/1004/5-4.5/5 Jul 2018 499 i i Fujifilm XF10
 
Fujifilm X-H1« »+86/1004.5/5-4.5/5 Feb 2018 1,899 i i Fujifilm X-H1
 
Fujifilm GFX 50R« »-84/1004.5/54.5/54.5/5 Sep 2018 4,499 i i Fujifilm GFX 50R
 
Fujifilm GFX 50S« »-85/1005/55/54.5/5 Sep 2016 6,499 i i Fujifilm GFX 50S
 
Nikon Z6« »--4.5/54.5/55/5 Aug 2018 1,999 i i Nikon Z6
 
Nikon Z7« »+89/1004.5/54.5/55/5 Aug 2018 3,399 i i Nikon Z7
 
Panasonic TZ95« »--4.5/5-- Feb 2019 449 i i Panasonic TZ95
 
Panasonic TZ90« »+ +-4/5-4/5 Apr 2017 449- i Panasonic TZ90
 
Pentax K-1 II« »-79/1004.5/54.5/54.5/5 Feb 2018 1,999 i i Pentax K-1 II
 
Pentax 645Z« »--4.5/55/55/5 Apr 2014 8,499 i i Pentax 645Z
 
Pentax 645D« »---4.5/5- Mar 2010 9,995- i Pentax 645D
 
Sony A7 III« »+ +89/1005/55/55/5 Feb 2018 1,999 i i Sony A7 III
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Fujifilm GFX 100:
Check Amazon price
Panasonic FT7:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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    Specifications: Fujifilm GFX 100 vs Panasonic FT7

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Fujifilm GFX 100 Panasonic FT7
    Camera Type Mirrorless system camera Fixed lens compact camera
    Camera Lens Fujifilm G mount lenses 28-128mm f/3.3-5.9
    Launch Date May 2019 May 2018
    Launch Price USD 9999 USD 449
    Sensor Specs Fujifilm GFX 100 Panasonic FT7
    Sensor Technology BSI-CMOS BSI-CMOS
    Sensor Format Medium Format Sensor 1/2.3" Sensor
    Sensor Size 43.8 x 32.9 mm 6.17 x 4.55 mm
    Sensor Area 1441.02 mm2 28.0735 mm2
    Sensor Diagonal 54.8 mm 7.7 mm
    Crop Factor 0.79x 5.6x
    Sensor Resolution 101.8 Megapixels 20.2 Megapixels
    Image Resolution 11648 x 8736 pixels 5184 x 3888 pixels
    Pixel Pitch 3.76 μm 1.18 μm
    Pixel Density 7.06 MP/cm2 71.80 MP/cm2
    Moiré control no AA filter Anti-Alias filter
    Movie Capability 4K/30p Video 4K/30p Video
    ISO Setting 100-12800 ISO 80-3200 ISO
    ISO Boost 50-102400 ISO 80-6400 ISO
    Image Processor X-Processor 4 Venus
    Screen Specs Fujifilm GFX 100 Panasonic FT7
    Viewfinder Type Viewfinder optional Electronic viewfinder
    Viewfinder Field of View 100%
    Viewfinder Magnification 0.45x
    Viewfinder Resolution 1170k dots
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.2 inch 3.0 inch
    LCD Resolution 2360k dots 1040k dots
    LCD Attachment Tilting screen Fixed screen
    Touch Input Touchscreen no Touchscreen
    Shooting Specs Fujifilm GFX 100 Panasonic FT7
    Autofocus System On-Sensor Phase-detect Contrast-detect AF
    Manual Focusing AidFocus PeakingNo Peaking Feature
    Continuous Shooting 5 shutter flaps/s 10 shutter flaps/s
    Electronic Shutterup to 1/16000sup to 1/16000s
    Time-Lapse PhotographyIntervalometer built-inno Intervalometer
    Image StabilizationIn-body stabilizationLens-based stabilization
    Fill Flash no On-Board Flash Build-in Flash
    Storage Medium SDXC cards SDXC cards
    Second Storage Option Dual card slots Single card slot
    UHS card support Dual UHS-II UHS-I
    Connectivity Specs Fujifilm GFX 100 Panasonic FT7
    External Flash Hotshoe no Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 3.1 USB 2.0
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port no MIC socket
    Headphone Socket Headphone port no Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Bluetooth Support Bluetooth built-in no Bluetooth
    Body Specs Fujifilm GFX 100 Panasonic FT7
    Environmental SealingWeathersealed bodyWaterproof body (31m)
    Battery Type NP-T125 DMW-BCM13
    Battery Life (CIPA)800 shots per charge300 shots per charge
    In-Camera Charging USB charging USB charging
    Body Dimensions 156 x 144 x 75 mm
    (6.1 x 5.7 x 3.0 in)
    117 x 76 x 37 mm
    (4.6 x 3.0 x 1.5 in)
    Camera Weight 1320 g (46.6 oz) 319 g (11.3 oz)

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