Fujifilm GFX 100 vs Nikon Z50
The Fujifilm GFX 100 and the Nikon Z50 are two digital cameras that were officially introduced, respectively, in May 2019 and October 2019. Both the GFX 100 and the Z50 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 100) and an APS-C (Z50) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm GFX 100||Nikon Z50|
|Mirrorless system camera||Mirrorless system camera|
|Fujifilm G mount lenses||Nikon Z mount lenses|
|101.8 MP, Medium Format Sensor||20.7 MP, APS-C Sensor|
|4K/30p Video||4K/30p Video|
|ISO 100-12800 (50-102400)||ISO 100-51200 (100-204800)|
|Viewfinder optional||Electronic viewfinder (2360k dots)|
|3.2" LCD, 2360k dots||3.2" LCD, 1040k dots|
|Tilting touchscreen||Tilting touchscreen|
|5 shutter flaps per second||11 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|Weathersealed body||Weathersealed body|
|800 shots per battery charge||320 shots per battery charge|
|156 x 144 x 75 mm, 1320 g||127 x 94 x 60 mm, 450 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 and the Nikon Z50? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 100 and the Nikon Z50. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z50 is considerably smaller (47 percent) than the Fujifilm GFX 100. Moreover, the Z50 is substantially lighter (66 percent) than the GFX 100. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Fujifilm GFX 100»||6.1 in||5.7 in||3.0 in||46.6 oz||800||Y||May 2019||9,999||Fujifilm GFX 100|
|Nikon Z50«||5.0 in||3.7 in||2.4 in||15.9 oz||320||Y||Oct 2019||859||Nikon Z50|
|Fujifilm X-T4« »||5.3 in||3.7 in||2.5 in||21.4 oz||500||Y||Feb 2020||1,699||Fujifilm X-T4|
|Fujifilm XP140« »||4.3 in||2.8 in||1.1 in||7.3 oz||240||Y||Feb 2019||229||Fujifilm XP140|
|Fujifilm X-H1« »||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Fujifilm GFX 50R« »||6.3 in||3.8 in||2.6 in||27.3 oz||400||Y||Sep 2018||4,499||Fujifilm GFX 50R|
|Fujifilm GFX 50S« »||5.8 in||3.7 in||3.6 in||26.1 oz||400||Y||Sep 2016||6,499||Fujifilm GFX 50S|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Nikon D5500« »||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||Nikon D5500|
|Nikon D5300« »||4.9 in||3.9 in||3.0 in||16.9 oz||600||n||Oct 2013||799||Nikon D5300|
|Pentax K-1 II« »||5.4 in||4.3 in||3.4 in||35.6 oz||670||Y||Feb 2018||1,999||Pentax K-1 II|
|Pentax 645Z« »||6.1 in||4.6 in||4.8 in||54.7 oz||650||Y||Apr 2014||8,499||Pentax 645Z|
|Pentax 645D« »||6.1 in||4.6 in||4.7 in||52.2 oz||800||Y||Mar 2010||9,995||Pentax 645D|
|Sony A6400« »||4.7 in||2.6 in||2.0 in||14.2 oz||410||n||Jan 2019||899||Sony A6400|
|Sony A6100« »||4.7 in||2.6 in||2.3 in||14.0 oz||420||n||Aug 2019||749||Sony A6100|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A6300« »||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||Sony A6300|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The Z50 was launched at a markedly lower price (by 91 percent) than the GFX 100, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 100 features a medium format sensor and the Nikon Z50 an APS-C sensor. The sensor area in the Z50 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 100 has a native 4:3 aspect ratio, while the one in the Z50 offers a 3:2 aspect.
With 101.8MP, the GFX 100 offers a higher resolution than the Z50 (20.7MP), but the GFX 100 has smaller individual pixels (pixel pitch of 3.76μm versus 4.22μm for the Z50). Moreover, the Z50 is a somewhat more recent model (by 4 months) than the GFX 100, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inch or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inch or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inch or 98.6 x 74 cm. The corresponding values for the Nikon Z50 are 27.8 x 18.6 inch or 70.7 x 47.1 cm for good quality, 22.3 x 14.8 inch or 56.6 x 37.7 cm for very good quality, and 18.6 x 12.4 inch or 47.1 x 31.4 cm for excellent quality prints.
The Fujifilm GFX 100 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon Z50 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 100-204800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Fujifilm GFX 100||Medium Format||101.8||11648||8736||4K/30p||..||..||..||..||Fujifilm GFX 100|
|Nikon Z50||APS-C||20.7||5568||3712||4K/30p||..||..||..||..||Nikon Z50|
|Fujifilm X-T4||APS-C||26.0||6240||4160||4K/60p||..||..||..||..||Fujifilm X-T4|
|Fujifilm XP140||1/2.3||15.9||4608||3456||4K/15p||..||..||..||..||Fujifilm XP140|
|Fujifilm X-H1||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-H1|
|Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..||Fujifilm GFX 50R|
|Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..||Fujifilm GFX 50S|
|Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Nikon D5500||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Nikon D5300||APS-C||24.0||6000||4000||1080/60p||24.0||13.9||1338||83||Nikon D5300|
|Pentax K-1 II||Full Frame||36.2||7360||4912||1080/60i||..||..||..||..||Pentax K-1 II|
|Pentax 645Z||Medium Format||51.1||8256||6192||1080/60i||26.0||14.7||4505||101||Pentax 645Z|
|Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82||Pentax 645D|
|Sony A6400||APS-C||24.0||6000||4000||4K/30p||24||13.6||1431||83||Sony A6400|
|Sony A6100||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Sony A6100|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A6300||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the Z50 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 100 relies on live view and the rear LCD for framing. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The table below summarizes some of the other core capabilities of the Fujifilm GFX 100 and Nikon Z50 in connection with corresponding information for a sample of similar cameras.
|Fujifilm GFX 100||optional||Y||3.2||2360||tilting||Y||1/4000s||5.0||n||Y||Fujifilm GFX 100|
|Nikon Z50||2360||n||3.2||1040||tilting||Y||1/4000s||11.0||Y||n||Nikon Z50|
|Fujifilm X-T4||3690||n||3.0||1620||swivel||Y||1/8000s||15.0||n||Y||Fujifilm X-T4|
|Fujifilm XP140||none||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP140|
|Fujifilm X-H1||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n||Fujifilm GFX 50R|
|Fujifilm GFX 50S||optional||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n||Fujifilm GFX 50S|
|Nikon Z6||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Nikon D5500||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Nikon D5300||optical||n||3.2||1037||swivel||n||1/4000s||5.0||Y||n||Nikon D5300|
|Pentax K-1 II||optical||Y||3.2||1037||full-flex||n||1/8000s||4.4||n||Y||Pentax K-1 II|
|Pentax 645Z||optical||Y||3.2||1037||tilting||n||1/4000s||3.0||n||n||Pentax 645Z|
|Pentax 645D||optical||Y||3.0||921||fixed||n||1/4000s||1.1||n||n||Pentax 645D|
|Sony A6400||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||n||Sony A6400|
|Sony A6100||1440||n||3.0||922||tilting||Y||1/4000s||11.0||Y||n||Sony A6100|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A6300||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
One feature that is present on the GFX 100, but is missing on the Z50 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The Z50 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 100 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 100 and the Nikon Z50 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 100 and the Z50 write their files to SDXC cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the Z50 only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 and Nikon Z50 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm GFX 100||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm GFX 100|
|Nikon Z50||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Nikon Z50|
|Fujifilm X-T4||Y||stereo||mono||Y||-||micro||3.1||Y||-||Y||Fujifilm X-T4|
|Fujifilm XP140||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP140|
|Fujifilm X-H1||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y||Fujifilm GFX 50R|
|Fujifilm GFX 50S||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Fujifilm GFX 50S|
|Nikon Z6||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Nikon D5500||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Nikon D5300||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5300|
|Pentax K-1 II||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Pentax K-1 II|
|Pentax 645Z||Y||stereo||mono||Y||-||mini||3.0||-||-||-||Pentax 645Z|
|Pentax 645D||Y||stereo||none||-||-||none||2.0||-||-||-||Pentax 645D|
|Sony A6400||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony A6400|
|Sony A6100||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony A6100|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A6300||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
It is notable that the GFX 100 has a headphone jack, which is not present on the Z50 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Studio photographers will appreciate that the Fujifilm GFX 100 (unlike the Z50) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the GFX 100 and the Z50 are recent models that are part of the current product line-up. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Fujifilm and Nikon. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.
So what conclusions can be drawn? Is the Fujifilm GFX 100 better than the Nikon Z50 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Fujifilm GFX 100:
- More detail: Offers more megapixels (101.8 vs 20.7MP) with a 118% higher linear resolution.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (800 versus 320) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in May 2019).
Advantages of the Nikon Z50:
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (127x94mm vs 156x144mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 870g or 66 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (91 percent cheaper at launch).
- More modern: Was introduced somewhat (4 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the GFX 100 is the clear winner of the match-up (12 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 100 and the Nikon Z50 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the GFX 100 and the Z50 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 2000D vs Nikon Z50
- Fujifilm GFX 100 vs Fujifilm X-A5
- Fujifilm GFX 100 vs Leica D-LUX Typ 109
- Fujifilm GFX 100 vs Nikon D1
- Fujifilm GFX 100 vs Panasonic S1
- Fujifilm GFX 100 vs Pentax K-1 II
- Fujifilm GFX 100 vs Sony A6100
- Fujifilm GFX 100 vs Sony NEX-C3
- Fujifilm X-Pro3 vs Nikon Z50
- Nikon Z50 vs Panasonic TZ95
- Nikon Z50 vs Pentax K-1
- Nikon Z50 vs Sony A7R III
Specifications: Fujifilm GFX 100 vs Nikon Z50
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 100||Nikon Z50|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm G mount lenses|
|Launch Date||May 2019||October 2019|
|Launch Price||USD 9999||USD 859|
|Sensor Specs||Fujifilm GFX 100||Nikon Z50|
|Sensor Format||Medium Format Sensor||APS-C Sensor|
|Sensor Size||43.8 x 32.9 mm||23.5 x 15.7 mm|
|Sensor Area||1441.02 mm2||368.95 mm2|
|Sensor Diagonal||54.8 mm||28.3 mm|
|Sensor Resolution||101.8 Megapixels||20.7 Megapixels|
|Image Resolution||11648 x 8736 pixels||5568 x 3712 pixels|
|Pixel Pitch||3.76 μm||4.22 μm|
|Pixel Density||7.06 MP/cm2||5.60 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100-12800 ISO||100-51200 ISO|
|ISO Boost||50-102400 ISO||100-204800 ISO|
|Image Processor||X-Processor 4||EXPEED 6|
|Screen Specs||Fujifilm GFX 100||Nikon Z50|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.2 inch|
|LCD Resolution||2360k dots||1040k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Fujifilm GFX 100||Nikon Z50|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||5 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-II|
|Connectivity Specs||Fujifilm GFX 100||Nikon Z50|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Fujifilm GFX 100||Nikon Z50|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||800 shots per charge||320 shots per charge|
|In-Camera Charging||USB charging||USB charging|
156 x 144 x 75 mm
(6.1 x 5.7 x 3.0 in)
127 x 94 x 60 mm
(5.0 x 3.7 x 2.4 in)
|Camera Weight||1320 g (46.6 oz)||450 g (15.9 oz)|
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